Khaki timber first aid box, featuring red cross on top and two sides. Canvas and rope handles.Red crosses on top and two sides. Qty 80 ON ITE UZE WEA R P, GN-7-1-7-6777 N319mfirst aid box

Belliss & Morcom Ltd, Patent Self Lubricating Engine , Birmingham It was used to operate the Fairfield No. 2 Mill Paper Making machine by a rope and pulley drive.Historic - Industrial Twin Cylinder Engine - stationary engine used to operate the Australasian Paper and Pulp Co Ltd. - Fairfield No. 2 Mill Paper Making machine by a rope and pulley drive.Twin Cylinder Engine - stationary engine made of steel, wrought iron, brassBelliss & Morcom Ltd, Patent Self Lubricating Engine , Birminghamtwin cylinder, engine, stationary engine, industrial stationary engine, puffing billy, fairfield no. 2 paper mill, australian paper manufactures ltd, belliss & morcom

One of two types of four wheel skips widely used on the Wonthaggi Coal Fields for transportation from the underground workings to the surface screening and loading areas. Haulage underground was accomplished by the use of pit ponies, whilst an endless rope system was used to bring the skips to the surface areas. Much of the coal for the colony of Victoria was sourced from Newcastle and the Hunter Region in New South Wales, along with local supplies from private and co-operative coal mines at Outtrim, Jumbunna and Korumburra in Gippsland. After the 1909–1910 strike by coal miners in the Hunter Valley, the Victorian state government were determined to ensure stability in local supplies of coal. The State Coal Mine and the town of Wonthaggi came into being in 1910 to supply coal for the Victorian Railways. It was one of the largest and most dangerous collieries in Australia. At its peak in 1926 the mine produced 2,435 long tons (2,474 t) per day, with the Victorian Railways buying 90% of production. In 1928, Wonthaggi coal accounted for around 60% of Victorian Railways coal consumption.Historic - Industrial - Victorian Railways - Narrow Gauge Railway rolling stock - Wonthaggi Coal Fields, Victoria, AustraliaRectangular steel bin with wood frame and steel wheelspuffing billy, coal skip, wonthaggi, wonthaggi coal fields, 2'0" gauge, brown coal

Metal Pully and Rope When heavy items were required to be moved a rope and pulley set was very handy. By attaching one end of the set to a solid surface, it was possible to lift items. In the bush, the timber workers made good use of the pulleys. When set up in a sequence, they could move logs across gullys, up and down hills as the chopped down trees made their way to a sawmill. Using animal or mechanical power increased the use of the pulley and rope. Historic - Industrial - Metal Pulley and RopeMetal Pulley and Ropepuffing billy, metal pulley and rope

Postal Parcel Balance Scales - circular face with weights and costs around circumference - encased in heavy metal frame with ornate pattern around the triangular foot - oblong flat tin tray balanced on top - painted white with black markings on the face - single black metal hand in centre to show weight etc.In centre of face: "POSTAL PARCEL BALANCE" / SALTER'S "Salter" over emblem showing arrow through knotted rope / 11 LB'S BY 1 OZscales, postal

Photograph made by A.P. Winzenried as possible illustrations in, "Green Grows Our Garden." Colour prints. Copy of 2 newspaper articles made by A.P. Winzenried. 1. Top, "- An Autumn Study. Only 3⅟₂ miles from the City streets, the Plough Girl stirs the earth into fertility for a new season as the bare limbs of a fruit tree connote the death of the last - A study today at the Burnley Horticultural School." Female student using a horsedrawn plough in the Orchard. 2. A female student holding a bull wearing a head stall and a rope attached to a ring in its nose.Handwritten, "M. Younger. "The Herald." 12-5-36. Bottom, handwritten, "J. Wakeford & Vida's Boy. "The Herald." 12-5-36."a.p. winzenried, green grows our garden, plough, female students, fruit trees, j. wakeford, m. younger, students working outside, horse-drawn plough, bull, orchard, vida's boy

A postcard with a black and white image of small boats being towed on a rope through water. Each boat is carrying several soldiers, and other ships and boats can be seen in the background. From the title it is a landing party going ashore near Gaba Tepe, on the Gallipoli peninsula. The back of the post card is blank so it was kept more as a souvenir than sent as a letter. There are other similar postcards in the collection.Images of Gallipoli were captured on postcards as mementoes. Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1.Black and white postcard with an image of small boats being towed on a rope through water. Each boat is carrying several soldiers, and other ships and boats can be seen in the background. Front of postcard: "TOWED IN UNDER PROTECTION OF THE FLEETS FIRE : A LANDING PARTY GOING TO REINFORCE THE AUSTRALIANS NEAR GABA TEPE."world war one, gallipoli, souvenir

Page 3 of the Ballarat's "The News" of Jan. 29, 1975, containing an article on the pending official opening of the BTPS tramway on Feb. 1, 1975 by Mr. J.C. Trethowan of the SEC. Notes the use of the former tramway system by Bendigo and a Brazilian tramway. Also refers to the collection of the BTPS. Has a continuation to Page 8,- not collected. Has as photograph of Maureen Holmes of Armadale holding onto the trolley rope of tram No. 40 at Carlton St.trams, tramways, btps, tramway opening, wendouree parade, opening

Yields information about the tramcar maintenance activities of the SEC at the depot in frequency of changing brake blocks, light bulbs, trolley rope and wheels for each tramcar. This book was the last to be done by the SEC in Ballarat, closure occurred on 19/9/1971.Collins Diary No. 324, blue Rexene covers, sewn sections with ruled sheets providing a diary for 1971, 7 days and notes for each double page. Has "useful information" sheets at from the diary. Used by the SEC Ballarat depot to record brake block changes and light globe replacements on each tramcar. Also gives details on trolley rope and trolley wheel replacements. The last recorded entry was 14/9/1971, for fitting of second hand shoes to 34 and 42. Inside front cover were: 1 - loose - carbon copy of a "Notice to All Traffic Staff" regarding braking - See Reg Item 3520. 2 - loose - carbon copy of run number 25, Monday to Friday - See Reg Item 3521. These are to be retained with the item, but in a separate container.tram, trams, sec, ballarat, depot, brake blocks, trolley wheels

Yields information about Geelong 1in Ryrie St during the mid 1930's.Black and White Photograph of Geelong No.19 at the depot, with the destination of Chilwell. Shows the tramcar in detail, such as the trolley rope. Photo by John Radcliffe, 11/1/1956, three days after the first closures.In hand writing on the rear "Geelong Pengelly car 19 on depot forecourt 3 days after the fist closures." In the bottom left hand corner "11-1-56" and in the bottom right hand corner "WFS Collection / J. C. Radcliffe (Adelaide)" trams, tramways, geelong, depot, pengelly, tram 19

Vietnam Field uniform and Webbing,Shirt U196, trousers U022, Hat H162, Scarf U174a,Ammo belt A221,Torch EQ018, Water bottles EQ060 EQ062, Webbing EQ016, Ammo clip EQ248, Boots U294, Rope EQ442.uniform, vietnam, army

Photograph - Black and white of Ballarat tram No. 40 parked at the Sebastopol tram terminus. The conductor has lowered the trolley pole and is tying the rope off. The tram has an SEC Electric Cooking roof advertisement and the destination of Lydiard St Nth. In the background is the Royal Mail Hotel. Not known who took the photo during Jan. 1966.Yields information about the appearance of tram No. 40 during Jan 1966 and the Sebastopol terminus.Black and white photograph on Ilford paper.In ink on rear "Gardens 1/66"tramways, wendouree parade, gardens loop, tramcars, tram 40

Photos of the Ports & Harbour launch "Flinders' at anchor prior to sinking.Realism, historical1. Envelope of Notes 2. Page 1 of 3 Notes re Photos 46 to 54. 3. Page 2 of 3 Notes re Photos 46 to 54. 4. Page 3 of 3 Notes re Photos 46 to 54. 5. Photo of sunk Flinders and Bass towing it 6. Reverse of photo showing notes.On the reverse - " P2A49 - Couta boats in background - Sunk boat - FLINDERS - P&H survey launch - 1953 - Ports & Harbours survey launch with tow rope - P&H Survey Launch BASS"

Three page typed copy of an article appeared in Engineering 1887 on Melbourne cable tramways construction. Carbon copy of typing on both sides of 1 sheet and 1 sheet of pink paper with hand drawn copy of a map in 4 colours. Image of document added 25/8/2013.trams, tramways, melbourne, cable trams, construction

A wooden chest (.1) containing badminton equipment, specifically: four badminton racquets (.2 - .5); a guy rope (.6); a net (.7); and a rope (.8). On the inside of the lid is a tennis themed lithographic print, by Marcel Moisand. Materials: Wood, Metal, Lacquer, Rope, Cloth, Cord, Gut, Leathertennis

A wooden chest (.1) containing badminton equipment, specifically: four badminton racquets (.2 - .5); guy ropes (.6 - .7); a net (.8); and net posts (.9 - .10, 6 parts each.) Materials: Wood, Metal, Lacquer, Rope, Cloth, Gut, Leather, Glue, Stringtennis

A wooden chest (.1) containing badminton and lawn tennis equipment, specifically: net posts (.2 - .3, two parts each); tennis net (.4); and, a badminton net (.5). A colour lithographic print, by Cahrles Hart, displaying mixed doubles playing on a lawn, with a small pavillion & large house in the background, features on the inside of the lid. Inscription across litho.: HORSMAN'S/CELEBRATED/LAWN TENNIS/... Materials: Wood, Metal, Lacquer, Rope, Cloth, Ink, Cord, Papertennis

A wooden chest (.1) containing lawn tennis and badminton equipment, specifically: a badminton net (.2); a tennis net (.3); net posts (.4 - .5, 3 parts each); guy ropes (.6 - .7); rope (.8); pegs (.9 - .12; and, a mallet (.13). Orange and white print across inside of lid features inscription: THE GAME OF/LAWN TENNIS. A sticker adhered above reads: FURNISHING [...IRO]NMONGER/JAMES HAWKINS/35 HIGH STREET/TUNBRIDGE WELLS. Materials: Wood, Metal, Lacquer, Cord, Ink, Paper, Ropetennis

A wooden chest (.1) containing lawn tennis and badminton equipment, specifically: a tennis net (.2); a badminton net (.3); net posts (.4 - .5, 3 parts each); guy ropes (.6 - .7); stick (.8); pegs (.9 - .12); a fold-out stool (.13); and a mallet (.14). Extra, (probably non-original), objects are: guy ropes (.15 - .16); pegs (.17 - .20); mallets (.21 - .22). Black and green lithographic print on inside of lid features the image of a mixed doubles amtch, with inscription: TENNIS. Materials: Wood, Metal, Lacquer, Cord, Ink, Paper, Rope, Cloth, Painttennis

A Ring Tennis set chest (.1) containing: rings (.2 - .5); guy ropes (.6 - .7); net posts (.8, 2 parts, .9, one part); court boundary markers (.10 - .19); rope (.20), and a metallic flag marker (.21). Eight miscellaneous pieces also feature. Inscription across top of lid: "TENIKOIT' OR RING TENNIS/...REGULATION FOUR PLAYER SET. Across top of base: R.H. MOTTRAM/(SOLE MAKER)/CHURCH STRETTON/SHROPSHIRE. On sides of box: TENIKOIT/NO. 2A. Materials: Wood, Metal, Lacquer, Ink, Glue, Rubber, Paint, Rope, Cord, Stringtennis

A chest (.1), housing a lawn tennis and badminton set. Black and green lithographic print features couples playing mixed doubles tennis and badminton in Cassiobury Park, with Cassiobury House in the background. Inscription: THE CASSIOBURY GAMES OF/BADMINTON AND GARDEN TENNIS/.../LONDON/DEAN & SON 160 FLEET STREET. The hourglass court used in Wingfield's version of lawn tennis is depicted in this lithograph. Contents include: racquets (.2 -.3); tennis balls (.4 - .5); shuttlecock (.6); badminton net (.7); guy ropes (.8 - .9); ornate pegs (.10 - .11); mallet (.12); and net posts (.13 - .14, 2 parts each). Materials: Wood, Metal, Ink, Glue, Paint, Paper, Lacquer, Gut, Rope, String, Velvet, Bird feather, Felt, Rubbertennis

A pair of spiked wooden tennis net posts (.1-.2), accompanied by original court net (.3). Materials: Wood, Lacquer, Metal, Rope, String, Clothtennis

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. Unused wood, metal and jute skipping rope.skipping ropes

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. In the Nineteenth and Twentieth centuries, there were large numbers of games produced for children and adults. These included: arcade games, board games, playing cards and puzzles. A representative sample, many now rare survivors, can be found in the collection.Quoits. 4 rope quoits and yellow wooden stand. Designed for two players.games, quoits

Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children: Henry Beater (1886-1962), Ada Susannah May (1888-1962), Orlando Julius (1891-1917) and Lilian Adelaide ( -1956). Ada married George Herrick Washfold, and had four children: Lilian Mavis, Orlando George Barnard, William Edwin and Henry Clifford (the husband of the donor).An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention. Photographic positive on mounting board. The image depicts a woman and three young children in a buggy drawn by a donkey. The road on which they pause is surrounded by fenced and cleared farmland, stretching away to the distant hills. It is presumed that the subject of the photo is Elizabeth Christian (nee Schoberg) and three of her four children. The photographer may have been her husband, Orlando Henry Beater Christian.christian family, washfold family, kew pioneers, christian-washfold collection

Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children: Henry Beater (1886-1962), Ada Susannah May (1888-1962), Orlando Julius (1891-1917) and Lilian Adelaide ( -1956). Ada married George Herrick Washfold, and had four children: Lilian Mavis, Orlando George Barnard, William Edwin and Henry Clifford (the husband of the donor).Photographic positive on mounting board. The image depicts ten deaconesses posed in two rows for a formal photoshoot. Deaconesses Camberwell Baptist Church / Back row, 2nd on right, Ada Washfold [nee Christian].christian family, washfold family, camberwell baptist church, ada washfold (nee christian), christian-washfold collection

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.View of grounds of Macauleys boathouse. Gum trees and willows. Stacked embankment. Person rowing boat. Others sitting on bank.macauley's boathouse, yarra river -- kew (vic.), christian-washfold collection

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Black and white photo of the rear view of a man in a hat standing under a tree on a hill looking across the Yarra River (unseen) towards Melbourne. The exhibition building and the spires of St Patrick’s Cathedral can be seen on the skyline. The man may be Orlando Henry Beater Christian. If all the spires are intact it must postdate 1939 when work begun in the early 1930s on the spires began. He may be standing on the edge of the Yarra Boulevard.melbourne skyline - 1930s, yarra boulevard -- kew (vic.), christian-washfold collection

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.A photograph by Henry Beater Christian (1886-1962) of Pakington Street, Kew. Henry Beater Christian, was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Sepia 'real photo' postcard of Orlando Henry Beater Christian, fishing in the Yarra River. There appear to be cattle in paddocks on the other side of the river. Fairfield (sic) is on the horizon."Henry Beater's photograph of his father Orlando Henry Beater Christian whilst fishing in the River Yarra, Kew"yarra river -- kew (vic.), orlando beater christian, christian-washfold collection