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National Wool Museum
Taxidermy Sheep, Bilby Bill, c1980
Originating in New Zealand, the Drysdale, represented by Bilby Bill, was developed in the 1930s at Massey University (Canterbury) by crossing a coarse haired Romney and the hardy Cheviot breed. First imported to Australia in 1975, the Drysdale, due to a genetic abnormality, produces coarse, long staple fleece. This same gene also gives them their horns, something that generally does not occur in the parent breeds. Their fleece grows very fast, up to 25cm every six months; as such shearing is carried out twice a year. The coarse and hard wearing wool is mostly used for the manufacture of carpets. The Drysdale is a medium to large stocky sheep, weighing approximately 55kg and produces about 6 to 8kg of fleece per animal annually, which is 35 to 45 microns in diameter. The yarn used on the National Wool Museum’s Axminster Gripper Loom to make the Manor House Rug is spun from the wool of Drysdale sheep.Taxidermied male Drysdale sheep. Medium sized animal with white body coloration. Large horns protruding from the top of the skull. drysdale, sheep, new zealand -
Vision Australia
Slide - Image, Barry Farnsworth, 1980-1990s
Barry Farnsworth in his bed with an Australian cattle dog, a cockatiel and a friend. These scanned images taken from black and white photocopies of the slides held.3 slides of Barry Farnsworth with animals and a friendassociation for the blind, elanora home (brighton), barry farnsworth -
University of Melbourne, Burnley Campus Archives
Document - Report, Katrina Ivy Parker, Regulation of follicle stimulating hormone in relation to ovarian follicular development in the Holstein cow, 2000
animal science, holstein cow, bachelor of animal science -
Nillumbik Shire Council
Sculpture: Angela NAGEL, Angela Nagel, Last on the Island, 2012
With an interest in 'Collective Unconscious' Nagel aims to explore the human condition, and our impact on the natural world / This figure embodies human and animal traits with semi-autobiographical references to investigate concepts relating to identity and home / Nagel focuses on the extinct, the pest, the endangered and the introduced as a way to reveal her concerns of humanity as creator and destroyer / In this sculpture a koala headed figure is in the pose of the martyr St. Sebastion / With no arms, there is an inability to protest or fight. This work is by a local contemporary artist and encompasses contemporary themes / This work was a finalist in the Nillumbik Prize 2012.Ceramic - sculpture human and animal like (koala) armless figure depicted standing in a similiar stance to that of a classical sculpture / Blue and white body with a yellow face / Made from porcelain with oxide, clear glaze and undergaze.nagel, sculpture, porcelain, animal, ceramic, classical -
Phillip Island and District Historical Society Inc.
Booklet, Authentic Phillip Island Road Map, Pre 1960
Tourist brochure printed by the Phillip Island Printers pre 1960HistoricalSmall cream coloured brochure with details of accommodation, transport and animals. Inside is a map of the Island with numbered points of interest. There is also a plan of Cowes and drawings of animals.Visitors' Guide 6d Authentic Phillip Island Road Maptourist brochure, road map -
Tennis Australia
Figurine, 1999
Tennis Australia Animal series figurine, Number 4 Kangaroo. In box with small leaflet containing information about the animal. Materials: Metal, Cardboard, Inktennis -
Federation University Historical Collection
Reports, Unexplained animal kills and sighting, 1997
The folder or correspondence is the result of a Freedom of Informaition request made to the Department of Sustainability and Environment in 2011. The folder was collected for research being conducted by David Waldron.Folder of reports unexplained animal kills and sighting in VIctoria australian mythical animals collection, david waldron, dse, big cats, panthers pumas, nuggety, gippsland, black cats, tasmanian tiger, marysville, wood's point, thylacine, south gippsland, felid, gippsland big cat, dna, kelvin healey, peter hall, sherbrooke forest, woodside, walaces flat, mountain lion, bairnesdale, heyfield, mt taylor, walhalla, mt selma, warrnambool, tasmanian tiger, kyneton, korumburra, canadian forest, grampians, panton hill, beaconsfield, apollo bay, forrest -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Administrative Record - Ledger, Pound Cash Book, 42108
Entries are hand written in ink on Gelantipy Pound proforma and glued to ledger pages, pages 1 to 14 have been used, leather bound with heavy cardboard cover, pages 15 to 145 are empty, there are also 15 blank proforma pages, contains some loose dockets.A ledger containing details of animals impounded by Gelantipy Poundaccounts book -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Administrative Record - Ledger, Pound Cash Book, 38645
Entries are hand written in ink, pages 1 - 13 have been used, pages 14 - 143 are empty, some loose leaf inserts, ledger is leather bound with heavy cardboad cover.A Ledger containing details of animals impounded by Gelantipy Pound.accounts book -
Federation University Art Collection
Bookplate, 'This book belongs to Samara Sweeney'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Australian native animals are depicted amongst a hilly landscapebookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.An animal is depicted between two trees in a hilly landscape Name at bottom Krystal Stylesbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Bright & District Historical Society operating the Bright Museum
Brick, handmade
Henry Oakes' kiln was located near the current council depot in Churchill Avenue,Bright.Handmade brick of pale orange clay. Two corners damaged.Animal paw prints- 2 sets.handmade, brick, oakes, kiln -
Coal Creek Community Park & Museum
Animal Vase
Animal statue vase tree trunk, birds and unknown animal with flowers. Colours: white, gold, brown, green, black, blue, purple, pink, red, yellow. Is broken on back. -
Whitehorse Historical Society Inc.
Article, George Bills, 1859 -1927
George (Joe) Bills left a legacy to provide watering troughs for horses and money to combat the cruelty to animals and he was made a Life Governor of the Victorian Society for the Protection of Animals in 1924.bills, george, bills water troughs, rspca -
Phillip Island and District Historical Society Inc.
Photograph
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of fossilised bones of animals eaten by Aborigines on Phillip Island.local history, photography, fossils, black & white photograph, aborigines, john jenner, bryant west -
Benalla Art Gallery
Painting, George W. LAMBERT, Mountain landscape with Maurice, 1913
Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930EdwardianGift of C.J.R. Ansett, 1980Mountain and valley landscape with figure and animals. Painted timber frame.Recto: Signed and dated "G. W. LAMBERT. 1913" in black paint on l.l.c of composition; Not titledpainting, figure, boy, dog, animal, mountains, landscape, lizard, snow -
Anglesea and District Historical Society
Animal Ear Punch
"U" shaped ear punch to identify farm animals (pigs).Noneear punch, farming, ear notches -
Whitehorse Historical Society Inc.
Photograph, Wisteria Party 1997, 1997
Coloured photo of Visitors to Animal Nursery at Wisteria Party 1997.wisteria party 1997, nunawading and district historical society -
Whitehorse Historical Society Inc.
Photograph, Wisteria Party 1997, 1997
Coloured photo of Visitors to Animal Nursery at Wisteria Party 1997.wisteria party 1997, nunawading and district historical society -
Whitehorse Historical Society Inc.
Photograph, Wisteria Party 1997, 1997
Coloured photo of Visitors to Animal Nursery at Wisteria Party 1997.wisteria party 1997, nunawading and district historical society -
University of Melbourne, Burnley Campus Archives
Document - Evaluation, Yeni Indrawirawan, Evaluation of an in-house platelet function test for use in dogs, 2003
veterinary science, bachelor of animal science, dogs -
Mt Dandenong & District Historical Society Inc.
Carved Coconut Shell Figurines, clate 1800's to 1940s
Mr JH Quinton of Olinda, Victoria had the unusual hobby of carving coconut shell. Over a 50 year period he carved thousands of curios and household articles. Supplies of coconuts were sent to him by his brother in Singapore. Known in the Dandenong Ranges as "The Coconut King", he carved many series, including Australian animals, likenesses of hundreds of men prominent in public life, tableaux of sporting activities, including a series depicting cricket strokes, a coconut tea set, butterflies, buttons and boxes. Mr Quinton was an engraver and his considerable can be seen in the fine detail and sense of movement he was able to capture in his carvings. A collection of figurines carved from coconut shell, brown in colour including animals, sporting activities, tableaux of everyday life and prominent people. Each figure is attached to a thin, wooden base to enable it to stand.jh quinton, coconut shell, carving -
National Wool Museum
Booklet - Australiana 4, Cleckheaton, 1980s - 1990s
... Animals ...Eight page fold out knitting pattern booklet featuring four colour images of women wearing jumpers with Australian animal motifs, including a pelican, cockatoo, emu and wombat. Four pages featured text and graphics in black and white.front: [printed] BOOKLET NO. 690 / Cleckheaton / Australiana 4knitting, pattern, fashion, knitwear, cleckheaton, sophie lee, australiana, wombat, emu, cockatoo, pelican, animals -
Falls Creek Historical Society
Memorabilia - Falls Creek Ski School Lesson Card
These items are from the private collection of George Shirling of Red Onion, Falls Creek. A lesson card and skills list from the Falls Creek Ski School. George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This item is significant because it is representative of the programs available at the Falls Creek Ski School.A colourful card plastic card featuring colourful characters which represent the different ability levels in the Falls Creek Lesson program. Each character is placed beside a list of skills for that level. These are Koala, Possum, Cockatoo, Emu, Wombat and Kangaroo.Animal characters and itemised list of relevant skills.george shirling, falls creek ski school -
Phillip Island and District Historical Society Inc.
Photograph
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of fossilised bones of animals eaten by Aborigines found on Phillip Island.local history, photography, fossils, black & white photograph, aborigines, john jenner, bryant west -
Federation University Historical Collection
Document, The place of dogs in Victorian Aboriginal society in the nineteenth century: a reconsideration of the archival record
Abstract: ‘Dingo’ is today the name given to Australia’s wolf-like native dog Canis dingo, however it was originally the Dharuk word for a ‘domesticated dog’ - the Dharuk word for a wild dog was ‘warrigul’ (Dixon, Ramson, and Thomas 1992, pp. 65, 87). In its populist usage today this distinction has fallen away and dingo now refers to both wild and domesticated native dogs. Anthropological discussions about the role and significance of dingoes and dogs in northern Australian Aboriginal society have been extensive (Meehan, Jones and Vincent 1999; Smith and Litchfield 2009). Archaeological (McCoy 1882; Barker 1979), ecological (Nowak 2006) and taxonomic debates (Corbett 1995; Coman and Jones 2007) have existed for almost two centuries about the dingo’s origins (Jardine 1839; Gill 1951; Barker 1979; Savolainen et al 2004), and an intense sociological discussion has focused on what has been termed the ‘economic-utilitarian perspective’ that attributes to dingoes a decisive usefulness in Aboriginal people’s food quest (Kolig 1978). Contributors to this lively debate have been almost exclusively northern Australia-centric in their conversations, with the notable exception of Jones (1970), which is understandable given the rich vein of accessible Aboriginal informants in this region and observational data neither of which is possible or available in much of southern Australia. In this paper the authors shall build upon the northern Australian research of Meggitt (1965), Rose (1992), Meehan, Jones and Vincent (1999), and Parker (2006) and demonstrate that there exists a concomitant range of ethno-historical and archeological sources from south-eastern Australia which adds a considerable body of knowledge to our understanding of the utilitarian and symbolic significance of dingoes for Aboriginal communities. Furthermore, the authors shall examine the impact of British colonizers upon Aboriginal peoples’ associations with dingoes in Victoria. The word dingo shall be used throughout this paper to connote dogs as well as dingoes. Unpublished typed manuscript. This item is part of the 'Australian Mythical Animals Collection'.aboriginal, aborigines, fred cahir, ian clark, dog, dingo, australian mythical animals collection, mythical, myth, folklore -
Federation University Historical Collection
Animal specimen - Bones, Skeletal remains of an animal
Skeletal remains of an animal collected as evidence of a potential big cat 'kill'. australian animal folklore collections, big cats victoria, skeleton, bones -
Benalla Art Gallery
Drawing, Conrad MARTENS, Aborigines at Port Stephens, 1845
Born: London, Middlesex, England 1801; Arrived: Sydney, New South Wales, Australia 1835; Died: Sydney, New South Wales, Australia 1878ColonialGift of Sir Thomas Ramsay, 1975Figures and animal in colonial landscape with tents. Gold leaf on timber frame.Recto: Signed "C Martens" in black pencil, l.l.c of sheet; Titled and dated "Aborigines, Port Stephens – 1845" in black pencil in l.r.c of sheetdrawing, landscape, figures, dog, trees, tents -
Victorian Aboriginal Corporation for Languages
Book, Malcolm Calder et al, Victoria's box-ironbark country : a field guide, 2002
Gives thorough introduction to the dry-forest area and the plants and animals of that habitat.Maps, colour photographs, b&w illustrationsbox-ironbark forests, deforestation, sustainability, environment, biodiversity -
Whitehorse Historical Society Inc.
Photograph, Wisteria Party 1997, 1997
Coloured photo of Visitors around Animal Nursery at Wisteria Party 1997.wisteria party 1997, nunawading and district historical society