The Poynton family arrived in Buninyong in 1896 and established a property in Warrenheip Street followed by the purchase of "The Hermitage" on the slopes Mount Buninyong for the succeeding generations to supply cream, potatoes, pigs, peas and gooseberries to the local community. Silas Poynton was appointed a Trustee of the Buninyong Methodist Church in 1914 and family life revolved around the Church and its activities for many years.This home represents the life of the early families in the district, their agricultural activities and their community links. Various views of "The Hermitage" circa 1920s and a copy of the contract for the purchase"The Hermitage" Mt. Buninyong c. 1920poynton family, "the hermitage", mount buninyong, methodist church

Purchased from 1976 Rotary Art Show by the Shire of Corio Rural scene with fence and dense vegetationOn artwork: Hugh Guthrie 76 On plaque: Purchased from Corio Rotary Arts Festival 1976anakie, geelong, hugh guthrie, city of greater geelong

Certificate of title and corresponding copies of information relating to the purchase of land by Edward Baldwin of Kyneton. Vol 2919 folio 5836823 A4 pieces of paper with photocopied copies of certificate of title and two other documents relating to purchase of land.edward baldwin, certificate of title, vol 2919 fol 583682

A stub from a theatre ticket purchased to attend the Marysville Theatre in Marysville in Victoria.A stub from a theatre ticket purchased to attend the Marysville Theatre in Marysville in Victoria. The ticket was dated 20th May, 1950. The Marysville Theatre was located in Murchison Street. The building was originally built in 1932 by local builder Harold Cuzens for Jim Wallace. The solid concrete building was used as a Theatre from 1932 to 1970. The building was then purchased by The Darmody Family and was used as an Arts and Crafts Centre for two years from 1975. The building was then purchased by Norman and Rosemary Fiske in 1977 and converted into a restaurant called The Pumpernickel. This building, along with most of the town, was destroyed in the 2009 Black Saturday bushfires.1950marysville theatre, marysville, victoria, harold cuzens, jim wallace, darmody family, norman fiske, rosemary fiske, the pumpernickel, 2009 black saturday bushfires

Purchased by Ruth Lee around 1993 from an Opportunity Shop in Grovedale. Previously owned by Mrs Wall of Grovedale.Machined cotton and wool wagga, filled with woollen pullovers and other woollens. Purchased for a gold coin donation at an opportunity shop in Grovedale.quilt, wagga, quilting - history

Small beaded bag, possibly an evening bag. Included in the original box is the purchase receipt from Myer Melbourne dated 24 July 1968. Small pearl-beaded handbag with fabric lining, metal clasp and chain handle, in original cardboard box with purchase receiptpurses, handbags, evening bags

Social history of Myer business operations and records.A range of invoices for goods purchased by Myer from local businesses. Purchases for leather goods, pencil holders and unspecified goods. Purchases made in the 1950s.myer bendigo, invoices

The site of the Mount Helen Campus was purchased in 1967, with students on site from 1970. It had originally been the Latta/Downing farm. Two images of a farm at Mount Helen that was purchased for use as the Mount Helen Campus of the Ballarat School of Mines, later Ballarat Institute of Advanced Education. ballarat school of mines tertiary division, mount helen campus, ballarat institute of advanced education, farm, hay bales, agriculture

Handwritten receipt for purchase of book from The Book Case dated 28/04/1976; with copy of a page of Community News 1975 containing an advertisement for the shopHandwritten receipt for purchase of book from The Book Case dated 28/04/1976; with copy of a page of Community News containing an advertisement for the shopthe book case, main street greensborough, community news

A damaged small black plastic covered Saw Mill Log note book with purchases listed 1963 - 1992. Various names and the wood bought is listed with measurements and amounts ordered and supplied. There is a small white envelope inside with listings noted.non-fictionLog Books were used and still are these days to record information for many different work needs. This small one would have been very practical for ease of use kept on-hand in a pocket.books, documents, notebooks, log books

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Black crepe jacket with heavy cream embroidery. The jacket is believed to have been purchased by an aunt of the donor in the 1930s on a trip to the ‘Orient’mcintyre collection, women's clothing, international fashion - 1930s, evening wear, eveing jackets

Receipts for household items, dated 1970-1980. Stores were in Main or Grimshaw Streets Greensborough.These are significant as they show the costs of goods in the 1970s. The stores pre-date the Greensborough Plaza shopping centre.Collection of 6 sales receipts. Printed and handwritten paper.Handwritten details of purchases and costs.main street greensborough, grimshaw street greensborough, helen bryant

In particular I have been using these methods of construction [slab] to interpret the traditionally spherical form of the teapot as a cubist painter might by squaring it up and transposing curved surfaces into planes and angles. These geometric versions provide flat surfaces for pattern making and light reflection, and the objects become increasingly more decorative than functional. I find enormous pleasure in bending convention to the verge of impracticality. But not so radically that l miss the challenge of producing a form that still incorporates most of the elements of a properly functioning teapot, such as the height of the spout to the pot, the ease of filling, emptying, and handling. Surface decoration plays a vital role in reinforcing the abstraction. Bold areas of black underglaze are applied with distinct boundaries dictated by the form’s angles and planes. In pairs or ad hoc groupings the teapots react with each other and the spaces between to present complex geometric patterns. High firing produces a dense, almost vitrified body and the surface quality I admire without the need for glaze. Although some with more functionality may be glazed inside.(http://www.diannepeach.com/, accessed 23 July 2021)Dianne PEACH (1947- ) Since being introduced to pottery by Milton Moon and David Smith in the mid 60s Dianne Peach initially focused on wheel thrown functional war, which expnded include the infinite possibilities of slab building and casting. This work was purchased from the "Fresh Clay' Exhibition in 1983.Electric kiln fired slip cast earthenware teapot with stencils and coloured glazes. Purchased from the 'Fresh Clay' exhibition, 1883.dianne peach, jan feder memorial ceramics collection, jan feder, ceramics, teapot, fresh clay exhibition