From Jessie Smith's collection of Island Events & Landscapes. Ventnor State School Students.Grade photo mixed girls & boys in front of weather board wall - doors at right. Two girls in white with beads front row. All look very serious!! Possibly 1919 or 20 and possible list of names following: Front Row: Nancy Grayden, Alma Forde, Ivy Forde, Ethel West, Berta Grayden, Elma West 2nd Row: Teddy Chapman, Harold Jones, Len Jenner, Sid Forde, Reece Jones, Len West, Isobel Chapman, Gwen Minus 3rd Row: Bert West, Ray Jenner, Gordon West, Charlie Grachan, Allan Jenner, Isla Chapman, Estelle Grayden, Dolly Dixon 4th Row: John Minus, Rex Dixon, Ken McKindlay, Billie Hunter, Teacher - Kath Cummings, Myrtle Jones, Pearl Kent, Mabel Jones.Ventnor S. S. No. 3895local history, photographs, state schools, black & white photograph, early education, ventnor state school, jessie smith collection, stan mcfee

Competiton entry form with diagram of school grounds, prize list, and conditions of entry. Closing date July 31st, 1966.Mark The Hall - Find the centre of the proposed assembly hall and mark that spot with a cross.

Used at the Moorooduc Station opening ceremony 14th Septembers 1991. Shire Presidant Councillor Pat Leech perfomed the striking of the Pin. The Pin was later removed for posterity and to be re-used when the line is re-opened to Baxter.Only one ever produced specifically for MRPS.Stained timber box of 200x40x50mm with maroon silk lining containing a gold plated rail dog spike/pin.No inscriptions of memorial plates. Striking marks and withrawing marks present with mild tarnishing.mrps, mornington railway preservation society, moorooduc station opening ceremony, 14-sept-1991, rail dog pin

Used for fruit packing labelling.4 Metal Stencils.1. W. Henderson Seville 2. Chapman Silvan 3. A J C H.B. 4. VPC MAC stencils

Beaker glass clear with green printed "Selby" mark. Pouring lip broken.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Front cover has a large green question mark with a drawing of a kookaburra perched on it.non-fictionA reference book which identifies every bird species known throughout Australia.birds, australia, species, habitats

(Empty) cartridge box for 12 X 0.455 inch Mark VI Webleyammunition, ww1, army

Paper book mark. Printed picture and Psalm 73.24 plus cream silk.Printed in Englandbooks, bookmark

Mark found in pavement near Nun's Close Car Park, Richmond, UK

Black and white photograph of Mark Edmondson in action. Materials: Paper, Photographic emulsiontennis

Silver figurine of a child with a tennis racquet.No maker marks/stamps. Materials: Metaltennis

Two-toned pottery jay with ridged neck and wide opening. No maker's marks.containers, pottery, ceramics

It is understood that the plate was used by Samuel Lewers and his family when they lived at Traquair House (1861-1895). The plate was given by Stella Surman, who lived at Traquair House in the 1960s and 1970s, to her foster son Graeme Dunn. Marks on the plate indicate it was manufactured by Pinder, Bourne & Co in Staffordshire, England.Round dinner plate, white in centre, 5cm wide decorative border (hand-painted?), images in "Chinese" style depict leaves, vases & medallions, in colours orange-red, brown, & black. On back of plate: Maker's mark consists of laurel & crown, with the letters "PB & Co"and the name of pattern, "Tycoon". Manufacturer's name PINDER, BOURNE & CO. also imprinted on back of plate. Also hand-painted in small lettering on back: "9197 / ' ' ' ".dinner plates, crockery, pinder bourne & co [staffordshire potteries], traquair house, lewers family, stella surman, graeme dunn

From Chapman family album. Children's photographer not known but meant to be a set. Sepia Formal Studio Portrait of married couple if front of a background of a waiving tree. Wife holding husbands elbow. Husband is bearded in a three piece suit. Wife wearing a dress and overtop. Individual busts of children. -1 Mary -2 Jane (Mrs Hansen) -3 Kate -4 Lizzie -5 Small Child -6 10 to 11 year old childOn Reverse With our compliments from Mr and Mrs McCracken

This sugar spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This sugarspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored sugar spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. The stem is bent and the bowl is cracked and corroded. Approximately 40% of the original plate remains. No makers marks are legible.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham brass plating, makers marks

This sugar spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This sugarspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored sugar spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Bowl is bent and handle is corroded. Approximately 15% of original plate remains. No makers marks are visible.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, nickel silver, william page and co, birmingham brass plating, makers marks

This tea tin is part of the Uebergang Collection. The collection is the property of the 'Ray & Joyce Uebergang Foundation' and was held in store for several years before being transferred to the care of Warrnambool Cheese and Butter Factory Company Ltd's Cheese World Museum. The Uebergang family came from Silesia in 1848 and were early settlers in the Allansford area. The Uebergangs purchased Tooram Park in 1912 and lived there until it was sold following the death of the last member of the family in 1994. The family often re-used, recycled and repaired items. The tea tin is an example of re-use. Moran & Cato was Dark blue cylindrical tin with push-on lid decorated with a bronze ring around the top and bottom for retail tea sales. The tin was sold by retail firm Moran & Cato and is decorated with their name in large white lettering on the front, and the address in scrolls at the bottom. The firm's logo/trade mark is featured in a circle at the top with a flower design each side. The logo/trade mark has the letters M & C intertwined and the company motto in a scroll below. The tin was designed to be used for storage once empty and is marked on the back with the word 'Cakes' in a cream scroll across the centre. The top half of this side is light blue and the bottom half dark blue.Trade mark: We Keep Troth Moran & Cato's Pure Tea/Branches in all suburbs of Melbourne and throughout Victoria, Hobart (Tas). At base: Moran & Cato Pty Ltd/277 Brunswick St/Fitzroy. Distributors for NSW. Moran & Cato Ltd Sydney. Reverse: Cakes On bottom: A24uebergang, tins, tea, moran & cato, recycling

Coloured photograph, photograph of Steve Buttler and Mark O'Sullivan playing soccer. Bendigo Advertiser description on back of photo: Steve Buttler Mark O'Sullivan. Editorial Pic Order dated 18/9. Instructions (are in yellowhead, (shoulders only).LLrecreations, sports, soccer

Johnson Bros. was founded by two brothers named Alfred and Frederick who purchased a pottery factory in Hanley, England, in 1883. They were grandsons of a renowned English potter, Alfred Meakin. They were later joined in the business by their brothers Henry and Robert. Their business grew rapidly, as they were one of the world's largest pottery factories by the turn of the 20th century. By 1970, Johnson Bros. obtained the Royal Charter to become the official provider of china for Her Majesty Queen Elizabeth II. More than 1,300 patterns have been created throughout Johnson Brothers' history. Due to their growing success, manufacturing plants were established overseas including the establishment of a tableware factory, Johnson Brothers Australia in 1957 in Croydon, Victoria operated through a company known as Sovereign Pottery Ltd. Due to rising competition, Johnson Brothers became part of the Wedgewood Group in 1968. In 2015, following the acquisition of Wedgewood by Finnish company Fiskars, the Johnson Brothers branding was discontinued. The trademark on this bowl was used by Johnson Brothers between 1913 and 1942. An item which reflects the changing market for tableware that was reasonably priced and serviceable. Their innovation of the pottery line called semi-porcelain changed the industry. This development allowed potteries to produce fashionable pottery items that were affordable to all social classes of the time. Their use became widespread in Australia, especially following their establishment of a tableware factory in Melbourne, Victoria. A shallow white bowl with gold trim, probably used for serving vegetables at the table. The underside of the bowl bears the mark of Johnson Bros England. The mark is composed of a green crown above the words "Johnson Bros England" also in green.On under side of bowl, beneath a green crown "Johnson Bros/England"johnson brothers ceramics, domestic utensils, kitchenware

Europeans arrived in the Kiewa Valley in the 1830s and 40s. Following the drought of 1838-44 seeking out the rich pastures in the fertile Kiewa Valley. . The next major increase in population was as a result of the Kiewa Hydro Scheme. The beginning of construction of the Kiewa Hydro-electric scheme in the late 1940s introduced changes and led to the enlargement and improvement of local roads and the townships of Mount Beauty and Bogong Village were constructed by the SECV from the 1930’s to the 1950’s to house workers on the Kiewa Hydro Electric Scheme. At its peak the Kiewa Scheme employed around 4000 people from all walks of life and as many cultures.The influx of European migrants to work on the Hydro Scheme along with their rich cultural backgrounds, all played a major part in establishing the history of the area and in shaping the future character of the Mount Beauty, the Kiewa Valley and Falls Creek areas. Photographs may depict descendants, family or friends of early settlers or workers in the Kiewa Valley region.1. Sepia photograph, mounted on heavy buff card with yellowing marks from sticking tape across the bottom of the photograph. Photograph is of a group of nurses taken at the Sunbury Sanitorium 2. Sepia photograph mounted on heavy buff card with yellowing marks from sticking tape at top and bottom of photo. Mark from drawing pin in centre top of photo. Photograph is of a middle aged woman posing dressed in period costume 3. Sepia photograph mounted on heavy buff card with yellowing marks from sticking tape at top and bottom of photo. Mark from drawing pin in centre top of photo. Photograph is of an older woman posing dressed in period costume sepia photos; nurses; kiewa valley; sunbury sanitorium; period costume

Part of the Chapman Stock collection of photographs and family history from Peter Blackbourn.Copy of letter from Nell Budge to Peter Blackbourn. Includes photo of Mrs Budge with daughter Jennifer at St Katherine's Church St Helena. Letter includes transcript of an article on the church, source unknown.chapman stock family, peter blackbourn, nell budge, st katherines church, st helena