The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography

Mary Fogarty was a former student of the Ballarat School of Mines. She joined the staff as a teacher of Arts and Crafts at the Ballarat School of Mines Technical Art School. Black and white photographs of the head and shoulders of a woman. She is Mary Fogarty.ballarat school of mines, fogarty, art, women, mary a. fogarty, mary fogarty, university women

This photograph of Jane Shields was taken at the Burlington Studio, Melbourne in the late 19th to early 20th century. Jane Shields became friends with Eva Carmichael in 1878, a friendship that continued throughout their lives. The item was created by layering fabric glued onto card, the the oval-cut photograph blued onto the fabric. A tea set was given by Eva Carmichael, a survivor of the ship Loch Ard which was wrecked near Port Campbell in 1878, to Jane Shields, who was the young woman who supported Eva during her recovery from the ordeal. Jane was Eva’s close companion while she was convalescing at Glenample Homestead. The friendship between the two women continued after Eva Carmichael returned to her home in Britain, became Mrs Townsend, and had three sons. Jane Shields also married, becoming Mrs John Osborne and bearing four daughters and two sons. In 1926-27, almost forty-eight years after the shipwreck, one of Jane’s daughters (Ella Marie Schulz nee Osborne) visited Eva in England. Eva gave her the tea set to take back home to her mother. Jane died in 1932 and her tea set was inherited by her daughters, who divided it between themselves, a four-piece place setting for each of them. This photograph of Jane Osborne nee Shields is significant for its connection with Eva Carmichael and the wreck of the Loch Ard in 1878. Memorabilia connected to Eva Carmichael are precious and rare. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck. The collection gives a snapshot of history, enabling us to interpret the story of this tragic event and the lives of the people involved. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allow us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.Photograph; studio portrait of the upper torso of a female. The photograph has been has been cut into an oval shape, glued on rectangular fabric that was already glued onto card. The woman is wearing a light-coloured jacket, white blouse and bow tie. The figure is Jane Osbourne, nee Jane Shields, a friend of Eva Carmichael. An inscription is handwritten on the matt card. Burlington, Melbourne, produced the photograph."Burlington, Melb." flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, china tea set, tea cup, tea set, royal blue china, eva carmichael, jane shields, glenample, loch ard, place setting, eva townsend, jane osborne

University of Ballarat is a predecessor institution of Federation University Australia. Portrait of a woman wearing a scarf. She is Dr Mary Bailey, lecturer in Nursing at the University of Ballarat.mary bailey, nursing

Artwork of a man and a woman in parallel to each other.Pencil mark of 18692 on back.art,artwork, university of ballarat, man,woman, embrace,

A mass produced utilitarian item made for domestic decorative use. No history or manufacturing provenance currently available.The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown. The item is assessed as a collection asset as it is believed to have been produced after 1910 and before 1950.Container of pressed metal. The container has a broad, thin lip, and its round body flares outwards towards base, then tapers inwards to a short heel. A loop holding a metal ring is attached to the side, near the top. A decorative geometrical transfer pattern in blue and cream covers the body and inside of the lip. In the centre of one side is a round frame with the portrait of an Egyptian woman within.warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flower vase, decorative object, tin vase

Photographic portrait of a womanchatham-holmes family collection

Head and shoulders photograph of woman in period costume on white milk glass, slightly hand tinted, costume has lace ruffle at neckline with brooch at throat, buttoned bodice with pleats, headdress with diamonties.photograph, portrait, female

Sepia image mounted on board: image shows group of 8 women and 7 men, standing and sitting. Men wearing three piece suits, hats, women wearing dresses, shirts and skirts and hats ( some in hand ) Bicycles visible leaning on wall behind. Picture taken in same position as 1732.10 - connected groups ? Queens' Cycling Club ?person, group, man and woman, bendigo, sandhurst, group portrait, bicycles.

Sepia image mounted on board: two women and two men, sitting and reclining on grass . Woman on LH side dressed in long dress, leg-of-mutton sleeves, hat, other woman long dress, hat on grass in front. Men are wearing three piece suits, ties, and boaters. Written on bottom of image : Rose Herbel, A Dehne, Dora Herbel, Wm. Kileen, As we like it !person, group, group in park, sandhurst, bendigo, group portrait, 'as we like it'.

Photograph.Carwardine Collection, photograph of Female group consisting of a woman with glasses standing behind 3 young girls, oval photograph mounted on card mottled look and embossed string and label pattern around letter Y.Yeoman & Co Bendigophotograph, portrait, female group

Sepia male portrait. Stewart & Co 217 & 219 Bourke St East Melbourne printed on Front. Pencilled caption reverse Nina Dahlsen Nov 26th 1888. Printed on reverse Stewart & Co full size depiction woman painting in studio.Stewart & Co 217 & 219 Bourke St Melbourne.photograph, person, male

Black & White portrait head shoulders woman aged in thirties. Duryea 158 Rundle St Adelaide printed on Front & reverse.F Durea 158 a Rundle St Adelaidephotograph, person, female

Photographic Album - 19th Century Portraits. This album is in a handsome leather tooled cover with brass ring clasp - pages have gold edging to match the gold tooling on front cover.This album comes from ''Old Box 94'' which generally contains ephemera from Merle Bush. However, this album has no identifying inscriptions (but see the following notes). There are approx 44 portraits of children, males, females, mixed groups taken by a range of studio photographers (Sandhurst, Melbourne, Stuttgart and possibly from other cities?) There appear to be no inscriptions on the reverse of these photos - but not all have been removed for checking. One photograph (R Dermer Smith, Sandhurst has a photograph Number #753 on reverse and show a man/boy?, woman and child on the front verandah of a house. There are 6 loose cards within the book which may give some indication as to the family connection; 1. Mr W Tainsh - Echuca; 2. Frau Pastor Leypoldt - Lutheran Parsonage, Bendigo; 3. Miss H Janie Schleiger; 4. Citizens' Life Assurance Co Ltd - Represented by A A Brooker(?); 5. Card with inscription in German below print of ? Luther) and handwritten text in German on reverse (difficult to read), date 11/11/83; 6. black bordered card ''In Memoriam'' (no name).cottage, miners

Black and white photograph: image shows woman dressed in dark coloured dress, holding book in right hand. On bottom of image : ' extra copies, 1s. Academy of photography, Send number. Hansen Bendigo. Enlargements from this or any photo from 5s. To 25s.'Hansen, Bendigoperson, individual, female portrait, bendigo, sandhurst, hansen, academy of photographersz

Black and white photo : image of young woman standing, leaning on tree stump. Woman is dressed in long dark skirt, buttoned jacket with frills on sleeves. Image is edged in black with gold line. On back of image: 'Bijou Portrait Parlors, View Place, Sandhurst ( negatives kept ).' Below the photo are the words Artist, Atkinson, Photo.Atkinsoncottage, miners, bendigo, sandhurst, atkinson

Black and white photo: young woman standing, leaning on sideboard, vase of roses on RH side of photo. Woman is dressed in dark long dress, buttoned down side, white lace collar. Image is edged in pink. On back of image : ' M. Bent, Photographer, Centre of Pall Mall, Sandhurst. Duplicates and enlarged copies on application.'Bent Photo, Pall Mall, Sandhurstperson, individual, female portrait, bendigo, sandhurst, female portrait

Black and white image, black border around photo. Portrait of young woman seated dressed in long dress, hat with ruched underneath, cameo brooch at neck of dress. On back of photo, Photographers Miniature and Portrait Painters, Bartlett Bros View Place Sandhurst.Bartlett Bros., Sandhurstcottage, miners, bartlett bros., bendigo, sandhurst, woman

Black and white image mounted on buff board Man is dressed in formal suit, white wing collar, white bow tie. Woman dressed in dark dress, lace sleeves, jet necklace. Man wearing glasses, woman horn rimmed glasses. Written on bottom on board ' Vincent Kelly, Bendigo' in handwriting.cottage, miners, man and woman portrait. photographer vincent kelly bendigo.

Two small portrait photographs by N.White Photographer Mitchell Street Sandhurst opposite St Pauls Tower, one of a small child with arm resting on a book on chair with initials MB written on back, the other of a woman seated at a Davenport with book.N.White.photograph, portrait, lady & child

Bartlett Bros Sandhurst portrait photograph of a woman seated, back of photograph reads Photographers Miniature & Portrait Painters Bartlett Bros View Place Sandhurst.Bartlett Brosphotograph, portrait, female

Small, oval head and shoulder portrait of a young woman. She is wearing a high neck dress with buttons down the front. The dress has a high frilly collar with a brooch at the front. Photo mounted on cream card with rounded corners, a brown border and brown printing front and back.Albert Lomer, 775 George St., Sydneyphotograph, portrait, female, portrait of a young woman, albert lomer

Small, oval head and shoulder portrait of a young woman wearing a high neck dress with a frill collar and buttons down the front. She is also wearing a locket. Her hair is in a bun. Photo mounted on yellow card with a red border and rounded corners. The photographer's name and address printed on the back.Stewart & Co., 217 & 219 Bourke St. East, Melbournephotograph, portrait, female, portrait of a young woman, stewart & co