This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.No. / 375 / Patons KNITTING BOOK / No. / 375 / "MAYFAIR" - See page 2 / P&B / WOOLS / INTRODUCING / PATONS LUCELLE / FINE PLY / 1'4d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.PATONS / AND / BALDWINS' / 10 / CHARMING / GARMENTS / PRICE / 6D. / No. 15 / SPECIALTY / Knitting Book / P&B / The Latest / Designs / from / London / and / Parisknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was produced by Patons and Baldwins and contains knitting patterns for young girls garments.No. 483 / Patons / KNITTING / BOOK / No. 483 / PATONS / FUZZY WUZZY / ANGORA / For Girls / from / 4 to 12 years / P&B / WOOLS / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

Photo of SEC Ballarat Tram No. 34 turning from Sturt St into Lydiard St. North. Tram has destination of "Lydiard St. North, SEC roof advertisement "Electric Cooking is Matchless" and small painted number above the headlight and large number under the headlight. In the background is the Town Hall, waiting shelter at the terminus and ANZ bank sign. Photo also shows track arrangements at intersection. Kodak cardboard mount slide, taken by Peter Moses January 1966.On back of both slides in blue ink "Jan. 1966, Lydiard St. Tram / 125 f11." and in bottom right hand corner "P. Moses".tramways, trams, city terminus, sturt st, lydiard st, tram 34

Photo of SEC Ballarat Tram No. 27 west bound at Lyons St. with the city in the background, including the Golden City Hotel and St. Patricks cathedral. Tram has "Twin Lakes" advertisement on front panel and destination of "Gardens via Sturt St. W". Kodak cardboard mount slide, taken by Peter Moses August 1971.On back of both slides in blue ink "Jan. 1966, Lydiard St. Tram / 125 f11." and in bottom left hand corner "P. Moses".tramways, trams, lyons st, sturt st, st patricks, tram 27

Colour slide - Photo of SEC Ballarat Tram No. 35 crossing Sturt St. from Lydiard St. North. Photo taken from the north side of Sturt St. Photo shows the tram stop arrangements for east bound trams in Sturt St. with passengers waiting on the seats. Tram has "Everything's under control in my all electric kitchen" SEC roof advertisement panel. Kodak cardboard mount slide, taken by Peter Moses August 1971.On back of slide in red ink "Ballarat / into Sturt St from Lydiard St." and in top left hand corner in black ink "P. Moses".tramways, trams, sturt st, lydiard st north, tram stops, tram 35

Photo of No. 42 waiting to turn from Lydiard St. North to Sturt St. on 21/8/1971, while running the ARHS/TMSV special trams. Has National Mutual, Town Hall and Craigs Hotel in the background. Tram is showing "Special" and is fitted with SEC roof advertisement "Everything's is under control in my all electric kitchen". Kodak cardboard mount slide, taken by Peter Moses 21 August 1971.On the rear of the slide in black ink "Ballarat / ARHS special from Lydiard St into Sturt St." and "P. Moses" in the bottom right hand corner.tramways, trams, arhs, lydiard st north, sturt st.

Photo of SEC Ballarat No. 11 turning from Main St into Bridge St while running on the ARHS/TMSV special trams prior to closure. Tram 11 has a Twin Lakes sign on back of tram and showing destination of "Sebastopol". Kodak cardboard mount slide, taken by Peter Moses 21 August 1971.On the rear of the slides in blue ink "Ballarat / From Main St. into Bridge St." and "P. Moses" in the top left hand corner in black ink.tramways, trams, bridge st, main st, special trams, tram 11

Photo of SEC Ballarat No. 39 northbound, Albert St. Sebastopol, crossing the highway to the east side of the road. Tram has destination of "Lydiard St. Nth" and has a SEC "Everything's under control in my all-electric kitchen" roof advertisement. See also Reg. Item 2098, the previous slide. Kodak cardboard mount slide, taken by Peter Moses assumed Jan. 1969.On the rear of the slide "Sebastopol Tram" in black ink "P. Moses" along bottom left hand corner in black ink on the other side of slide.tramways, trams, albert st, sebastopol, tram 39

Photo of SEC Ballarat No. 33 east bound at junction of Main St. and Victoria Streets, bound for Victoria St. Tram has destination of Victoria St., a Twin Lakes sign. Companies in image are Turf advertisement and Caltex. Photo taken looking along Bridge St. Slide has been at the start or the end of the roll, and has been hand mounted in a cardboard mount by the photographer. White cardboard mount slide, taken by Peter Moses assumed Jan. 1969.On the rear of the slides in black ink "Ballarat tram turn off to Victoria St." and "P. Moses" in the bottom left hand corner in black ink.tramways, trams, bridge st, main st, victoria st., tram 33

Donor believes works were completed by her great aunt: Lydie, Rosa and Olivia Pollard when sisters were young girls. They were completed in Country Durham England. Works have been passed down through family.Two embroidered laundry bags with scalloped edges one with red flowers and the other with gold flowers. Each has a fold over cover, envelope style with embroidered flowers on a cream background. Scalloped edges are outlined with green and gold stitching with a further row of stitches outlining the pattern of the scalloped edging.P W E embroidered top LH corner Gold Bag- A L 4 embroidered inside top LH corner of red bag late victorian needlework, handmade embroidery, lingerie bag

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, Historic Gardens Coordinator of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of 'Roseneath', 37 Pakington Street Street, Kew.Annotated in ink reverse: "Roseneath / Bamboo walkway / Taken by P Watts N Trust for Historic Garden Study / Oct 1979 / Purchased by KHS"gardens -- kew (vic.), roseneath, 37 pakington street -- kew (vic.)

Twenty page book with black and white printed text and graphics. The front cover features an image of a man wearing a vest and tie, with his arm around a puppy on a basket. front: [printed] Patons / KNITTING BOOK NO. 273 / “GRAMPIANS” – See page 10 / P & B / WOOLS / 8d. [handwritten] I D [?] Chambersfashion, women, knitting, crochet, home life, patterns

Fifty two page knitting pattern book featuring black and white text and images. The colour cover shows a man dressed in a white shirt and knitted vest, which features horses.front: [printed] No. / R.14 / Patons / KNITTING BOOK / NO. R.14 / P&B / WOOLS / Page 22 / SPECIALLY REQUESTED REPRINTS / 1'9d.fashion, design, knitwear, home made, wool, pattern book, patons

This book records the impounding of animals which have been found wandering on local roads or trespassing on land. Many are farm animals and give the various breeds of animals from red Ayrshire cows to bay ponies, and nanny goats. Impounded animals were either claimed by their owners after payment of a fee or if unclaimed , they were sold. The Warrnambool pound was situated on Merrivale Drive.This book is a record of a practice which was necessary to remove stock which were wandering on local roads or trespassing on neighbours. It contains many local names and is of social interest. Rectangular book with hard cover Fawn cloth with red leather spine. Pages are lined in blue and red and pages are headed in black . It dates from 1957 to 1998 with one entry for 2004.Entries are hand written in blue and black. The entries give particulars of the animal impounded and where found with name of council officer and owner, if known, of the animal.various pieces of paper pasted inside front cover.There are many names included in this journal. Among the earlier entries are James P O'KeefeH C Bidmade, Keith Nixon, C Eccles, I Carmody,warrnambool, warrnambool pound

Thirty six page knitting pattern book featuring black and white text and graphics. The cover features an image of two women wearing matching knitted cardigans.front: [printed] 9917 / SIRDAR / THE ARAN LOOK / In SIRDAR SPORTS WOOL / 9 Design / 50 CENTS front: [handwritten] P G Walkerfashion, design, knitwear, home made, wool, pattern book, sirdar

Frederick George East served WW1 and WW2. Refer 537 medals for service history also 516.7, 538.2.Personnel Identification tag , aluminum, oval shaped with 2 small holes for attachments. inscribed on both sides.Front: "2nd AIF, F. G. East CE Cpt. B3 VX64901" Rear: "P 2147 Wife Rita Sons Ivan and Norman"personal effects - identification, accessory

City of Ringwood drawing No.520 dated October 1964, for construction of Jeffrey Drive, Ronald Street, Golden Grove, Gilda Court and Jennifer Court, off Mullum Mullum Road, Ringwood.Consulting Engineers: Geoffrey C. Bird, 483 Collins Street, Melbourne (Tel) 62 1517. Principal: Commerce and Commission Victoria P/L.

A large brown cloth hardcover book with black leather spine and corners. Title is engraved in gold on spine. Illustrated by numerous engravings on wood and steel, including select details, and complete machines. Illustrations in b/w. It includes a list of b/w plates, a table of contents, 116 p. of text and 112 p. of plates. This workwork provids instruction on drawing and illustrating heavy machinery including steam engines. It also contains lessons in drawings and examples of approved construction. non-fictionengineer drawings, drawing instruments, the sector, the lines of numbers, drawing of elementary forms, m le blanc, mm armengaud, linear drawing, projection, eccentric curves, machinery sketching, forms of gearing, projections of shadows, spur gearing

BHS CollectionBendigo Advertiser '' The way we were'' from Wednesday, February 25, 2004. Panthers: Marong football club in 1950. Back: G. Cocks, S. Gledhill (VC), T. Wilson, B. Moyle, G. Hunt, P. Floyd, J. Huddle. Centre: E. Turner, C. Rogers, J. Thompson (Capt.), R. Andrea, P. Sheldon. Front: R. Andrews, A. Surplice, M. Meldrun, A. Borserio, R. Benbow. Mascot: R. Rogers. The clip is in a folder.newspaper, bendigo advertiser, the way we were

A black and white photograph of Bendigo Teachers' College students in Group B in 1955. They are A. Sexton, B. Sheen, J. Sherlock, J. Slattery, W. Thorsen, J. Toey, I. Ward, B. Winzar, B. Edwards, E. Hannan, J. Jennings, G. Mackenzie, J. Northy, W. Olsen, P. Phelen, H. Potts, K. Anderson, B. Arblaster, W. Arblaster, G. Brown, R. Christopher, J. Darling, P. Dinsdale. See 3320.100bendigo, education, bendigo teachers' college students, la trobe university bendigo collection, collection, bendigo, education, bendigo teachers' college, photo, photos, photograph, photographs, students, history, teacher training, tertiary education, miss j.c. burnett, mr. geoff pryor

The Rose Stereograph Company first began producing postcards, identified as the 'P' series (like this particular example) in 1913 and continued in this business until 1967 after which they switched to machine manufactured colour postcards printed by an external company. These were produced by Victorian-era photographer George Rose (1861-1942) often reputed as one of the best photographers in Australia during the later 19th Century and early 20th Century. Rose was born in 1861 in Clunes and began his photography business in 1880 when he founded the Rose Stereograph Company. He later switched to producing postcards after stereographs lost popularity in the early 1920s. The Mayday Hills Hospital was one of these locations photographed by George Rose and published as a postcard. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000,33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour. At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Pale sepia toned rectangular postcard printed on matte card.Obverse: THE ROSE SERIES P. 4689 / COPYRIGHT / ADMINISTRATIVE OFFICES, MENTAL HOSPITAL, BEECHWORTH, VIC / Reverse: Published by the Rose Stereograph Co. / Armadale, Victoria / POST CARD / THE "ROSE" SERIES / DE LUXE / A REAL PHOTOGRAPH / PRODUCED IN AUSTRALIA /mayday hills, asylum, mental hospital, hospital, beechworth

From Weekly Times (Melbourne), 30 January 1926, p. 8. Caption reads "New Teachers' president: Mr J. Stewart, the new president of the School Teachers' Union. He is the headmaster of the Eltham State School". John Stewart was principal 1924-1934.Newspaper clippingeltham primary school, state school no. 209, eltham state school, headmaster, john stewart

The rigger's knife is usually more square pointed and thicker than that of a sailmaker. ( C.W. Ashley 1944 Ashley book of Knots p. 19) The rigger usually had a kit of tools that would fit on a belt: a sheath knife, a marlingspike, and a grease horn containing tallow.Property of the anonymous donor a former seafarer who also presented us with two hand-crafted examples of knot tying.Knife; a wooden handle in two pieces either side of blade secured by two steel anchor points. The short steel blade is oxidised but the actual cutting edge is worn and honed. The yellow nylon sheath appears to be made from recycled material strongly stitched on two sides. Large font black lettering on the inside but indistinguishable.rigging, rigger, sailor, seamen

Robert Greer was the Hall's Gap baker. He married Ida Warren and they had a daughter Rae. Robert & Ida inherited the bakery from Ida's father John Warren who established the business in 1929. For further details see Bridging the Gap, p.56Photo shows man (Robert Greer) in an apron standing outside his house.people, greer, buildings, bakery