Suede feel, probably nylon, wedding gloves. Scalloped edge at the wrist - six scallops. Each scallop has a spray of flowers - with three eyelets, and embroidered leaves. A double row of stitching, seven cms long, forms a wavy line down the back of the hand.FINELON Made in Hong Kong 71/2costume accessories, female, wedding gloves

Document. Greeting Cards. Creamy white, tri fold card with green and brown ivy leaves on the front and inner flaps. The top has a lattice pattern cut out. 'Good Wishes' printed in yellow with darker colouring towards the bottom of the letters and edged in brown.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards

Account page from Burke & Johns, Quality Butchers, 460 High Street, Golden Square. Date line ends 193-. Printed in dark blue with red cash lines. In the top left corner is a sketch of a bull and below is Bought of with decorative leaves and banner.business, printers, cambridge press, cambridge press collection, burke & johns

Red hardcovered book in Black print with green leaves and flowers on the cover and spine. Inside the front cover hand written in blue ink is 'Presented to Elizabeth J Hall By The Primitive Methodist Sabbath School, Eaglehawk, Ellaishall Rec. dated 16/01/1887Emma Marshall. Printed by Cassell & Company, Ltd, Paris, London, New York and Melbourne 1886books, fiction, young adult, emma marshall, elizabeth hall, sabbath school eaglehawk, ellaishall rec.

Hand written and painted certificate on card presented to Charles Henry Carter from the Bendigo Co-operative Distribution Society upon his resignation as General Manager. Printed in black, green and red with a border of leaves and flowers in purple. Markings - signatures of Department Managers.person, individual, charles henry carter

Yellowed Card with silk insert on front cover showing four (Vietnamese) people in two small boats,Tree branch with leaves, moon over the water. Colours yellow,green,blue and white. "Merry Christmas" below insert. Inside fine tissue paperchristmas, card

Winnifred Gardiner Davies, 1875-1973, married Mr Jones.Silver card case and notebook, etched and decorated with fern leaves and an engraved inscription. The case has royal blue pockets with gold edging, celluloid index pages with a list of handwritten names and a silver propelling pencil is secured at the side. The box is black with a cerise lining.Engraving: "PRESEMTED TO Miss Gardner BY THE CONGREGATION of the Mentone Memorial PRESBYTERIAN CHURCH as token of esteem Aug 17th 1889."Card insert: "Presbyterian Church Mentone Membership card for Winifred Gardner Davies 30 Sept 1894." Handwritten slip of paper: "To my dear Winnie with much love from ??? May 2 1931."mentone memorial presbyterian church

Item 2. Small dark blue/green coloured booklet with a white Bendigo Deutscher Verein label on the front. Some blue pages and pink inter leaves in the book. Accompanying note: Item 13. Notebook: 'Bendigo Deutscher Verein, Mitglieds', (members card).J. Brockley, Printer, Williamson St., Sandhurstsocieties, service clubs, german friendship society, german heritage society collection - bendigo deutscher verein mitglieds karte, j brockley

Item 17. Boldt Family Bible. Large book with dark brown/black cover with pattern and a gold cross with leaves and flowers inside the cross, HIS in the centre. Edges of the pages are gold. Book printed Stuttgart 1892. Some family history written in the back.bendigo, clubs, bendigo heritage, german heritage society collection - boldt family bible, wilhelm august boldt, mr westacott, robert leonard thompson, albert edward boldt

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Salmon-trout sushi from Toyama City is packaged in much the same way as the Osaka product. The lid of the container is held down by pieces of split bamboo firmly lashed with vine. An arrangement of trimmed bamboo leaves cover the contents. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

White, nylon tablecloth with lace star in the centre, surrounded by lace lines, with embroidered crystal shapes within lace in each corner. White, linen pillow slip with an embroidered flower and leaves in each corner. It has a pulled thread and embroidered, scalloped border, (Torn)table ware., bed linen., household textiles.

RAAF officers peaked cap with gold bullion oak leaf embroidery on the front edge of peak. The cap has a black woven band and an embroidered badge with a padded gold bullion and red velvet crown, gilded metal eagle and gold bullion laurel leaves.

This work was undertaken by a student at Horsham Campus.Light blue background with a black outline followed by a thicker pinkish brown outline with black details, artwork contains part of a tree outlined and detailed in black and coloured with the same pinkish brown colour, it has some green leaves, the tree resembles a gum tree.DER or DLR is written below the arthorsham student collection, printmaking, alumni, available, tree, gum tree, landscape

Items collected by Bert HEWSTON on the way to England WW1, refer Cat No 2759.2 for his service history. Part of the HEWSTON collection re WW1 & WW2.3 x Souvenir booklets from South Africa. .1) Dark grey/brown cover with illustration of native children within an oval shape. Contains colour prints of native people & places. 15 pages. .2) A coloured reproduction of a Zulu in marriage costume. Cream card cover with pale brown printing. Contains 3 x dried silver leaves fromTable Mountain fused to the inside back cover. .3) Photo post card of Promenade Pier, Cape Town which has 2 x dried silver leaves from Table Mountain fused to the inside the back cover..1) Printed: “Native life in South Africa” .2) Printed: “Zulu in marriage costume SA” .3) Printed: “From South Africa”documents - booklets, military history - souvenirs, africa

Part of "Woolcock Gallery Collection" Exhibition 1989 CEMA.Different detail studies of plant. From top-bottom, right to left are a side study of red flower with elongated petals in tube shape. Stem with three pale-gree leaves. Top view of dark green leaf with serated edges. Stem and flower bud study. 2 stems joined with many clusters of spikey green leaves coming off central stems and 6 flowers and 3-4 buds. A seed study. A view into tube of flower. Work mounted in double matt (taupe on sage) under glass in gold frame. Artists signature next to last flower study, lower left.Front: Astroloma humifusum (Cranberry Heath). CEW/82 (artist's signature, lower left in image) (coloured pencil). Back: 10 (upper left) (pen)cema, botanical, collin woolcock

Item 19. Cream silk scarf. Material sewn double. One end has an embroidered airman's wings in cream and light blue, In the centre of the wings is a red, white and blue bull's eye and over the bull's eye is a brown kangaroo. Below the bull's eye is a pale yellow boomerang shaped area with 'Fighter 81 Wing' embroidered in it. Underneath it all is embroidered 'Hofu - Japan 1946'. At the other end are some embroidered flowers and leaves. The leaves are pale grey and cream and the flowers are three shades of pink. One pink flower has a cream edge and one flower is cream. The flowers have red centres.bendigo, clubs, bendigo heritage, german heritage society collection - silk scarf, fighter 81 wing, hofu japan

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cuttings and flower details of two plant species. Six drawings include single cutting of Olearia asteroticha with brown stems, bright green long leaves and blue (daisy-like) flowers with purple and yellow centre, a single cutting of O. ramulosa with green-brown stem, dark green long leaves and white (daisy-like) flowers with pink and yellow centres, one small flower detail (left), one white flower detail (centre) and two leaf details (right). The work is mounted in a double matt (off-white on pale blue), framed under glass in a gold and grey-green frame.Front: Olearia asterotricha (Rough Daisy-bush) " ramulosa (Twiggy " " ) (lower left) (pencil) CEW/84 (lower left in image, next to stem) (maroon pencil) Back: 42 (upper left) (pen)collin woolcock, woolcock collection, botanical drawing, botanical, cema

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two flowering stems. View on left depicts long stem with many large serrated leaves (blue-green) with some showing darker edges of a purple tinge. Top of stem has yellow flowers coming from long slim stems. Flowers have 8 long yellow petals each and yellow centres. View on left has fine pale green leaves (fern-like). At top of stem are floral stems, ending in buds and full flowers. Flowers are yellow, with 13 petals and darker yellow centres. Mounted in a double matt (white on faun), framed under glass in gold and green frame.Front: L. Senecio magnificus (Tall yellow-top). R. Senecio lautus (Variable Groundsel) (lower left) (pencil). CE Woolcock (lower right, signature) (pencil) CEW (lower left in image) (purple pencil). Back: 24 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

This is a photo of Leptospermum Turbinatum (Shining Tea-tree).Photo shows a close-up view of a native flower (tea-tree).The flower has five white petals with small dark pink/red centre petals. Small, red tipped, green leaves surround the flower and can be seen on the stems. The background is out of focus.natural history, flora

Historically this item could be a valuable antique worn originally by a wealthy upper class woman. The fine hand painted pictures with gold boarders and porcelain body suggests the item was bought either in Europe or Britain and brought into Australia in the late 19 th to early 20 th century by a wealthy landed gentryThis item is a reflection of both the fashion mode of the 1800s to mid 1900s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHead of pin is six sided, domed top made of porcelain. Two sides have hand painted pictures of grapes, two sides with flower arrangement , two sides detailing cypress tree tips of branch, top has flowers and leaves with hidden small birdshat pin, porcelain hat accessory, millinery clothing

Sepia photograph of man and woman. Man wearing stained dust coat, collar and tie. Woman wearing floral dress. Lare tree with large leaves in background. On back of photo in biro: Mr. and Mrs. Owen Williams. He managed Rosella Factory, Brougham Street.person, family, husband and wife

Embossed printed card attached to backing card of equal size. Design is of flowers and leaves coloured purple and green. The words Dinna Forget appear in gold along the bottom. A white sticker has been affixed that has largely peeled away.Reverse is completely covered in writing.postcard

Textiles. Oval in shape, with eight semi-circular scallops, outlined in .8 cm embroidered braid edging, This braid is looped in a circular fashion at the intersection of each scallop, to form a''flower shape'' 1.8 cm in diameter. A spray of flower and leaves-three stems, fills the centre.textiles, domestic, oval doyley with spray of flowers on net

Clothing. Curved headpiece in net, on a wire frame, with an elastic cord to pass round the back of the head, to hold in place. Frame has two scallops, giving the effect of a heart shape. Frame covered in net, and decorated with waxed orange blossoms and buds, and small waxed leaves.costume, female ceremonial, wedding headpiece

An illuminated address from the United Ancient Order of Druids Grand Lodge of Australia presented to E. J. Swift. Printed on card and showing a group of Bendigo men in ancient costume at top, Stonehenge on bottom and bordered with leaves and acorns. Markings - Troedel & Co Lith Melb.person, individual, e j swift

Yields information about the appearance of the Gardens Crossing Loop and tram 19.Black and white photograph of No. 19 at Gardens Loop, as the tram leaves for Mt Pleasant, 1950. Tram stop pole has the stop, section and timetable boards. From the ARHS Archives, 2/2006, Ellis Collection. See Reg Item 7207 for neg and laminated print.On rear printed on label in blue ink " 19 Gardens Loop 1950 Ellis Collection ARHS Archive"tramways, trams, wendouree parade, gardens loop, tram 19

Colour image: single storey building, red corrugated iron roof, 'Rose of Australia' printed across top in brown. White façade. Red rose with green leaves on hotel name. Hotel situated in Eaglehawk Road, Long Gully. Appears to be late 1970's?bendigo, hotel, rose of australia

Robert M. Serjeant was the only son of Theo and Alice Serjeant, and grandson of famed mine manager Robert Malachy Serjeant (1829-1902). Robert Serjeant was a past student of the Ballarat School of Mines (SMB), and at the time of his World War One enlistment he had just finished an electrical course, and was working as a junior member of the SMB Department of Electricity. Robert Serjeant enlisted in December 1914. Corporal Serjeant (2138) of the 8th Battalion, died of wounds received in action at Gallipoli on 28 April 1915, aged 20. He was buried at sea and his name is listed at the Lone Pine Memorial. A brown paper parcel of Robert Serjeant's belongings was returned to his parents. It contained his discs, wrist-watch (damaged), notebook, hymn book and letters. [1] The Ballarat Courier reported: 'He was of quiet disposition, and a great student, devoting himself closely to his work.' Further information on R.M. Serjeant can be found at https://bih.federation.edu.au/index.php/Robert_M._Serjeant_Jnr The following statement on the ANZAC Commemorative Medallion and Badge was made by by Prime Minister Holt in 16 March 1967 when the Minister for Defence announced that it had been decided by the Australian Government, in consultation with the New Zealand Government, to issue a medallion and lapel badge to the veterans of the Gallipoli Campaign. "Last March, the Minister for Defence announced that it had been decided by the Australian Government, in consultation with the New Zealand Government, to issue a medallion and lapel badge to the veterans of the Gallipoli Campaign. I am glad to be able to announce that arrangements have now been completed for the production of the medallion and the badge. The Minister for the Army will be arranging distribution to those wishing to receive them as soon as possible. The Government hopes that production of the medallion and lapel badge will be sufficiently advanced to permit at least some of them to be distributed by ANZAC Day. The medallion (with the name of the recipient inscribed) will be issued to the surviving members of the Australian Defence Force who served on the Gallipoli Peninsula, or in direct support of the operations from close off-shore, at any time during the period from the first ANZAC Day in April, 1915 to the date of final evacuation in January, 1916. Next of kin or other entitled persons will be entitled to receive the medallion on behalf of their relatives, if the relative died on active service or has since died. For surviving members, a lapel badge will also be available for wearing. This will be a replica of the obverse (or front) of the medallion and will be about 1 inch high and 2/3 inch wide - the same size as the RSL badge. The medallion is the work of Mr. Raymond Ewers, the well-known Australian artist, based on a suggestion by Mr. Eric Garrett, a staff artist with the Department of the Army. It has been endorsed by both the Government of New Zealand and ourselves. It will be approximately 3 inches high and 2 inches wide. The obverse of the medallion depicts Simpson and his donkey carrying a wounded soldier to safety. It will be bordered on the lower half by a laurel wreath above the word ANZAC. The reverse (the back) shows a relief map of Australian and New Zealand superimposed by the Southern Cross. The lower half will be bordered by New Zealand fern leaves. The medallion will be cast in bronze and the lapel badge will be metal of a bronze colour. For the information of the honourable members I present also a brief statement setting out the conditions of eligibility which will apply to the medallion and badge and the manner in which those desiring to receive them should apply."(https://www.awm.gov.au/encyclopedia/anzac/medallion/doc.asp, accessed 26/02/2014) Conditions of eligibility. All members of the Australian Defence Force who served during the Gallipoli Campaign are entitled to receive the ANZAC Commemorative medallion. The campaign lasted from April 25, 1915 to January 8, 1916. The award will be made for service on the Gallipoli Peninsula and service in support of the operations in an area off-shore eastward of a line drawn from Yukyeri Point (lat 39 50' 40'' N long 26 9' 45'' E) through a point in lat 39 53' N long 26 0' E thence to Cape Gremea (lat 40 35' N long 26 6' E). The award will also be available to members of philanthropic organisations and the Press who were accredited to the AIF, and to Australian members of the crews of merchant ships or hospital ships which operated in direct support within the defined area. Note: The boundary line would run just off-shore from the land masses north and south of the Dardanelles, and is estimated to be within about 5 miles from the beach at ANZAC Cove. (https://www.awm.gov.au/encyclopedia/anzac/medallion/doc.asp, accessed 26/02/2014) This Item is significance because is was only issued to members of the Australian and New Zealand Defence Force who served at Gallipoli. This Medallion is significant because of its relationship to Robert M. Serjeant who died on 28 April 2015 at Gallipoli of wounds received in Action. Bronze commemorative medal in black presentation case showing Simpson and his donkey carrying a wounded soldier to safety. A crown is situated on top of the medal, and the word ANZAC beneath the medal. The opposite side depicts Australia, New Zealand and the Southern Cross Constellation. The lower half is bordered with New Zealand Fern leaves. The commemorative medal was presented to the family of Robert M. Serjeant. Gift of David Stevens, 2014.Engraved: "1238 R.M. Serjeant"serjeant, r.m. serjeant, robert m. sergeant, anzac, medal, numismatics