House and Car in Rural Scene Details Unknown (Inscription Jack Rees) c1935stawell

This artwork was painted by Charlotte Rippert who was interned in Camp 3 with her whole family. The painting was painted in camp. Charlotte Rippert was a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.Oil painting on Board (framed) - painting is of a farm scene with a large yellow-green tree in the centre-left with four other green trees and a farm and fence - in the background are hills against the skylineBack: 'Oil painting believed to be by Charlotte Rippert. Wedding gift to Otto Lobert in Camp 3, WW2. (One of a pair C3505) DONOR: Otto Lobert, Nov. 1993' charlotte rippert, otto lobert, mrs lobert, camp 3 weddings, queen elizabeth, camp 3 artwork

Mining Scene with Workmen standing in front of tin shed with simple poppet head in background.stawell mining

Local Scene reports on activities by local groups. This edition reports on Greensborough Toastmasters and the Angling Club. Digital copy of news article 1 page, black text.greensborough news

This photograph shows what could be a Victorian country scene. The caption includes a notation "Speight Street Northcote."Digital copy of black and white photograph. "Speight Street Northcote" and other notescharles marshall, world war 1

Mining Scene between Fisher Street and Patrick Streets - includes Wimmera Battery 1880 later trotting trackstawell

Mr. Randle - Mining Scene. Three men and a boy with mine shaft. Man with large hat is Mr Randle.stawell

Telford Bushland Scene c1902. Telford family had business Hay Provisions and General Grocer main Street Stawellstawell

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene in the Carlton Gardens’ : Views of Victoria (General Series) No.40 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Carlton Gardens are not so extensive as most of the other public gardens around Melbourne, and, being laid out on a flat piece of ground, have not the advantage of possessing much that is romantic in its scenery. The subject of this issue is the only interesting spot within the enclosure, which is the Rustic Fountain, surrounded by a small lake of water, on the banks of which grow some very beautiful specimens of the hanging willow. These Gardens are open to the public at all times.’nicholas caire (1837-1918), carton gardens, exhibition building, landscape photography - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene near Bright’ : Views of Victoria (General Series) No.47 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The subject of this illustration is taken on the road to Grouber’s, near the township of Bright, in the Beechworth District. The scenery on the rivers and creeks which surround this township is of a very romantic and picturesque description.’nicholas caire (1837-1918), bright (vic), landscape photography - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene in the Melbourne Botanical Gardens’ : Views of Victoria (General Series) No.38 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The subject of this illustration is taken from near the Bridge, which crosses the Garden Lake. The grassy slope in the foreground of the picture is a portion of the North-West or Lower Lawn. Portions of the “Rockery” and the small lake can be seen in the mid-distance, near which is the new Rustic Summer-house. These Gardens are under the management of Mr. Guilfoyle, with about 20 assistant botanists, florists, and general gardeners.’nicholas caire (1837-1918), melbourne botanical gardens, landscape photography - victoria

Main Street Stawell. Crowd Scene with Army WW1 Tank. 1919. In front of C.C. McDonald Tobacconist. E.J. Copley Post Office Hotel. stawell streetscape ww1

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Waterfall scene near the Buchan River’ : Views of Victoria (General Series), No.39 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Buchan River is a tributary of the great Snowy River, which extends itself from Port Ricardo, on the Gipps Land coast, to considerably beyond Mt. Kosciusko, in New South Wales. It is comparatively but a stream, but, like most of the smaller rivers in Victoria, it contains some beautiful scenery, peculiar to itself. Our present illustration is characteristic of its scenery, and is taken from a creek close to the River.’nicholas caire (1837-1918), buchan river, landscape photography - victoria

Street scene, Egypt 1916. Taken by Private Samuel Rich in 1916. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt

B/W photo of Landsborough McKenzie Street scene taken 1924. Tree lined street wooden building with verandah on left Telegraph pole and light on right.Black and White Photograph Postcard of a tree lined street - wooden building with veranda on the left - on the right telegraph pole. also a light pole. Two (2) Photographs, One Postcard and one enlargementon Rear: Post Card Correspondence Address Only In Grey Print Kodak Australia forming a square, Kodak top and Bottom, Australia Left and Right. In blue ink hand written "Landsborough looking up towards the school 1924 with 1924 Underlined. Bottom right " Coffee Palace"commercial

Scotchmans United Quartz Mining Company Shaft was 1,018 feet deep.Stawell Mining Scene from Big Hill. Close up view of the winding engine shed Poppet Head and Building Scotchman's United Mine. Rear poppet head Crown Cross. Upper Main Street visible left Back of Photo. Stawell 176 Miles from Melbournemining, panorama

Great Western Street Scene 1890s. Weatherboard W.A. Stark General store with verandah. Two men standing in front and horse and cart. Weatherboard building at right corner street.Black and white photograph of a weather board store with veranda. Two men are standing at the side with horse and buggy in the street. On adjoining street corner is another building with veranda and tree behind.General Store W.A. Starkstawell

Great Western Street Scene 1946. Man standing outside the house on veranda. Adjoining shop with sign N.E. Houston Storekeeper and three petrol bowsers plus car parked out the front.Black & white photo showing a man standing outside a weather board house with an adjoining shop. A car is parked out the front of the building. N.E. Houston Store keeper Mobil oil Plume (written on the back) Bower's Shop Eric Houston August 14 - 1946stawell

Camp theatre productions. Wilhelm Fugman, producer.1 of 15 colour laminated posters of the Deutsche Theatre, Tatura, of the various productions of Wilhelm Tell, Minna Von Barnhelm Der Kaufmann Von Denedig (Shakespeare), Siegfried's Tod Odenwald scene. On a large display board (L 126 cm x W 120 cm)camp theatre productions, wilhelm tell, shakespear productions in camps

Camp theatre productions. Wilhelm Fugman, producer.1 of 15 colour laminated posters of the Deutsche Theatre, Tatura, of the various productions of Wilhelm Tell, Minna Von Barnhelm Der Kaufmann Von Denedig (Shakespeare), Siegfried's Tod Odenwald scene. On a large display board (L 126 cm x W 120 cm)camp theatre productions, wilhelm tell, shakespear productions in camps

Camp theatre productions. Wilhelm Fugman, producer.1 of 15 colour laminated posters of the Deutsche Theatre, Tatura, of the various productions of Wilhelm Tell, Minna Von Barnhelm Der Kaufmann Von Denedig (Shakespeare), Siegfried's Tod Odenwald scene. On a large display board (L 126 cm x W 120 cm)camp theatre productions, wilhelm tell, shakespear productions in camps

Camp theatre productions. Wilhelm Fugman, producer.1 of 15 colour laminated posters of the Deutsche Theatre, Tatura, of the various productions of Wilhelm Tell, Minna Von Barnhelm Der Kaufmann Von Denedig (Shakespeare), Siegfried's Tod Odenwald scene. On a large display board (L 126 cm x W 120 cm)camp theatre productions, wilhelm tell, shakespear productions in camps

Camp theatre productions. Wilhelm Fugman, producer.1 of 15 colour laminated posters of the Deutsche Theatre, Tatura, of the various productions of Wilhelm Tell, Minna Von Barnhelm Der Kaufmann Von Denedig (Shakespeare), Siegfried's Tod Odenwald scene. On a large display board (L 126 cm x W 120 cm)camp theatre productions, wilhelm tell, shakespear productions in camps

Mining Scene from Big Hill. Open cut in fore ground with support timbers. Whims and poppet heads. Shows back of New Court House in Patrick Street. The flat area in distance is St Georges Crushing Battery settling Dam.Open Cut with supporting timbers in foreground, Various poppet Heads at centre of image. Wimmera Crushing Mill settling dam in distance. Rear of new Court House visiblestawell mining

A black and white photograph of Members of the Pte Peter A. Allen of 9 RAR Court Marshall Board being escorted by a Military Policeman to the murder scene in the 9th Battalion, Royal Australian Regiment, lines at 1st Australian Task Force Base, Nui Dat, Phuoc Tuy Province, South Vietnamphotograph, pte peter allen, military police, 9 rar, court marshall, nui dat, gibbons collection catalogue, 1st australian task force, 1 atf base, 9th battalion

Chinese watercolour featuring a landscape scene with trees and birds. Features are predominately in black. Fixed to light grey silk fabric fused to cream paper scroll. Chinese symbol stamepd in red lower right corner. Brown hanging cord at top and dark brown laquered pole at bottom edge.

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography. The 1860s marked the beginning of the era of reserves and missions. Six Aboriginal reserves were established during the 1860s. These were under the control of the Board for the Protection of Aborigines. Four were Christian missions receiving government aid. These were Lake Tyers (Anglican) and Ramahyuck (Presbyterian/Moravian) in eastern Victoria for the Gunai/Kurnai clans; Ebenezer (Moravian) in north-west Victoria for the clans of the Wimmera and Lower Murray; and Lake Condah (Anglican) in south-west Victoria. The other two were secular government controlled reserves: Framlingham which, like Lake Condah, was established for the Mara-speaking Gunditjmara and Kirrae-wurrung people of south-west Victoria; and Coranderrk, located about 60 kilometres north-east of Melbourne, for the Kulin clans of central Victoria. In 1863, after a period of devastation to the Kulin people, Coranderrk was established at the junction of the Yarra River and Badger Creek. Reference: http://coranderrk.com/, accessed 24 December 2016An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardprinted in ink on support l.c.: SCENE NEAR "CORRANDERRK" STATION. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 9. / SCENE NEAR "CORRANDERRK" STATION. / This scene was taken from the hill near Rourke's Bridge, on the Healesville Road, and displays in the foreground / the River Yarra. The roadway which is seen in the mid-distance has lately been constructed by the Government, / as the old tracks which formerly existed, were liable to be swamped by the periodical overflowing of the River. Mount / Ridell can be seen in the extreme distance immediately behind the roadway. / Corranderrk is the local habitation / for the natives of this district, and is situated on the right hand side of the picture, about a mile and a half / from the roadway. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), coranderrk aboriginal station, aborigine, yarra river, badger creek, first peoples, aboriginal and torres straight islander

Mining Scene looking North probably from Fire Station. Grant and Lamont's Battery in corner left side, in background of photograph. In Centre right is No1 North Cross Reef Mine. On left behind the tree is No2 North Cross Reef Mine. On right is Oriental Mine.Houses and yard in foreground. Poppet heads to right of centre and right Crushing Battery on left of image.stawell mining

Mining Scene Duke Sands area c1875 Behind the tree on left is Extended Cross Mine and on the right is the Oriental Mine. In the centre is the North Cross Mine No1 shaft. In the foreground is one of the Moonlight dams. St Peters Lutheran Church in Scallan Street can be seen on the right horizon. Two mines and workings on other side of Moonies settling dam. Two Gentlemen lower left cornerstawell mining

showing cows, eucalyptus trees, oval and railway viaduct in background. 'Showing the viaduct now in course of removal- see page 85'lithograph photo of black and white. St Kilda Park, showing the Viaduct Now in course of removal - see pg 85