Written on back of photograph, "6/6/81. View of forming of ground floor of Target."

Written on back of photograph, "6/6/81. AWM Electrics, 43 Bond St."

Written on back of photograph, "6/6/81. Units 49-41 Bond St."

Acquired when "Classweave Industries" closed down. Black and white photograph, mounted on grey board, embossed at edges. Photograph is a group portrait of men photographed on the steps of the Geelong City Hall6 6/87 B Marhall/ 3 McKillop St/ Phone 2071 Geelongtextile mills woollen mills, classweave industries pty ltd federal woollen mills ltd, textile mills, woollen mills

View shows Ringwood Disposals, Guests Furniture and Clock TowerWritten on back of photograph, "6/6/81. Looking south-east from Staley Reserve."

Written on back of photograph, "6/6/81. Barry Bangay Motors, 45 Bond St."

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A small black and white photograph of a man in a suit and hat seated on a rock. In front leaning against the rock is a bicycle and in the background is water with a timbered hill on the far side.Written in pen - (20) F.W. taken at Gong (near Ballarat), 6/6/22, by V.H.frank wright, gong gong reservoir, bicycle

Receipt dated June 6 1877 for the sum of 6/6 for Doctors fees for Court Hearts of Oak 3996 AO? for quarter ending June 1877.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, thomas warren, court hearts of oak 3996, john skudder

This photograph is one of a series taken by Allan while travelling through France in mid-1949. It shows the Saint-Ouen Abbey Church from Rue d'Amiens- Rouen. Rouen, a medieval city was heavily damaged by Allied bombings during the Battle of Normandy. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph taken on the 5th of June, 1949, of Saint-Ouen church built in the 14th century in Rouen, France. The sign to the right of the foreground reads: ROUEN CENTRE / AMIENS PARIS and probably indicates the photograph was taken from Rue d'Amiens (Amiens Street). The photograph shows the level of demolition of the city during World War II.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI".allan-quinn, photograph, rouen, france, normandy, ww2, battle of normandy, 1939-1945, saint ouen abbey, amiens, paris

Written on back of photograph, "6/6/81. Setting columns for first floor [Target Square], Maroondah Highway."

Letter written on a piece of paper and dated September 6 ?/6. Letter from Rolo Daniel, that he is unable to attend Court, because his little was dangerously ill.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, rolo daniel

Hard cover containing text and black and white and colour platesHandbook for Q.F. 4.5 Inch Mark 5 Gun on R.P. 41 Twin Marks 6, 6* and 6* Mod. 1 Mountings Volume 1 User Handbook. Text and Plates1957

Account from P. Pentreath, Family Grocer, Produce Dealer, &c., dated Sep 13 1871 for 6/6. Printed letterhead. Signed by P. Pentreath and Thomas Exeter.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, p pentreath, thomas exeter

Contains entries of Legatees and their guests and visiting Legatees at Legacy, Tuesday luncheons. Commenced 6/6/1978. Last entry 27/7/1982This was a common means of recording guests and visitors of this era.Black hardback visitors book, with gold patterned border. White paper pages. Cover, gold patterned border. Back cover, gold text, Made in England, AL4M, MOROCCO. All text is handwritten.register, guest speakers, legatees

This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of Allan Quinn standing in the foreground, with the Eiffel Tower in the background. There are people in the midground. There is a narrow white boarder around the image.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI"written sideways.allan-quinn, photograph, paris, france, eiffel tower

Spiral Bound Typewritten manuscriptDraft (dated 6/6/1989) of catalogue publication to accompany the 1989 exhibition at State Library of Victoria of the same namerobin boyd, architecture, australia, bibliography, 20th century, walsh st library

Reproduced on p104 of 'Pioneers & Painters'Colour positive film 120 6 x 6 formatKodak Safety, sectioned frames 3, 10 and 12alan marshall, pioneers and painters

Taken at the time Alan Marshall was writing "Pioneers and Painters: 100 years of the Shire of Eltham"Colour positive film 120 6 x 6 formatKodak Safety, sectioned frames 3, 10 and 12alan marshall, pioneers and painters, pat wiltshire

Taken at the time Alan Marshall was writing "Pioneers and Painters: 100 years of the Shire of Eltham"Colour positive film 120 6 x 6 formatKodak Safety, sectioned frames 3, 10 and 12alan marshall, pioneers and painters, pat wiltshire

Taken at the time Alan Marshall was writing "Pioneers and Painters: 100 years of the Shire of Eltham"Colour positive film 120 6 x 6 formatKodak Safety, sectioned frames 3, 10 and 12alan marshall, pioneers and painters, pat wiltshire

Taken at the time Alan Marshall was writing "Pioneers and Painters: 100 years of the Shire of Eltham"Colour positive film 120 6 x 6 formatKodak Safety, sectioned frames 3, 10 and 12alan marshall, pioneers and painters, pat wiltshire

Taken at the time Alan Marshall was writing "Pioneers and Painters: 100 years of the Shire of Eltham"Colour positive film 120 6 x 6 formatKodak Safety, sectioned frames 3, 10 and 12alan marshall, pioneers and painters, pat wiltshire

Taken at the time Alan Marshall was writing "Pioneers and Painters: 100 years of the Shire of Eltham"Colour positive film 120 6 x 6 formatKodak Safety, sectioned frames 3, 10 and 12alan marshall, pioneers and painters, pat wiltshire

Taken at the time Alan Marshall was writing "Pioneers and Painters: 100 years of the Shire of Eltham"Colour positive film 120 6 x 6 formatKodak Safety, sectioned frames 3, 10 and 12alan marshall, pioneers and painters, pat wiltshire

Taken at the time Alan Marshall was writing "Pioneers and Painters: 100 years of the Shire of Eltham"Colour positive film 120 6 x 6 formatKodak Safety, sectioned frames 3, 10 and 12alan marshall, pioneers and painters, pat wiltshire

Taken at the time Alan Marshall was writing "Pioneers and Painters: 100 years of the Shire of Eltham"Colour positive film 120 6 x 6 formatKodak Safety, sectioned frames 3, 10 and 12alan marshall, pioneers and painters, pat wiltshire

Taken at the time Alan Marshall was writing "Pioneers and Painters: 100 years of the Shire of Eltham"Colour positive film 120 6 x 6 formatKodak Safety, sectioned frames 3, 10 and 12alan marshall, pioneers and painters, pat wiltshire