Black and white photograph of Patrick Davin standing outside his home 204 Mitcham Road which was next to the dairy. November 1939davin, patrick, mitcham model dairy, daries

Black and white photograph of Mary Helen Davin in front of the door to the dairy. She is wearing hat, coat and fox fur, December 1939.davin, mary helen, mitcham model dairy

Black and white photograph of Jack Davin on his horse 'Old Bluey' in the backyard of their dairy at 204 Mitcham Roaddavin, jack, 'old bluey', mitcham model dairy

Patrick Joseph Davin established the Mitcham Model Dairy in 1926. It operated on two sites on Mitcham Rd. The milk came from farms in Lilydale and Coldstream and was renowned for its richness. In time Jack, Bill and Tim Davin came into the business. the Davin family sold out to Model Dairies in 1956.Black and white photograph of Patrick Joseph Davin in a suit and tie.davin patrick joseph, dairies, dairying

A series of 21 coloured photographs of the costumes modelled by June Ventouras, Vicki Jones-Evans, Wendy Standfield and Bob Gardiner. At the Cup Day Fashions 1860 - 1960 presented by the Whitehorse Historical Society Inc, . sponsored by the Nunawading Arts Council , and presented at the Christ Church Anglican Church Hall, Mitcham on 4th September 2004.fashion parade, melbourne cup fashions, whitehorse historical society, nunawading arts council, gardiner bob, jones-evans vicki, standfield wendy, ventouras june

Black and white 1939/40 photograph of model aeroplane on house (now demolished) at Creek Road, Mitchamcreek road, mitcham, thompson, george

Black and white photograph of a dark coloured ute used at Davins Dairy, Corner Mitcham Road and Victoria Avenue Mitcham.davins dairy, model dairy, daries

By1880 most railway crossings were identified by a sign, although at very busy crossings a watchman was posted. Eventually most stations were manned and gates were installed. The watchman was generally housed in a small wooden or brick building with a clear view of the single line. The next stage was mechanical closing of the gates, using a lever situated in a shed behind the gatehouse. By 1956 automatic barriers had been installed. A working model of the gate style crossing can be seen at New Street Brighton.A collection of 12 black and white photographs of the Windsor family who lived in the gatehouse next to the Tunstall station. The stationmaster Ernest Windsor was also responsible for track maintenance between Ringwood and Middleborough Road Box Hill. His wife Betty Jean Windsor was gatekeeper for 2 years. On the back of each photograph are the names of the family members in the photo.Catherine Ann Windsor (born 1897), John Ernest (Ern) WIndsor, Catherine (Kitty) Windsor (born 1919), Patricia Janette WIndsor (born 1935) Tunstall Railway Gatesstationmasters, tunstall station, windsor ernest, windsor catherine, windsor patricia, windsor betty, windsor catherine (kitty)

Coloured photograph of Vicki Jones-Evans dressing a model for display in the museum.costumes, whitehorse museum

Key ring advertising Pro-Sport Automotive Services.Small oblong badge with key ring attached. Black background is with "Pro-Sport Automotive Services" presented in gold with gold edging.Finder please return to 4 George St Blackburn 3130, 8774108. Mechanical repairs to all makes & models.pro-sport automotive services

Phonogram belonging to the Pearce Family. The larger model being over 100 years old. The stand was needed to hold the trumpet in place.phonogram, pearce family, musical instruments

Students seated, possibly partaking in a Shabbat meal or model Seder, Drummond Street Carlton, 1953. May possibly include: Anne Lewin. Please contact [email protected] to request access to this record.carlton, kindergarten, hebrew school, elc, early learning centre, pesach

Two students seated at model seder, 1953. Known students: Anne Lewin (left). carlton, drummond street, pesach, judaism

Two newspaper articles: 'Ad-lo-yada a Success', The Australian Jewish Herald, 23 April 1965; 'Model Seder', The Australian Jewish Herald, 9 April 1965.

Students and teachers celebrating Pesach/Passover with a Model Seder, 1976. The General Secretary of the Zionist Federation is the guest featured in I/00886.4. Please contact [email protected] to request access to this record.1970s, celebration, judaism, event

This photograph commemorates a visit by American Fashion Models to Prestige Textile Studio in July 1950. Melbourne’s Myer Emporium in conjunction with Neiman Marcus, Dallas, Texas presented the first American Fashion Parades in Australia in July 1950. Ruth Hancock, the leading model and buyer for Neiman Marcus, directed the Parades, and the eighteen year old modelling prodigy, Carmen dell’ Orefice, described by Cecil Beaton as ‘the world’s most beautiful woman’ was one of the stars of the runway. In a bid to encourage a market for Australian textiles in the United States, the models visited textile manufacturers and design studios in Melbourne, such as Yarra Falls Mills and Prestige Studios, one of Melbourne’s premier textile design studio. Ann Carew, 2020This photograph is historically significant for its association with Prestige Textile Studio, and it's association with the Australian Textile Industry. It highlights the role that Myer Melbourne played in promoting the Textile Design Industry and Australian Fashion to the United States of America.Black and white photograph of 8 models from the US, laying on the floor of the Prestige Studios. Names of the various models have been drawn on the floor from the foreground to the background of the photo, with eagles and stars in between each name.Models pictured include Ruth Hancock, Carmen Dell'Orefice, and Margaret Edwards.USA MODELS / VISITING AUSTRALIA carmen dell' orefice, prestige textile studio, ruth hancock, margaret edwards, fashion, rmit design archives, models, usa

This is an exemplary model of what is possible in design for print. Only 20mm across, this magnification reveals nine separate print passes that each differently affect the paper's surface. Printed on a cheque commissioned by Avon Graphics Security, designed by David Lancashire and detailed by Geoff Fawcett in the 1990s, the design represents an important aspect of graphic design history: the creation of labour intensive marks that are impossible to forge. Jenny Grigg, 2017foil, graphic design, embossing, printing industry, design

Model light created as part of a 4th year Industrial Design project at RMIT (product design and packaging exercise, second term, 1967)plastic, cardboard

Architecture as Idea was curated by recent RMIT graduates Dale Jones-Evans, Randall Marsh and Roger Wood who had founded Built Moderne in 1983. The exhibition challenged the way architectural exhibitions could be. Rather than exhibiting representations of architecture (drawings, models, photographs) the curators invited their 26 exhibitors (25 men and 1 woman, Jennifer Hocking) to build an object expressive of their idea of architecture. Exhibition posterarchitecture, design

The Ferranti Sirius is an electronic second-generation transistor computer and is one of three remaining examples of this machine left in the world. It was an important addition to the computing facilities at Monash University in the early 1960s and provided access for computer programming and research for many early computer professionals, academics and teachers. The Ferranti Sirius computer was built in a period of rapid growth in computing technology. The first stored program computers appeared in the late 1940s and used individual designs with valve technology. By the mid-1950s valve technology was replaced by transistors and the first mass produced commercial computers became available. The Ferranti Sirius was announced in 1959 and offered a “small” academic computer. It was designed and built by the English company Ferranti Ltd and sold through a local office of the company in Melbourne. The Sirius was manufactured at the Ferranti Ltd.’s West Gorton, England factory from 1959 to 1963 and, in all, the company produced probably 22 installations although only 16 were actually recorded as sold; this included one at Ferranti’s Bureau in London and one at Ferranti’s Melbourne Bureau. Only 7 were exported and 4 of these 7 were located in Melbourne, Australia. All four were associated with computing at Monash University – the Sirius in the MMoCH collection was purchased by Monash University in 1962, a smaller Ferranti Sirius was used on the Caulfield campus (prior to amalgamation with Monash University) from 1963, the Ferranti company had its own Ferranti Sirius initially temporarily installed at Clayton campus in 1962 and then placed in their office in Queens Road, Melbourne. A fourth computer was purchased by ICIANZ (now Orica) in 1962 and was transferred to Clayton campus in 1967. Only two of these Melbourne examples have survived; one in the MMoCH collection and one at Museums Victoria. There is an example of the Ferranti Sirius in the Science Museum Group collection in the UK as well. The Ferranti Sirius in the MMoCH collection was the first computer purchased by Monash University and it was shipped to Australia to be installed by November 1962. The University had a similar model computer on loan from Ferranti Ltd during the first part of the year and it was returned to the office of the company in Queens Road, Melbourne once the University’s own machine was installed. The computer was placed on site at Clayton campus, Monash University. The computer operated from 1962 until 1972 when it was officially decommissioned. The Ferranti Sirius was sold to Mr Paul Stewart in late 1974 and removed from Monash University. Mr Stewart later donated the computer back to the University in 1988 and it was transferred to the collection of the Monash Museum of Computing History after 2001. The Ferranti Sirius is an electronic second-generation transistor computer and is one of three remaining examples of this machine left in the world. It was an important addition to the computing facilities at Monash University in the early 1960s and provided access for computer programming and research for many early computer professionals, academics and teachers. The Ferranti Sirius is of scientific (technological) significance as one of the early transistor digital computers that transitioned computing from first-generation valve computers to second generation commercial installations. This example of the Sirius is of historical significance in its role as a part of the Computer Centre, Clayton campus, Monash University which provided computing facilities in Melbourne in the early 1960s when there were few installations available for academic, administrative and commercial users. Staff and students were able to undertake investigative research and learn programming techniques. The Computer Centre encouraged the use of the computer across all disciplines and this provided the base to establish computer science as a subject offering and, later, a new department in the University. This growth in computer education eventually culminated in the establishment of the Faculty of Information Technology, Monash University. The Ferranti Sirius in the collection at Monash Museum of Computing History has a main unit with a CPU and memory combined with input/output equipment and one extra cabinet of memory. The Central Processing Unit is a floor-standing unit which contains the computer circuits, power supplies and has a decimal digit display panel and a normal clock. A moveable control panel is placed in front of the Unit (Currently set on a recreated desk/filing cabinet support in the display). The Sirius base unit uses acoustic delay line memory with 1000 word store. An additional 3000 word memory cabinet is set adjacent to the CPU and can be connected to increase the memory. The computer is supported by a range of input/output devices. There is a Ferranti Paper tape reader, located on desk in front of CPU. Red label on front “Ferranti tape reader. Type TR 5. Serial No. 477”. Adjacent to the CPU is a set of Simplified tape editing equipment in three pieces which includes a (1) Table unit with switches on front face. Metal tag on reverse reads “Creed & Co. Model No. S4060. Serial No. 1457. Original Customers Marking GRP7 V706”. The table has a numbered internal tag “Table Serial No. 198579. (2)Creed teletype set on table unit. Metal tag on reverse “Creed & Co. Model No. 75RPR K4M4. Serial No. 5897 Made in England”. (3)Creed paper tape reader set on table unit. This set of equipment could read paper tape and print it, or copy paper tape while allowing it to be edited, or allow a programmer or data preparation person to type and punch a new program or data. It has no electrical connection to the computer. Paper tapes were usually torn off and carried across to the computer. There is also another table unit with switches on front face and changeable setting switch on front right side which holds a Ferranti Westrex paper tape punch set. Label on reverse “Teletype Code BRPE11” This was the Computer’s only output device. BRPE-11 is a teletype model number.

This camera has representative significance as a replica of a model used widely during the 1950's.Black box with handle, lens and film opening clip on upper face, view finder, lens open close shutter and winder on left hand side, Inner compartment opens outwardly with clip to store film. Yellow and red descriptive sticker on upper lid, Use Kodak 620 Films. Front face gray and sliver striped plate,Brownie Flash II Camera , Kodet Lens ,Kodak Australia Pty Ltd Melbourne Australiacamera, pictures, film, photography, kodak

A red Fiat 500 was replaced by a 1961 Truimph Herald Coupe as Patricia Boyd's car. Later the Truimph was replaced by an Alfa Romeo Coupe.Documentation for purchase of a 1961 model Triumph Herald Coupe (2 seats) in sebring white with mauve (not red, as invoice reads) trim, Registration number HKO 492. Four documents, one white, three blue. Deposit paid to Standard-Triumph two days earlier.Deposit has handwriting on reverse by Patricia Boyd.ohm2022, ohm2022_6

Various documents (purchase, registration, insurance) of Patricia Boyd's (now Davies) regarding purchase of Alfa Romeo Coupe, grey, four seater, 1978 model. Registration AGR 818 in one document and IGR 818 in another. Purchased on 3rd September 1978.Four documents

Insurance documents with Patricia Boyd (now Davies) regarding Triumph Spitfire Roadster, 1967 model. Registration JUF 084, 1975-1978.Six documents