The State Electricity Commission of Victoria published a journal every second month for all its workers throughout Victoria. Each 'project' reported their news, giving an update on work, sport, technical achievements, social gatherings, personal notices etc. The S.E.C. Journal included a regular section for the Kiewa Hydro Electric Scheme titled "Kiewa Keynotes" giving an insight into life & an update on the work on the project and the reporting of new clubs, services etc. being formed. It also reported on many of the people living there. Eg. Feb.-Mar. 1955 Cover "Packhorses get supply to Kiewa's survey outposts - Pg. 2. S.E.C.V. Journals covering the period of the Kiewa Hydro Electric Scheme. Each journal is about 33 pages with a soft card board or glossy paper cover. The earlier journals were plain with one colour and white , the later ones had a photo on the front. The journals were identified by Vol. & No. and months and year. Duplicate journals of S.E.C.V. journals covering the period from 1939, the 1940s. early to mid 1950s, mid to late 1970s and 1980s. Each of these journals have a pink tag indicating a reference to Mt Beauty.state electricity commission of victoria. kiewa hydro electric scheme. kiewa valley. bogong. mt beauty. dams. power stations.

Narre Warren North had a population of 200 in 1933. Just a month after World War 2 began in September 1939, a meeting was held in the Narre Warren Scout Hall to discuss the formation of a branch of the Red Cross Society. Mrs Harry Randle was elected president, Mrs Montague, vice president; Mrs Brundrett, secretary and Mrs Ewart, treasurer. All financial members were deemed to constitute the committee. By 1953, just 14 years after their formation they had raised over two thousand pounds, of which one thousand, eight hundred and eighty-two pounds had been sent to headquarters.The minutes bring together the ladies of all walks of life in a small rural community. The early minutes reflect the difficulties of the war years when many of the women may have had husbands, sons and daughters in the services. Despite rationing and shortages of materials these ladies always seemed to have most of what they needed to make goods to sell at stalls, provide suppers at concerts and social afternoons and hold an annual fair. In their spare time they knitted socks and helmets and sewed pyjamas that were sent to those serving overseas. The minutes highlight the work of our local women and give us an insight into the often unrecorded contributions women made within their communities in a time when local histories were dominated by male achievements.Six exercise books bound with hard cover binding. Navy blue debossed cover.narre warren north (vic.), narre warren north (vic.) -- red cross, red cross society

This glass slide captures the driveway into Mayday Hills Mental Asylum formally known as the Beechworth Lunatic Asylum circa 1900. The slide depicts the driveway lined with an elevated landscape featuring tall trees, shrubbery of different varieties and well shaped bushes. The Mayday Hills Mental Asylum was constructed between 1864 and 1867 to the designs by the Public Works Department (PWD). The decommissioned Asylum was one of the largest psychiatric hospitals in Victoria and consisted of sixty-seven buildings, one thousand two hundred patients and five hundred staff members. The Asylum was predominately inhabited by long-stay patients but there were active out-patients. The Asylum was one of the first asylums to focus on treatment and rehabilitation instead of institutional confinement. At the Asylum, active work was considered imperative and workshops were located near the male accommodations and laundries and drying yards near the female accommodation. The Asylum closed in 1995 and was sold to La Trobe University before being closed and sold again in 2011 to a private owner.This glass slide captures social and historical significance as it represents a one small part of a much larger and pivotal location within Beechworth history. This lantern slide stands testament to a special place in Beechworth’s history and its significance continues to be remembered today.Thin translucent sheet of glass with a square image printed on the front and framed. It is held together by metals strips to secure the edges of the slide.NOW SCENE / ASYLUM AVENUE/ R.P.B. HALL/ BEECHWORTH.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, mayday hills

In the early 1900s, Mary Sweeney commissioned artist Charles Bertie to paint the main house at Culla Hill. He charged her 5 shillings for the picture and 18 pence for the frame She took this painting with her when she married Michael Carrucan in 1910 and it hung in the Dalton Street farmhouse for many years. At a later time (1960s), the Burstons (the then owners of Culla Hill) had a card printed from the painting. The original sketch was photographed in 1970 for reproduction in the Shire history publication Pioneers & Painters (1971). The very fragile original was kept in the Council strongroom and suffered significant damage to its edges over the years, no doubt it has also yellowed. A comparison of the original as digitised (2022) with the negative taken 50 years earlier also reveals that the left 20% of the sketch has been cut off, probably due to damage. In June 1842 Thomas Sweeney applied to the Superintendent, C.J. La Trobe, asking permission to purchase a portion of the recently surveyed ‘Parish of Nillumbik'. His request was allowed and handed to the sub-treasurer and Land Board. He paid £110 for 110 acres and called the land 'Culla Hill'. He first built a temporary house, a slab hut 12 feet by 10 feet, in which he lived with his wife, an Irish girl whom he had married in 1838. (His first wife had been drowned at Port Jackson.) Some time later he built a permanent residence on the model of a Tipperary farmhouse. It was a rectangular building of hand-made bricks and stone quarried from the Western Hill with a recessed verandah in front, and bore a slate roof. The out-buildings consisted of a detached kitchen, stable and a barn. It was in this house that succeeding generations of Sweeneys were reared. The original slab hut became a washhouse and survived till recent years. 'Culla Hill' became a social centre for the district, church services being held there on various occasions. The first wheat crop in the district was planted by Sweeney who also supplied the first grain for a mill that later was built at Eltham. He took an active interest in the development of the district. At this time travelling people--many of them runaway sailors or convicts--often passed the settlement, and some of them stayed and worked with Sweeney. A tribe of aborigines living on the river below 'Culla Hill' were apparently on good terms with Sweeney, for it is said that they helped him with the building of his house. Very little is known about the aborigines who originally lived in the Eltham district. There must have been many of them; their stone axes, grinding stones, and anvil stones have been found in the gullies around Research and canoe trees and artifacts were found on the Kangaroo Ground hills. Early settlers remembered a tribe that camped on the site of the present railway bridge at Eltham. They held corroborees there and visited settlers for hand-outs of 'flour and bacca’. There was an aboriginal reserve on the Yarra, upstream from Eltham, but most of those who had collected there later went to live on the Pound Reserve at Warrandyte, where the last aborigines in the area finally ended their days. The Pound Reserve, of 1,103 acres, was established at Pound Bend in 1841. The chief protector, George Robinson, and his four assistants, were given instructions to care for the aged and sick, to provide blankets and rations for all who lived there, to train the able-bodied men in agriculture and other trades and to find them jobs. The Yarra blacks, who later came under the protection of William Thomas, have been described as a 'fine race, well made and above the average height'. Thomas Sweeney died on 6 September 1867 and was buried in the Eltham Cemetery. To his wife Margaret and his son John, he left the entire property of 'Culla Hill'. To his other son Patrick, he left 150 acres, including a small two-roomed wooden cottage. He had five daughters: Kate and Margaret (twins) who were born in 1842, Ellen 1846, Annie 1848 and Johanna 1851. John Sweeney farmed 'Culla Hill' until his death in 1909. He had ten children; one of them, Mary, became Mrs M. Carrucan whose son, Mr John Carrucan, still lives at Eltham. 'Culla Hill' passed out of the Sweeneys possession in 1939 and was renamed by its new owners, 'Sweeneys', in memory of its pioneers. - Pioneers & Painters: One Hundred Years of Eltham and its Shire, Alan Marshall 1971, pp10-12 Original colour sketch artwork 4 x 5 inch black and white negative of original colour sketchculla hill, art, charles bertie, drawing, mary carrucan (nee sweeney), sketches, sweeney's cottage

The Life Membership relates to William John Turner Bendigo RSL Sub Branch. Refer Cat No 8029 for details of his work and fund raising for the Sub Branch. Refer Cat No 8030 for details re his Committee involvement with Bendigo Sub Branch and his WW1 service history. The Unit Social Clubs listed in an RSL Bendigo Annual report 1946 appear to be 6th, 38th, 57th Bn Associations, Railways Sub Section, Catholic War Veterans Association, POW Association (new member 1947).Framed certificate, frame is timber gold colour, backing for the certificate is maroon colour, certificate has ornate blue edging, RSL logo at the top followed by the details of the certificate, all print in black, signed and dated.Main points; “Inter Units Social Club - Life Members Certificate - Presented to Mr W.J. Turner for services rendered to the above club” “R C. Kuryke President” “H Skinner Secretary” Dated 28.3.1960”brsl, smirsl, certificate.

Ladies fashion shoes made in Fitzroy by Ivan Porter of Goold & Porter Pty Ltd, during the 1940s and 1950s.Worn by Doris Melbourne, wife of Arthur, who worked for the State Electricity Commission of Victoria. They would have attended the many social events that took place in Bogong and Mt Beauty during the construction of the Kiewa Hydro Electric Scheme. They lived at Lower Bogong where the steps of their house can still be seen and later, at Bogong Village and Mount BeautyLadies fashion shoes, black, leather and latex with red insole and resin sole, pointed toes, low stiletto heels. Size 4 Three looped narrow black bands joining front and side of the shoe on the outer edge of each shoeBy Ivan porter'Made by/ Goold & Porter Pty Ltd./ Leather & Latex/ Insole/ Resin Sole (Size) 4 is indented on the sole between the toe and heelfashion shoes; lower bogong; secv; goold & porter shoe manufacturers

Flower shows or Horticultural exhibitions were a popular form of entertainment and scientific pastime in the nineteenth and twentieth centuries and were widely reported on and followed. Ballarat was a major centre for nurseries and prided itself as a garden city promoting many shows at all levels including grand national exhibitions. Exhibitors ranged from professional hybridists, nurserymen and florists to amateur growers. This award represents the cottage or amateur class in flower shows and was awarded at St Andrew's Jubilee Exhibition and Flower Show. It is one of many in the Taffe family collection won by members of the family between 1899 and 2004. The collection covers three generations of amateur growers and showers across three different centuries.This collection also highlights one of the interactions between members of different religious faith communities in Ballarat in the early twentieth century as this Roman Catholic family were exhibiting at Church of England and Presbyterian functions as well as other shows across the community. An example of the popularity and social significance of flower shows in the early twentieth century. Such items also demonstrate social cohesion and the spirit of interfaith relations before the First World War. It also highlights the importance of gardening in the early twentieth century, the excellence of the gardens at Hymettus in Ballarat and the spirit of self reliance of Australians.Class B, No 14. 57, Six varieties of pansies, Miss Taaffest andrew's, jubilee, jubilee exhibition and flower show, ballarat, pansies miss taaffe, taffe, baxter & stubbs., roman catholic, church of england, presbyterian, interfaith.

While the end of World War II heralded a new era, postwar restrictions on resources affected what could be built, how people worked, and the everyday lives of men and women. The decade beginning in 1950 included monumental shifts in the social and cultural fabric of life in Australia more widely, and also in Kew. This exhibition explores how life changed by exploring the memories of people who lived in Kew during these years, the development of notable private and public modern architecture, and the ways that innovation transformed the lives of Kew’s residents. Set of five photos of artefacts and photographs of the main exhibition room of the Kew Historical Society at the Kew Court House. The secondary room includes images of 1950s and 1960s architecture. Also included in this file is the exhibition flyer.kew -- history -- postwar, kew historical society -- exhibitions

Illustrated book. Cover has green and white photograph "A Nurse at Work: the Journey" by Stacey Neaves, reprinted from the ANF(VB) publication 'CATCH THE MOMENT A Photographic Celebration of Nursing Yesterday and Today'. Title and authors name are superimposed in red print on front cover. On back cover is a quote by Dot Angell, summary of book and printers mark superimposed on photo in red print.non-fictionA social history of the Australian Nursing Federation, Victorian Branch. To work out the future direction of nursing it is essential that we understand its past, and documented in these pages are the struggles and victories told in the words of its members, both past and present.australian nursing federation. victorian branch-history, nurse-labor unions-victoria

A stapled, card-covered, forty-eight-page book with loose card cover.non-fictionSchool yearbook, presenting details of the events and students of Salesian College, Rupertswood, Sunbury.salesian college, rupertswood, sunbury, yearbook, "certantes in vita", 1976

Illustrated book with white front cover that has four coloured illustrations of women in various activities. Title and authors' names are printed in red ink, along with a book description in black ink on the front cover along with publisher's logo and four red lines. Abbreviated title, underlined, in white ink, and authors names in black ink are printed on an orange background on the spine along with the publisher's logo. The back cover has a summary of the book printed in orange, along with another three illustrations of women, publisher's logo and 'Victoria 150 ' logo on a yellow backgroundnon-fictionThis book explores the experiences of women in Victoria over 150 years, highlighting their diverse roles in public and private life. It features more than fifty women, from convicts to nuns, actresses to soldiers, settlers to writers, and housewives to political activists, showcasing their social and personal diversity. The book emphasizes the home's importance, alongside the marketplace, and examines the significance of both reproduction and production. It provides a new perspective on Australian history, focusing on women's place, relationships between public and private life, paid and unpaid work, and the intersection of politics and gender. women-victoria-history-19th century, women-victoria-history=20th century, women-victoria-social conditions

This photograph was taken at Samaria Farm on Sunday the 5th of September as part of a day trip by the Wooragee Landcare Group. The event was about looking at land use on small farms and as a social get-together for the Group. Wooragee Landcare was also researching how small landholders could run some enterprises around the time of this trip. Samaria Farm is located in northeast Victoria, near Mount Samaria, which is located 130 km northeast of Melbourne. Samaria Farm was owned by Sue and Due Matheson at the time of the trip and had a renowned rose garden, pigs, poultry, alpacas, and goats on their nine-hectare farm. The rose garden consists of 3000 damask roses. Samaria Farm distils the oil from these roses and is the only farm in Australia to do this. Rose oil has historically been used for religious and medical use. 20 kg of rose buds are picked by hand every day, which is then distilled and produced 5 to 8 ml of oil. The entire four-week season produces 80 to 100 ml of oil. Rose water is also created during this process and produces about 300 litres per season. Along with the oil, the Farm also harvests lemons, lime, olives, and oranges. The Farm is currently owned by Utako and Anthony since 2022, with Vicki and Allan Wight being the previous owners. Wooragee Landcare Group was created in 1988. Its core mission is to work towards eradicating animals and pests from the land to protect the natural vegetation and promote revegetation projects. This photograph is a great example of the type of events that Wooragee Landcare Group has organized, while educating the public about the importance of land use management. The group is important to the community and for the environment.Landscape coloured photograph printed on gloss paperReverse: WAN NA E0NA2N2. NNN+ 2 4240/ [PRINTED] (No. 18) / 371samaria farm, wooragee, wooragee landcare group, wooragee landcare's collection, samaria, small farm, land use, social, rose oil, damask roses, pests

This photograph was taken at Tatong Tavern, Victoria on Sunday the 5th of September as part of a day trip by the Wooragee Landcare Group. The event was about looking at land use on small farms and as a social get-together for the Group. Wooragee was also researching how small landholders could run some enterprises around the time of the trip. This photograph includes Jo Luisi, Bob Bennet, Christine Stewart, and Julius Holt. Tatong Tavern was built in the 1880's as Tatong Hotel or 'Pub' hotel for Mr. William Worrall. The original hotel was destroyed in 1923 by a fire, but was rebuilt for Mr. M. C. Clarke. The building is a representation of the changing society, as it changes as its uses and visitors change. The photograph shows the beer garden, which has been added more recently. The Tavern has a bar, restaurant, and accommodation area. Wooragee Landcare Group was created in 1988. Its core mission is to work towards eradicating animals and pests from the land to protect the natural vegetation and promote revegetation projects.This photograph is a great example of the type of events that Wooragee Landcare Group has organized, while educating the public about the importance of land use management. It showcases the social aspect of the Group, as well as the historic Tatong Tavern. Landscape colored photograph printed on gloss paper. Reverse: WAN NA E0NA2N2. NNN+ 1 4240/ [PRINTED] (No. 22) / 375wooragee, wooragee landcare group, wooragee landcare's collection, land use, social, tatong tavern, tatong hotel, tatong pub

This photograph was taken at Tatong Tavern, Victoria on Sunday the 5th of September as part of a day trip by the Wooragee Landcare Group. The event was about looking at land use on small farms and as a social get-together for the Group. Wooragee was also researching how small landholders could run some enterprises around the time of the trip. This photograph includes Christine Stewart, Julius Holt, Graeme Missen, Peter Finedon, and Sue Brunskill. Tatong Tavern was built in the 1880's as Tatong Hotel or 'Pub' hotel for Mr. William Worrall. The original hotel was destroyed in 1923 by a fire, but was rebuilt for Mr. M. C. Clarke. The building is a representation of the changing society, as it changes as its uses and visitors change. The photograph shows the beer garden, which has been added more recently. The Tavern has a bar, restaurant, and accommodation area. Wooragee Landcare Group was created in 1988. Its core mission is to work towards eradicating animals and pests from the land to protect the natural vegetation and promote revegetation projects.This photograph is a great example of the type of events that Wooragee Landcare Group has organized, while educating the public about the importance of land use management. It showcases the social aspect of the Group, as well as the historic Tatong Tavern.Landscape colored photograph printed on gloss paper. Reverse: WAN NA E0NA2N2. NNN+ 2 4240 / [PRINTED] (No. 23) / 376wooragee, wooragee landcare group, wooragee landcare's collection, land use, social, tatong tavern, tatong hotel, tatong pub

This photograph was taken at Riverview Farm, Victoria on Sunday the 5th of September as part of a day trip by the Wooragee Landcare Group. The event was about looking at land use on small farms and as a social get-together for the Group. Wooragee was also researching how small landholders could run some enterprises around the time of the trip. This photograph includes Julius Holt, Graeme Missen, Peter and Lesley Finedon, Sue Brunskill, Jacky Luisi, Bonnie Payne, Bob and Christine Stewart, Oliver Payne, and Gerri Boland. Wooragee Landcare Group was created in 1988. Its core mission is to work towards eradicating animals and pests from the land to protect the natural vegetation and promote revegetation projects.This photograph is a great example of the type of events that Wooragee Landcare Group has organized, while educating the public about the importance of land use management.Reverse: WAN NA E0NA2N2. NN1- 3 4556 / [PRINTED] (No. 9) / 188wooragee, wooragee landcare group, wooragee landcare's collection, land use, social, riverview farm, animals, pests

Wooragee Landcare was formed in 1989 to promote sustainable conservation and land-use practices in the North-East region of Victoria. The organisation's work has included public awareness and education campaigns to control invasive, introduced species and protect native wildlife, such as campaigns to replant native plant species to improve soil integrity and restore habitat for flora and fauna. The organisation has drawn on the work of a variety of Government and academic experts to ensure best practice approaches are utilised. This photograph was taken at Riverview Farm, Victoria on Sunday the 5th of September as part of a day trip by the Wooragee Landcare Group. The event was about looking at land use on small farms and as a social get-together for the Group. Wooragee was also researching how small landholders could run some enterprises around the time of the trip. This photograph is a great example of the type of events that Wooragee Landcare Group has organized, while educating the public about the importance of land use management.Landscape colour photograph printed on gloss paper. Reverse: WAN NA E0NA2N2. NNN+ 4 4240/ [PRINTED] (No. 24) / 377wooragee, wooragee landcare group, wooragee landcare's collection, land use, social, riverview farm, animals, pests, indigo shire, tatong, samaria, north-east victoria

This image is a reproduction of an 1899 original depicting the 'Williams Good Luck Mine' on the Mopoke Reef (also called 'Morepork Gully') in the Dingle Ranges, approximately three miles from Beechworth. A large opening to a mine can be seen behind the men in the photograph, with a wheeled cart on a track leading to the men's position, where the soil and rocks have been hauled away. This photograph interestingly contains dogs alongside the miners. While dogs have been recorded as deterrents to thieves in the Victorian goldfields, these dogs appear as companions to these men. Following the discovery of gold at Beechworth in 1852, rushes quickly followed at surrounding creeks and gullies in the district. In the late nineteenth and early twentieth centuries, small syndicates of miners continued to work old or abandoned quartz reefs, often persisting without the assistance of heavy machinery to remove the large amounts of rock, in order to obtain yields at ever greater depths. The group of miners in this photograph are Mr. Roger Williams and Sons, who revived operations at the ‘Old Good Luck’ mine on the Mopoke Reef in the Dingle Range near Beechworth around 1892, working the site for more than two decades. An emigrant from Cornwall with experience in the tin mining industry, 19 year old Roger Williams senior sailed to New Zealand in 1840, then to Australia where he spent time in the Bendigo Gold Fields before settling in Beechworth in the early 1860s. Mr Williams senior worked on various mining activities in the district, including the Rocky Mountain Tunnel project. Conversant with the character of gold-bearing reefs in the area, the syndicate dug an eight hundred foot tunnel, digging down as far down as two hundred feet with little capital save their labour, to connect and provide better working access to the mass of reefs and veins in the vicinity. Progress was hampered by poor air quality charged with fumes from dynamite and large quantities of rock had to be crushed to obtain payable yields. The Victorian Goldfields are filled with ruins and remnants of the area's rich mining history, ranging from small alluvial diggings to the remains of huge mining companies. Site names often changed several times throughout the nineteenth and twentieth centuries. Some sites were abandoned and forgotten, others were worked continuously over many decades. The names of mines were often repeated at different locations throughout the Victorian Goldfields. For example, there is a Mopoke Gully heritage mine near Fryers Creek, Victoria. 'Mopoke' is a common onomatopoeic name for Morepork and Australian Boobook owls.This image has historical, social and research significance for patterns of emigration during of the Victorian Gold Rush, and the historical, social and environmental impacts of mining at Beechworth at the turn of the nineteenth and twentieth centuries. As gold became scarce and government support and large company investment waned, poor hard-working miners laboured intensively to make a living through periods of high unemployment. This image can be compared and studied alongside other historical mining photographs and objects in the Burke Museum Collection. It has potential to improve our understanding of miners working conditions and the shifting character of mining in the Beechworth district.Sepia coloured rectangular photograph printed on gloss photographic paper mounted on card. Obverse: Williams/ Good/ Luck Reverse: A02498/ 1997. 2498/ Good Luck/ Mine/ 1899/ Mopoke. burke museum, beechworth museum, beechworth, gold fields, gold rush, victorian gold rush, gold ming history, colonial australia, australian gold rushes, mining technology, beechworth historic district, indigo gold trail, migration, indigo shire, good luck gold mine, victorian goldfields, mining syndicates, gold fever, quartz-mining, small-scale mining, old good luck mine, mopoke gully, quartz reefs beechworth

This image is a reproduction of an 1899 original depicting the 'Williams Good Luck Mine' on the Mopoke Reef (also called 'Morepork Gully') in the Dingle Ranges, approximately three miles from Beechworth. The foreground of the image is littered with piles of smashed rock and detritus, known as ‘mullock’, beside a reinforced mine shaft, a vertical access passageway allowing miners to enter the mine and haul ore out using lifting technology such as a poppet heads, whims or windlasses. A group of miners and a dog appear close to an open-sided miner’s hut. Following the discovery of gold at Beechworth in 1852, rushes quickly followed at surrounding creeks and gullies in the district. In the late nineteenth and early twentieth centuries, small syndicates of miners continued to work old or abandoned quartz reefs, often persisting without the assistance of heavy machinery to remove the large amounts of rock, in order to obtain yields at ever greater depths. The group of miners in this photograph are Mr. Roger Williams and Sons, who revived operations at the ‘Old Good Luck’ mine on the Mopoke Reef in the Dingle Range near Beechworth around 1892, working the site for more than two decades. An emigrant from Cornwall with experience in the tin mining industry, 19 year old Roger Williams senior sailed to New Zealand in 1840, then to Australia where he spent time in the Bendigo Gold Fields before settling in Beechworth in the early 1860s. Mr Williams senior worked on various mining activities in the district, including the Rocky Mountain Tunnel project. Conversant with the character of gold-bearing reefs in the area, the syndicate dug an eight hundred foot tunnel, digging down as far down as two hundred feet with little capital save their labour, to connect and provide better working access to the mass of reefs and veins in the vicinity. Progress was hampered by poor air quality charged with fumes from dynamite and large quantities of rock had to be crushed to obtain payable yields. The Victorian Goldfields are filled with ruins and remnants of the area's rich mining history, ranging from small alluvial diggings to the remains of huge mining companies. Site names often changed several times throughout the nineteenth and twentieth centuries. Some sites were abandoned and forgotten, others were worked continuously over many decades. The names of mines were often repeated at different locations throughout the Victorian Goldfields. For example, there is a Mopoke Gully heritage mine near Fryers Creek, Victoria. 'Mopoke' is a common onomatopoeic name for Morepork and Australian Boobook owls.This image has historical, social and research significance for patterns of emigration during of the Victorian Gold Rush, and the historical, social and environmental impacts of mining at Beechworth at the turn of the nineteenth and twentieth centuries. As gold became scarce and government support and large company investment waned, poor hard-working miners laboured intensively to make a living through periods of high unemployment. This image can be compared and studied alongside other historical mining photographs and objects in the Burke Museum Collection. It has potential to improve our understanding of miners working conditions and the shifting character of mining in the Beechworth district.Sepia coloured rectangular photograph printed on gloss photographic paper mounted on card.Obverse: Reverse: A02497/ 1997.2497/ 'Good/ Luck/ Mine'/ Morepork/ Gully/ Mrs Joyce/ Bright/ Tunnel/ 800 ft/ 1899. burke museum, beechworth museum, beechworth, gold fields, gold rush, victorian gold rush, gold ming history, colonial australia, australian gold rushes, mining technology, beechworth historic district, indigo gold trail, migration, indigo shire, good luck gold mine, victorian goldfields, mining syndicates, gold fever, quartz-mining, small-scale mining, old good luck mine, mopoke gully, quartz reefs beechworth

This recipe book has been compiled by Mrs W. Moffatt to raise funds for the Wickliffe Hall Improvement Fund (1915). Wickliffe is a small town in Western Victoria situated on the banks of the Hopkins River on the Glenelg Highway 100 kilometres from Warrnambool. Jessie Moffatt (nee McLellan) married William Moffatt in 1885 and died in 1938. William Moffatt leased the Berrambool Estate near Wickliffe in 1893, bought it in 1903 and the Moffatts lived there until their deaths in the 1930s. This recipe book is of interest because of its social history, telling us what recipes were popular in the early 1900s and the use made of a recipe book to raise funds for local community funds. The book is also of interest because it is an example of the voluntary work done by a woman in the Western District in the early 20th century. The book is also of interest because the names of some of those who contributed the recipes are listed and many of them have local connections. The Warrnambool names listed include Williams and McCormick. This is a soft cover book of 149 pages. The cover is grey with dark blue lettering and some ornamental patterning. The book contains over 1400 recipes and many advertisements for businesses in Victoria at the back and front of the book. There are two loose sheets of paper with recipes. The binding has come apart and has been loosely mended with adhesive tape. The cover and some of the pages are a little tattered. jessie and william moffatt of berrambool, history of warrnambool

In the early days of Ithacan Philanthropic Society most of the men, many of whom were single, worked around the CBD. The would gather at the club rooms at lunch times and after work to socialise, learn news from back home and sometimes enjoy a game of cards. The 'Club' was a home away from home for these men. Decades later, in the 1990s retired members often met at the clubrooms to play a social game of cards. The men photographed are from L-R: Bill Benias, Stathi Raftopoulos and Nicholas Raftopoulos; all were long time members of the Ithacan Club.A black and white photograph of three men sitting around a table and playing cards.

Pictured is Irini Pappas ( Papadopoulos) in the role of 'Ismini' in the production of 'Antigone' which was performed at the University of Melbourne. The play was directed by Nikos Dimitrakopoulos, a director from Greece. Also appearing in the production were fellow Ithacans Spiro Paizis, Stathis Raftopoulos and Sophia Paizis. Irini was a well known actor in the Greek community who appeared in various television productions and local theatre productions, both Greek and English. Irini was a trailblazer. She challenged traditional views of the role and career pathways of young Australian born Greek Ithacan women of her era. Although her passion was the theatre, she undertook a varied range of occupations including teaching, counselling and vocational guidance. In her work with women of migrant background she encouraged them not be constrained by the social or cultural expectations of others.A black and white portrait photograph of a young lady.

The photograph was taken at an annual Ithacan Philanthropic Society picnic some time in the mid to late 1930s. The men appear to be lined up for a running race, a highlight of the picnic. First on the left is Andreas Papadopoulos president at the time (president from 1934-39); man in suit in the background unknown; Diogenes Cominos, Hector Andrews (Anagnostatos); George Kouvalias (behind him is Nick Fatouros (Fisher)); Spiros Digaletos, a keen wrestler as a a young man; Peter Zavitsanos (Shanos); Peter Drakopoulos; Stratos Paizis; Nick Mavrokefalos (Black).The Ithacan Greeks who settled in Melbourne between the two world wars worked long hours in their family businesses, however, Sunday was a day set aside for socialising within their community. A much anticipated event was the annual picnic where families gathered for the day at a picnic ground on the outskirts of Melbourne, such as Bacchus Marsh, Werribee and Mount Evelyn. The picnic today is still an important event in the club's social calendar. A scanned bl;ack and white photograph of eight men and the starter lined up before the start of a race at an outdoor function with onlookers behind the group. two of the men are dressed in shorts and singlet while some others in the group have rolled up their suit trousers and are wearing running shoes.

The photograph was taken at an Ithacan Philanthropic Society annual picnic sometime in the late 1920s or early 1930s. Races were always a feature at the annual picnic. In those early most families travelled to the picnic ground in hired furniture vans. The annual picnic is still held today in February of each year. Pictured standing L-R: ? Kasamias; unknown; Nick Kandiliotis; Andreas Razos; unknown; unknown; unknown; Spiros Digaletos; Paizis?; Dimitri Megalogenis; unknown; Paris Gabriel; Kallinikos ?; unknown; unknown; Gerasimos Papadopoulos (Tsinis); Stratos Paizis; Cominos (Bourazanis)?; Kneeling: Nikos Stratos; Platon Varvarigos. The annual picnic gave Ithacans the chance to relax and mingle away from their work on Sunday. It was and still is an important social event in the society's calendar.A scanned black and white photograph seventeen men standing in a line and two others crouched down in the front. They are either preparing to have a race or they have completed one as four of them are wearing shorts and singlets while some of the others have rolled up their trouser legs and a lot of them are wearing running shoes. The group are standing in a picnic ground in a valley which is surrounded by trees.

Nina Black , standing at the back in the middle of the group, taught Greek dancing to many young Australian-born Ithacans. She also taught Greek language and English to adult migrants. Nina worked tirelessly with migrant community in the post mass migration period. Learning traditional Greek dancing has been one way that Ithacans who settled here were able to maintain their culture. Traditional Greek dancing is always popular at Ithacan social events. A black and white photograph of six ladies and four men dressed in Greek national costume.

From its earliest days, the Ithacan Philanthropic Society has conducted an annual family picnic held at country towns on Melbourne's urban fringe. For many years Bacchus Marsh was a popular venue where this picnic group was photographed. Women would prepare delicious traditional Greek food and families would group together to enjoy a wonderful picnic spread. The annual Ithacan Picnic has been a very important event on the society's social calendar. In the early days, as many of the families ran family businesses such as fruit shops, fish shops and cafes, Sunday was the only break they had away from their work. The picnic gave them a chance to relax and to catch up with extended family and friends. Today the picnic continues to be an extremely popular day for the members where generations of Australian Ithacans get the opportunity to reunite. A black and white photograph of a large group at a picnic standing and sitting around and enjoying a picnic meal which has been spread out on the ground. Three cars are parked in the background under the trees.

Arthur and Aspasia (Sia) Koutsouvelis and Aspasia's mother, Ioulia Raftopoulos along with Helen and Andrew Yiannis, Arthur's sister and brother-in-law pictured outside the Evangelismos Orthodox Church in East Melbourne in 1956. Ioulia Raftopoulos nee Sicotis arrived in Australia from South Africa in 1926. She married George Raftopoulos, who migrated to Australia in 1908 from Frikes and was a founding member of the Ithacan Philanthropic Society. He and his brother Arthur worked in the Spot Cafe in the 1940s and 1950s. George and Ioulia had two daughters, Effie and Aspasia (Sia). Family celebrations were a very important part of Ithacan social life especially weddings and baptisms. A black and white photograph of three smartly ladies and two men standing outside a brick building. They are all wearing overcoats.

The celebration of Queen Victoria's birthday on May 24 was renamed Empire Day in 1903 after her death in 1901. It was celebrated throughout the British Empire, including in Australia. Ballarat schools marched in procession with a salute at the Town Hall before attending church services at their respective churches. By the late 1950s the celebration became Commonwealth Empire Day the reference to Empire being dropped by the 1960s.These form part of a large family collection of bookmarks and local & family history items at Hymettus Cottage, home to the same family for the past 127 years in 2024. They have a well documented provenance and a known owner forming part of a significant and representative historical collection that reflects Ballarat's local history from a family perspective. They contribute to our understanding of social and family life in twentieth century Ballarat and providing interpretative capacity for family, local, and social history themes. These four bookmarks are from 1951-1954.Three Empire Day cardboard bookmarks each featuring an illustrated crown, with crossed Australian and British flags, each bookmark trimmed in gold. The first is simply for Empire Day and two commemorate the Coronation of Queen Elizabeth II and the 1953 Royal Visit respectively.nil,empire day, royal visit, bookmarks, empire day movement, melbourne, coronation year 1953

Photographer notations on slide: "Vic Womens Golf Ch'ship 1935 B98" Published: The Age 29 August 1935 p. 11 Published title: SIX STATE CHAMPIONS IN NATIONAL GOLF CHAMPIONSHIP. Published caption: Six State champions for the first time in the history of women’s golf are competing in the matches for the Australian title. — 1. Miss B. Sale (Tas.). 2. Miss J. Hood-Hammond (N.S.W.). 3. Miss J. Gardiner (Qld,) 4. Miss K. Rymill (S.A.). 5. Mrs. O. J. Negus (W.A.). 6. Mrs. S. Morpeth (Vic.) RESEARCHER'S NOTE: The Age listed Golfer 1 as Miss B. Sale and Golfer 4 as Miss K. Rymill. We verified that these should in fact be the other way around: 1 is Miss K. Rymill, 4 is Miss B. Sale. Trove article identifier: http://nla.gov.au/nla.news-article203982049 Description: Action shot of woman driving golf ball Research by project volunteer, Fiona Collyer: MISS KATHERINE LUCY RYMILL (1913–2008) Katherine was a champion South Australian golfer. She won the Royal Adelaide championships in 1934, 1935 and 1937. She competed in the Australian Women’s Golf Championships at Royal Melbourne in 1935 against British women golfers and was eliminated by Mrs T S McKay nee Odette Lebebvre. Katherine was from a prominent and wealthy Adelaide family and her social activities and golfing career was closely followed in the local papers. Her mother, Shylee Rymill, was the S.A. Girl Guides’ Commissioner from 1935-1950. Her father H.L. (Cargie) Rymill grew up in a Dutch Renaissance style mansion called “The Firs” in East Terrace, Adelaide (now called Rymill House and State heritage listed), and designed Kooyonga, Seaton, Grange, Glenelg and Mount Lofty golf courses. Both parents were champion golfers and have tournaments named after them. Katherine worked for the Red Cross during WWII. In 1935, for the first time in NSW, the Ladies Golf Union (L.G.V.) enforced their rule regarding the wearing of stockings in official associates’ golf matches. Though the Long Reef competitor’s long skirt and golf socks almost hid her sun-tanned legs from view, an eagle-eyed official had noticed the absence of regulation covering and she and her partner were disqualified. Commenting on the Long Reef “no stockings” controversy, Katherine said “In England, players are allowed to appear without stockings in summer and to wear “slacks” in the winter.” “Playing without stockings makes no difference to one’s performance and it is certainly cooler. However, rules which are formed must be obeyed and that seems all there is to say about it.” Katherine continued to play golf throughout her life and died in 2008. Sources: 'SIX STATE CHAMPIONS IN NATIONAL GOLF CHAMPIONSHIP', The Age, 29 August 1935, p. 11, http://nla.gov.au/nla.news-article203982049 'Stockings Or Not, for Golf?' The Mail, 12 January 1935, p. 2, http://nla.gov.au/nla.news-article58858987golf, women golfers, royal melbourne golf club