Used as flour or sugar scoop, tis scoop, when full, measures 1/2 cup.Metal scoop with wooden handle"Level full 1/2 cup A & J Made in USA"scoops

The Cutty Sark sailing ship was a popular model-making ship. It was a British clipper ship built originally for the China- England tea trade and was one of the last and fastest tea clippers. From 1883 to 1895 it was used to carry wool from Australia to England and held many records for speed during that time. Since 1954 the ship has been on display at Greenwich, England. The model has an etched inscription indicating that it was made by Herman Richter and so it is presumed that he was the maker of this model. A model of the Cutty Sark was made by his father, Edward Richter using wood from the Enterprise wrecked in Lady Bay and that model was in the old Warrnambool Museum. This information was in a newspaper article at the time of Edward Richter’s death. This Herman Richter model may be a copy of his father’s model. The Richters have been prominent in Warrnambool’s history, beginning with Henry Richter who came to Warrambool in the 1850s and worked in the Western Brewery and was licensee of the Royal Archer Hotel. His son Edward who died in 1937 was a prominent Warrnambool resident for 78 years. Herman, the son of Susan and Edward Richter was well-known as a model boat maker and maker of model boats in bottles.This model boat is of great interest because the ‘Cutty Sark’ was a well-known sailing ship and was important in Australia’s maritime history as a carrier to London of Australian wool in the 1880s and 90s. It is also of interest as it was made by a member of the Richter family, a prominent one in Warrnambool’s history with both Edward and his son Herman Richter producing many artefacts connected to Warrnambool’s history – model ships, violin-making, maritime paintings etc. This is the model of a three-masted ship with a hull painted in green and black with gold bands. The ship is mounted on a wooden stand and enclosed in a wooden box with a glass front. The box is varnished and has ornamental patterns in gold and blue on the top and sides. The inside of the box is painted blue and white to represent the sea and the sky.‘Cutty Sark 963Tons by H Richter 1964’richter family, warrnambool, model boat building

One of a group of photographs from the Bryant West Collection donated by Mary Karney.Black & White photograph of a family on Lover's Walk Cowes, Phillip IslandH. Malour, Cowes The Lovers' Walk, Cowes.lovers' walk cowes phillip island, phillip island, bryant west collection, mary karney

This was collection by Federation University VIOSH, who trained safety managers, senior advisors and experienced Occupational Health & Safety professionals. Mounted and signed photograph of sheep beside a drystone wall (Possibly in Yorkshire)signed lower right 'Richard H. Fawcett'viosh australia, shearing, sheep, drystone walls

This photograph show what the Waubra State School looked like in 1906. There are at least 40 pupils with two teachers in the photo and it also show that there was a picket fence around the school.One of the many photos that the society holds in regards to the old Waubra State School from the early 1900's.A rectangle sepia photo made from photo paper and cardboard, of the Waubra State School with the teachers (2) and pupils (40) on the corner, outside the picket fence. This was taken in 1906.W. H. Poiner. Clunes on the front of the photo and on the back, Taken 1906 - W. H. Poiner, Photographer, Albert Street, Clunes.

ABOUT THE ARTIST – Philip James Gray “Philip is one of Australia’s leading maritime artists and his meticulous research and social commentary paintings of ships, such as, the Loch Ard and Schomberg form an important part of Warrnambool’s Flagstaff Hill Maritime Museum.” [ref. Dr Marion Manifold, Artist and Art Historian, 2014] Philip James Gray was born in London but has lived most of his life in Australia. He graduated from a London school of art as an illustrator, specialising in technical and scientific illustration as well as other commercial and applied art. He was also a student for a time of Fyffe Christie - British figurative artist, mural painter and humanitarian – who had a great influence on his career. Philip has always worked as a professional artist and illustrator. Many publications on maritime history have featured his work. His paintings have been released and sold all over the world as limited edition prints. The State Library of Victoria’s ‘Latrobe Collection’ holds two of his paintings. His street painting of ‘The Ashes Contest’ decorates the brick wall of Old Bakery Laneway in Sunbury and a Sunbury café owner commissioned him to paint the ‘Sunbury Pop Festival’ as a remembrance of local history. [ref. Sunbury Leader, Nov 15 2013] Philip has been an active member of the Sunbury Art Society in Victoria for several years, serving on the committee for some of that time and being involved in exhibitions. He enjoys helping new artists and sharing his skills and experience. [other references: Sunbury Art Society Inc. Oct-Nov 2012] HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Print of the sailing ship Loch Ard by artist Philip J. Gray, 1993. Depicts the Loch Ard in full sail at sea, figures on deck. Limited Edition number 54/925. Print is adhered to a piece of chipboard and is stamped by the framer, Ian's Picture Framing of Warrnambool.Signature of "Philip J. Gray" , "54/925" Stamped on back "IAN'S PICTURE FRAMING, 48 KEPLER STREET, WARRNAMBOOL 3280, PH: (055) 628 022, FAX: (055) 628 145"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, print, philip j. gray

Edge of brick building part of the light industrial area including N. J. Tillings Timber Factory, Brougham Street, Eltham. This is one of 7 B/W 8x10 inch photos with notes on back by Dick Crichton. Accompanying letter from Florence Chrichton 2013 : "Originally sent to Shire of Eltham Engineer, Mr. McDonald. [These photographs were part of their campaign to the Shire of Eltham in 1975] claiming that the zoning regulations were being breached by the occupants of various factories in the nearby light industrial zone [Brougham Street, Eltham] - to the detriment of those living in adjoining residential zones, and that, despite .. earlier objections and complaints, nothing was done about it." 1 black and white photograph printed with white border on three sidesindustrial estate, brougham street, eltham, 1975, bolton street, dick crichton, n.j. tillings, timber factory, shire of eltham

Piles of dirt alongside dirt road, part of the light industrial area including N. J. Tillings Timber Factory, Brougham Street, Eltham. This is one of 7 B/W 8x10 inch photos with notes on obverse by Dick Crichton. Accompanying letter from Florence Chrichton 2013 : "Originally sent to Shire of Eltham Engineer, Mr. McDonald. [These photographs were part of their campaign to the Shire of Eltham in 1975] claiming that the zoning regulations were being breached by the occupants of various factories in the nearby light industrial zone [Brougham Street, Eltham] - to the detriment of those living in adjoining residential zones, and that, despite .. earlier objections and complaints, nothing was done about it." 1 black and white photograph printed with white border on three sidesInscribed on back: "View from residential premises in Brougham Street. Trees in foreground will soon be lost due to making of the main drain by M.M.B.W.. Photograph shows topographical features of the valley and how sound travels upwards and outwards to residential zones surrounding." industrial estate, brougham street, eltham, 1975, bolton street, dick crichton, n.j. tillings, timber factory, shire of eltham

Photograph of a Kettle Decatizing apparatus, as produced by H. Krantz Soehne (manufacturers of finishing machinery) of Aachen, Germany. It was sent to Arthur Heaton & Co. Ltd as part of a price quotation. Decatizing is the process of forcing steam through wool.Photograph, 1931, of a Kettle Decatizing apparatus, as produced by H. Krantz Soehne (manufacturers of finishing machinery) of Aachen, Germany. Decatizing is the process of forcing steam through wool.H. KRANTZ SOEHNE / AACHEN. 231.textile machinery textile finishing, h. krantz s?? arthur heaton and co. ltd, decatizing, textile machinery, textile finishing

Demonstrates aspects of the Ballarat Tramways ticketing system and how tickets were printed for specific uses, this for use between Bridge St Sebastopol and Grenville St. Issued 1920's or 1930's.Three pence halfpenny, 3 1/24d ticket on a light green colour, light weight card stock used by ESCo c1920, Number Pc 6563, has been printed for specific use between Grenville St and Bridge St Sebastopol. Printed by J. J. Miller Melb. Printing in black ink. Has been nipped or cancelled for the trip from Sebastopol.trams, tramways, tickets, sebastopol, esco

Mathematic book used in Victorian programme of instuction.Grey card cover with black border and print diamond shaped design two thirds of the way down the coverFederal Mathematics for Grade VIII. Edited by J. McRae, M.A. Inspector of Schools, Victoria Specially written to meet the requirements of the New Victorian Programme of Instruction. Melbourne: Christchurch: Wellington: Dunedin N.Z. & London Whitcombe & Tombs Limited 1/6 Inside: Theresa Euphemia Cummingstawell education

WW1 Photograph and Article about Pte. Claude H. Lefoe from Barnawartha who enlisted in 1918. WW1 soldierA sepia coloured photograph of Private Claude H. Lefoe WW1 soldier enlisted at Barnawartha 1918, accompanied by an article describing his details.Article contains information about Private Claude H. Lefoe from Barnawartha.

Brass coloured metal scales with weighing pan, three larger ball weights and one smaller ball hanging from the arm. Metal cast label "H Troemner's Ball Scale No 24". Weighing balance arm has numbers 1 to 6, also 0 to 16 scale (pounds and ounces). Many signatures with dates on the base of the weighing pan, probably of people who worked with the scales (from 1889 to 1988). Used for weighing at J Kitchen & Sonsindustry - manufacturing, j kitchen & sons pty ltd

N. J. Tillings Timber Factory was part of the Brougham Street, Light industrial area, Eltham. Brick bulidings includes signage: Wakefield Pr... (printer?) No 17 Building C. This is one of 7 B/W 8x10 inch photos with notes on obverse by Dick Crichton. Accompanying letter from Florence Chrichton 2013 : "Originally sent to Shire of Eltham Engineer, Mr. McDonald. [These photographs were part of their campaign to the Shire of Eltham in 1975] claiming that the zoning regulations were being breached by the occupants of various factories in the nearby light industrial zone [Brougham Street, Eltham] - to the detriment of those living in adjoining residential zones, and that, despite .. earlier objections and complaints, nothing was done about it."1 black and white photograph printed with white borderInscribed on back: "Weekend photograph of factories in Brougham Street surrounded by by residential zone. On weekdays cars surround premises - these have been built approx. two years - where is the landscaping? * Undeveloped light industrial land. Careful planning needed for future. Being on high elevations backs of future buildings will be seen from Main Road Eltham and future Art Centre complex. Also Bolton Street becoming heavily used arterial road. Off street parking facilities most important." . The front of the photo has pen marks indicating points of interest.industrial estate, brougham street, eltham

N. J. Tillings Timber Factory was part of the Brougham Street, Light industrial area, Eltham. Brick bulidings includes signage: Wakefield Pr... (printer?) No 17 Building C. This is one of 7 B/W 8x10 inch photos with notes on obverse by Dick Crichton. Accompanying letter from Florence Chrichton 2013 : "Originally sent to Shire of Eltham Engineer, Mr. McDonald. [These photographs were part of their campaign to the Shire of Eltham in 1975] claiming that the zoning regulations were being breached by the occupants of various factories in the nearby light industrial zone [Brougham Street, Eltham] - to the detriment of those living in adjoining residential zones, and that, despite .. earlier objections and complaints, nothing was done about it."1 black and white photograph printed with white borderInscribed on back: "Photo taken from corner Bolton and Brougham Streets showing undeveloped light industrial land used as storage (of portable toilets!). In the best tradition of Robin Boyd's 'Great Australian Ugliness.' Infringement of zoning regulations." industrial estate, brougham street, eltham, portable tiolets, 1975, bolton street, dick crichton, n.j. tillings, timber factory, shire of eltham

Postcards sent by R.H. Baron to his mother, sisters and Elsie. Part of the "Robert H. Baron" No 3596 and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.1. Sepia toned photograph of the exterior of a gothic style cathedral with spire and two lantern towers. 2. Sepia toned photograph of a cathedral with spire from a river location. 3. Sepia toned photograph of the nave and choir of a gothic style cathedral.1. Salisbury Cathedral, West front. Handwritten in pencil on back: 'Letter to R.H. Baron's sisters' - no date. 2. Salisbury Cathedral from the River. Handwritten in pencil and black ink: ' Letter to R. H. Baron's mother. Ink section indecipherable. - no date. 3. Salisbury Cathedral, choir and nave. Handwritten in black ink: 'Dear Elsie etc'.robert h. baron, cooper collection, postcards, salisbury uk, ww1

A typical example of art work for printing and plastic diary cover. TBCAn example of how embossing was prepared and that Legacy Handbooks were printed with the torch and laurel logo.Navy blue Legacy diary, with the metal art work block used to emboss the words "Melbourne Legacy" onto the cover, also graph paper on cardboard used to mock up the artwork.Manilla Envelope, in black texta Melbourne Legacy Diary/H/Book Cover Art White paper adhered to envelope with the word in red HIOTECH words in brown graphics 50 Cremorne Street, Richmond Victoria 3121 (03) 428 1925 A.C.N. 005313155., between two horizontal brown lines. Thin brown horizontal line at bottom of paper. Handwrittenin black ink, J.D.Harris. Diary cover Legacy logo, MELBOURNE LEGACY in gold. Cover Block, handwritten in gold ink (very faded) between Legacy logo and Melbourne Legacy. Cardboard graph, Legacy logo, MELBOURNE LEGACY, handwritten in blue ink SLS. Metal block, Legacy logo. MELBOURNE LEGACY written backwards. White glossy paper, Legacy logo and MELBOURNE LEGACY stamped onto the paper. handbook, logo

Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencygeorge coop collection, ararat locomotive shed, j-539, j-540, j-541, j-class steam locomotive (vulcan foundry)

K158, J512, K168 and J507 stand around the turntable in the locomotive shed. November 1962" - Newsrail October 2020Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybendigo railway station, george coop collection, j507, k158, j512, j class steam locomotive, turntable, workshop, depot, shed

"J547 undergoes maintenance that required removal of its motion gear, axle box and wheel set. The dome cover has also been removed to facilitate a boiler inspection and/or work on the regularor valve. November 1962" - NewsrailDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybendigo, bendigo railway station, george coop collection, j-512, j-547, j-class steam locomotive (vulcan foundry), railway turntable, railway workshop

Portrait J.W.J. Gutierrez miner storekeeper then Hotel Keeper Western Turf Hotel Stawell.stawell government

Portrait. Councillor J.J. Kingston Mayor 1951-52stawell government

PhotographTo My Dear Wife Love Charl