Photograph shows one end of partially built PCC 1041 car body inside Preston Workshops, namely the driver's window frame, roof and destination display cavity.Yields information about construction of PCC 1041Black and white print note on the rear.On rear in ink "Melbourne & Metropolitan Tramways Board Ref No P25/1/1088 "pcc, 1041, car body, preston workshops, driver's window

This is a photograph taken in the Chiltern - Mount Pilot National Park near Chiltern in Victoria. On this day, the Wooragee Landcare Group was in the national park looking for signs of the tiger quoll. Tiger quolls can be found in few places with the Chiltern - Mount Pilot National Park being one of them. This photograph is of a tiger quoll nesting site as tiger quolls often nest between large rocks. This image also shows the damage caused by the 2003 bushfires. These bushfires happened at the same time as the 2003 Alpine bushfires. This bushfire started by lightning and quickly became the largest fire in Victoria since the 1939 Black Friday bushfires. The Alpine bushfires destroyed 1.3 million hectares and burnt for 59 days before it could be controlled. The 2003 bushfires severely damaged the environment and concern was raised about the safety of tiger quoll. This photograph displays how the nesting site was damaged by the fire. This meant that the quoll itself could have also been impacted by the fire. Hence why the Wooragee Landcare group went for a search for signs of the quoll.This photograph is significant because it shows a tiger quoll nesting site. Tiger quolls are a highly valuable species because they live in very few places. This, in turn, makes their nesting site valuable. This photograph also signifies the impact of the 2003 bushfires on the Chiltern - Mount Pilot National Park. The image displays burnt trees which makes it clear that the fire was deeply damaging. The fallen log over the nesting site demonstrates how the bushfire must of put the tiger quolls at risk because of how the fire damaged their nesting site. Landscape coloured photograph printed on gloss paperReverse: WAN NA 0ANA0N0 NNN+ 1 1636 / [PRINTED] (No.9) / 923bushfires, mount pilot chiltern national park, mount pilot, chiltern, victoria, wooragee landcare group, wooragee landcare, wooragee, national park, tiger quoll, 2003 bushfires, beechworth, rocks, nesting site, photograph, 2003 alpine bushfires, 1939 black friday, 2003, hectares, fire, damage, burnt, burn

This is the before paired photograph used in the 150 year, Lakes Entrance 1858-2008 display.|The after paired photograph number is 01285.1|Also one 12 x 16 framed photograph used in room display.Black and white photograph showing Glenara Guest House, with new sign and roof signage. Side lane, view shows depth of building and car parking at rear. Lakes Entrance Victoriaguesthouses, tourism, architecture, rsl clubs, room display

Used by Colin Sach during his employment as Manager of the Chemistry Dept. at the University of Melbourne over a period of forty years.Manufacturing History Museum Victoria Commentary: Australian manufacturing history Philip Wollen Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good1'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good1'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Square metal box with electrical elements inside. Used to stand on or to put feet on when sitting. Elaborate pattern in centre with inscription.Hecla Foot Warmerdomestic items, heating

This item is on display in the Bistro area of the Bendigo District RSL Havilah Road. Refer Cat No 8173.2 for an actual propellor in the same venue. Due to the position and light a good photo was not possible.Framed colour photo, brown timber frame with photo in a white inset, the photo shows a ships shaft and propellors under going a 300 hour spin test inthe Ordnance Factory Bendigo, under the photo is a description detail of the test procedure, where built and for which RAN ships.brsl, smirsl, bdrslinc

As per the explanation the HMAS Sydney II was launched in Sept 1934, sunk by the German Raider Kormoran on 19 November 1941, the wreck was discovered in March 2008. This item is on display inn the Bistro area of the Bendigo DRSL in Havilah RoadPhotos framed, the frame is timber Brown colour, at the top is the main photo of the ships crew on the decking of the HMAS Sydney II, centre is an explanation of the “Sydney’s building, commissioning and fate, at bottom LH side shows the “Sydney” at sea, the RH photo shows “Sydney” in front of the Sydney Harbour Bridge“HMAS SYDNEY”brsl, smirsl, bdrslinc

Initially serviced by a weatherboard building as school No. 221, the brick building was opened by the Minister of Education in February 1881. It was renumbered No. 2367 and built to accommodate 130 children.Pencil sketch of the Epsom primary school no. 2367 it shows the front of the school with a tree to the left. Signed by the author David Tunley. David was a music teacher at Epsom in the 1980's.On the back: drawing by David Tunley early 1980's. 24/04/2004 Dear Jayne and Anna (Sutherland) it was in this little school that you displayed so much flair, potential and artistic ability. Much love David.epsom, epsom primary school, drawing

The information sheet belongs with a map showing the Burma Thailand Railway and it's route with the various camps and P.O.W centres. The map was produced over a period of 15 months and drawn in four stages. Shows Hellfire Pass formerly ( The Konyu Cutting). The 50 Kilo Camp in Burma. There were 56 stations and 87 camps on the route of the map. The map gives due credibility and was released as a limited edition of 1000 copies only. Copies of the map are displayed all over the world including Staffordshire in England, University of Houston, National Guard Museum of Texas and on display at the Australian and New Zealand Embassies in Bangkok.Framed information sheet of the map produced to show the various camps and sights along the Burma Thailand railway. The map was produced using a number of older railway maps, including the Escritt translated map and a local Thai road touring map.

Aboriginal artist Leann Edwards before heading to USA to show her artwork to the world. Ten of her paintings launched by expatriate Australian gallery owner Mary Harbour Lakes Entrance Victoria. Also three colour photographs of Leann Edward paintings Dolphins, Kangaroo Bed Head,Balranald Pub displayed at Nungurner January and February 1996 numbers 04119.1, 04119.2, 04119.3 size 15 x 10 cmColour photograph of Aboriginal artist Leann Edwards Also three colour photographs of Leann Edward paintings aboriginals, arts and crafts

Page with 6 photographs. (1-4) MIFGS display and the winning garden designs of Fiona Webber and Jaz Rhodes (students). (5) Tree Planting by Vice Chancellor, Professor Glyn Davis, John Rayner and Andrew Smith (6) Drinks in Gardens for the launch of the Burnley 125 events.mifgs, display, garden designs, fiona webber, jaz rhodes, students, tree planting, vice chancellor, melbourne international flower and garden show, professor glyn davis, john rayner, andrew smith, 125 celebrations

The photograph shows VR tram 36 at St Kilda Railway Station with the driver in summer jacket raising the rear trolley pole. The tram displays destination Vautier St, an intermediate terminus about three kms from the station. VR tram 29 is also arriving at the terminus with weather blinds and saloon sunshades raised to shunt over tram 36. Its destination sign is indistinct but appears to be Middle Brighton or Brighton Beach. This movement of multiple shunting was common in the afternoon peak. Up to three trams would depart simultaneously following the arrival of a busy electric train from the city. The first tram would travel limited express to Brighton Beach; the second tram also ran limited express to the intermediate terminus at Middle Brighton; the last tram stopped all stops to Vaitier St, then return to repeat the same run. Also in the photograph is a M&MTB W2 tram in Fitzroy St crossing the VR tracks bound for its Acland St, St Kilda Beach terminus.Yields information about St Kilda Railway Station VR 36, Vr 29, and tram operationsSepia photograph with note on the rear.In ink on the rear " 36,29, &a W2 at M&MTB/VR crossing St Kilda Stn 12-1-54 1035"vr tram, st kilda railway station, weather blinds, middle brighton, tram 36, tram 29, brighton beach, vautier st, limited express, intermediate terminus, m&mtb, w2, fitzroy st, acland st

The photograph shows unidentified VR tram waiting at Brighton Beach terminus for departure with St Kilda Railway displayed on its front destination and Brighton Beach displayed on a board on the side of the drop-centre. The weather blinds a re up and one saloon window is open.Yields information about Brighton Beach terminusBlack and white photograph with note on the rear.In pencil on the rear "5579 St Kilda Railway Station to Brighton Beach Photo at terminus 26-8-50"vr trams, brighton beach terminus, saloon windows, destination, drop-centre

The photograph shows VR tram 42 in Barkly St at the Carlisle St intersection displaying destination St Kilda Rly. A male passenger is boarding. In the foreground the M&MTB Carlisle St tracks can be seen, a corner milk bar shop and traffic lights showing green for Barkly St traffic. In the mid ground what looks like a Holden car is turning into a driveway.Yields information about VR tram 42, Barkly St and Carlisle St intersectionBlack and white photograph with no notes on the rear.vr tram, tram 42, barkly st, carlisle st, st kilda rly, milk bar, traffic lights, holden car

Photograph shows W class 307 standing on slightly curved track displaying destination "Victoria Bridge" and no route number box attached. The uniformed motorman and conductor stand on the roadway next to the front driver's cab where the trolley pole has been tied down. The conductor wears his coin bag and the driver is holding the tram's key and air brake handle. An elderly male passenger with coat stands at the drop-centre doorway and other passengers are inside. The car body of W 307 was built by Holden Motor Body Builders in South Australia in 1924 as part of a large contract to build W class trams. Victoria Bridge was the termini of both the Collins Street and Victoria Parade cable tram that closed in 1929 and the Mont Albert electric tram from Union Road, via Whitehorse Road and Kew Junction. Perhaps this photograph is of the Mont Albert terminus although the curved track suggests otherwise.Yields information about early W class tramcars . Black and white photograph with penciled dates on rearPencil writing reads "Between 2/9/24 & 19/3/28" trolley pole, drop-centre, w class, tram 307, victoria bridge, route number box, key, air brake handle, car body, holden motor body builders, mont albert, termini

Photograph shows partial side view of VR single truck tram 5 second fleet showing destination St Kilda. Five uniformed crew and one young male stand at side step. Glass driver windscreen is visible.Below photo is embossed letter B from a previous display.Yields information of Railways tramcar 5 and crew Black and white photograph with stamp and notes on rear TMSV stamp, black biro writing 'Print from RH Prentice negative - August 1980 (Original from L Marshall Wood collection)'victorian railways, single truck, second fleet, st kilda, vr tram 5

The photograph shows VR tram 48 waiting to depart Sandingham Station terminus with many passengers displaying the destination Black Rock. The weather blinds are up and some saloon windows are open. To the left of the tram are two elderly men in suits and a uniformed man with his back to the camera.Yields information about Sandringham Station terminusBlack and white photograph with note on the rear.Typed and stamped on the rear "VR tramways at Sandringham showing car No 48 about to leave for Black Rock. May, 1947 K J Magor No. K Winney"vr trams, saloon windows, destination, sandringham station, black rock, uniformed man

The photograph shows VR tram 48 waiting to depart Sandingham Station terminus with many passengers in summer clothing and displaying the destination Sandringham. The weather blinds are up and all saloon windows are open. The station building is seen behind the tram and to the left many adults and children stand together. Yields information about Sandringham Station terminusBlack and white photograph with note on the rear.in ink on the rear "No 48 at Sandringham Station terminus K J Magor Neg No. 893"vr trams, saloon windows, destination, sandringham station, weather blinds, summer clothing, station building

Photograph shows part of the preserved cable grip car number 1 and trailer car number 1 in a large glass covered display case in Russell Street behind the (then) Melbourne Museum and State Library. The photograph shows the trailer car's draw bar inserted into the grip car's socket held in place with a pin. It also shows the car and grip secured with a safety chain. The trailer coupling was guided into the socket by a chain worked from the trailer platform through a pipe fastened inside the end apron.Yields information about cable tram componentsBlack and white photograph with note on rearIn ink "28" and "K McC"cable trams, russell street, melbourne museum, state library, draw bar, tie rod, pin, safety chain, trailer coupling

Photograph shows cable tunnel yoke, tunnel shape, cable and supporting pulley. K McCarthy collection.Yields information about cable tram tunnel componentsBlack and white photograph with note on rearIn ink "27" and "K McC"cable trams, yoke, cable, rope, pulley

This photograph shows actor Colin Friels dressed in a driver's uniform and cap sitting in a small open-air four-wheel 'tram' at the front of the Brunswick Depot car shed. The photo depicts a scene from the Australian made feature film 'Malcolm' with Colin Friels playing the lead character Malcolm. The destination blind shows 'Brunswick' and in the mid-ground at the entrance of the shed is W5 class tram 765 displaying 'East Coburg 1'. The four tram wheels used on the short tram were recycled from a cable tram. See also item 8678 for two other photographs.Yields information about well known Australian film MalcolmBlack and white photograph stuck on white cardboard, no notestram, brunswick depot, malcolm, movie, colin friels, tram 765

Fleece was entered in the show by Percy (Ronald Percival) Howell who farmed Corriedale and Merino sheep on his property at Mannibadar. His sons were Ray, Ron and Mervyn (who was killed in action in the last days of World War II).Cream cardboard certificate with black printed text. Used to document items on display at the Lismore A. & P. Society Annual Show in the 1950s. Provides name of exhibitor, description of sheep fleece on display, and judge's remarks.Text: " Lismore A. and P. Society / ANNUAL SHOW, SATURDAY, NOVEMBER , 195-. "lismore a. & p. society, percy (ronald percival) howell, rural activity, lismore a & p show