Certificate. Appointing an Officer of the Military Forces of the Commonwealth, HENRY THOMAS RIDGE. Black print on cream coloured paper. Includes an embossed Commonwealth of Australia seal. Frame. Mid brown timber with dark green mount & glass front. On front of certificate in black ink: HENRY THOMAS RIDGE ACTIVE CITIZEN EIGHTH OCTOBER LIEUTENANT SEVENTH MAY FORTY TWO Along edge of certificate: 102 59 Twelfth May Forty twodocuments - certificates, frame accessories

ALFRED EDWARD BOLAND V59811, VX120170. Refer 2473 for Service History.Certificate. Appointing an Officer of the Military Forces of the Commonwealth, ALFRED EDWARD BOLAND. Black print on cream coloured paper. Includes an embossed Commonwealth of Australia seal. Frame. Mid brown timber with dark green mount & glass front.On front of certificate in black ink: ALFRED EDWARD BOLAND PERMANENT SEVENTH MAY LIEUTENANT TENTH AUGUST FORTY FOUR Along edge of certificate: 144 133 Sixteenth August Forty fourdocuments - certificates, frame accessories

FRANK THOMAS DUNPHY No 4485 enlisted in the AIF on 12.7.1915 in 14th reinforcements to 6th Batt age 22 years. Embarked for Egypt 28.1.1916, embarked for France 29.3.1916, hospitalised 7.9.1916 with varicose veins, while recovering was hospitalised again with mumps. Returned to unit 19.2.1917, WIA 5.10.1917 with GSW’s chest & right arm - severe, returned to Australia and discharged medically unfit on 1.10.1918.Frame. Timber, cream painted with glass front. Certificate. Black, white, blue, red & yellow ink, hand written certificate on beige paper. Battalion colour patch at the top & RSL badge at bottom with printed blue ink: 28th Day of October 1964. "From 6th Battalion AIF Social Club Bendigo - To Frank Thomas Dunphy Esq" Signed in black ink bottom RH: "Les Bennetts- R C Wright - W Green"documents - certificates, frame accessories, military history

Certificate of Discharge of Sapper Reginald T Rosewall. Frame. Grey painted metal frame with dark green mount & glass front. Collage. LS black & white photograph, soldiers in uniform, informal group from the Mouth Organ Band, an Australian Military Force Demobilization Procedure Book & Members Personal Equipment Card & page of book showing Soldier's Name and Description on Enlistment. RS certificate black print on cream paper: Certificate of Discharge.Certificate of Discharge of Sapper Reginald T Rosewall. Handwritten in black ink & typed in black on 2 documents, enlistment & discharge information.documents - certificates, frame accessories, r.t.rosewall

Framed photograph, timber frame, glass, photograph B&W, half portrait of Field Marshall Lord Kitchener in uniform, backing mount beige colour, black print under photo, framing label on rear.photography-photographs/frame accessories, military history, british, passchendaele barracks trust

Book, soft cover cardboard, black & red colour , black print on front cover & spine, colour photograph framed in red on front of a soldier mounted on a horse. Colour photograph of author on back, 217 plain cut pages, illustrated, black & white photographs.Handwritten in black ink on front flyleaf: Donated by Bendigo YMCA Owners label: Miss S M Sutherland 2/181 Whitehorse Rd Balwyn Vic 3103 Black ink stamp on front fly leaf: RSL Stampbooks, military history

The certificate is, A proclamation given at our Court on the Equator, this 28th day of February 1928”Framed Certificate, timber with decorative edge, brown colour, glass front, certificate, red and black print with ornate pillars each side topped with globes of the world, framing label on backAt bottom of certificate in scroll, “AB Alfred J Carter”documents - certificates, military history - navy, frames

Requisitioned by the RAN on 11.10.39 and outfitted as an Armed Merchant Cruiser. Commissioned 12.12.39 and Decommissioned 6.12.47 and refitted back to original use. Battle Honours, Indian Ocean 1941-42, Pacific 1942-45, New Guinea 1944, Leyte Gulf 1944, Lingayen Gulf 1945, Borneo 1945. Framed photo of "H.M.A.S. Manoora" Black and white photo of full length of ship. Sydney Harbour Bridge is in the background. The frame has stylised branch and leaves. Heavily printed over with cream paint.Marked on rear of frame, "L. SCHILLING" On front states HMAS MANOORA, armed merchant cruiser. 1939 - 1945.photography, hmas ran

The photo relates to Francis William (Dinky) Dean BEM, VX93960 2nd AIF, 3742 1 RAR. Refer Cat No 124.2 for his service details. Framed photograph of 'A Company 1st Battalion The Royal Australian Regiment/Selarang Garrison - Singapore - Oct 1970' Staff Photograph. Photograph: Group black and white photograph of soldiers in uniform. Printed information (row position and names) provided below photograph. Frame: timber with decorative edge, mid brown colour stain, glass front. Mount: dark green coloured cardboard.Printed label above photograph: "A Company 1st Battalion The Royal Australian Regiment/Selarang Garrison - Singapore - Oct 1970" Bottom left on glass, printed label in black ink. "FRANK (DINKY) DEAN BEM/ Front row 7 from right/ donated by/ Mrs M Dean/ Refer book 54" photography, military, accessories, history, army

Information board showing colour patches & units that were in the Siege of Tobruk. There is a print portrait of LT GEN SIR LESLIE MORSHEAD at bottom left. Top centre shows Rising Sun badge surrounded by Union Jack & Australian flag. There is a Rats of Tobruk Association badge on left side.Siege of Tobruk AIF April - Dec 1941.colour patches, tobruk ww2

Wycheproof Historical Society has the Charlton Independent newspaper report Clip of Friday, November 27,1885 of the Opening of ANA Branch Number 45, Wycheproof, in Supplementary file box,Room 1,also ANA Display folder in Upper Level Room 4,Cabinet 2B Many Australian Natives' Association subscribers' details are found in our collection of old A.N.A. books.These record books give names, occupations,locations and transfer information.The formation of the Wycheproof Branch made this historical data possible. This is an original charter dated 1885 - an old historical document. In 1993 Austalian Natives' Association(ANA)joined forces with Manchester Unity to create Australian Unity. A.N.A. Charter signed by chief President and General secretary; seal of A.N.A. 24-11-1885. Wycheproof Branch Opening Number 45 for Australian Natives' Association. Contents of 24 lines, commercially printed documentation - wooden ornate frame.On back: Donated to the Wycheproof/ Historical Society 6.8. 2008/ by Eddie Molloy.australian natives association, a.n.a., wycheproof, charter, 1885

Four families of Kerrs lived at Thalia, out of Wycheproof and when Tom's daughter Margaret donated the framed certificate she commented,"it has found a good home at the Wycheproof Historical Society."A valued Wycheproof SHOW prize for best practice agriculture in its day,year 1939. This item relates well to key themes in the history of the region,in particular progress in agriculture and pastoral production. Framed Special Certificate issued by the Farm Competitions Associations of Victoria and awarded in 1939 by the Wycheproof & District Agricultural & Pastoral Society - Secretary A.B. Hackwell. Coloured images of wheat grains and stalks surround the printed and written words."Donated by Margaret Smith nee Kerr 29. 2. 2008."1939, , wycheproof, show, wheat crop, winner

MEDIUM: Screenprint of drawing. DESCRIPTION: Black and white, signed print under glass, black outer frame, white board inner frame.Two figures are central on a light background. A man approaches a woman on a period chair. Signed across bottom of print (proper right).print, boyd, signed, limited, edition

MEDIUM: Photographic print. DESCRIPTION: A photograph of abstract architecture. Black outer frame with glass front panel and white board inner frame. An abstract collection of building faces meeting towards a left off centre vertical line collision point. This picture is a meeting of mirrors, how many remains a mystery. Where one mirror or building starts and another ends, to the viewers eye is met with some uncertainty. Following lines, the clearest meeting of mirrors is where the building on the left appears to be the same and collides with a variety of other buildings coming horizontally in a distinct vertical line to the top of the image. The bulidings on the right have somehow through the skill of the photographer captured a bermuda triangle of walls. The mirroring angles of the walls being from either several different buildings, or from several different mirrors. This creates a strange collecetion of imagery, the viewer unable to make clear distinctions of where something starts or ends or from where it is coming from. The tonal shades and shadows created also play a role in creating an interesting collage of shapes and lines. This piece essentially speaks of lines, angles, geometric shapes, meeting points, shadow and light. Signed and dated on white board inner frame, directly under left corner of image.photograph, st, considine, converge, collins

MEDIUM: Digital print. DESCRIPTION: A fractal exploration on 192 gsm archival matt. Image ranges from yellow, orange, and red to darker tones. Gold outer frame with a glass front. The Mandalas geometric designs are symbolic of the universe and used in Hinduism and Buddhism as an aid to meditation. The creative possibilities that exist in these sacred circles, are often based on a step-and-repeat principle, centre, and symmetry. Here we see this put into practise. The mandala has an iris quality about it with 16 pillars pulling centrally to what looks like a pupil, the centre of the mandala. This then has more points around it and then more once again. This fractal approach gives the work a textural depth. The use of blurring and merging in a kaleidoscopic fashion creates movement, the circular flow repetitive and calming. The use of reds throughout mandata art represent the glowing sun and of fire, red generally taken to be the color of life, love, joy and rage, the polar values of the color. Orange the colour of cheerfulness and gaiety, a colour mixed from red and yellow, it stands for kind-heartedness and warm-heartedness. Signed, titled, dated and editioned on image across bottom.de, print, digital, dear, amber, bead, mandala, fractal, expolration

MEDIUM: Inkjet print on cotton rag. DESCRIPTION: Abstract image, black and pale brown/ivory, black outer frame with glass, white board inner frame under glass. The objects appear to be broken up pieces of something greater. Pieces of a greater machine, here re-assembled in hard angular lines and triangular blocks, in abstracted form. The image is a close up, the ink on cotton comes up in rough grainy scratches of shadow. Shades of grey with highlights of blue. Dark angles with patches and corners of pure black. Hard dark lines which meet with white surfaces, blend into grey.Signed, titled and dated on backing board.de, grouchy, lightspace, inkjet

MEDIUM: Photo/collage DESCRIPTION: Photo collage Green wooden outer frame with glass front Image and yellow board inner frame under glass. The complete image is made up of 18 individual photographs compiled together to make one image. The image is of Disney Florida’s 25th Anniversary; here the artist captures the excitement and colour of such an event. The textural quality this collage technique offers is an interesting one. Each photograph has an individual quality about it, the outer perimeters of each print having lighter or darker edges to its neighbouring print. Continuous lines do not always meet; the tops of spiers are at times cut off. The tonal qualities of each print also vary, some slightly, some dramatically different to each other. Signed "Massimo'96" proper right hand corner in image - Vertical script.photograph, world, di, sora, massimo, collage, disney, florida

MEDIUM: Photograph DESCRIPTION: C.type print Black outer frame with glass panel White board inner frameCertificate of authenticity on reverse of imagephotograph, ellis, angus, young, ac dc

MEDIUM: Silver gelatin print DESCRIPTION: Photograph from book, 'Cuba Que bola' - a photographic essay - a series of photos depicting daily life in cuba. Black and white silver gelatin print, cane cutter in cane Black outer frame and white inner boardfieldArtists signature and edition on right proper cornersilver, print, jovanovic, canecutter, el, machetero, gelatin

MEDIUM: Digital print on canvas DESCRIPTION: No frameSigned, titled and dated on reverse of canvasprint, digital, canvas, gant, take, me

MEDIUM: Photograph/Print DESCRIPTION: Black and white photograph print No outer frame White board frameSigned, titled and dated under bottom of image on printbanda that, dress photograph

MEDIUM: Photograph/Print DESCRIPTION: Photographic collage Black outer frame with glass Image and white board inner frame under glassSigned and dated; proper left corner on white board under imagephotograph, de, print, me, roach, catch, if, you, can

These cane chairs are one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. Heywood & Wakefield Furniture Co: The Heywood-Wakefield Company is an American furniture manufacturer established in 1897. It went on to become a major presence in the US. Its older products are considered collectibles and have been featured on television antique programs. The Heywood brothers established themselves in 1826, as furniture makers and the Wakefield Company began in 1855 as a separate company. Both firms produced wicker and rattan furniture, and as these products became increasingly popular towards the end of the century, they became serious rivals. In 1897 the companies merged as Heywood Brothers & Wakefield Company (this name was changed to Heywood-Wakefield Company in 1921), purchasing Washburn-Heywood Chair Company in 1916, Oregon Chair Company in 1920, and Lloyd Manufacturing Company in 1921. While its wooden furniture plant in Gardner, Massachusetts closed in 1979, a branch in Menominee, Michigan continued to manufacture metal outdoor seats, auditorium seats, and school furniture. The Heywood-Wakefield Company Complex in Gardner was added to the National Historic Register in 1983. The South Beach Furniture Company acquired the rights to the name in 1994 and reproduces its wooden furniture. Both founding companies produced wicker and rattan furniture in the late 19th century.  The wicker styles drew on the Aesthetic Movement and Japanese influences simpler designs arose in the wake of the Arts and Crafts Movement. The merged entity stayed abreast of wicker furniture trends by hiring designers such as Paul Frankl and Donald Deskey during the 1920s. Its furniture was exhibited at the 1933 Century of Progress exhibition and the 1964 New York World's Fair. During the 1930s and 1940s, Heywood-Wakefield began producing furniture using sleek designs based on French Art Deco.The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the village and Museum was established. The wicker furniture is a fine example of late 19th and early 20th century light weight domestic furniture that are today very collectible items and quite rare and valuable.Pair of wicker armchairs, painted dark brown. The open wicker weave pattern extends from the seat up to the armrests and completely over the backrest, plus across the front of the chair below the seat. The seat is very firmly woven and fitted into a timber frame. A reinforcing pattern of wicker work covers the top edges of the armrests and backrest in one piece and folds around to the underside, referred to as ‘rolled serpentine arms and back’. The hollow ends of the armrests are filled with a circular knob of wicker work. The back legs are also completed with decorative wicker knobs. One chair base (3788.01) has been strengthened with metal bracing. The other chair (3788.02) has the remnants of an orange manufacture’s tag fixed to the base. The chairs were made 1897-1921 by Heywood Brothers & Wakefield Company, USA. These chairs are part of the Giles Collection.Printed in black on an orange tag “MANUFA - Heywood B – GARDNE”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, giles collection, giles family, henry and mary jane giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century furniture, wicker armchairs, rolled serpentine wicker work, cane armchair, classic wicker furniture, victorian style furniture, domestic furniture late 19th century, heywood-wakefield company

The photograph was created by Geelong artist Julian Aird and framed by a business in Geelong. The window in the photograph is of the 1928 stained glass window and the baptism fold in the St Nicholas' Seamen's Chapel at Flagstaff Hill Maritime Village, which were installed at Flagstaff Hill's for the Chapel's opening in 1981. About the Window - The window in this photograph, once known as the Dr Connell Memorial Window, was a feature of an external wall adjacent to the Women’s and Children’s Wards of Warrnambool Hospital. Honorary Doctors had played a significant role in the operation of the hospital between the years 1900 to 1939. One of these doctors was Dr. Connell, who passed away in 1928. The green glass memorial nameplate has an inscription that dedicates the window to Dr. Connell. The inscription reads: "A tribute to Egbert John Connell M.B.B.S. who for 30 years rendered devoted and valuable service to this institution. Obiit April 4th 1928, A.D." The photograph's significance lies in the subject of the stained glass window, and its connection with the history of the local Warrnambool Base Hospital, dating to Dr Connell's work there in the early 20th century.This photograph captures the light shining through an arched, stained glass window behind a baptismal font. Rectangular framed photograph, portrait view, behind glass, with black frame and matt. A cord for hanging it is attached at the black, and there is a black, round felt pad on each lower rear corner. The photograph by Julian Aird is titled 'Illumination' and was framed in Geelong. Details of title, and photographer are handwritten on the back and and printed label gives the contact details of the framer. Written by hand in black pen " 'ILLUMINATION' / MARITIME MUSEUM WARRNAMBOOL", "JULIAN AIRD / TEL/FAX. 03 52890457" " Printed on adhesive label "EASTERN VIEW / PICTURE FRAMERS" "Proprietors Steven & Annemarie Hocking / 162 Malop Street, Geelong, Vic, 3220 / Ph. (03) 5229 5935" Logo on label in centre of oval with text [2 tall water birds facing each other with a water fountain between them]flagstaff hill maritime museum & village, maritime museum, maritime village, great ocean road, shipwreck coast, ulian aird, illumination, photograph, dr. connell, stained glass window, baptism font, gbert john connell, st nicholas seamen's church, warrnambool hospital, dr connell memorial window, eastern view picture framers, steven & annemarie hocking

This picture was produced affordably for domestic decoration in the early to the mid-20th century. The picture is currently not associated with a historical event, person or place at this time and is being used to augment Flagstaff's village display.Picture of cattle, ducks and woman pouring milk in barn. Colour print on grainy paper covered by glass with decorative gilt frame. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, print, wall decoration, art, farm scene

Captain Robilliard: James Arthur Robilliard was a sea captain and tentmaker, born on the 19th April 1843 at Saint Helier, Jersey. He trained there in his father's sail loft as a sailmaker. His first job as a sailor was in Liverpool, England and 1875 James Robilliard migrated to Australia as mate on the "E.M. Young". James Robilliard and his family were amongst the early settlers that arrived along the Curdies River in the Heytesbury district of Western Victoria. In 1877 he became a Captain and would have used his compass from ship to ship. On 28th May 1877 in that same district a small 3-masted, schooner the "Young Australian" was wrecked. This schooner had been built 1864 at Jervis Bay, NSW. She had been on her way from Maryborough Queensland to Adelaide, under the command of Captain Whitfield, when she lost her mainmast in a heavy gale. She was beached at Curdies Inlet in Peterborough, Victoria, Captain Robilliard was placed in charge of the salvaging operation and recovered a good portion of the cargo. Not long after this incident a Warrnambool shop owner David Evans found employment for James Robilliard with Evan Evans, who produced tents, sails, tarpaulins and similar goods; James already had the necessary skills for this work. Evan Evans was the same sailor rescued from the “Young Australian” soon after his rescue Evan recalled he had a relative in Australia in a town called Warrnambool and while walking in Timor Street, Warrnambool, he saw a sign over a shop that said “David Evans” and once the two men met, Evan was warmly welcomed. David then helped his relative to establish a tent and tarpaulin-making business there. Evan later transferred his successful business to a shop in Elizabeth St, Melbourne, under the name Evan Evans Pty. Ltd.) James Robilliard, a committed Christian, and accredited Lay Preacher with the Methodist Church. He travelled around the local district leading the settlers in worship. On 14th November 1879, Captain Robilliard married Helen Beckett. Alfred and Selina Beckett and their family all attended the church at Brucknell where Captain Robilliard preached. He was said to have been taken by their young daughter Helen. James and Helen had ten children; James Arthur (Jnr), Henry William, Nellie Jessie, Alfred Albert, Rubena Nellie, De Jersy Norman, Clifford Beckett, Olive Ida, Frances Ridley Havergal and Nellie Elvie, all born in Victoria. In the 1880s James Robilliard captained the cutter "Hannah Thompson" into Port Campbell, Victoria. This vessel was the first coastal trader to operate between Melbourne and Port Campbell. At one time Captain Robilliard had to beach the "Hannah Thompson" for repairs. In 1923 she was blown ashore in a gale and wrecked at Oberon Bay, at Wilson's Promontory. In 1889 the compass was saved by Captain James Arthur Robilliard from his sinking brigantine "Mary Campbell" in 1889. This vessel was used to carry equipment for the Sydney Sugar Refinery's Mill in Southgate, NSW. The ship had been built in 1869 and traded for the next 20 years between Australian ports and rivers along the east coast as well as regular ports in New Zealand. She was recognised by the Sydney Morning Herald as one of the best "carrying vessel in the timber trade". She had several owners over this time, the last one being Captain James A. Robilliard. On 29th April 1889 the "Mary Campbell", with Captain James A Robilliard as captain and owner, was on her way from Clarence River, NSW to Melbourne, Victoria with a cargo of railway girders for the Melbourne Harbour Trust. Captain Robilliard encountered a storm off Port Macquarie. He sailed the vessel south to about 40km east of Cape Hawke, near Tuncurry. At around 7 pm, he discovered that the cargo had shifted during the storm and the heavy girders had damaged the hull, causing a leak. The pumps were inadequate to stem the fast-flowing leak water soon filled the hull during the next two hours. Some of the crew began throwing the cargo overboard to lighten the vessel, hoping to keep it afloat until daylight. When the water reached over 2 meters in the hull they realised their efforts were in vain. On the 30th April 1889, the crew left the vessel the ship was sinking fast, so they made for the shore. While still miles off Cape Hawke all seven crew members, including the Captain, were rescued by the Government Tug "Rhea" and taken to Port Macquarie Hospital and later returned to Sydney in the vessel "Wellington". No cargo had been saved and the consignment had been under-insured, only covered for half its value. The name of the last ship Captain Robilliard sailed is currently unknown, however, he sailed that ship from the port of Marlborough, Queensland, carting steel railway girders for the Geelong-to-Camperdown railway line. On this trip the ship hit a storm, the cargo shifted and the ship was wrecked along the NSW coast. After this, Captain Robilliard retired from the sea and began farming in Peterborough. In about 1897, verging on retirement, Capt. Robilliard superintended the Melbourne Sailors’ Home in Spencer Street, Melbourne, before being asked to leave this position in 1902 for trying to shut down a local hotel. On 6th May 1917 Captain James Arthur Robilliard J.P. died at Blackwood Park, in the Cobden district of Brucknell, the first Robilliard family homestead in Australia. He was buried in the Melbourne General Cemetery, Victoria. His wife Helen passed away in 1947. This compass, once belonging to Captain James Arthur Robilliard, is of local and state historical significance for its use by the Captain with his vessel the "Mary Campbell", a trading vessel that was bringing railway girders to the Melbourne Harbour Trust. He also used this compass on the "Hannah Thompson", listed on the Victorian Heritage Register and known as being the first coastal trader to operate between Melbourne and Port Campbell. The compass is also a very fine example of maritime navigational instruments manufactured and used in the mid-19th century. Marine compass, brass, in wooden box with separate, fitted lid. The compass card has sixteen points. The four principal points are marked; North with a star shaped, South with an “S”, East with and “E” and West with an “O” (French word OUEST). Each quadrant of the circle is numbered from 0 – 90 degrees. The card is floating in a liquid. The compass gimbal is attached to the sides of the box and to the front and back of the compass’ cylindrical brass frame. The mahogany coloured timber storage box is joined with brass nails. The centre of the lid has a folding decorative brass handle. The lid fits over base and closes with a brass screw and hook on both front and back. Maker; Dubas Watchmaker Optician, Nantes, France, c 1860-1870. Compass came from the ship “Mary Campbell”, which sank off the NSW coast in 1889, near Forster. The compass, as well as the ship, belonged to Captain James Arthur Robilliard and was donated by his family. “DUBAS MANTES” stamped into side of gimbal. “DUBAS HORLOGER OPTICIEN. NANTES.” printed around centre of card. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, marine compass, navigation instrument 19th century, marine instruments, dubas mantes, captain james arthur robilliard, j.a. robilliard, helen beckett, ship young australian, ship young australia(n), ship hannah thompson, ship mary campbell, melbourne sailors home, david evans, evan evans, curdies inlet, brucknell church, curdies railway, great lakes museum

San Remo house built by Charles Grayden 1880?? Possibly Miss Elms' house.coloured print - side view of weatherboard painted white/cream. Verandah with slender square posts - framed by Pine Tree on left and small leafed tree on right.local history, photography, san remo, local area development by europeans, housing, coloured photograph, commercial development san remo, domestic development