Showing 2377 items matching "oiling"
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Benalla Art Gallery
Painting, Joseph BACKLER, Henry Johnson (portrait pair), c. 1843
Born: London, Middlesex, England 1813; Arrived: Sydney, New South Wales, Australia 1832; Died: Sydney, New South Wales 1895VictorianBennett Bequest, 1999 Oil on canvas depicting portrait of seated Henry Johnson in black suit and bowtie. Polished timber frame with gold gesso inlayRecto: Not signed, not dated, not titled painting, portrait, colonial, man, face, hands, figure -
Benalla Art Gallery
Painting, Henry BURN, Studley Park bridge over the Yarra, c. 1860
Born: Birmingham, Warwickshire, England 1807; Arrived: Melbourne, Victoria, Australia 1853; Died: Melbounre, Victoria, Australia 1884RomanticismGift of Beverley Brown, 2015Oil painting on board, depicting sparse rural landscape by a river and bridge.Gold brushed timber frame and decorative gesso inner corners. Recto: Not signed, not dated, not titledpainting, landscape, figures, boat, tree, bridge, river, animals, water -
Nillumbik Shire Council
Painting: Hilary JACKMAN (b.1943 Melb AUS), Brougham Street Bridge, 1980
Oil on canvas board. Landscape painting of Eltham with Brougham Street bridge in the foreground. People walking down the road and cars in the backgroundLower left, red paint 'HILARY JACKMAN 80'landscape, painting, eltham, bush, bridge, brougham street, jackman -
Mont De Lancey
Picture
Painted by Eliza Jane Quayle, mother of Gwen Sebire. Put back where it always was in Mind De Lancey.Oil painting of cottage on wood with gold painted frame. Hand-made frame has floral pattern carved on front edge. oil paintings -
Mont De Lancey
Cheese Board
Bamboo Cheeseboard with painting of St Peter Port Harbour Guernsey, from an original oil painting by local artist, Carol Guille.breadboards -
National Vietnam Veterans Museum (NVVM)
Painting - oil painting
This item commemorates the involvement of the Royal Australian Navy in the war in Vietnam. HMAS Melbourne was an escort ship during the war in Vietnam.An original oil painting of HMAS Melbourne at sea by Roger Knowles. Grey ship against bright blue sky with purplish clouds. hmas melbourne, roger knowles, oil painting -
Lakes Entrance Historical Society
Book, Devonshire, James, The Lake Bunga Oil Bore, 1999
Research, interpretation and management recommendations for the Lake Bunga oil bore, near Lakes Entrance, East Gippsland,Victoria by Forestec student.industrial, topography -
Lakes Entrance Historical Society
Album - Oil Drilling Lakes Entrance, Charlie Carpenter, 1936 c
Photograph album containing views of oil drilling operations in Lakes Entrance area particularly Eastern Bore Lakes Entrance Victoriaoil drilling, local history, oil and gas industry -
Chiltern Athenaeum Trust
Painting - Oil painting, Alfred Eustace
This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - oil tanks, 1956
Port of Portland Authority ArchivesBack: Oil terminal facilities - 1956 Ampol petroleum storage site showing progress in tanks - in black inkport of portland archives, portland, ampol -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Early Shipping: Ocean/Railway Pier, 12/04/1952
Port of Portland Authority ArchivesFront: Front- 'Oil Tanker at Deepwater Pior 4.12.52' Back- 10/2-ink Purple PHT stampport of portland archives, portland harbour, ship berthed, ss tynefield -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lee Breakwater, Portland, n.d
Port of Portland Authority ArchivesBack: Purple stamp - Portland "Guardian" Piece of paper attached - typed 7. New oil berth at Portlandport of portland archives, tanker berth, lee breakwater, ocean pier, portland harbour -
Port Melbourne Historical & Preservation Society
Document - Forms of Contract, J Kitchen & Sons, The London Oil and Tallow Trades Association, Aug 1955
Green covered book of "Forms of Contract". Black binding along spine. Each form is numbered and headed with name of commodity for which a contract would be needed . Back of each page has "Rules of Arbitration and Appeal"The London Oil and Tallow Trades Association forms of contract 1955. 84 Leadenhall St, London, EC 3industry - manufacturing, j kitchen & sons pty ltd, coconut oil, vegetable oil, australasian tallow, english tallow, american spirits of gum turpentine, gum rosin, wood rosin, china wood oil, hardened oriental fish oil, linseed oil, south american matadero beef tallow, whale oil -
Orbost & District Historical Society
lamp, C T Ham Mfg Co, 1920's - 1950's
This "hurricane lantern," is a flat-wick lamp made for portable and outdoor use. They had a strong glass shade which would protect flames from sudden drafts. It seems that the glass on this item is not the original one.This item is an important example of the early technology of artificial light. It has historical significance in demonstrating lighting devices used before the widespread use of electricity.A metal "hurricane" lamp which has a glass shade. This is a portable oil lantern which has an oil tank on the bottom that forms the base of the lamp. The tank has a door for filling (missing), it also houses the wick and knob that increases or decreases the length of the wick. It has a carrying handle attached to each side of the metal frame.On the base - No 6(?) CLIPPERlighting lantern -
Lakes Entrance Historical Society
Book, Australian Narional University, Oil Search in Australia CEB Conybeare, 1980
An account of the history and development on the search for oil in Australia and production up to 1980Small book with orange cover 151 pagesnon-fictionAn account of the history and development on the search for oil in Australia and production up to 1980oil, industry, history -
Kew Historical Society Inc
Photograph, His Majesty King George V after a painting by John Berrie, c.1935
The original oil portrait is held by the Australian War Memorial.Large official framed colour print of King George V in military uniform. The linked article by Laura Cook, published by the AWM in 2017 gives a history of the original Berrie portrait and reproductions."His Majesty King George V"king george v, kew (vic.) — municipal collection, wwi -
Trafalgar Holden Museum
Container - Harness Dressing
Harness oil used for the preservation of leather circa 1900Imported and sold by Holden and Frost ca1900Rusty tin can with screw lid, with damaged handleFrank Millers Harness Dressingequine, harness dressing -
Trafalgar Holden Museum
Container - Glass bottle containing Kendall's Spavin Cure, Circa 1900
Glass container used to hold Kendall's Linament oilImported and sold by Holden and FrostSeven sided glass bottle in amber glass, paper label stating that the contents were Kendall's Spavin Treatment.container, kendall's, equine, treatment -
Glenelg Shire Council Cultural Collection
Equipment - Air pump fuel syphon, Unknown
An example of an early design of a kerosene / oil air pump. An example of an early design of a kerosene / oil air pump.Metal air pump fuel syphon. Long cylinder with a cap of feet at the bottom, top has a ring pull that activates the pump action. Curved spout close to the top. Weld on the spout looks to be newer than the original.Nonekerosene, air pump, fuel -
Flagstaff Hill Maritime Museum and Village
Domestic object - Sewing machine in cabinet, Ward Brothers (G & S Ward), ca. 1933
The donor inherited this Wardana machine from her mother, who bought it in about 1933 and used it to sew garments for her sister's dressmaking business in Frankston, Victoria. The donor often used this machine until she purchased an updated model. There were originally three Ward Brothers who owned the North Melbourne sewing machine business but they had a falling out. This machine's decals on the map of Australia only include the two remaining brothers. The Ward Brothers, G & S Ward, established their sewing machine business in North Melbourne in 1888. The cabinets and ironwork of the machines were made in Australia and the Ward Bros. imported their machines from overseas manufacturers in England, America and Germany. The assembled machines were sold under brand names that included Ward, A.N.A. the patriotic-sounding Australian Sewing Machine Company. The "Wardana" was one of their brands.This sewing machine was fabricated in Australia from imported parts from England, giving a snapshot into the early manufacturing industries that were operating at the time just after Federation.Sewing machine in a wooden cabinet with iron foot-operated cast iron treadle mechanism. The hinged cabinet top opens out to form a worktop. The sewing machine lifts out of the cabinet to sit level with the worktop, resting on two supports within the cabinet. The lockable cabinet door opens from right to left revealing fitted shelves and spikes for spools and bobbins. The gold-painted maker's name is cast into the black treadle. The machine has its original instruction book, oil can, and eighteen accessories in an enclosed cardboard box. The round shallow oil bottle has a rubber dispensing tube. Colourful decals decorate the black body of the machine. Inscriptions include a Serial Number stamped on the bed of the machine. The Wardarna Central Bobbin machine was made in England for the Ward Brothers of North Melbourne.TREADLE: cast into metal ACROSS THE TOPE AND ON THE FOOTPLATE "WARD", "WARD" SERIAL NUMBER stamped into oval plate "28383" DECAL: (Map of Australia ) with images of [two brothers] , "WARDANA" above (logo of the rising sun) DECAL: (Decorative floral design with heraldic-like emblems) above "MADE IN ENGLAND" ARM: "WARDANA" PEDESTAL: "C.B." (representing Central Bobbin) "MADE IN ENGLAND" "MADE IN ENGLAND / FOR / WARD BROS / NORTH MELBOURNE" BOOK TITLE: "Instructions for Treadle Machine" ACCESSORIES: some have indecipherable embossed stamps OIL BOTTLE base: (image of log and short lines radiating from a central inscription (indecipherable)sewing machine, domestic, wardana, ward bros., central bobbin, made in england, north melbourne, c.b., flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, treadle sewing machine, home industry, clothing, dressmaking, clothing manufacturer -
Clunes Museum
Container - INK BOTTLES, RAMSAY & HALL P/L
FOUND IN HOUSE BY CHILDRENINK BOTTLES AND TYPEWRITER OIL .1 TYPEWRITER OIL. MANUFACTURER RAMSAY AND HALL P/L HAWTHORN. BOTTLE 2/3 FULL .2 QUINK INK BOTTLES. ONE FULL, MADE IN ENGLAND .2 IS 2 FL. OZ. .3 IS 5.7 ML. .4 CALLI WATERPROOF CALLIGRAPHY INK. FULL, USED. 29ML.ink, typewriter oil, quink, calli -
Orbost & District Historical Society
oil painting, 1889
Unframed oil painting on thick cardboard. Painting is of three men in a rowing boat on a river in background and close up of one man in boat.painting lake-tyers illustrations-oil -
Glenelg Shire Council Cultural Collection
Photograph, View of Portland Harbour and Port, c. 1967
Port of Portland Authority archives.Front: (no inscriptions) Back: Pivotport of portland, portland harbour, oil rig -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - construction site, n.d
Port of Portland Authority Archivesport of portland archives, oil tanks, kingsley, wellington road, portland -
Glenelg Shire Council Cultural Collection
Photograph, Photograph - Construction site, n.d
Port of Portland Authority Archivesport of portland -
Blacksmith's Cottage and Forge
Egg Slice, 1900 (estimated)
This item would have been made, possibly by the blacksmith. This item shows ingenuity in producing a item for use in the home. It may have been home-made because comparable items may not have been available to buy or possibly because of the maker's financial situation.Roughly made - home produced. Long handle with flattened slice-end riveted on. Diamond pattern of holes to allow drainage of oil/liquid.kitchen, food, preparation, tin, homemade, egg, slice -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland Harbour, n.d
Port of Portland AuthorityBack: harb020- pencilport of portland archives, aerial photography, portland harbour, k s anderson wharf -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - SS Janova, Portland, n.d
Port of Portland Authority ArchivesFront: Back- Purple stamp PHT stampport of portland archives, oil tanker, ss janova, portland harbour, cargo, ocean pier -
Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: PHOTO TRAM
Photo of old double bogie tram with advertising sign from gas & fuel corporation ''Save oil for transport. Use gas for heating''Fujitransport, tramways, tram -
Bendigo Historical Society Inc.
Document - PEARCE COLLECTION: ACCOUNTS H HAMMOND
Collection of Accounts, 1909-1911 - H Hammond, Wall Paper Importer. Oil and Color Merchant; Painter and Decorator. (220) Mitchell St.business, retail, painter and decorator