Human Archetypes, The Uncanny Valley, and Inorganic Human Forms The work interrogates the recurring concept of humankind’s fascination with replicating herself in her own image. Just as the Judeo-Christian God is said to have created humans in his own image, we replicate ourselves in art and then science. We seek to make an artificial intelligence that may well be fraught with our own survival as a species, and we refine these creations until we can no longer tell if they are human or facsimilie. Even when this is impractical; when a non-human robotic form may well be better suited to the task, we persist in making our new companions in human form. So much so that when our creations develop their own ability to create human forms, they inherently seek perfection of human characteristic when no such thing exists, and all humans are flawed. My work takes the human and reverses this process, seeking to see how dehumanising one can make the subject of portraiture before it becomes ‘the other’. In doing so, I look for what makes us human, and how we portray or present various aspects of humanity and human endeavour as stereotypical archetypes. I have used, as a paying subscriber, the artificial intelligence presented in the Adobe Creative Suite, which is ethically sourced from Adobe’s own stock collection which itself has been purchased from artists, as a launchpad for this exploration, thus invoking concepts of meta - where the AI works on a project that attempts to dissect the very reasons and underlying foundations of humankind’s desire to create AI in the first place. Some of the work touches on the idea of a human/AI connection, extending to the concepts of an interspecies symbiosis, and whether a human could experience a genuine love of a non-organic human form, and vice versa. Clayton KEEFE Completed a Bachelor of Visual Art at Federation University Arts Academy in 2023.Colour photograph of metal arm and hand holding a wine glass, in front of a window.clayton keefe, available, photography, ai, alumni

Michael Taffe undertook this Conservation Pan while completing an Bachelor of Arts (Honours) at the University of Melbourne in 2004.Forty five page conservation management plan for Beaufort House. Includes: * Dowling Forest Paris Plan * Plan of Drainagebeaufort house, student residences, student accomodation, certificate of title, dowling forest, henry cuthbert, archibald mckay, max mckay, beaufort street, cardigan street, stables, charles davernport cuthbert

Focuses on Collingwood Technical School 1965-1986 and written by Joe Ciavarella as part of his Bachelor of Education course.A4 size typewritten document of 22 pages, stapled together, publication date unclear but estimated to be 1987collingwood technical school, history, joe ciavarella, nmit

Original photograph of Bachelors and Spinsters Ball dancers in formal evening wear and elaborate decorations hang from roof. Black and white original photograph of large group of dancers, Victory Hall Tatura c 1920's.on back: Albert Hampton Photographer, Tatura, Victoriatatura bachelors and spinsters ball, victory hall tatura

Mr. H. E. Arblaster comments on the Ballarat School of Mines submission for Bachelor of Applied Science in Metallurgy in a letter to Victorian Institute of Colleges (Copy) Mr. H. E. Arblaster comments on the Ballarat School of Mines submission for Bachelor of Applied Science in Metallurgy in a letter to Mr F Morgan, Mason & Cox P/L (Copy) Letter acknowledging the Arblaster copies, from Ballarat School of Mines .1 - Business Card of Harold E. Arblaster (former Principal of the Ballarat School of Mines) .2 - Photocopied paper - Heat sensitive coy of a letter from Harry Arblaster of th Steel Company of Australia to R. Parry, Registrar of the Victoria Institute of Colleges, 18 March 1971. .3 - Photocopied paper .4 - Photocopied paper .5 - Photocopied paper .6 - Photocopied paper .7 - Photocopied paper .8 - Typed carbon letter to Harold Arblaster concerning the proposed degree in Metallurgy.victoria institute of colleges, h.e. arblaster, arlaster, ballarat school of mines, metallurgy, f. morgan, morgan, mason and cox, r. parry, harold arblaster, frank morgan

Magnet attached to promotional poster style invitation to University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating student "Designers' Dinner '04".Magnet originally attached to two colour (red and black), two-sided folded poster. (probably with double sided tape). Magnet consists of a 'badge' style front, made with faculty badge maker, and magnet attached to reverse.university of ballarat, federation university, graphic design, multimedia

Yasmin WILLIAMS (1991 - ) B. Ballarat, Victoria This works was completed while Yasmin Williams was a student at Federation University Arts Academy in the Bachelor of Fine Arts (Visual Arts).Artist's Statement: Through-out life we have our own different realities of the world we exist in. From childhood to adulthood our perception of the world is reshaped constantly in every way. These pieces of ‘found object’ and earthen artworks are surreal and re-purposed reflections of the reality I have a grasp of, and each found item creates its own narrative, balance and connection with its surroundings. When viewing these works I hope that the viewer is grounded by the earth and stone and helps to create a personal link or relationship with the abandoned objects that once belonged to another person, therefore creating their own narratives and perception of the world.yasmin williams, artwork, available