The 20th Light Horse ( Victorian Mounted Rifles ) was raised in 1920 as part of the 3rd Cavalry Brigade, 2nd Cavalry Division, Citizens Military Forces, with Headquarters at Seymour and depots along the Goulburn Valley from Mansfield to Tocumwal in southern NSWThis is one of a collection of tankards presented by officers of a Light Horse Regiment drawn from rural and regional Victoria in the period between the World Wars.Silver plated mug with handle and inscribed on side" 20th Australian Light Horse Officer's Mess. Presented by Lieutenant Crawford A. 1936. On base EPNSAI 10"military, mug, pewter, mess, light horse, victoria, militia

This is a proposal and typical script for the Public Service Programme called "Inquiry". Three sub-headings are suggested - heritage, discovery and expression. The typical programme example outlines is on "Inquiry into Art", as part of the expression series. It is an engaging script presenting facts, posing questions, expert opinion and public attitudes.Typewritten - printed and held in a presentation folder of Crawford Productions with television cutout shape. Some pages illustrated on left side with drawings. 12 papes. Invoice included.lachlan macquarie, lawrence hargrave, heidelberg school. heritage, discovery, expression, william dobell, sidney nolan, georges mathieu

Letter from Hector Crawford, Managing Director of Crawford Productions, advising Robin Boyd of the ABC’s decision not to purchase ‘Ginger Meggs’ series. The ABC's letter (25 May 1964) is attached.Crawford Productions and Robin Boyd also explored ideas for other television productions, besides the successful 'The Flying Dogtor" series.Typewritten, quarto, 2 pagesginger meggs, cartoon strip, jimmy bancks, robin boyd, crawford productions

Cover letter from Hector Crawford, Managing Director of Crawford Productions, with copies of letter to TCN 9 and letter from Australian Consolidated Press regarding television rights to "Ginger Meggs".Crawford Productions and Robin Boyd also explored ideas for other television productions, besides the successful 'The Flying Dogtor" series.Typewritten, quarto, 3 pages plus note.ginger meggs, cartoon strip, jimmy bancks, robin boyd, crawford productions

Letter from Hector Crawford, Managing Director of Crawford Productions, and attached document provides information regarding 1963 radio survey figures (ratings) gauging relative popularity of stations in Australian cities.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, quarto, one page letter. Attached document is 7 foolscap, typed pages.radio survey data, radio ratings, the flying dogtor, robin boyd, crawford productions

2 pages listing daily rations for Australian Militia and weekly totalsSothern command area. Authority AHQ. Memo 30281 of 20 Aug 1947. (Hand written -Capt. Crawford)

Black & white photograph, Bert Graham Collection, Bendigo East Swimming Club ' Alwyn Nelson givng trophies to B.Asher, and looking on are G.Ashton , J Crawford, as on reverse 57-58.bendigo, clubs, bendigo east swimming club

Faye Falting of Nhill married William Crawford of Nagambie in 1968William and Faye Crawford after their marriage became longtime residents of Nhill. William Crawford is buried in the Nhill Cemetery.The bridal gown is a classical 'A' line styled gown of treebark satin, with a high empire bodice of guipure lace over satin, and lace sleeves. A detachable train fanned from pleats and fell from the high bodice line at the back. wedding dress of faye falting

Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration

Andrew Crawford wore shorts for the whole of the winter as part of a Rotary Club challenge.crawford andrew jnr, rotary club challenge, photograph, people

Document. A programme of 'The Student Prince,' featuring The Australian Symphony Orchestra and conducted by Hector Crawford. It was performed at the Botanic Gardens Sunday, February 11th, at Bendigo, February 18th and Ballarat February on the 25th. Year unknown.Lydia Chancellorperforming arts, music, operettas, lydia chancellor, operettas, musicals, music

Copy of Rodney Guardian, photograph 19.06.1974. Presentation of Community Service Award to Colonel Crawford.andrew crawford snr, joe ford, tatura rotary, photograph, people

This envelope contained material about Joan Sutherland from Hector Crawford (items D481-1-D481.3).Envelope (addressed to Mr Davies and crossed out)Joan Sutherland in handwriting

L-R: Nrs Mavis Orr, Mary Crawford, Muriel Nicholls, 1940s, Ballarat & District Hospitalorr, crawford, nicholls, prendergast, 1940s, ballarat, hospital, nurses