The Ballarat School of Mines Brewery Complex was built on the site of the former Ballarat Brewery. The Cowley's Eureka Iron Works boilers remain from the brewery era.A number of colour photographs of exterior and interior the The Ballarat School of Mines Brewery Complex was built on the site of the former Ballarat Brewery. Two photographs show the Cowley's Eureka Iron Works boilers which were used at the Ballarat Brewery before it was closed and demolished.ballarat school of mines, brewery complex, brewery building, cowley's, eureka ironworks

WW1 Australian soldier Holmes Famiiy memento.Black and white postcard sowing the interior of a church at Messines, France. A large altar dominated the image. chatham-holmes family collection, messines, church, altar, postcard

Holmes Family WW1 memorabilia. Reningelst is a rural village in the Belgian province of West-Flanders, and a "deelgemeente" of the municipality Poperinge. A double railway was constructed during the First World War. Reningelst was a stopover for many soldiers on their way to or from the front. (http://en.wikipedia.org/wiki/Reningelst, accessed 11/07/2014)Black and White postcard showing the interior of a church in Reninghelst, Belgium, during World War Onepoperinghe, poperinge, flanders, chatham-holmes family collection, ww1, postcard

Norman JELBART (1916-1984) Norman Thomas Jelbart studied Historic Ornament Parts I and II as part of his training at the Ballarat Technical Art School to become an architect. These are some of his notes. The study of Historic Ornament spanned time and space to inform and inspire designers. Students studied the influences of history, geography, culture and climate on ornamental aesthetics, including the tools, materials and methods applied to decorative objects, interior design and architecture.Handwritten and drawn notes from the Ballarat Technical Art School by N.T. Jelbartn.t. jelbart, ballarat technical art school, historic ornament, art history

Red cloth hard covered book of 112 plates bookplatenon-fictionBook featuring coloured plates of examples of historic ornamentornament, grammar, plates

Henry Sutton taught Electricity and Magnetism at the Ballarat School of Mines. The first reference to this room was in the 1900 Ballarat School of Mines Annual Report: 'The dynamo has been connected by cables to a switchboard in the new lecture-room ... '. Black and white photograph of the interior of a classroom at the Ballarat School of Mines, including a number of desks, and gas light fittings. The room was the Electricity and Magnetism Classroomballarat school of mines, scientific equipment, electricity, electricity classroom, classroom, henry sutton, laboratory

The Ballarat Technical Art School was a division of the Ballarat School of Mines, and a predecessor of Federation University Australia. Red hard covered book including chapters on interior decoration, furniture, woodwork, carpets, textiles, metalwork, lighting, heating, pottery, and glass. Formerly Book R528 in the Ballarat Technical Art School Library.industrial arts, henry g. dowling, ballarat technical art school library, ballarat technical art school, j. ewins & son, bookplate, wrought iron, furniture

Two plans for a brick chimney with hand colouring .1) plan for brick chimney .2) plan for interior of chimneykong extended gold mining company, w. watson, plans for chimney, mining, architectural plans

The Senior Technical Schools Athletics Association ‘Herald Shield’ is one of many timber and metal repoussé commissions undertaken by students and staff at the Ballarat Technical Art School. The School was known for the quality of its art metal work which was applied to product, interior and commemorative designs. Between 1915 and 1936 Wilfred Kenneth (c1883-1957) taught boys and girls at preparatory and senior levels, including the ‘Art Metal Work and Repoussé’ industrial design specialisation. During World War I, Kenneth oversaw the training of repatriated soldiers which catalysed into a new, a successful art metal business, the Decorative Metal Craft Company in Chancery Lane, Ballarat. The shield was given by the proprietors of The Herald.Timber and metal repousse shield listing winning teams from 1918-1940. 1918 - Ballarat 1919 - Ballarat 1920 - Working Men's College Melbourne (now RMIT) 1921 - No contest 1922 - Swinburne 1923 - Ballarat 1924 - Ballarat 1925 - Ballarat 1926 - Ballarat 1927 - Geelong 1928 - Maryborough 1929 - Bendigo 1930 - Bendigo 1931 - Working Man's College 1932 - Wonthaggi 1933 - M.T.C. 1934 - Ballarat 1935 - Ballarat 1936 - Ballarat 1937 - No Contest 1938 - Ballarat 1939 - Ballarat 1940 - Geelong Above list engraved into metalherald shield, athletics, working mans college, rmit, ballarat school of mines, trophy, commission, art metal, repousse, ballarat technical art school, wilfred kenneth

Black and brass features, metal barrel and thimble. Housed in Black plastic box with blue interior and brass clip. The Precision Tool and Instrument Co Ltd, Surrey, England on the eyepiece. On the top of the box is inscribed The Precision Tool and Istrument Co Ltd, Thornton Heath, Surrey, Eng. On the box is a black label with white writing "Micrometer Eyepiece".micrometer eyepiece, eyepiece, micrometer, the precision tools and instrument co ltd

Colour photograph of the interior of the kitchen in one of the Mt Helen St13.0 x udent Residences.mt helen campus, student residences

Colour photograph of the interior of the kitchen in one of the Mt Helen Student Residences.mt helen campus, student residences

Colour photograph of the interior of the kitchen in one of the Mt Helen Student Residences.mt helen campus, student residences

Colour photograph of the interior of the bathroom in one of the Mt Helen Student Residences.mt helen campus, student residences

Colour photograph of the interior of a bedroom in one of the Mt Helen Student Residences.mt helen campus, student residences

Colour photograph of the interior of a bedroom in one of the Mt Helen Student Residences.mt helen campus, student residences

Colour photograph of the interior office at the Mt Helen Student Residences.mt helen campus, student residences

42 page magazine with coloured cover. Includes Secrets of Successful Painting, Pigments, How to Mix Paint, Brushes, How to Hold a Brush, Estimating a Job, Painer's Problems, Painting a New House, Repainting a House, Painting on Galvanised Iron, Painting a Galvanised Bath, Interior Painting, Enamelling Woodwork and Furniture, Doing up Old Furniture, Paperhanging for Amateurs.painting, home beautiful, homecrafts, trades

Photograph of an Engraving depicting the interior of the Royal Princess Theatre, built in 1874. The engraving copy is from the Australian Sketcher, supplied by the Latrobe State Library Victoria.buildings, commercial, royal princess theatre, royal princess theatre, bendigo theatres

Eighteen photocopy photographic images of Princess Theatre exterior and interior. 1. Royal Princess Bendigo main auditorium, 2. Royal Princess Bendigo Auditorium dome and chandelier, 3. Royal Princess Bendigo main auditorium views from upstairs circle, 4. Royal Princess Bendigo. Downstairs front stalls, 5. Royal Princess Bendigo View Street closed Saturday 4th May 1963 last Movie 'Guns of Navarone' became amaco service station designers Cowper and Murphy State Library of Victoria, 6. Royal Princess Bendigo Downstairs foyer, 7. Princess main entrance, 8. Princess circle entrance, 9. Princess Theatre was built behind the Albion Chambers, 10. Royal Princess Bendigo 1875 2000 seats 1800seats later, 11. Royal Princess front stalls and stage, 12.. Advertisement Bendigo Advertiser Tuesday December 22 1908 top right hand corner, 13. Advertisement Bendigo Advertiser Thursday march 10 1910, 14 Advertisement Bendigo Advertiser Tuesday July 26 1910, 15 Advertisement Bendigo Advertiser Thursday July 28 1910.bendigo, buildings, princess theatre

non-fictionWomen interior decorators of the 1920s and 30s and their contribution to the Arts and Crafts movement in Britain, The Glasgow School of Art and The Bauhaus School..industrial design, craft, wallpaper, weaving, furniture, design theory, architecture

Interior of Port Melbourne Library. The donor, Jay MILLER, was a newly qualified, part-time librarian at Port Melbourne City Library from 1983 - 1984. The library was then situated next to the old Fire Station on the site where Coles is now located. Photograph of interior of Port Melbourne City Library , Liardet Streetjay miller, port melbourne library, coles, fire station

"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon

Typed notes mentioning the naming of Mount Alexander, Coliban, Campaspe and who named them. Also the origins of the names.document, major mitchell and mount alexander, tommy-came-last, the major mitchell tourist trail, major general john byng, phillip of macedonia, alexander the great, henty s, surveyor davidson, alexander mollison, george augustus robinson, william morton, mr charles hotson ebden, john randell, public library of melbourne, les blake, governor burke, phillip parker king, crown solicitor henry field gurner, arthur phillip, hume, australia felix expedition, l blake, place names of victoria, g brenmer, booklet for secondary schools, m cannon, historical records of victoria vol 1, j h l cumpston, thomas mitchell surveyor general and explorer, h f gurner, chronicle of port phillip, t l mitchell, three expeditions into the interior of eastern australia, a f mollison, an overlanding diary, w l morton, adventures of a pioneer, m s 5188, itinerary from the journal of the exploring expedition returning from portland bay, m s 5189, mitchell's 1837 map, j o randell, pastoral settlement in northern victoria vol 1, pastoral settlement in northern victoria vol 2, records of the victorian archaeological survey number 5, journals of george augustus robinson, t c sargent, some peninsular names in australia felix, w h wells, a geographical dictionary or gazetteer of the australian colonies

interior of Christ Church St Kildasepia photograph mountedChrist Church St Kilda. TW Cameron, 110 Lygon St, Carlton.churches, st kilda, christ church, tw cameron

colour photographst kilda, st kilda town hall, 14th battalion aif, shiralee saul

Interior viewblack and white photographMelbourne suburbs St Kilda Eadie Motor and Engineering Co.St Kilda by the Sea. 1915

interior view of tinsmiths shopblack and white photograph original good conditionTin Smiths Shop Circa 1925,Galiers and Klaer

Interior view of coppershop Armstrong, Bates, Bernidis, Booth, Burgess, Daiey, Elligham, Featherson, Fulton, Hannan, Kelly, Linard, Mahony, Mathews, Melbourne, Osborne, Parish, Peel, Perkins, Schelble, Walker, West, black and white photograph original good condition