The catalogue lists 21 oils on canvasRecent Painting 15/7/1985-30/7/1985Contains an insert with Supplementary cataloguearthur boyd, australian painting, walsh st library

Catalogue, "Loom and warping beam flanges and loose collars" - David Sowden & Sons, Shipley. Among items from Yarra Falls Mill.Catalogue, "Loom and warping beam flanges and loose collars" - David Sowden & Sons, Shipley.textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving

"Finishing Machinery" by W.M. Whiteley and Sons Ltd, Oct. 1922. Catalogue of machinery for finishing woollen and worsted cloths.Catalogue of textile finishing machinery produced by William Whiteley and Sons Ltd, Huddersfield, Oct. 1922.textile machinery textile finishing, wm. whiteley and sons limited, cloth - woollen, cloth - worsted, raising machinery, milling, tentering, textile machinery, textile finishing

A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the ANZ Bank in Melbourne in 1975.A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the ANZ Bank in Melbourne in 1975. Wykeham Lindley Perry grew up near Marysville in Victoria and painted local scenes from a very early age. wykeham lindley perry, marysville, victoria, anz bank

A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1976.A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1976. Wykeham Lindley Perry grew up near Marysville in Victoria and painted local scenes from a very early age. wykeham lindley perry, victorian artists society, marysville, victoria

These catalogues come from the firm of Thomas Lang and Company of 52 Elizabeth Street, Melbourne and Bridge Street, Ballarat. They list the seeds and plants for sale in the early 1870s. This company sold seeds and plants to all parts of Australia and to India, China, Hong Kong, Mauritius, Ceylon and Fiji. These catalogues have no known local provenance but have considerable antiquarian value and are of interest as they tell us what plants and seeds were sold in Australia in the 1870s.These are three booklets - catalogues of plants and seeds for Thomas Lang & Co, Nurserymen and Seedsmen, of Ballarat and Melbourne. The booklets are printed in black on a white background and are bound or stitched with fine string. They are a little foxed and dog-eared. Catalogue One is dated 1870 and is numbered No. 27. The cover has an ornamental border. Catalogue Two is dated October 1871 and is Number 36. Catalogue Three is Number 30 but undated and contains prices of seeds and current postal rates.thomas lang & co.,, nurserymen and seedsmen, plant and seed catalogues, 1870s, warranmbool, history

Gippsland Institute of Advanced Education is a predecessor institution of Federation University. These cards were used at the Gippsland campus library before the introduction of a computer catalogue. Twenty Seven library Catalogue cards listing book title, author, publisher, date, cost, etc. Gippsland Institute barcodelibrary, catalogue card, gippsland institute of advanced education, churchill, gippsland campus collection

Eight page product catalogue with printed blue and black text, graphics and photographs. front: [printed] DALGETY-N.Z.L. / JULY 1966 ISSUE / MERCHANDISE BULLETIN / ALL THE PRODUCTS CATALOGUED ARE OBTAINABLE AT / DALGETY-N.Z.L. BRANCHES AT STATE PRICES F.O.R. MELBOURNEagriculture, animal management, sheep, rural industry, dalgety, product catalogue, merchandise bulletin

The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan

Mr Meek was the first person to build a house in Peterborough prior to 1858. Born in England in 1815 and came to Australia in 1838. this catalogue showcases his artistic skill. The art exhibition was curated by Joan Luxemburg as part of her PHD.Mr Meek is credited with building the first house in Peterborough. He was an artist and had a varied and interesting life and this book mentions the dates he was in Peterborough (Curdies Inlet, as it was then known) and his activities in Peterborough. 85 page soft cover catalogue of an exhibition held at the Art Gallery of Ballarat in 2015mr james mckain archibald john meek, calligraphy, calligraphic works, graphic arts, joan luxemburg, peterborough, curdies inlet

"Finishing Machinery" - James Bailey, Textile Machine Maker, Huddersfield, c. 1926. Catalogue of machinery for fulling, scouring, carbonising, dyeing and finishing woollen and worsted and other types of textiles.Catalogue of textile finishing machinery from James Bailey, textile machine maker, Huddersfield, c.1926.textile machinery textile finishing, james bailey, textile machine maker, milling, scouring, carbonising, dyeing, raising, textile machinery, textile finishing

"Catalogue of Improved Machinery for Preparing, Carding and Spinning Wool" - John Hetherington and Sons Limited, proprietors of Curtis, Sons and Co., c.1930.Book: "Catalogue of Improved Machinery for Preparing, Carding and Spinning Wool" - John Hetherington & Sons Limited, Manchester, c.1930.textile machinery, john hetherington and sons limited curtis, sons and co., carding, spinning machinery, scribbling, cloth - woollen, cloth - worsted

Fortuna auction catalogue, House to be sold Saturday 16 June 1934, and contents sold over six days Monday to Saturday 18th to 23rd June 1934. Auctioneers in conjunction K.Gardner & Lang Pty Ltd, Leonard Joel Pty Ltd, J.H.Curnow & Son. 64 pages of items with some photographs printed by the Prahran Telegraph Printing Companybooks, catalogues, fortuna, bendigo-fortuna-lansell

Sotheby's is a British multinational corporation headquartered in New York City. It is one of the world's largest brokers of fine and decorative art, jewelry, real estate, and collectibles. The catalogue was prepared for a Sotheby's auction in Paris. On page 36 of this catalogue is a description, photograph and detailed provenance of the Morton mask sold by Orbost & District Historical society in 2008. (details in the Newsletter, July 2008) NEWSLETTER JULY, 2008This item reflects a significant event in the history of the Orbost Historical Society.A thick glossy catalogue. The front cover has a glossy black backround with the title " Important Art d'Afrique et d'Oceanie" in white print at the top. Under this is "Paris 11 Juin 2008'. There is a large coloured photograph of an early wooden tribal mask and "Sotheby's" beneath that. The catalogue contains photographs, descriptions and provenance of artwork for sale by Sotheby's.morton-mask sotheby's-catalogue

"Illustrated catalogue of power looms for weaving, manufactured by George Hodgson Limited, Frizinghall Works, Bradford Yorkshire: treading tappet section". Among items from Yarra Falls Mill."Illustrated catalogue of power looms for weaving, manufactured by George Hodgson Limited, Frizinghall Works, Bradford Yorkshire: treading tappet section".textile machinery weaving, yarra falls mill george hodgson limited, weaving looms, weaving machinery, textile machinery, weaving

A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1974.A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1974. Wykeham Lindley Perry grew up near Marysville in Victoria and painted local scenes from a very early age. wykeham lindley perry, victorian artists society, marysville, victoria

Blue 24 page catalogue from Frank Vial and Sons. Includes numerous line and photographic illustrations.non-fictionj.w. glover, john w. glover, mining, machine belts, link belting, belt fasteners, pulleys, leather hose, victoria crescent abbotsford, abbotsford

Nunawading's library service to be allocated $406,695 by the Victorian Government in 1993. Arts Victoria has granted $20,000 to fund cataloguing Nunawading's music collection known as Music! Music! Music! Opus II.Nunawading's library service to be allocated $406,695 by the Victorian Government in 1993. music, nunawading library, music! music! music! opus ii, arts victoria

Catalogue of wool sales at the National Wool Centre Geelong on Tuesday 21st October 1997. 300 page double sided paper catalogue held with one staple in the top left corner. Pages are white with black printed text. Cover is blue and shows printed text in red and black with Elders logo banner.Elders / LIMITED / A.C.N. 004 045 121 / WOOLBROKERS / WILL OFFER BY AUCTIONwool auction, catalogue, wool bales, sale, wool growing, agriculture, industry, geelong, elders, woolbrokers

The Eastern Spinebill is found along the eastern coast of Australia, from Queensland to South Australia. It lives in wooded areas. It is an insectivore and also eats nectar, which is why its beak is a long slender shape. Females and males have slight aesthetic differences; the males have more distinct markings on the head. The female birds build nests and incubate eggs, but both parent birds will feed the young. The Eastern Spinebill has a bright rust coloured belly and throat, with black wings, crown and tail. Its back is light brown. There is a white stripe on its chest which stretches up underneath its eyes. The eyes are red. This taxidermy specimen is not a good representation of the live bird because it is considerably faded and their feathers are very ruffled. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.There are two birds on a wooden stand. One has its beak in the air and the catalogue tag attached to its foot (main bird). It has some minor pest damage around its eye. The opposite bird looks straight ahead. The birds are placed next to each other, facing opposite directions. They are faded and have some ruffled feathers. 60a/ Spine Bill / See catalogue, page 18taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, eastern spinebill

This catalogue is for the 39th Annual Orbost Show held in 1931. Admission was 2/- for adults and 6d for children under 14. The first meeting to form an Agricultural society in Orbost was convened by the then Orbost Progress Association and held in the Mechanics Hall on Saturday, 10th October 1891. Its first show was held on 3rd March 1904...on a site alongside the Bonang Road where the present Golf Club stands. It is currently held at the Recreation Reserve at Newmerella.(Ref: In Times Gone By-Deborah Hall)This item is associated with the Orbost Agricultural Society 's Annual Show which has been a major event in Orbost for over a century. Agricultural shows are an important part of cultural life in small country towns and the Orbost Show is an integral part of Orbost 's agricultural history. A thin side stapled paper catalogue for the 39th Orbost Annual Show. It has a red cover and black print"Catalogue of 39th Annual Show Saturday 14th March 1931". It contains details of entry requirements. There are also advertisements for local businesses. 755.1 is a complete stapled photcopy.orbost-agricultural-society orbost-events

This is the twenty fourth catalogue of trees and it contains fruit trees, nut trees, berries and some ornamental trees. Carl Nobelius wrote in his General Remarks that he had one million trees to sell, clean, healthy and pest free. The nurseries were 250 acres in extent and contained two and a half million trees in various stages. His nurseries were at Emerald, Railway Siding and his office half a mile from Emerald Railway Station. He imported new varieties from overseas and the nursery was the largest in the Southern Hemisphere, employing 80 people between 1903 and 1930.Green Catalogue 1915 of Fruit Trees, also Elms, Oaks, Planes, Poplars and other Deciduous and Ornamental Trees. The catalogue contains 5 black and white prints of landscape views of the nursery, plus there are 5 bright colour inserts of individual pears and apples.nobelius