Australian 1880 - 1938Drypoint etchingSigned and titled

Australian 1880 - 1938Black ink on yellow cardInscribed with title

Australian 1880 - 1938Drypoint EtchingTitled and signed

Dutch 1621 - 1675Etching H 94 iv

British 1616 - 1691EngravingInscribed in plate

French 1863 - 1930Lithograph Hediard 191

AustraliaLithograph 156/300

British - Australian 1863 - 1930Brush drawingSigned l.l

Linocut No.8

French 1804 - 1866Lithograph

AustraliaEtching, Artist's ProofSigned, dated and editioned

English - Australian 1818 - 1880LithographInitialled l.l

English - Australian 1818 - 1880LithographInitialled in plate

Englis - Australian 1818 - 1880Lithograph

English - Australian 1818 - 1880LithographInitialled in plate l.l

English - Australian 1808 - 1880Colour LithographSigned in stone

English - Australian 1818 - 1880EngravingTitled in image

Cyril Smith was a popular figure amongst his contemporaries and this has been recognised by the plaque from those who new him. Appreciation of fellow Legatees to a comrade. The plaque has sentimental value, the words, the time and effort to make it by fellow Legatees shows the high regard in which Cyril was held. Caricature and signatures on a piece of 3 ply wood, front varnished, rectangular shape. Hole drilled top centre.Handwritten message in black ink "Our Cyril.,Heres from every cobber who wore the old chapeau". A caricature of Cyril Smith engraved (burnt) into the timber. Signatures of many Legatees, signed in ink. Reverse side, "Cyril - From all old cobbers of Melbourne Legacy Club with happy memories Legacy. 1938." Handwritten in black ink "Mrs Cyril Smith gave me this plaque which I in turn now pass onto Legacy Comradeship for safekeeping. Frank Doolan June 1962"comradeship, cyril smith

Ill, p.80.non-fictionAn illustrated catalogue of the works of John Sargentpainting - english, john singer sargent 1856-1925

Ill, p.77.non-fictionAn illustrated catalogue of the works of Diego Velazquezpainting - spain, diego velazquez 1599-1660

Ill, p.262.fictionTatsu (Sessue Hayakawa) is a reclusive, tortured artist who continually paints brilliant pictures of a dragon that has the soul of a princess. When Tatsu meets the beautiful Ume Ko (Tsuru Aoki), he thinks that she is the living embodiment of the princess he has spent years imagining. He immediately falls for Ume Ko; initially overjoyed, Tatsu soon becomes despondent when he realizes he has lost his inspiration to paint. He must now somehow learn to balance love with artistic fervor.painting - japan, novels - japan

Ill, p.77.non-fictionAn illustrated catalogue of the works of August Johnpainting - english, augustus john 1878-1961

Ill, p.106.non-fictionAn illustrated catalogue of the works of El Grecopainting - spain, artists - spain

Ill, p.47.non-fictionAn illustrated catalogue of the paintings of Fra Angelicopainters - italy, christian art

Ill, p.70.non-fictionA catalogue of the paintings of Holbeinpainters - germany, hans holbein1497-1543

Ill, p.47.non-fictionAn illustrated catalogue of the paintings of Giottopainters - italy, christian art

Ill, p.232.non-fictionThe following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of Organic Form. art, design

Ill, p.372.non-fictionRuskin argues that recent painters emerging from the tradition of the picturesque are superior in the art of landscape to the old masters. The book was primarily written as a defense of the later work of J. M. W. Turner. Ruskin used the book to argue that art should devote itself to the accurate documentation of natureaesthetics, painting

Ill, p.64.non-fictionMurillo was the leading painter in Seville in the later 17th century. He remained one of the most admired and popular of all European artists in the 18th and early 19th centuries. His early works were much influenced by the early works of Velázquez, executed before Velázquez left Seville in 1623, and by the paintings of Zurbarán.painters - spain, art - spain

Index, bib, Ill, p.469.non-fictionA history of painting painting - history, painting