Thirty two page green covered book on Ballarat's Lydiard Street, including information on the Old Colonists' Association of Ballarat, Art Gallery of Ballarat, Ballarat Fine Art Gallery, The George Hotel, Leonard terry. Provincial Hotel, Ballarat Mining Exchange, Ballarat Railway Station, Soldiers Hill, Regent Theatre.non-fictionballarat, lydiard street, old colonists' association of ballarat, art gallery of ballarat, ballarat fine art gallery, the george hotel, leonard terry. provincial hotel, ballarat mining exchange, ballarat railway station, soldiers hill, regent theatre, charles lydiard, government camp, golden fleece hotel

The 8/13 Victorian Mounted Rifles Regimental Association was formed in 1987 and was made up of former members of the regiment.Coloured photograph of 8/13 Victorian Mounted Rifles Association marching past Albury Art Gallery on Anzac Day 2005.vmr, association, anzac, albury

Slide. Bendigo Views. Scenic view of Bendigo. Includes rear view of Art Gallery with the spires and roof of the Sacred Heart Catherdral in background.slide, bendigo, bendigo views, bendigo views

Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet A Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial Committee - Correspondence and Newspaper Vale Article Bendigo Advertiser Article 23/10/1993 entitled: "Vale Amy: a rare individual" 2808.13e Photo of Amy from the article 2808.13a, 2808.13b, 2808.13c: The Article describe her life and contributions to Bendigo. 2808.13d - 12 pages of Correspondence and committee records. Page 1 Letter from the the committee to the art gallery 14/9/1993 re event happening (Presentation of the Ola Cohn works as funded by excess money before the committee "winds up" the letter encloses a list of whom the committee consider should be invited to the event). Page 2 List of people as above with adresses Page 3 Invitation to the above event from the art gallery 7/9/1993 Page 4 From the art gallery 29/9/1993 enclosing some factual notes on Amy Huxtable to be confirmed and added to by the committee if need be. Page 5 From the art gallery 20/10/1993 to the committee, a copy of an article written for the Bendigo Advertiser - for comments. Page 6 From the art gallery 29/1/1993 - thanking the Chairperson of the committee Miss Norma Young for her speech at the reception for the Amy Huxtable Memorial - Ola Cohn Works. Page 7 From Norma Young back to the art gallery 3/11/1993, thank you for the combined work of the gallery and the memorial committee Page 8 Another thank you letter to the art gallery committee of management 3/11/1993. Page 9 -12 Speech as given by Norma Young, chairperson of the committee to the reception at the art gallery.history, amy huxtable, bendigo, amy huxtable memorial committee, bendigo art gallery ola cohn works

The following extract written by Karen Tyers Warrnambool Family history group explains the journey and background of the Warrnambool Pioneer Board. Warrnambool is fortunate to have a photographic record of some of its pioneers. They are commemorated on the Pioneers’ Board. The Pioneers’ Board with its elaborate frame measures approximately 2 metres by 3 metres and holds 204 photographs of Warrnambool’s early pioneers. In 1907 Edward Vidler, secretary of the Warrnambool & District Progress League and Chamber of Commerce and Industry, invited descendants of those who arrived in Warrnambool before 1860 to send photographs of their pioneer ancestors to commemorate the Diamond Jubilee of Warrnambool’s foundation in 1847. A charge of £1 for each photograph was set. Lillian Foyle of Foyle’s photographic studio, was engaged to colour the photographs and undertake the associated artwork. By December 1907 the honour board was on exhibition in Bernard’s Gallery, Melbourne. Unfortunately Vidler left Warrnambool in 1907 with the honour board expenses unpaid. The Progress League refused to take responsibility for the debt and the honour board remained with Foyle’s Studio for 17 years. In 1922 subscriptions were called for and £43 16s 6d was acknowledged. After a final determined effort was made in 1924, the £100 debt was collected and Charles Foyle, Lillian’s brother, accepted settlement of the debt. On 2 May 1924 the honour board was moved from Foyle’s Studio to the Art Gallery. For many years the honour board was in the entrance passage to the public library. After the library was demolished in 1975 the pictures were removed to the Art Gallery where it was restored by the Director of the Art Gallery, Jack Welsh. The board was later stored in an empty front room at Murweh and the dismantled frame stored in an outbuilding. By 1982 the honour board was in the foyer of the City Council offices. During the renovations of the interior of the council offices in 1997 the honour board was moved to the library where it remained until moved to HeritageWorks in March 2014. For a full list of names go to http://www.warrnamboolhistory.org.au/warrnambool-history/pioneers-board/ The Warrnambool pioneer Board is one of those rare items which can claim significance on most if not all of the primary and comparative significance criteria. As a collection of early pioneers in the district it provides a valuable resource for historians and researchers. It gives light to a social scene in the district much of which can be verified from diaries and other items held by the historical society and also available on websites such as Trove. It has relevance to this day with many family historians enquiring of people included on the board. The collation of the board is a story of great interest in itself. While there are images of 204 men on the board the only reference to a woman is Lillian Foyle the artist who was responsible for much of the artistic work on the board. It compares well in size and quality with a number of montages, and collations of images from around the state of Victoria. It is by no means a complete list of pioneers of the district but there are many well- known ones included. They come from a wide range of backgrounds and as such presents a cross section of our earliest settlers in the district from 1840's to 1860’s.Cardboard folder with black and grey mottled cover with 3 metal studs along spine and white paper label with the word negative printed in black on front cover. Inside is a printed index of pioneers with reference relating to board number and negative number. There are three loose strips of negatives and 20 pages with pockets to hold strips of negatives. Up to page 13 have negatives strips inserted. There are 15 large and one small print of some of the pioneers from the board.This negative album was prepared by John A Welsh MBE JP Dip M Eng Director Warrnambool Art Gallery 1/7/1975 to 11/12/1977.There are a number of grey lead notations possibly corrections against some of the names in the index.warrnambool, warrnambool pioneer board, jack welsh, warrnambool art gallery, pioneers of warrnambool, foyles photography, lillian foyle, bernard framers, w mcaree,

Bendigo Advertiser ''the way we were'' from 2000. Historic: a gathering of the Caledonian Society Bendigo outside the Art Gallery in 1908. The clip is in a foldernewspaper, bendigo advertiser, the way we were

Duncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. Ge completed a Graduate Diploma od Education at the University of Melbourne in 2001. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two small portraits framed in red, first exhibited at 'Paul's Scarlette Bar', Ballarat Fine Art Gallery "Window" exhibition space in 2004art, artwork, lannan, duncan lannan, portrait, available

Posted from Melbourne 14.01. 1907 to Miss Laughton Kalimna Via Bairnsdale. 05470.1 message on back reads Ashamed of myself for not acknowledging your pretty photo before. Please forgive but have been on the run since 24th Will write a longer before Sunday Mrs Douglas will tell you I saw her in Sydney she looked well. Love to all from HKColour postcard of the Art Gallery showing a building with steps leading to six tall columns Sydney N.S.W.. Plus message on rear of post card.buildings, correspondence, hotel

Record of landscape 1930'sRecord of landscape 1930'sBlack and white photograph of view from Mount Buninyong through eucalyptus tress, road winding downhill, mid 1930's."Bon thinks the same big tree on left was painted by John Rowell in his painting in the Art Gallery." mount buninyong, eucalyptus, landscape, trees

Graham Hudson (Righetti) and Clare Gervasoni at the launch of "Bullboar, Macaroni and Mineral Water: Spa Country's Swiss and Italian Story" at the Pantechnicon Art Gallery, Daylesford.swiss/italian, swiss and italian, clare gervasoni, graham hudson, bullboar, macaroni and mineral water

Graham Hudson (Righetti) and Clare Gervasoni at the launch of "Bullboar, Macaroni and Mineral Water: Spa Country's Swiss and Italian Story" at the Pantechnicon Art Gallery, Daylesford.swiss/italian, swiss and italian, clare gervasoni, graham hudson

Jon Stevens and Cr Heather Mutimer at the launch of "Bullboar, Macaroni and Mineral Water: Spa Country's Swiss and Italian Story" at the Pantechnicon Art Gallery, Daylesford.swiss/italian, swiss and italian, clare gervasoni, jon stevens, heather mutimer, bullboar

Three pages address to open extensions to the Bendigo Art Gallery by the Honourable R.J. Hamer, E.D. MP, Premier of Victoria, Saturday, 14th February 1976.bendigo, entertainment, art gallery

Book Dedication, “ And to all the men and Women of Victoria’s Central Goldfields who served and made the supreme sacrifice in our name”..1) .2) Books, soft cover, front illustrated sepia tone photograph of group of Soldiers with Jungle vegetation in back ground, 7th Infantry Bn Darwin vicinity, back cover sepia tone photo of Soldiers marching a column of Japanese Naval prisoners.On Title page printed in red ink on adhesive label, “Central Goldfields/Art/Gallery”, in black ink, With Compliments”books military, histroy, biography ww2

This painting of Lake Wendouree gives an accurate idea of activities at the Lake in 1873.This newspaper print of the painting is historically important in giving a clear idea of the environs, recreational activities and the people visiting Lake Wendouree in1873.1 large sheet in colour of a painting, oil on canvas entitled Lake Wendouree, by Thomas Thompson.Lefthand corner, to celebrate the Ballarat Courier's 140 years. Righthand corner, restored for the Ballarat Fine Art Gallery.john garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, lake wendouree, thomas thompson, ballarat fine art gallery, ballarat courier, john garner collection, gardens, ballarat

Bendigo Advertiser ''The way we were'' from 2000. The statue of Venus, formerly in the Conservatory Gardens in Pall Mall, now at the Bendigo Art Gallery. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Slide. Bendigo Buildings & Churches. Tram No.17 travelling up View Street,on its' way to Eaglehawk, passing the A.N.A. building and the Art Gallery next door.slide, bendigo, bendigo buildings & churches, bendigo buildings & churches

Author Clare Gervasoni and Cr Heather Mutimer at the launch of "Bullboar, Macaroni and Mineral Water: Spa Country's Swiss and Italian Story" at the Pantechnicon Art Gallery, Daylesford.swiss/italian, swiss and italian, clare gervasoni, heather mutimer, bullboar, macaroni and mineral water

AB information sheet re performance of ''Aspidistra Quartet as part of Bendigo Art Gallery's Centenary celebrations (''A Victorian Drawing Room Afternoon'') -performance and afternoon tea..

R.A. Crouch established the George Crouch Prize for contemporary art at the Ballarat Art Gallery in memory of his father. The prize an from 1927 till the 1970s.Brass plaque with a sculptural likeness of George Crouch in the Art Gallery of Ballarat. The George Crouch Prize was established by, R.A. Crouch, the son of George Crouch. memory. Thought you might want to make a correction. Obituary "A well known resident of Ballarat East in the early days. Mr George Crouch, passed away at the age of 86, at his residence, Wynnstay road, Armadale, on Wednesday. For a number of years the late Mr Crouch conducted a boot and shoe store in Bridge street, and was successful in business. He leaves a widow, two sons, amndtwo daughters, one of the sons being Lieut.-Colonel R. A. Crouch, who represented Corio in the Federal Parliament for nine years, and who is a native of Ballarat." (Ballarat Star, 9 Oct 1914 ) George Crouch 1818-1914 A Ballarat pioneer since 1852 Erected by the Council of the Gallery - 1940george crouch, art gallery of ballarat, ballarat pioneer, r.a. crouch

Hand written indenture between Francis Jago of Ballarat and the Ballarat Fine Art Gallery Association Incorporated relating for a lease of a building in Armstrong Street for use as an art school.ballarat fine art gallery, ballarat fine art public gallery association incorporated, jago's building, francis jago, f.j. morris, e. sheedy, j.a. powell, philately, pearson and mann, legal, lease, art gallery of ballarat, ballarat technical art school, art gallery of ballarat association

In a Picture land over the sea. Publisher: Author and Bendigo Art Gallery. Printed by: Print Creations, Bendigo. ISBN:0949215163. 76 pages. Photographs, illustrations some in colour.Karen Quilanart, lifestyle, portrait

Castlemaine The Great Centre 1866, a contemporary guide to the fascinating past. Published by the Castlemaine Art Gallery, printed by the Castlemaine Mail Pty Ltd 155 Barker St, Castlemaine.history, australian, castlemaine

Book dedication, “Dedicated to the men and women of Victoria’s central Gold Fields who served and made the supreme sacrifice in our name”.1) .2) Books, soft cover, cardboard, white print on front and spine, front cover illustrated sepia tone photo of a soldier in uniform, back cover illustrated sepia tone photo of Soldiers marching with crowd of spectators, 73 pages, plain white, illustrated B & W and sepia photographs.On title page adhesive sticker printed in red ink, “Central Goldfields/Art gallery”, hand written in black, “With Compliments”books military, history, ww1 biography