Black and white photo - image shows group of 6 women and one man. Women dressed in dresses, one with coat, and hats. Man on RH side dressed in suit, tie, wing-type formal collar. No markings.person, group, 6 women, one man, bendigo, group0, 1940's

Black and white image mounted on cream board : image shows group of men, women and children, picnicking in bushland. People are standing, sitting in front of a rectangular white tablecloth on which are placed four bottles of champagne, some with bush cuttings in them. One man is pouring a glass of beer ? For another man . Appears to be same group as in 3801. Picnic at Ravenswood ? Stamped on back of board ' W.H. Robinson, photography, Mundy St., Bendigo.W.H. Robinson, Bendigocottage, miners, bendigo, bush picnic, ravenswood. photographer, w. h. robinson, photography, mundy street, bendigo.

copy of black and white image: image shows Mr. Bannerman's transport to Huntly from Bendigo. A body of a Cobb & Co., coach is mounted on a Model T. Ford chassis. On bottom : ' Bendigo's Cobb' coach of the 1920's. Mr. Bannerman of Huntly mounted a Cobb body on a Model T. Ford chassis - to provide the first motor transport between Huntly and Bendigo' Image used for display.///mounted black and white Photo of converted Model T ford -two men are sitting on the roof , two men in the front there is a carriage at the back showing three men inside with one man standing outside at the back -a sign at the side shows -Huntly .business, transport, cobb & co., bannerman, huntly, cobb & co., transport

Photograph: black and white photo of group of seven men, dressed in suits, ties, looking at large folder held by one man. Cover of folder has 1961 printed in bold letters on outside, inside number ' promotional plan autumn, winter ' Photo on wall at rear of group shows woman parading in a pants suit. On rear of photo in pencil : F 137unknownorganization, business, hanro, hanro, bendigo, manufacturing, 1961

Railways Collection -Black and white photo -William Beazley Bullock Team Riley 1890. The photo is a little hazy -it shows a timber mill. Ten men are posing for the photo and a log is being pulled up a ramp on a bogey into the mill (mechanically ?). A (30 Ft long ?) is being pulled by a Bullock team consisting of ten Bullocks. The log is on a four wheeled cart .The wooden spoked wheels are about 4- 5 ft high One man is holding an axe. There is a square chimney behind the mill and there appears to be a largish town in the background.photograph, building, william beazley bullock team riley 1890'

Small's Chocolate Showbag. One side yellow, black and white writing, at the centre a chocolate box with a picture of a man sitting on a chair with a newspaper and the words small's club chocolate for men - Not so sweet. On the other side the same picture but the writing is in yellow, red and white.business, retail, advertising, business advertising usually found at agricultural shows and other promotional activities.

COLLECTION OF PHOTOGRAPHS. Comprises 8 B&W photos of individuals or groups (various era) with no names provided; 4 colour photographs of people (couples) with no names provided; 2 B&W photographs with name identification on back - Russell January 1942; Russell & Audrey with Bridesmaids & Best Man Shirley's husband - Best Man Jack's daughter - small bridesmaid on left; one B&W? ( Polaroid) photograph of building - on reverse - Campbell Connelly, Bendigo (cnr. Forest St and High St). This photo shows the current building (2015 Chinese restaurant) with adjoining builiding in Forest St having Taubman's advertisement and corner building having a sign pointing up Forest St to the City Centre Motel.

copy of original : image shows Huntly bus, two men in front, at least 3 in cabin behind. Huntly is printed on the passsenger side. Two men sitting on top, one man standing rear of bus. On back : vehicle made from chassis of T. model Ford and Cobb & Co. coach. Ran from Huntly to Bendigo. Received 7.4.2000 from Vi Cattanach.transport, motor vehicles, huntly bus service

Two colour Photograph in black frame 1. Collection of tail fins standing in a large barren area - "Looking for a Bomb" 2. Young man completing bomb fitting. Background shows a truck. "Found one! Fin and Bomb Mated - now for the fuse!"Tail fins looking for a bomb Found one! Fin and bomb mated - now for the fuse!bombs, photograph

Copies of two dark black and white photos of underground mining at the Hercules mine. The left side one shows two miners facing the sides of the shaft prior to the boxing in with red gum slabs. one man is using a sledge hammer and the other is using a hand pick. The right-hand side photo This photo was either the Shenandoah or the New Chum Railway. Five men standing on a higher part are holding lamps and one man is standing on a ladder.bendigo, history, long gully history group, the long gully history group - two underground photos, hercules, shenandoah, new chum railway, victoria quartz

Two copies of original photo, one sepia one black and white. Image shows store front, single door and three part arched window. Window has a display of lamps and other indistinct items. Man is standing in doorway LH side, wearing 3 piece suit and bowler hat. On pediment on top of store 'Baker", above window ' E. Cahill, Cash Store, Fruiterer and Confectionery'.bendigo, business, e. cahill, cash store.

Copy of two photos on the page. The top one is a photo of the plaque with: The Bendigo Underground Miner. To acknowledge the contribution of the many hundreds of miners who lost their lives in the industry through accident and industrial disease. Many were Cornishmen and their descendants. The lower photo shows part of the poppet head with the plaque and another one below it. There are two men standing on one side of the plaques and a lady and a man on the other side.bendigo, history, long gully history group, the long gully history group - the bendigo underground miner, teh cornish association of bendigo & district, george a ellis, robert lloyd

Photograph of a horse drawn cart with one man and five women seated on the cart, the women are all in costume with large bonnets. There is a large model of a tomato sauce bottle on the back of the cart, the sides and front are decorated with crepe paper flowers, with the letters CB worked in on the right hand side (left in photo). Written on the back in blue pen is ' Swan Hill Show Exhibit 1951'organization, business, show exhibit, cohn brothers, swan hill show

This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold

Alma Shanahan (1924-2015) was a Victorian potter who came to live at Clifton Pugh's Dunmoochin art colony at Cottlesbridge, on Melbourne's outskirts in 1953. Unable to join the co-operative proper, as she was a potter, not a painter, she built her house at the top of the hill, 135 Barreenong Road, Cottles Bridge. The c.1953 house is historically, aesthetically and architecturally significant because it is a good example of the design and ethos of mud brick dwellings synonymous with Eltham and features the extensive use of recycled materials, which was characteristic of the 'Eltham style' of architecture. Like the others in the artist community, Alma Shanahan built her own residence in stages out of local materials. Shanahan was later joined by neighbours and Dunmoochin potters Peter and Helen Laycock. She trained for a term with Peter Laycock but was otherwise self-taught, basing her practice on the teachings of Bernard Leach. After Pugh's death in 1991 she became the longest standing Dunmoochin resident. Her works are incised with her full name. Alma Shanahan was a part of the Dunmoochin Artist's community whose (other) members (Kevin Nolan, John Howley, John Olsen, Mirka Mora, Peter Laycock, Helen Laycock, Peter Wiseman and Chris Wiseman) made an important contribution to Victoria's cultural history. From the mid 1950s Pugh persuaded a number of other painters, as well as potters and other artists, to come and live at Dunmoochin and they formed one of Victoria's most important artist communities. She started potting around 1961 (aged 37). "Horse Power" was made using Chullora clay, which indicates it was made during her first seven years of production. Horse Power is about man's search for "energy" and how the "energy" can turn around. Made from Chullora (Sydney) clay. Glazed stoneware plates (x2) with brush decorations resting on hand made ceramic stands. Plate one: 2006.64.1VA (Horse Power + stand) shows a figure on horse back with blue foliage in background. Plate two: 2006.64.2VA (Flip Side + stand) shows a horse with figure under it's hooves. Hand painted signature in brown/black on back of both plates; "Alma Shanahan"shanahan, stoneware, glaze, plates, horse, dunmoochin

Diploma for Gold Medal won by John Baker for best Lincoln Wool in show at the Earls Court Greater Britain Exhibition, London, 1899. John Baker owned a Lincoln sheep stud with 300 ewes and rams in Pomborneit, Victoria. The property was named Lakeside and the stud was Flock No. 5 in the first Flock Book of British Breed Sheep published in 1898. Lakeside rams and ewes were awarded Champion Ram and Ewe at the Sydney Show in 1892. By 1919 Lakeside was the largest registered Lincoln stud in Australia. The stud was dispersed in 1925.Brown timber frame with glass covering at front. Pale gold timber framed paper certificate inside. Certificate has a painting of a man being drawn by four horses beneath and arch with more people in the background and a tall ship. Front foreground depicts three men, one carrying a tray of food, another with a tray of gold and a third shearing a sheep. There is an embossed gold medal on the right centre of the page.EARL'S COURT, LONDON. 1899 GREATER BRITAIN EXHIBITION DIPLOMA FOR GOLD MEDAL AWARDED TO Mr J Baker FOR Wool, pure Lincoln BY THE LONDON EXHIBITIONS LIMITED DIRECTOR GENERAL. CHAIRMAN WEINERS LTD LONDON N.W

Colour photograph of a brick building Grit Chamber, beside tunnel entrance on Mt William range. Part of Stawell water supply system. Building has 2 windows and one door. At the door a man is standing with one arm leaning near the door holding a hat. Roof is iron. Background shows trees. Man is Geoff Sudholtz. Building burnt down c2006 with only foundations left.buildings, water supply

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Man's vest knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts

Used by the St John's Ambulance Association to show how to bandage injuries.Two large cotton triangles one printed images in black showing correct method of bandaging different body parts with Logo with The St John Ambulance Association at top and central man under logo has sling marked 9A and 9B. The second sling is plain calico.st john ambulance, medical

Front of Parkin's butcher shop, in Main Street, in 1935. This shop is still operating as a butcher shop (2018) operated by the Burgess family.One of 4 photographs, reprinted on a single sheet of photographic paper, showing Jim Parkin's Butchers Shop & vehicles. Each image has an identifying inscription of the back. This one shows the front of a butcher's shop with one man standing in the doorway an another in front of a fence on the left of the photo.Written on back of image: "Parkin Butchers Shop 1935. Purchased 1925. Sold 1968"butcher shop, parkin family, burgess family, shops

The man in the photograph is Ted Child. Photo (KAL0258) shows Ted wearing the same outfit standing in the cut at Silvan Dam so this is probably taken at the same place. This photograph is from the album of Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with man in foreground in front of bushes. He is wearing a suit jacket. tie, jodhpur type trousers and leather gaiters. He is holding a wide brimmed hat in his right hand.Written below photograph in album: Repeated, only nearer.ted child, arthur edward child, ivy child, silvan dam

Photo which was originally stuck to Jacobson photo album. Photo shows a man in a dark jacket, pale shirt and pale hat, standing or walking along a road above two houses in a steep valley, probably the valley below Monbulk Road. Man is visible from waist up. One house is probably the house which features in other photos. The name 'Belgrave' has been hand-drawn on the top of the photo in an elegant script. The word is in black with a white outline."Belgrave' hand-drawn on the photo.

A Legacy ceremony at the Shrine of Remembrance, during one of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The photo shows school students and veterans around the statue of "The Man with the Donkey". From an article in The Answer in May 1992, the caption reads 'Norm Stewart (right) of Yarra Valley relates the moving story of Simpson and his Donkey.A record of a ceremony at the Shrine and a Legatee speaking to the school children.Black and white photo of school children at the "The Man with the Donkey" statue.anzac commemoration for students, wreath laying ceremony

Photograph shows Geelong 2 after it has been enclosed at the ends converting it to a one-man tram in 1935. The reference provides dates for this appearance. The tram is on display at the Ballarat Tramway Museum in the appearance prior to the change to the one-man version. In the background is the Bright and Hitchcocks store. Photo by Arthur Atkins Oct. 1941Yields information about Geelong 2 after its conversion to a one man tram and Bright & Hitchcocks store.Photograph print and negative in brown paper envelope.Print has "Geelong" in blue ink along the bottom edge.tramways, tramcar, geelong, tram 2, moorabool st, bright & hitchcocks

Black and white photo of Australian Electric Traction Association special tram for the 50th anniversary of the electrification of Bendigo Trams in 1953. Photo shows four people standing by the front of a SEC bogie tram, number not shown, possibly 18, with an AETA special tour sign in the window. Negative No. 239 Two signs on the front panel, top reads "BENDIGO TRAMWAYS 1903-1953", the second a painted picture of a small digging for a gold mine with a miner and windlass, with "1903" and "1953" on either side. Two flags on either side of the panel as well. Copy negative scanned at high res 18/5/2020 and image replaced. See Keith Kings Book, The Bendigo Tramways, shows a photo of No. 18 on page 55. having been converted for one man operation. Tram car in object appears to be the same.trams, tramways, bendigo, 50th anniversary, aeta tour , tram 18

Demonstrates aspects of the Ballarat Tramways following the end of the 2nd world war - when the tramway traffic was still high peak. Gives details of working hours, rosters for the week of motormen. Shows the additional trams to the basic service on Weekdays and hours of one man operation.Single large typed sheet of paper, titled SECV, Electricity Supply Department - Ballarat Branch, Ballarat Tramways, "Motorman's Runs with daily rostered hours". Arranged with four main columns, Monday to Thursday, Friday, Saturday and Sunday and within each main column 9 further columns giving Run No, Take Up, Relief times, Ord Rate (hours), One Man Rate, Spread (always "-" except for two on Saturday). Sign On and Sign Off - either 10 or 15 and the Total Hours. Columns vertically ruled in red ink. Not dated, but preparation format aligns with 3418 - 11/10/1946 - assume 10/1946. On rear in pencil is sketches for brake rigging components. In top left hand corner in black ink "B.T.P.S. Cat No. 801"trams, tramways, ballarat, rosters, employees, shifts, timetables

Demonstrates aspects of the Ballarat Tramways at the end of the 2nd world war - when the tramway traffic was still high. Gives details of working hours, rosters for the week for conductors. Shows the additional trams to the basic service on Weekdays and hours of one man operation.Single large typed sheet of paper, titled SECV, Ballarat Tramways, "Conductors' Runs with daily roistered hours". Arranged with four main columns, Monday to Thursday, Friday, Saturday and Sunday and within each main column 9 further columns giving Run No, Take Up, Relief times, Ord Rate (hours), One Man Rate, Spread (always "-" except for two on Saturday). Sign On and Sign Off - either 10 or 15 and the Total Hours. Columns vertically ruled in red ink. Runs align with Motorman's, but have the run number with the letter "C" afterwards. In top right hand corner is date "11th October 1946" and initial "W.M." On front in bottom left hand corner and on rear in black ink "B.T.P.S. Cat No. 801".trams, tramways, ballarat, rosters, employees, shifts, timetables

Demonstrates aspects of the Ballarat Tramways at the end of the 2nd world war - when the tramway traffic was still high. Gives details of working hours, rosters for the week for crews. Shows the additional trams to the basic service on Weekdays and hours of one man operation.Set of two copies of Table or Run sheets for the Ballarat Tramways c1945. Each set comprises 45 small typed sheets held together by a brass clip for Weekdays and Saturdays. Numbered Runs 1 to 33. Some Runs comprise two sheets. Each run details where the driver/conductor would sign on, time, the trips, meal breaks, finish time. Some hand alterations made on a few of the sheets. Some have a large purple pencil mark giving the run table number. Shows the tram operations with many short workings. Full scan of document added as a pdf file 5/6/2019.On front of folder in black ink " BTPS Cat No 806"trams, tramways, timetables, sec, ballarat, crews