A pilotka with no stripes, belongs to the basic GI unit of the Red Army Infantry. Dated anywhere between early 60s to late 80sA pilotka with no stripes, belongs to the basic GI unit of the Red Army Infantry. Dated anywhere between early 60s to late 80sWool/Cotton Cap Khaki leather/Plastic sweat band on onsideManufacturer details (in Russian)) on inside Size 56pilotka, russian, foldable side cap

A dark green wool man's beret with black leather band and liningclothing, beret, mcphail collection

Slipcover to fit the bed. Woven wool, chocolate brown with lighter fleck.walsh st furnishings, robin boyd

Used by Sylvia Maidment.Left over wool used by Sylvia Maidment to knit bed jacket.knitting, maidment, mr ian maidment, ms sylvia, wool, yarn, blue

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of hand dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of hand dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of hand dyed wool produced by by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of home dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of home dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin

Isobel Caldwell was born 3 August 1930. She married John McNamara in Numurkah on 4 April 1953. Isobel was skilled knitter and won many prizes in local shows. Her parents were Caroline(Carrie) May Tyack (24/5/1894 -23/5/1983) and Joseph Charles Caldwell. They were married at Bulkamaugh South on 27/2/1926Hand knitted gloves - rust coloured Wool Lace patterned back

Cream wool knitted babies singlet - 2 buttons on each shoulder.baby clothes, singlet, heather mcnamar

Timor Leste Scarf, blue wool with red black and yellow writing scarf, timor leste

Used by RAAF men to repair their uniform etc. From the Charles Honybun CollectionBrown cotton folded container to hold sewing needles , wool and thimbleRAAF129456ww1, charles henry honybun, raaf

Black wool beret with ribbon complete with Infantry Badge Kings Crown.

This knitting pattern book was published by Patons and Baldwins and contains knitting patterns for womens garments.No. 481 / Patons / KNITTING / BOOK / No. 481 / Featuring / PATONS / TOTEM / KNITTING / WOOL / P&B / WOOLS / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

Pink ladies’ singlet. Neckline, armholes and hem finished with an overlocked hem and a row of decorative stitching, giving a scalloped, shell shaped edge. Sleeveless, with a scooped neckline, higher at the back and lower at the front.Hanro W. 80% Wool/Nylon.costume, female underwear, singlet

9036.1 Men's khaki coloured singlet style bathers 9036.2 Ladies, purple one piece bathers with short white skirt.9036.1 AKM regd. Cotton, wool

Acquired when "Classweave Industries" closed downWool Sorting 11/87 14textile mills - staff woollen mills, classweave industries pty ltd federal woollen mills ltd, textile mills - staff, woollen mills

Collector says - "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display." Note from Collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Checked blanket, pink, blue and creamCastlemaine/100 pure virgin wool blanket, blanket fever, wool, castlemaine, castlemaine woollen mill

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Magazine Advertisement 'For Glamour, For Value'For Glamour, For Value, Wool Blankets are the answerblankets, blanket fever, advertisements, australian wool bureau, australian women's weekly

Certificate used to accompany sale of pure merino rams sold by Sturgeon family to certify that sheep are descendants of His Majesty George III's Flock.Certificate used to accompany sale of pure merino rams sold by Sturgeon family to certify that sheep are descendant of His Majesty George III's Flock. Black print on cream coloured paper, Gray's Hall address.For details...Wool from this flock No 625merino sheep - history, sturgeon merino, sturgeon, mr t. b. sturgeon, mr glen

The story of 90 years of wool classing between father & son begins in 1936, when a young boy by the name of Stanley James Hucker walked through the doors of the Gordon Technical School in Geelong. Born in 1921, Stanley was 15 years of age when he began his 3-year course in Wool Classing. 30 years later, Stanley’s second son Denis completed the same 3-year wool classing course. Beginning in 1966, Denis attended the same Gordon Technical School and walked the same halls as his father before him. Stanley finished his course in 1938. He went back to the family farm in Lake Bolac for a brief period before enrolling in the Second World War. At the completion of the war, Stanley returned home and married before gaining a soldier settler allotment, north of Willaura. This enabled Stan to use his wool classing knowledge. He ran between 1,500 and 2,000 sheep for many years, while his wool classer stencil also allowed him to go out and class at various sheds around the area. He held his stencil from 1938 until he retired at the age of 60 in 1981. On retirement, his second son Denis was working in the district, managing a local property while also leasing land himself. Upon his father’s retirement, Denis had the opportunity to lease his father’s farm, an opportunity he could not refuse. Denis had finished his wool classing course at the Gordon Technical School in 1968, graduating dux of his class. He began working with a local contractor and started classing wool in his team. Denis gained a great deal of experience working as part of this team in big sheds of up to 8 stands servicing between 10 & 20,000 sheep. It was not all smooth sailing for Denis however, and he soon learnt an important lesson. Class wool the way you’re taught, don’t listen to the owner standing over your shoulder. At a clip of Corriedales near Casterton, Denis was pushing too many fleeces into the line of fine wool. This resulted in a notice from the Australian Wool Exchange (AWEX) “mixing counts too much, submit three clips for inspection”. Denis was able to submit 3 clips with no further complaints, however, this proved a valuable lesson he would never forget over his long career classing wool. In the early 1980s, when Denis was leasing two properties including his father’s, things were going well until drought struck. February 1983 was the date of the Ash Wednesday bushfires, and saw Melbourne have three days over 40 °C for only the second time on record. This period saw Denis give away farming, turning towards contracting work instead. After the difficult times of the early 1980s, the next two decades were a good time for the sheep industry. 15 micron wool was selling for prices between 4 to 5,000 cents per kilo, double what you’d expect for the same wool in 2022. In 1995 a single bale of wool sold for a million dollars. This was a good time for Denis too. His contracting work saw him employing local shearers and shed staff. His team was involved with the shearing and classing of more than 130,000 sheep. After 20 years of contracting, it was time for Denis to transition into the next phase of his life. He gave up independent contracting, preferring instead to return to being a member of someone else’s team. In 2018, having completed 50 years of wool classing, it was time to call it a day and retire completely. At the annual Gordon Wool School Old Students Association dinner held in 2018, Denis was presented with his 50 years as a registered wool classer stencil awarded by the Australian Wool Exchange (AWEX). This is a rare honour achieved by few. As of February 2020, a total of 430 wool classers had achieved this 50-year milestone. For Denis however, his proudest achievement is achieving 90 years of wool classing with his father. The National Wool Museum is proud to share the collection of objects gained from 90 years in the wool classing industry by Stanley and Denis. This ranges from Stanley’s first stencil and Wool Sample book, started when he first attended the Gordon in 1936. The collection concludes 90 years later with Denis’ 50 years of wool classing Stencil. The collection contains many more objects, all telling the story of these 90 years, and the hard work invested by this dedicated father and son duo. This is the third in a series of 5 wool classing exercise books. They were written by Stanley Hucker in his time at the Gordon Technical College from 1936-1938. This book begins in a white cover with black ink illustrations and writing. These illustrations have been added to with Pink ink. Internally, the book is handwritten on yellowed pages with blue lines for the assistance in clarity of handwriting. The pages are also surrounded by a margin of red pen. The exercise book’s content is about veterinary studies relating to the diseases, injuries, and treatment of sheep. It is handwritten. A selection of pages have been photographed to give an impression of the information taught in classes, 90 years ago. This includes information about blow fly and bacterial diseases.Front Cover. Wording, printed and handwritten “THE / AUSTRALIAN / EXERCISE / BOOK / Veterinary / NAME Stanley J Hucker / GRADE III / School “Gordon” Geelong” Front Cover. Illustrations, printed. Kangaroo, kookaburra / Map of Australia with state names / Emu, Koalagordon institute geelong, wool classing, 1930s sheep farming, 90 years wool classing between father & son

Donated by Mrs Robyn Adams, daughter of Victor Clyde- a wool grower from North-Eastern Victoria who used this itemWhite paper booklet with four staples on left spine. Front cover has heading -ELDER SMITH / GOLDSBROUGH MORT / LIMITED-. at top centre. Text also reads -WOOL HAND-BOOK / AND WAYBILLS-. Text is black and there are four red horizontal bars on the cover. Inside front cover has list of points to remember. First pages have instructions. Booklet contains several lined yellow pages which can be copied with carbon paper, or removed. Inside back cover has a foldable map. Back cover had a ready reckoner printed.wool sales, wool auction, wool transport, mrs robyn adams, elder smith goldsbrough mort limited, dalgety and company limited elder smith goldsbrough mort limited