Set of two form/s or tags or dockets, form number 3/586, used to tag equipment from a tram depot to Preston workshops. A similar document would have been used for the return - most likely by the Freight Tram. Preprinted on light card with a two reinforcing pieces around the top hole with the printers details on the piece - Victa Tag. .1 - 12/5/1964 - from Camberwell to Preston Stores - 9 x ? aluminium - return to stock. .2 - 17/3/1954? - from Hawthorn Depot to Preston Workshops - 1 motorman's seat for repair.trams, tramways, preston workshops, forms, camberwell depot, stores department, hawthorn depot, equipment

Sign - with an adhesive backing, titled "On request these seats (or this area) must be made available for passengers with special needs", has information about the definition and two symbols.trams, tramways, ptv, tickets, signs, officers, behaviour, disability services

Photographs, Black and White, Group Photo of the depot, staff, crew and tramcar 32 with two horses of the Hawthorn horse tramway. In the background is the horse tram depot with a clock on the wall. There are 8 uniformed men and four men in suits either standing or seated in front of the horse tram No. 32. The tram has the route painted on the board above the windows "Burwood Rd, Power St Riversdale Rd" and "Connecting with Richmond Cable tramway" above that.In ink on the rear: Keith Kings stamp and number S-A-1139 "Melbourne MTOCo Co, Horse Tram 32, Riversdale Road, Auburn at Car Shed" and "Ex F. B. Broadbent Collection"trams, tramways, horse trams, hawthorn, auburn road, depots, group photo, tram 32

Newspaper clipping from The Age 26 September 1979 about the launch the previous day of two Z3 class trams in Melbourne, titled "Easier riding on the Z3". Reg Item 590 for the launch pamphlet. From researching the Author, appears he worked for The Age at the time. Gives details of the tram, first time users views, comparisons with previous trams, quotes the Board Chairman Dudley Snell. Has a floor layout and a comparison table with other trams including dates, sizes, seats and weights. Shows the seated conductor and the two exits.trams, tramways, z3 class, new trams, new tramcars, mmtb

Set of three Photographs, Black and White, of the interior of SW6 850, showing the interiors of the tramcar, one showing the view from the drivers door and the other of the drop centre area. Shows the highly varnished seats in the drop centre or smoker area. See also Reg Items 674 and 3425 for other photos, probably taken at the same time. Two copies held of item 3. See Reg Item 3558 for another print within an album.In ink on the rear: Copy 1 - M&MTB SA 949, SW6 850, Interior 1939, Note: Loud speakers in rear bulkhead, plywood smoker seats, South Melbourne depot. Copy 2 - M&MTB SA 950, SW6 850, Interior, as above. Copy 3 - as above but notes the speaker was later removed and number SA26 Both prints have the photographers stamp and date stamped 12 Jan 1946.trams, tramways, sw6 class, interiors, new trams, tram 850

Photograph of the interior of W2 329 at Glenhuntly Depot about 1930. Print and photograph by Sutcliffe of 366 Bourke St. Shows the saloon with upholstered seats and shaded light fittings. Tram fitted with interior advertisements, including one for a shop in Toorak Road, Toorak and Lustora. There are two notices on the windows about the Essendon Line tram services and promoting the MMTB Tourist bus. Yields information about the interior of tram 329.Photograph, Black and White, print. Two copies held.In ink on the rear: "M&MTB Interior W2-329, with upholstered saloon seats and shaded interior lighting. About 1930" and the photographer's stamp. KSK print number SA942.trams, tramways, w2 class, interiors, tram 329, advertisements, essendon, mmtb buses, mmtb, glenhuntly depot

Set of two Photographs, Black and White, of the MMTB bus 7 - Tilling Stevens, petrol electric bus. .1 - Front on view showing the radiator, head lights and other details including the crank handle - shows the destination of Elsternwick via High St. Registration Number 68907. .2 - Side on view of the bus showing the lettering, logo, doorways and destination. Photos Print and photograph by Sutcliffe of Cromwell buildings 366a Bourke St. Melbourne.In ink on the rear: .1 - "M&MTB Tilling Stevens, Petrol Electric Bus No. 7, late 1920's. .2 - as above plus "33 seats" KSK print numbers SA951 and SA952.trams, tramways, mmtb, buses, elsternwick, tilling stevens, tram 7

Photographs, Black and White, of the MMTB bus 26 - Thornycroft BT Chassis - Side on view of the bus showing the lettering, logo, doorways and destination. Showing destination of "Melbourne & Elsternwick via High St". Photos Print and photograph by Sutcliffe of Cromwell buildings 366a Bourke St. Melbourne. Two copies held.In ink on the rear: .1 - "M&MTB (Small) Thornycroft Bus No. 26 - 20 seats - late 1920's". KSK print numbers SA951 and SA953.trams, tramways, mmtb, buses, elsternwick, thornycroft, tram 7

Drawing - two A2 sheets, "Tramcar Data", listing all vehicles in use c1984, including A and B class data. Though not numbered similar to drawing X1537 held in the Mechanical drawings. Lists class, numbers, total in service, type, capacity (seated and crushed), Trucks, wheel and truck centres, motors, tare weight, controller, compressor and length over bumpers.trams, tramways, drawings, tramcars, class

Set of two signs regarding vacating a seat for disabled people and not talking to the driver whilst the tram is in motion. Actual use not known. Printed by Jac signs.Yields information about tramcar signs.Set of 2 tram signs blue background with white letters, on an adhesive backing.tramways, tramcars, signs

Set of two photographs showing parts of the mockup for the future All Electric tram. The first photo looks at the passenger compartment with the conductor's desk and seats. The second photo shows the side view of the driver's compartment with the foot controls, windscreen and seat. The mockup was built at Preston Workshops, 1971. See also items 2502 and 4540 for other photos.Yields information about a mockup at Preston Workshops of an all electric tram body.Photograph black and white printed on plain paper, one with MMTB stamp.melbourne, tramways, mmtb, new trams, mockup, 1041 mock-up

Photograph of 6 men, with gripman William Baker Strong, seated on the table, playing draughts. Based on item 7627, most likely at the Prahran Car House or Depot Mess Room. Two conductors are wearing their trip slip safety pins. One of the men is wearing a large cape and could be either a gripman or a signalman. All the crew members are wearing the uniform of Melbourne Tramway and Omnibus Co (MTOCo).Yields information about the tram crews at the Prahran car house in 1914 and W B Strong.Print of a copy of a black and white photograph on AGFA paper."William B Strong playing draughts, seated on table at M&MTB" in ink on lower edge of print.cable trams, prahran, prahran car house, group photos, mtoco, crews, tram crews, grip men, conductors

The people in the photographed were honoured in the 'Heroes of Hume', exhibition that was mounted by Hume City Council in the George Evans Museum in Sunbury in May 2000. Each person featured had contributed to aspects of community life in the Hume City area over many years. The people are from Back L-: Gary Jungwirth, J.J McMahon, -------, Wayne Drew, Wally Maxwell, -------. Middle Row L-R: ---- , Bert Kelly, ----. Front Row L-R: Kath Tremlett, Roma , Glenda Wade.----- . Seated: Hilda Baird.The exhibition, 'Heroes of Hume' featured members of the community who over the years had given much of their time to community work in their area.A non-digital coloured photograph of 14 people standing two rows and one older lady seated.heroes of hume, gary jungwirth, j.j. mcmahon, wayne drew, bert kelly, kath tremlett, glenda wade, hilda baird, george evans museum, sunbury, city of hume

Photocopies photos - horse and cart with 'Clapton & Jones, drapers, fancy goodsmen', written on side of cart. Two men sitting in drivers' seat, Stanley Clapton and Fletcher Jones on an early business venture. Below, picture of 'one of the many successful Golden Square State School choirs of the early years'. 4 rows of children, dressed in white ? , man seated central front, wearing suit, round collar, tie.bendigo, education, golden square primary school

Grace and Millie were daughters of William Garnsworthy Bennett and Susan Bennett née Williams. Grace Bennett (1875-1960) married Neil Wishart in 1898. Millie Bennett (1872-1948) married William Charles Allen in 1901.Sepia photograph of two young ladies in long, long sleeved waisted summer gowns, one on left of photo standing behind lattice leaning on left arm, one on right seated with hands together on lap."Grace and Mill Miss Grace and Amelia Bennett".grace (louisa grace) bennett, amelia (millie) bennett, surman collection

Wedding of George Garnsworthy Bennett (son of William Garnsworthy Bennett) and Ada Bersey in 1896 at Linton. (BDM registration #6102.)Sepia photograph of a large wedding group all in formal attire, the bride and groom seated, attendants and others standing beside and behind, two young boys kneeling at front of group.george garnsworthy bennett, g g bennett, ada bersey, weddings

Edward (Edmund) de Lacy Evans was really Ellen Tremaye; and in 1856 she married her fellow passenger on her voyage to Australia, Mary Delahunty; under the assumed name of EDMUND De Lacy. In 1859 he/she married Sarah Moore. They were married for eight years when in 1867 she died in childbirth. In 1868 after Sarah had died; Ellen, now known as EDWARD de Lacy Evans married Julia Mary Marquand in Ballarat. From the Melbourne Argus Friday 5th Sept 1879, Page 7 THE EXTRAORDINARY PERSONATION CASE. [BY ELECTRIC TELEGRAPH. FROM OUR OWN CORRESPONDENT.) SANDHURST, THURSDAY. The De Lacy Evans case has created great excitement here. The man-woman having resided in the district for about 20 years, was well known amongst the miners, but no one appeared ever to have supposed that she was other than as she represented herself to be, and the discovery of her sex has caused the greatest astonishment. The police have not yet moved in the matter of the discovery of her antecedents, but from the result of inquiries I have made, there seems to be no room to doubt that the woman is identical with the girl Ellen Tremaye, referred to in yesterday's telegram as having arrived at Melbourne by the ship Ocean Monarch in June, 1857. The nurse at the hospital, Mrs. Holt, is positive she is the same, and says the opinion was held amongst those on board the vessel that Tremaye had been well connected, and that she had left home in consequence of some misconduct. The Ocean Monarch was an immigrant vessel, and on the voyage Tremaye and another young woman, named Rose Kelly, were very intimate, but the latter, being seized with a dangerous illness, was left at Rio Janiero. Mrs. Evans, the wife of the supposed man, states that she frequently heard Evans say that she came out by the Ocean Monarch. But the most satisfactory information of Evans' previous history yet received has been obtained from a Mrs. Thompson, a charwoman at Myers' Creek, who was also a shipmate of the girl Tremaye. At the time she made the voyage she was unmarried, and was accompanied by Miss Mary Ann Delahunty, a young lady who was very well connected, and who came from the same village as herself, named Monakine, on the north bank of the river Suir, in Kilkenny. Miss Delahunty was an orphan and brought with her about £900. After Rose Kelly was taken ill, Tremaye resorted to Miss Delahunty's berth, and the passengers appeared to think there was something strange about the manner in which Tremaye conducted herself, and she had been observed to wear a man's under-clothing. Upon the arrival of the ship in Hobson's Bay, Tremaye declared herself to be a man, and told Mrs. Thompson she intended to marry Miss Delahunty. The next Mrs. Thompson saw of Ellen Tremaye was at Peg-leg Gully, Eaglehawk. Tremaye had just established herself in a house there under the name of Edward de Lacy Evans, and Mrs. Thompson went to serve them with milk. When she went to the house, she saw Evans sitting inside dressed in male attire, and immediately recognised him as her fellow passenger, Ellen Tremaye. Evans had, at this time, married his second wife, Miss Moore, who was then present. Evans re-marked to her—"I think I know you." To which Mrs. Thompson replied—"I know you, too," and added something to the effect that Ellen (referring to Tremaye) was a queer girl." Oh, said Evans, evidently anxious that his then wife should not understand Mrs. Thompson's reference, "It's a good job she is gone back to the old country." Mrs. Thompson inquired as to what had become of Miss Delahunty, and Evans replied, "Oh, my poor wife and boy both died of consumption, and are buried in the North Melbourne cemetery. " In reply to an inquiry as to what had been done with her (Delahunty's) money, Evans said she had sent it home to a nunnery. Evans's then wife had been absent during a portion of this conversation, but at this point she returned, and Evans went outside to the milkwoman, and said, "For your life don't mention my dead wife's name ; call me Mr. Evans. This missus of mine is death on the Roman Catholics, and she can't bear to hear my dead wife's name mentioned." This conversation took place about 12 or 14 years ago, and Mrs. Thompson seems to have quite believed that Evans had personated a woman under the name of Ellen Tremaye on the voyage out and was really a man. She lost sight of Evans soon afterwards, and took no further notice of the affair.Copies of two studio Photographs - De Lacy Evans standing with seated woman: a. De Lacy Evans standing with woman seated; b. De Lacy Evans (handwritten below) with woman of same heighta. A. Flegeltaub b.??de lacy evans., ellen tremaye, sarah moore, julia mary marquand, mary delahunty, de lacy, edward de lacy evans, edmund de lacy

Colour print of the drivers console of a new Z class tram, c1975, with seated driver. The street image in front of the driver may not be actual. MMTB Photograph? Two copies heldtrams, tramways, z class, interiors, drivers

Photo from 1913 open cross seat cars added to Quarry Hill and Eaglehawk services. Two copies.basil miller, bendigo trams

Photo from 1892 battery-electrics replaced by steam tram cars Bendigo Railway station - Eaglehawk. Two copies.basil miller, bendigo trams

Series of Black & White Photos Total 8 Hill Family & Friends during the final years of World War I and into the touring boom of the 1920s. Lady dressed in all white, with dark coloured scarf over her shoulder, parasol in her right hand, in conversation with The Dean January 28th 1918.Oval photo of young girl dressed in dark skirt and white blouse in bush setting with trees in background, photo not very clear, 'Durvol' Kyneton 1918. Mollie & Babe Railway Reserve Kyneton, girl in light coloured dress reclining on the ground, other girl in kneeling position wears dark skirt and white blouse, palm tree to the left background, further back is paling fence, shrubbery to the right background, 1918. Horse & 4 wheeled Gig, man seated wears a dark suit with white shirt and dark tie, horse appears to be a grey colour, background shows bull nose veranda roof and part of a house gable, tree in framework on nature strip. Nell wearing a dark skirt and white top, right hand touching a shrub, white structure in the background, 'The Ranch' Eppalock November 1918. Botanical Gardens group photo, six young ladies, one wearing a vertical striped dress, three wear dark dresses with white blouses, two wear white blouses and dark skirts, one black hat and three light coloured, light hat in right foreground, January 1919. Jack & Mick in dark suits, white shirts, striped ties, shrubbery in the background, long trousers 'The Ranch' Eppalock January 14th 1917. two young ladies in all white, one holding a hat, young boy in dark clothing white shirt and dark tie, holding long stick, large shrub in the background, 'The Pines' Kyneton January 1919.Hilda Hill Personal Collectionaustralia, history, post war life

From Abbott Family album (Box 892). A sepia photo taken at Preston Vale of the Abbott family in 1895 including Robert Hartley Smith Abbott (Snr.) Mary Hannah (Gibbs) Abbott and their five oldest children, Robert Hartley Abbott, Inez Marie Abbott, William Norman Abbott, Harold Athelstone Abbott and Kenneth Cyril Abbott. Two of the boys are wearing long sleeved striped collared shirts, one a scouting style coat and the youngest a collared shirt and all boys are in short pants with socks or stockings. Inez, the girl, is in a long sleeved dress with white smock with white bonnet. She is wearing boots. All others are wearing hats, Mrs Abbott's hat has a scrunched/folded ribbon on the brim. She is wearing a long sleeved light coloured blouse fastened at the neck The group is seated on an outcrop of granite rocks with parts of a buggy and horse tackle showing behind them. A lidded billy and scattered cups are on the ground in front. Mr Abbott, in shirt and long pants, is carrying a shot gun as is one of the boys. Both photos have 'Preston Vale Dec 26/95' written in ink on the reverse.abbott family, preston vale

A wooden commode, a cylindrical shape in two sections. The top section is possibly mass produced, it's 40 centimetres diameter and 27centimetres high, it has a hinged circular lid with a hinged toilet seat under it. Below is a space for a container. A hand made section has been added underneath to raze it 20 centimetres and includes a draw. An insert has fitted into the original structure to hold a smaller pot.commode, chamber pot

Item used to switch on or off the red tail lights circuit on a tram. Made by the SECV. The board was located next to the 6V battery that was used to power the tram tail lights when the trolley pole was being reversed under a passenger seat.. Demonstrates an item fitted to a tramcar to switch an external lighting circuit.Softwood wood board with a bakelite two pole switch marked "on" and "off" and a Federal 250V 15A rewireable ceramic fuse attached. Has remnants of cloth covered copper wire on the rear. See item 9024 for an associated drawing."12" in blue pencil.fuse, tram 14, tramcars, tramcar maintenance, electrical switching

The photograph is a record of a historic conference of MTS representatives from Australia and New Zealand. , September 1-3 , 1936: Revd Wm Hoog (Brisbane) Revd W.H. Terry (Port Pirie) Revd H.C Cuthbertson (Adelaide) Revd W.R. Tyler (Melbourne) Mr J.W. Neill (Melbourne) Revd. F. J. Evans (Sydney) Revd Frank L. Oliver ( Melbourne MTS) F W Melbourne (Archbishop F W Head 1929- 1942) Mr J.C. Grahame (Hobart) Rev B.J. Williams ((Wellington NZ) Rev J.C. Clift (Fremantle) From the Argus (Melbourne, Vic. : 1848 - 1957), Saturday 5 September 1936, page 34: "For three days this week chaplains of missions to seamen in different ports of Australia and New Zealand met in conference in Melbourne. Bishop Stephen, chairman of the executive committee of the mission in Melbourne, presided over the conference, which was opened by Archbishop Head celebrating Holy Communion in the Chapel of St. Peter at the mission. Among the questions considered was the problem of foreign vessels, from which nothing is contributed toward the support of the missions. It was felt that there was great scope for work of an international character, and that every effort should be made by the chaplains to bring men from the ships of different countries together. The chaplains said that many thousands of men from foreign ships attended the mission institutes. Efforts will be made for more contact to be made with men on coastal ships, and commendation of men from one port to the next will ensure that the needs of men are cared for as well as possible. An ordained chaplain will be sent from London for a new mission at Geraldton (WA), and a new mission will also be opened at Port Kembla (N.SW.). The chaplains will endeavour to obtain police cooperation in keeping docks and wharves free from undesirable persons. It is hoped that an effort will be made to seek the co-operation of the port authorities in order to ensure the pos-sibility of ships being allowed to be alongside during week-ends and public holidays without having to face the full port charges. To avoid the heavy charges the ships now anchor in the bay during week-ends and public holidays. Melbourne was chosen as the central port for Australia for supplies for mis-sions to seamen, and it was decided that the conference should be held every three years, in Melbourne. The last was held 11 years ago." The photograph was published in the 1936 Annual ReportThis photograph is representative of the relationship between the Mission to Seafarers Victoria and the Anglican Church. Reverend Frank Oliver served as Chaplain at the Mission to Seafarers Victoria from 1930 - 1960. A gift of £20,000 for the rebuilding of the Port Melbourne institute, which was old and dilapidated, was announced at the conference. Black and white photograph mounted on cardboard with border detail on the front. The photograph is of eleven men, five standing behind six seated. Nine of the men are wearing clerical collars and two are in suit and ties. The photograph appears to have been taken in the courtyard of the Mission to Seafarers Victoria, at 717 Flinders St. Each of the people in the photograph appears to have hand inscribed their names/ signatures on the lower edge of the mountboard.Top edge of mountboard title of occasion and photo in Black ink all upper case: (see title details this record); Lwr edge first line corresponding to back row of group: 'REv Wm Hoog (Brisbane); Revd W.H. Terry (Port Pirie); Rev H.C Cuthbertson (Adelaide) ; Rev W.R. Tyler (Melbourne) ; Mr J.W. Neill (Melbourne) : / Lwr edge second line corresponding to front row seated: "Revd. F. J. Evans (Sydney) ; Revd Frank L. Oliver ( Melbourne MTS); F W Melbourne (Archbishop F W Head 1929- 1942); Mr J.C. Grahame (Hobart); Rev B.J. Williams ((wellington NZ).; Rev J.C. Clift (Fremantle); courtyard, chaplains, archbishop melbourne, mission to seafarers, flinders street, frank leslie oliver, conference, australasian chaplains, anglican church, reverends, australia, new zealand, 1936, seamen's mission, chaplains group, chaplain conferences

James Reid was born in Scotland near Glasgow and came to Victoria as a young man in 1854. Shortly after arriving he came to Bacchus Marsh where he lived until his death in 1902 at the age of 74 years. For most of these years he conducted a wheelwrights and coach builders business in Bacchus Marsh. In the nineteenth and early twentieth centuries, wheelwrights and blacksmiths played an essential role in the functioning of the whole community. Before the industrialisation of manufacturing, wheels and other components of vehicles for transport, all metal objects, including farm implements, building requirements and domestic utensils were made by hand. As mechanisation of industry increased, the smith commonly performed the role of farrier in the times when horse power was pivotal to all aspects of society. Complementing this work, the forge was often allied with a wheelwright's shop. These premises also acted as a meeting place for the men of the town, where news was shared and friendships forged.Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. An image depicting a wheelwright and blacksmith's shop, with a group of men, boys and a woman shown in front. Two men are wearing the work clothes of the blacksmith, including the split leather apron worn by farriers to enable them to work on the hooves of the horses needing shoeing. Two young boys are standing by the door. A portly gentleman in formal clothes stands before the shop. The house shown at the rear was James Reid's residence. Two people, an elderly gentleman and a younger woman, are seated in a jinker on the road to the side of the shop. A collection of wheels and farm tools leans on the walls. A triple-tiered sign above the shop reads: JAMES REID WHEELWRIGHT BLACKSMITH. TIMBER - YARD PAINTS, OILS & GLASS.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE.wheelwrights, james reid 1828?-1902, stevenson and mcnicoll 1883 photographs of bacchus marsh and district

Mim (Mariam) Sodergren developed innovative, specialized ski programs for women and children in both Australia and the United States. She and her husband Mike originated from Tahoma, California, USA. They spent 17 years of their lives without a summer, working as ski instructors in Lake Tahoe during the northern winters, and then they’d head off to Falls Creek and Thredbo in Australia. Mim and Mike Sodergren were both inspiring instructors at Falls Creek Snowsports School, dedicated to education and had a deep-seated passion for fostering an inclusive Snowsports community. Tragically Mim and Mike were among the 18 people killed on 30 July 1977 in Thredbo, Australia, when a landslide tore through Thredbo’s ski resort village and demolished two staff lodges. In 1997 the Australian Professional Snowsport Instructors (APSI) established the Sodergren scholarships in memory of Mim and Mike. The Sodergren Scholarship recognises the rising potential of Snowsport instruction within Australian ski resorts and allows the recipients to further their professional development by providing all training free of charge for one season. The women’s program still operates at Falls Creek and is a "heartfelt tribute to the memory of Mim Sodergren. Designed by women, for women, and inspired by the enduring passion of Mim and her partner, Mike, who was also an instructor, this program is a wonderful opportunity to learn to ski in a friendly and supportive environment, just as Mim envisioned." (Falls Creek Website 2024). Mike’s Men’s Ski Program at Falls Creek is also named in honour of Mike Sodergren. Mim’s skis were kept for many years by Ski Lifts at Falls Creek and were recently donated to the Falls Creek Museum for safe keeping.These skis are significant because they belonged to an iconic ski instructor still commemorated at Falls Creek, Victoria.A pair of Atomic Arc Skis, primarily black with coloured logo.ATOMIC ARC MODULE 645SLmim sodergren, mike sodergren, atomic skis, thredbo landslide

Sepia photograph of a group of six young men in uniform two standing at back, three seated, one seated on floor."Don't know identities of these taken about 1887. Linton Fire Brigade" / "Mrs E Monti 56-58 Rea St, Shepparton 3630".linton fire brigade, fire fighters

Situated in King Street, Eltham, Alistair Knox built his home and office in 1962-1963 with mud-bricks made from the local soil and recycled materials blending the house with bush around it. Knox popularised the Eltham earth building movement, begun by Montsalvat founder, Justus Jorgensen. Alistair Knox (1912-1986) was also an Eltham Shire Councillor 1971-1975 and Shire President in 1975. Knox established the inaugural Eltham Community Festival in 1975. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p145 Lack of money was a strong incentive for Alistair Knox to do what he did best when he built his house and office at King Street, Eltham in 1962-63. He used mud-bricks from local soil and recycled materials, characteristically blending the house with the bush around it. The result was a work of art. Knox popularised the Eltham earth building movement,1 begun by Montsalvat founder Justus Jörgensen. He was also an Eltham Shire Councillor from 1971 to 1975 and Shire President in 1975. For Knox mud-brick building was not just a building style, but a spiritual experience and a way of relating with nature. At 40 he rediscovered God and his building reflected his theological, political, philosophical and particularly environmental world view, which was far ahead of its time.2 He also contributed to building development in his use of concrete slab foundations when stumps and bearers were the norm. Knox was introduced to mud-brick construction in 1940 by Jörgensen, then shortly after, Knox joined the Navy. In 1946 Knox studied Building Practice and Theory at Melbourne Technical College (now RMIT University). There he befriended fellow student and artist Matcham Skipper who belonged to what was then called the Jörgensen Artists’ Colony. Knox decided to build an earth building in Eltham, partly because the post-war huge building demands resulted in expensive and scarce building materials. He asked artist Sonia Skipper for help who, with Matcham, had constructed mud-brick buildings at the Artists’ Colony. The simple rectangular low-lying house at King Street is framed by native plants and a 3.6 metres wide pergola surrounds the building. Wedded to the landscape, a door in every room at the perimeter, opens outside. The property also includes a forge, a small hut built by son Macgregor at 15, and a mud-brick tower for chickens. Building materials were foraged from a wide variety of sources. Some of the joinery material came from old whisky vats. When the Oregon of the highest quality ‘was put through the wood-working machines, it gave off a deep smell of whisky that made the whole atmosphere exotic and heady’.3 Amateur builders, including schoolboys from Knox’s Presbyterian Church, made some of the mud-bricks. But the building was finished with the professional help of Yorkshire builder, Eric Hirst. Inside, the light is subdued with the mud-brick, beamed timber ceilings and floors of slate, timber or orange-brown tiles. Skylights, with rich blue and red leadlighting, illuminate one entrance area and this feature is repeated as edging on the door. The centre of the house is like a covered courtyard, with rooms built around it. The central room, 11 metres x 7 metres, was built in the same proportions as Knox’s mud-bricks. Clerestory windows on four sides infuse the room with a soft light. A huge brick fireplace extends beyond one corner and opposite is a small one where timber can only be placed vertically. The slate for the floor was discarded from the Malthouse Brewery now used as a theatre in Southbank. In the middle is a large refectory table and benches that seat 18. Like much of the house, it is rugged, yet beautiful. Made of Western Australian Jarrah by Macgregor with a chain saw and an adze, it retains knot and nail holes. Each wall has an opening, 2.4 metres at the ends and 3.6 metres at the sides. Only one has doors and these concertina doors are made of the backs of old church pews. The main bedroom has an ensuite with a marble hand basin discarded from the Victorian Parliament building; and a dressing room, where two wardrobes of polished timber recovered from a tip are attached to the walls. Separate from the house is the strikingly original circular-shaped office made of bluestone sourced from the original Army campsite at Broadmeadows.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair and margot knox house, alistair knox design, mudbrick construction, eltham, king street