Softcoverwalsh st library

A book of stories by children, created from three workshops run in September 2008.Photographs, illustrationstaungurung, yorta yorta, woiwurrung, wurundjeri, lamalama, pallawah, wiljali, gunditjmara, wotjabaluk, noongar, mutti mutti, wiradjiri, bunjil, kulin, aunty joy murphy, uncle larry walsh, uncle richard frankland, aunty annette sax, stories, poetry

B&w illustrations, b&w photographsfamily violence, child abuse, sexual abuse, secretariat of the national aboriginal and islander child care, state legislation

Hard cover book with dust cover. Contains many photos with a written history of the RAAF by George Odgers. 240 Printed pages.

In 1895, the Burwood Boys' Home was instituted as a 'home for neglected, orphaned and fatherless boys'. Robert Campbell Edwards was vividly aware of homeless boys and decided to do something to alleviate their problems. This book tells the story.In 1895, the Burwood Boys' Home was instituted as a 'home for neglected, orphaned and fatherless boys'. Robert Campbell Edwards was vividly aware of homeless boys and decided to do something to alleviate their problems. This book tells the story.burwood boys' home, child care, orphanages, (mr) robert campbell edwards, tea merchant, burwood children's home

Book

Book

This child’s wash board, a play item, is possibly home-made. Wash boards for rubbing and washing clothes were common household clothes- washing items in Australia until the mid 20th century, along with wood coppers, washing troughs, copper sticks and simple wringers. By the 1950s and 60s washing machines were becoming more prevalent and the wash board was no longer a common item in households. This item is retained as an interesting example of a twentieth Century child's toy.This is a rectangular-shaped unpainted wooden wash board with clear rippled glass inserted in the centre and held in by four metal screws. The top of the board has a piece of the wood missing. household items, children’s toys

An older man sits on the floor, his back resting against the wall where nearby a mural of koalas and a gum tree have been painted. On his right leg he holds a young possibly Aboriginal girl who smiles as she plays with a teddy bear and watches as he holds up other items. A blonde curly haired boy stands as he watches the man, whilst an older child sits as he plays with a rattle. There are 5 photos in this sequence, which takes place at an unknown location.5 B/W photographs of an older man who holds a young girl in his lapassociation for the blind, elanora home (brighton)

James Jones was the son of Philip Jones, a Chairmaker, and Ann Jones who settled in East Brighton after the sale of land c1852 in the area of the Henry Dendy Special Survey of 1841. Mary Ann Moore was the daughter of Thomas Moore, a Gardener, and Sarah Harris who also settled in Brighton c1852. James and Mary Ann Jones settled and raised their family in East Brighton now Bentleigh. Mr John Herron resided at 4 Vickery St Bentleigh until 1989. Sadly Martha Jones born 1888 died in 1890 and James Jones had to purchase a plot at Brighton General Cemetery for her burial. Baby Ethel May was interred in 1893 and then Mary Ann in 1903 and James in 1940. Their stillborn baby was buried in the Wesleyan public grave in 1900James Jones and Mary Ann Moore were born in Brighton c1857 and c 1859 into pioneer market gardener families in the area of the Dendy Special Survey of 1841. They married in 1883 and raised their family in East Brighton, now Bentleigh. Sadly infectious diseases took the lives of many infants throughout the Colony of Victoria due to the poor state of water supply and sewerage disposal and locally the swamps of the Elster Creek were a constant breeding ground. Martha Jones born 1888 died 1890 and was interred in Brighton General Cemetery in a family plot purchased by her father James Jones. In 1893 another daughter Ethel May died and was buried in the family plot. A stillborn baby was interred in the public grave of Brighton General Cemetery in May1900An original paper receipt No.4360 for payment on 22 May 1900 by James Jones to Brighton General Cemetery of 6 shillings for the burial of a stillborn baby Jones in the Wesleyan section of the public graves. There is no fee for ‘re-opening the grave’ purchased by James Jones in 1890 and in which his daughters Martha 1890 and Ethel May 1893 were interred. BRIGHTON GENERAL CEMETERY / No. 4360 (stamped) 22 May 1900 ( hand written) / Received of Mr Jas. Jones ( hand written) / the sum of 6 s being the following / charges in Wesleyan / Portion No. -- Compt. - Name of / Deceased ‘Stillborn child of Jas / & Mary Ann Jones’ (hand written) Along left side “Brighton Leader” Print, Bay Street, North Brighton This receipt is signed A Shimon man. Secretary wesleyan church, brighton general cemetery, vaccination, pioneers, early settlers, typhoid, brighton, moorabbin, bentleigh, market gardeners, jones james, jones mary ann, jones martha, dendy henry, dendys special survey 1841, infectious diseases, water supply, elster creek, melbourne, orford g h, printers, southern cross office, “brighton leader” print, bay street brighton, jones ethel may

Ticket contained within Reg. Item 2488, page 31, Child 1 1/2d ticket on a light manila colour card, light weight card stock used by ESCo c1930's, Number Pb 27878, has various destinations for nipping on sides for both directions of travel. Printed by J.J. Miller Melb. Printing in black ink. Ticket has been nipped or cancelled. The ticket conditions note that the ticket must be "Bell Punched" when issued by the conductor. Note Item Not formally Numbered. Image btm2494i2 shows position on page relative to items 2494 to 2504.Some inscriptions about the ticket in pencil.trams, tramways, tickets, bell punch, esco

Francis Matthew (Frank) Child (1928 – 2020) was the son of Bernard Child (1907 – 1995). Bernard was the son of Ethel May Madden and an unknown father. When Ethel married Ted Child in 1908 Bernard was raised by Ted’s parents Francis and Martha Child. Bernard married Dulcie Paice (1904 – 1990) and they had one son, Frank Child, before they divorced in 1943. Ivy Child was the daughter of Ted Child and Ethel Madden so Frank Child was her nephew.Black and white photograph of a well dressed man kneeling in a garden holding a cat.On reverse; FRANK CHILD + IVY'S CAT DORLAM. CHILD'S ROAD.frank child, ivy child, cat, child family, child's road, childs road

The girl appears to be about 2 years of age. If she is Sarah and Charles's first child, Florence May Aldous then the date would be c.1885 A duplicate photo is in Album 2 (05664) Photographers Yeoman & Co. operated from 47 Chapel St., Prahran from 1883 to c.1891. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1883-1889, 1885, florence may aldous, yeoman & co photographer 47 chapel st prahran

The photograph belonged to Frank Child and shows the homestead belonging to his grandparents Ted and Ethel Child situated on Childs Road at Kalorama. Francis Matthew (Frank) Child (1928 – 2020) was the son of Bernard Child (1907 – 1995). Bernard was the son of Ethel May Madden and an unknown father. When Ethel married Ted Child in 1908 Bernard was raised by Ted’s parents Francis and Martha Child. Bernard married Dulcie Paice (1904 – 1990) and they had one son, Frank Child, before they divorced in 1943.Small sepia photograph showing a woman entering the gateway to a homestead. The trees have lost their leaves and their are shrubs along the fence line. Two sheds can be seen to the right with a homestead roof to the left.Handwritten on reverse: Home of Ethel + Ted Child Childs Rd Kaloramafrank child, ted child, ethel child, childs road, kalorama, homestead

Stewart & Co Photographers operated from various addresses Bourke St., East Melbourne from 1874 through 1905 They were at 217 Bourke Street from 1874 through 1889. By 1890 they had moved to 42 Bourke Street. Possible date range is 1874-1889. The girl appears to be about 1 years of age. If she is Sarah and Charles's first child, Florence May Aldous then the date would be c.1884. Another copy of the same photo in Album 2 (05664) is grouped in the album with several others featuring Sarah Shillinglaw. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1874-1889, 1884, florence may aldous, stewart & co photographers 217 & 219 bourke st east melbourne

Photograph of Ivy May Child aged 19 years sitting in a garden playing a banjo mandolin. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Ivy married Henry William Burgess (1906 – 1968) in 1944. Sepia coloured photograph of a young woman sitting in a garden sitting with a banjo mandolin.On reverse: IVY CHILDivy may child, ivy child, banjo mandolin, banjo, child family, child, burgess, william henry burgess, ted child, ethel madden

Ivy May Child is standing 3rd from the right. The other people are unidentified as yet. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Ivy married Henry William Burgess (1906 – 1968) in 1944.Black and white photograph of a group of two men and seven women posed in front of a pavilion like structure.On reverse: Ivy M Childivy child, ivy may child

In 1919 J.B. North, a violinist with the then Melbourne Symphonic Orchestra, and Monsieur Leon Lambert, a French architect, who later designed the Glaciarium Ice Skating Rink, purchased three available farms, Looker's, Wright's and Taylor's, approximately 60 acres, the area running along the creek and being bordered by the present day Ryans Road, Karingal Drive and Sherbourne Road. The farms were used for orchards and market gardens. Leon Lambert designed and built two homes on the farm site, one for the North family, ‘Tralford’, and the other, ‘Glen Ellen’, for himself and his wife. The homes were considered as "brother and sister" and they each included in their design an identical bay window in the main living area. "Glen Ellen" originally comprised kitchen, lounge room, inglenook, dining room, bath room and sleepout. Although the home has been extended over the years, much of the original architecture has been retained including timber panelling and three fireplaces. The land was subdivided in approximately 1966 with "Glen Ellen" retaining approximately one half acre of land fronting Meruka Drive. The property then passed from the Charleston family to Gerald and Margaret Sutton in 1976 and again was sold in 1980 and lastly sold again in 1994. The Norths named their house 'Tralford'. According to Marjorie North, the name Meruka was suggested by Alan Gardner and so was apparently not used by the North family. The name appears to be of Indian origin and its connection with the land is not known. ‘Tralford’ stayed in the North family for many years. Eltham Council acquired the house to create Meruka Park. The house was used for some years by the Council as a community arts facility and as emergency accommodation. It fell into disrepair and was demolished about 1990. The Meruka Child Care Centre has been built on the site and incorporates some of the architectural features of the old house. The Co-op was opened in April 1994. The original drive flanked by large old cypress trees remains. These trees are considered to be of local heritage significance and for this reason Meruka Park is covered by a Heritage Overlay under the Nillumbik Planning Scheme. Part of the park has been preserved as habitat for rare local flora. LL's house, named ‘Glen Ellen’, remains in a well-preserved state and fronts Meruka Drive.shire of eltham archives, child care centres, health & community services, meruka child care co-operative, peter staples mhr jaga jaga, cr pamela sladden

In 1919 J.B. North, a violinist with the then Melbourne Symphonic Orchestra, and Monsieur Leon Lambert, a French architect, who later designed the Glaciarium Ice Skating Rink, purchased three available farms, Looker's, Wright's and Taylor's, approximately 60 acres, the area running along the creek and being bordered by the present day Ryans Road, Karingal Drive and Sherbourne Road. The farms were used for orchards and market gardens. Leon Lambert designed and built two homes on the farm site, one for the North family, ‘Tralford’, and the other, ‘Glen Ellen’, for himself and his wife. The homes were considered as "brother and sister" and they each included in their design an identical bay window in the main living area. "Glen Ellen" originally comprised kitchen, lounge room, inglenook, dining room, bath room and sleepout. Although the home has been extended over the years, much of the original architecture has been retained including timber panelling and three fireplaces. The land was subdivided in approximately 1966 with "Glen Ellen" retaining approximately one half acre of land fronting Meruka Drive. The property then passed from the Charleston family to Gerald and Margaret Sutton in 1976 and again was sold in 1980 and lastly sold again in 1994. The Norths named their house 'Tralford'. According to Marjorie North, the name Meruka was suggested by Alan Gardner and so was apparently not used by the North family. The name appears to be of Indian origin and its connection with the land is not known. ‘Tralford’ stayed in the North family for many years. Eltham Council acquired the house to create Meruka Park. The house was used for some years by the Council as a community arts facility and as emergency accommodation. It fell into disrepair and was demolished about 1990. The Meruka Child Care Centre has been built on the site and incorporates some of the architectural features of the old house. The Co-op was opened in April 1994. The original drive flanked by large old cypress trees remains. These trees are considered to be of local heritage significance and for this reason Meruka Park is covered by a Heritage Overlay under the Nillumbik Planning Scheme. Part of the park has been preserved as habitat for rare local flora. LL's house, named ‘Glen Ellen’, remains in a well-preserved state and fronts Meruka Drive.shire of eltham archives, child care centres, health & community services, meruka child care co-operative, peter staples mhr jaga jaga, cr pamela sladden

In 1919 J.B. North, a violinist with the then Melbourne Symphonic Orchestra, and Monsieur Leon Lambert, a French architect, who later designed the Glaciarium Ice Skating Rink, purchased three available farms, Looker's, Wright's and Taylor's, approximately 60 acres, the area running along the creek and being bordered by the present day Ryans Road, Karingal Drive and Sherbourne Road. The farms were used for orchards and market gardens. Leon Lambert designed and built two homes on the farm site, one for the North family, ‘Tralford’, and the other, ‘Glen Ellen’, for himself and his wife. The homes were considered as "brother and sister" and they each included in their design an identical bay window in the main living area. "Glen Ellen" originally comprised kitchen, lounge room, inglenook, dining room, bath room and sleepout. Although the home has been extended over the years, much of the original architecture has been retained including timber panelling and three fireplaces. The land was subdivided in approximately 1966 with "Glen Ellen" retaining approximately one half acre of land fronting Meruka Drive. The property then passed from the Charleston family to Gerald and Margaret Sutton in 1976 and again was sold in 1980 and lastly sold again in 1994. The Norths named their house 'Tralford'. According to Marjorie North, the name Meruka was suggested by Alan Gardner and so was apparently not used by the North family. The name appears to be of Indian origin and its connection with the land is not known. ‘Tralford’ stayed in the North family for many years. Eltham Council acquired the house to create Meruka Park. The house was used for some years by the Council as a community arts facility and as emergency accommodation. It fell into disrepair and was demolished about 1990. The Meruka Child Care Centre has been built on the site and incorporates some of the architectural features of the old house. The Co-op was opened in April 1994. The original drive flanked by large old cypress trees remains. These trees are considered to be of local heritage significance and for this reason Meruka Park is covered by a Heritage Overlay under the Nillumbik Planning Scheme. Part of the park has been preserved as habitat for rare local flora. LL's house, named ‘Glen Ellen’, remains in a well-preserved state and fronts Meruka Drive.shire of eltham archives, child care centres, health & community services, meruka child care co-operative

The photograph shows L - R. Ted Child, Ivy Child and Ethel Child. Ivy is standing between her parents and is holding her cat Dorlam. The photograph was probably taken at Ted and Ethel's property in Childs Road c1950s. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Ivy married Henry William Burgess (1906 – 1968) in 1944.Black and white photograph showing a man and two women standing in a garden. The woman in the middle holding a large cat.On reverse: Grandpa. IVY. DAUTER + Grandma CHILDted child, ivy child, ivy may child, ethel child, ethel madden, cat

This photograph is from the album of Ivy Child. It shows her parents Ethel and Ted Child (rhs) standing on Childs Road with another couple and their two young boys. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph showing two men, two women and two young boys standing in the centre of an unmade rad. Ferns and trees are growing up to the edges of the road.Handwritten below the photograph in album: Child's Roadted child, ethel child, childs road, bush

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 13 Childers Street, Kew by Margaret Picken.13 CHILDERS EAST KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 13 childers street - kew (vic)

The photograph is from the album of Ivy Child. It shows Ivy's mother Ethel Child (LHS) standing on Childs Road with another couple and their two young sons. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing two women and a man standing with two young boys in front of them on an unmade bush road. The man is wearing a hat.Handwritten below the photograph in album: TAKEN ON CHILDS RDivy child, ethel child, childs road