The Buff-banded Rail is located on mainland Australia. It can also be found in south-east Asia, New Guinea and New Zealand. These birds are often seen individually or in pairs walking through the dense reeds and vegetations of wetlands or crops. This rail has a slow walk and often flicks its tail, which is raised, as they move. They are omnivore scavengers who feed on a large variety of invertebrates, fruit, seeds and vegetables. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is in a standing position on a wooden platform. The Buff-Branded Rail has a pale grey/yellow eyebrow over the black glass eyes and a pale yellow bill. It also has an orange and brown coloured band on its breast. This bird is multicoloured with streaks of chestnut brown, black, white and a faint orange-brown. This specimen has a paper tag tied to its right leg and a grey/back label on the wooden platform.Platform: "Banded Landrail" Paper tag: "National Museum Victoria. Banded Landrail Hypotoenidia w8 427 Philippensis (L)"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, landrail, buff-banded rail

A framed photocopy of a letter written by Mrs Pat Coverdale to accompany the blanket she donated to the National Wool Museum.A framed photocopy of a letter written by Mrs Pat Coverdale to accompany the blanket she donated to the National Wool Museum.

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The red-and green Australian King-Parrot is seldom seen flying above the tree tops of the dense forests which it inhabits — it prefers to fly below tree level, weaving in and out through the tree trunks instead. When they are disturbed by a person, they usually fly off with a harsh screech, and often do not land until they are lost to view. Their flight is swift and strong, characterised by deep, rhythmic wing-beats and regularly punctuated with rapid twists and turns.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. Male Australian King-Parrots are the only Australian parrots with a completely red head. Females are similar to males except that they have a completely green head and breast. Both sexes have a red belly and a green back, with green wings and a long green tail. King parrots are normally encountered in pairs or family groups. This particular specimen has duller colour and appears more orange with a misshapen head Label: National Museum Victoria / King Parrot / Aprosmietus W5435 / Gris (recht) Mount: APPOSMICTUS / SCAPULARIS / King Parrottaxidermy, parrot, bird, king parrot

Includes articles on QANTAS 50 and Australian National Aviation Museum (ANAM)qantas 50, australian national aviation museum, anam

Skirt was worn by Maria Mackinnon, a volunteer for fifteen years at the National Wool MuseumWaverley Woollen Mills/ LAUNCESTON TASMANIA AUSTRALIAwaverley woollen mills national wool museum, tartan

Scarf was worn by Maria Mackinnon, a volunteer for fifteen years at the National Wool Museumwaverley woollen mills national wool museum

Used to cut yarn at official opening of National Wool Museum on 21/12/1988.Made in England Combination UTS Sheffield No.1.shearing, sheep stations management, national wool museum, hand shears, sheep stations - management

Sheep castrator owned by Tom Crocker (former Operations Manager, National Wool Museum), used on father's property in Violet Town.Sheep castrator.Marples Tools Shamrock Brand Wm Marples & Sons Ltd Hibernia Works Sheffield, England Warrantedsheep castrating, crocker, mr tom - national wool museum

Hypodermic syringe gun in box donated by Tom Crocker (former Operations Manager, National Wool Museum), used on father's property in Violet Town.Metal hypodermic syringe gun.The Repeater Hypodermic syringe Wilcox Mofflin Limitedsheep dipping, crocker, mr tom - national wool museum

Bookletnon-fictionCatalogue of paintings exhibited at the National Vietnam Veterans Museum - Portraying a Snapshot of Veterans during their tour of duty in Vietnam

Made from wool sold atThe Geelong Wool Exchange which had just returned to the National Wool Centre (currently the home of the National Wool Museum, formely Dennys Lascells) on Tuesday 13th of October 1987. Lempriere (Aust.) Pty. Ltd. was the buyer of the first bale of wool who also previously brought the first bale of wool at the first wool auctions in Geelong in 1858. The wool was turned into fabric by CSRIO and Foster Valley.Black cardboard backing with Navy Blue cloth sample glued ontop. Wool sample is stapled to the Navy cloth and black cardboard. Contains Nationa Wool Museum logo on lefthand side 1.5 meter navy blue length of cloth same as the sampled glued to the cardboard is included.NATIONAL/ WOO/ MUSEUM Left hand side of display card

Zoological Significance. The report contains the results of a survey of the vertebrate fauna of the Westernport catchment and a search of relevant literature, conducted between June 1979 and December 1981.White soft cover thick book, about A4 size. Prepared by the national Museum of Victoria for The Environmental Studies Division, Ministry of Conservation, Victoria 1984.

Black wool yarn, possibly from the batch used to make the black and white National Wool Museum rug presented to Queen Elizabeth II in 1988.Black wool yarn, possibly from the batch used to make the black and white National Wool Museum rug presented to Queen Elizabeth II in 1988.weaving, spinning

The Satin Bowerbird is a medium-sized common bird found from Queensland to Victoria in rainforests and wet sclerophyll forest. During the summer, the diet consists mostly of fruit, with insects as a supplement. They're famous for their courtship behaviour and for decorating stick-structured nests with blue sparkling objects. With it's stunning glossy blue-black feathers, which evolve from green-brown in appearance, this Satin Bowerbird is more than seven years old, and therefore, not any younger as they are often mistaken for females, which are supposed to look like the green catbird. The eyes of this mature male are violet-blue, and the bill is pale bluish white. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Satin Bowerbirds are medium-sized birds. The adult male has striking glossy blue-black plumage, a pale bluish white bill and a violet-blue iris.Swing tag: National Museum Victoria / Satin Bowerbird / Ptilonorhynchus Violaceus / B2027 / (Vieillot) / W. Shaw Collin. / Mount: PTILONORHYNCHUS / VIOLACEUS / SATIN BOWERBIRD / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird

Depicts the Hon. Evan Walker unveiling plaque at opening ceremony of National Wool Museum on 21/12/1988 (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum, photographs

Depicts a dog with owner working sheep in pen at official opening of National Wool Museum held on the 21st December 1988. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).sheep dogs, national wool museum, photographs

Depicts people watching farmer and dog working sheep at the official opening ceremony of National Wool Museum, 21/12/1988. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum, photographs

Depicts part of the procession at official opening (21/12/88) - horse drawn carriage, horse and rider. National Wool Museum in background. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum

Depicts a sheep shearing demonstration with young boy in foreground held at the official opening ceremony of National Wool Museum on 21/12/1988. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum, photographs

Off-white wool yarn, possibly from the batch used to make the black and white National Wool Museum rug presented to Queen Elizabeth II in 1988.Off-white wool yarn, possibly from the batch used to make the black and white National Wool Museum rug presented to Queen Elizabeth II in 1988.weaving, spinning

Depicts the audience at the official opening ceremony of National Wool Museum on 21/12/88. Des Matthews and Laurie Conolan are visible in front foreground. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum, photographs

Depicts part of procession at official opening (21/12/88) - draught horses drawing wagon with wool bales. National Wool Museum in background. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum, photographs

Gripsholm Castle official illustrated guide, published by the National Museum, Stockholm. Editor: Ulf.G.Johnsson, 54 pages with black and white photographs, illustrations & maps.place, building, castle, sweden - stockholm - castles - museums

Depicts National Wool Museum official opening address by the Hon. Evan Walker, Colin Atkins, Cnr James Fidge held on 21/12/1988. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum, photographs