Showing 410 items
matching woman portrait
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The Dunmoochin Foundation
Oil Painting, Adriane with Flowers, 1982
... Portrait of a nude woman with dark hair seated at a table... Bridge melbourne Oil Painting Adriane with Flowers Portrait ...Portrait of a nude woman with dark hair seated at a table with a bouquet of flowers against a turquoise background. Signed (L.r) 'Clifton 16-17 April '82'.clifton pugh, painting, portrait, adriane, flowers -
The Dunmoochin Foundation
Oil Painting, Portrait of Pat Tozer, 1955
... Portrait of a seated woman with short red hair, black... Bridge melbourne Oil Painting Portrait of Pat Tozer Portrait ...Portrait of a seated woman with short red hair, black turtle neck and blue skirt with multiple figures in background. Signed and dated lower right 'Clifton Feb 55'. Label on reverse: 'Lauraine Diggins/ Cat no. 29/ Portrait of Pat Tozer/ Oil on Particle board/ exhibited - The Antipodeans'.clifton pugh, painting, portrait, pat tozer -
Kew Historical Society Inc
Photograph - Portrait Photograph, Unidentified sitter, 1900s
An unidrntified portrait within the photo collection.Oval photographic portrait in a square mount of an unidentified woman, circa 1900-1910photographs, portraits -
Kew Historical Society Inc
Photograph - Portrait, 1960s
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of an oil painting of a woman which may be of Alma Figuerola. The photo was in the personal photo album of the artist. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Kurt Winkler, The Happy Groom, 1942
Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.Profile head and shoulders portrait of probably a male internee dressed as a woman. Wearing a straw hat with netting around it. Rimless glasses. A green scarf around the neck that looks like plaid or tartan and a pink/burgundy coloured coat.Tatura Summermodel 1941 on mat board above the painting "The Happy Groom" Kurwin 42 on mat board under the painting Tatura 42 on bottom left hand side of paintinginternee, groom -
Buda Historic Home & Garden Castlemaine
Artwork, other - Illustration - Poster Design, Australian Exhibition of Womans' Work 1907, 1907
This original poster design was produced as entry in the First Australian Exhibition of Women's Work 1907 in Melbourne. Dorothy Leviny was studying art and design at the Bendigo School of Mines at this time, under the tutelage of Arthur T. Woodward, who was recognised as one of Australia's foremost proponents of the Arts and Crafts Movement. Reference: Castlemaine Art Gallery and Historical Society (2007): Catalogue. Portrait of an Exhibition. Centenary celebration of the first Australian exhibition of women's work 1907, p. 44.One of the few original poster design entries known to remain in existence from the First Australian Exhibition of Women's Work, Melbourne 1907.Original poster design by (Bertha) Dorothy Leviny for the 'Australian Exhibition of Womans' Work', Melbourne 1907. Watercolour design showing Exhibition Buildings (Carlton) and five women in medieval costume blowing their trumpets with trees in background. Text top: 'Australian Exhibition', bottom 'of Womans' (sic) Work' and lower left corner 'Melbourne/1907/Oct, 23rd to Nov. 30.Lower right-hand of design - Dorothy Leviny's insignia: A 'B' inside a 'D' with and 'L'(bertha) dorothy leviny, first australian women's exhibition, 1907, exhibition building, carlton, australian women's work, watercolour design, poster, arts and crafts movement -
Benalla Art Gallery
Painting, Joseph BACKLER, Caroline Johnson (portrait pair), c. 1843
... Painting Portrait Colonial Woman Face Dress Flower Figure Joseph ...Born: London, Middlesex, England 1813; Arrived: Sydney, New South Wales, Australia 1832; Died: Sydney, New South Wales 1895VictorianBennett Bequest, 1999 Oil on canvas depicting portrait of seated Caroline Johnson in grey dress. Polished timber frame with gold gesso inlayRecto: Not signed, not dated, not titled painting, portrait, colonial, woman, face, dress, flower, figure -
Horsham Regional Art Gallery
Photograph, John William LINDT, Portrait of Aboriginal woman and baby, c.1874
... Portrait of Aboriginal woman and baby... grampians Photograph Portrait of Aboriginal woman and baby John ...Gift of Allan Myers, 2004 -
Stawell Historical Society Inc
Photograph - Portrait, Wedding Anniversary
Huttley - Martin FamilyB/W: Mature aged coule. Man in 3 piece suit with fob chain. Woman in calf length dress with patterned Jacket.Mother and Father 25th wedding anniversary at "Burnside'huttley, martin -
Stawell Historical Society Inc
Photograph, Mr. Fred Martin at home at 6 Campbell St
Fred Martin at his home 6 Campbell St Stawell. Photo of Fred seated on veranda stairs and a woman seated beside the doorway.Fred Martin at his house 6 Cambell St. Stawell. Fred is sitting on the veranda stairs talking to a woman seated on the veranda.Fred Martin at his house 6 Campbell St. Stawell.stawell portrait -
Numurkah & District Historical Society
Postcard - Photo of woman
... Black & White photo, studio-style portrait of a woman..., studio-style portrait of a woman standing near a gate ...Black & White photo, studio-style portrait of a woman standing near a gate -
Numurkah & District Historical Society
Photograph - Photo of woman
... high-country Photo of woman Photograph Black & White portrait ...Black & White portrait photo of an elderly lady sitting in a cane chair in a garden -
Vision Australia
Drawing - Artwork, Portrait of Tilly Aston as a young woman, 1890
Portrait in pen and ink with grey wash of Tilly Aston, aged seventeen, done by Fred Kneebone. She is shown with long hair tied back, wearing a high buttoned up dress with a brooch at her neck. In 'Memoirs of Tilly Aston', she recalls the portrait being done (p47) and being donated to the Austral Salon, who held a matinee performance to raise funds for her university education.1 unframed pen and ink drawing with grey washFred Kneebone Miss Tilly Aston Blind authoress philanthropist obit 1947 C.M. Dodd 1" white close upartwork, tilly aston, fred kneebone -
Vision Australia
Photograph (item) - Image, Portrait of smiling woman
... Portrait of smiling woman... Image Photograph Portrait of smiling woman 1 black and white ...Unknown portrait of an older female, slightly smiling and facing away from the camera. She is wearing a white collared top and a darker coloured cardigan or jumper. She could be either a client or a staff member.royal victorian institute for the blind, portraits -
Wangaratta Art Gallery
Textile, Clare McCracken, Thread of a conversation Yuemin Huang, China
... A black and white cross stitched portrait of a woman... A black and white cross stitched portrait of a woman on a laptop ...Wangaratta Art Gallery CollectionA black and white cross stitched portrait of a woman on a laptop screen.clare mccracken, cross stitch, portrait, textile -
Stawell Historical Society Inc
Photograph - Portrait, Alfred Thomas Huttley
Huttley - MartinOval Portrait of a main in a 3 piece suit. Woman on right arm cut offStawell On Reverse: Aklfred Thomas Huttley (I.E. Madge's) My father, also Ray & Lorna (Cleland). Grandfather of Trevor & Gladys Huttley. John, Alison, Keith & Janice (Hull) Born 1873? Died May 26 1947. Ageed 74 -75?huttley, martin -
Stawell Historical Society Inc
Photograph - Portrait, Lorna as Bridesmaid
... B/W: Portrait of young Woman with curly hair in flower... grampians Portrait Photograph Lorna as Bridesmaid B/W: Portrait ...Huttley MartinB/W: Portrait of young Woman with curly hair in flower patterned dress.with all my love Madge ( Madge Huttley)huttley, martin -
Stawell Historical Society Inc
Photograph - Portrait, Chrissie Martin
Huttley - Martin FamilyB/W: Photo of a youg woman 3/4 turned to left. White lace blouse with high collar, wearing a broach. Black Background. Wavey hairRichards & Co. Logo - 23 Strurt Street Ballarat. Chrissie Martin (Nee Huttley) ( My Aunt) M.Eernest Martin. Madge Huttley's Aunthuttley, martin -
Stawell Historical Society Inc
Photograph - Portrait, On My Bike
Huttley - Martin familyB/W: Young Woman - Short sleeved blouse and shorts on female bicycle with cushion at front - Taken in backyardLorna Huttleyhuttley, martin -
Stawell Historical Society Inc
Photograph - Studio Portrait, Edith Alice (Nee Martin) Huttley
Huttley - Martin FamilyB/w Studio: Young Woman -pensive. On faux balcony with flowersMelbourne "Eden" Sydney superior Platinotype Edith Alice Martin m Alfred Huttley (my mother) RAT EAST A A II AIhuttley, martin -
Stawell Historical Society Inc
Photograph, Mrs Unknown Hutchings nee Unknown with children
Mrs. Bow Hutchings with childrenB/W Photo of a woman and Three children. woman is seated holding youngest child the other two standing.rs Bow Hutchings and Familystawell portrait -
Gippsland Art Gallery
Painting, Unknown Artist, Portrait of Seated Old Woman, c.1830s
... Portrait of Seated Old Woman... Painting Portrait of Seated Old Woman Oil on canvas Gippsland ...Donated from the estate of Mrs Ruby Minns, 1990Oil on canvasgippsland, artwork, permanent collection -
Stawell Historical Society Inc
Photograph, Hand coloured photograph of man in Gold Frame and domed glass
Gray FamilyHand Coloured photograph in gold frame and domed glass. Man with brown hair and moustache blue eyes and European complexion. White buttoned collar shirt, black three piece suite and tie. Grey button hole flower. Studio portrait background. Young mans flower is identical to woman's collar attachment in accompanying photo.Frame has gilded floral painted red and blue at top, bottom and two sides -
Stawell Historical Society Inc
Photograph, Hand coloured photograph of woman in Gold Frame and domed glass
Gray FamilyHand Coloured photograph in gold frame and domed glass. Woman with short curled brown hair parted to right and European complexion. Pale blue eyes. White blouse has collar with floral attachment. Blue jacket with white pattern. Collar attachment. Studio portrait background. Flower is identical to young mans collar attachment in accompanying photo. Related to Deep Lead and Cray family.Frame has gilded floral painted red and blue at top, bottom and two sides. Glass is convex. Has gilded boss between florals. -
Hepburn Shire Council Art and Heritage Collection
Medal, 1951 Commemorative Plaque, 1951
Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government and gifted to the Shire of Glenlyon. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951. 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles. Features on the reverse a design of a banksia and bottlebrush. There was another version of this medal which depicted a pair of gold prospectors on the reverse.This medal was presented to the Shire of Glenlyon in 1951. For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.Bronze medal with images and text insetObverse Description: Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail: A MESZAROS Reverse Description: Stake supporting plant; above, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, Presented to / the Shire of / Glenlyon / 1951 Artist's initials to left of stakeglenlyon, hepburn shire, centenary of government, centenary of gold discovery, history of victoria, victorian governement, meszaros, kg luke, commemorative, commemorative plaque, centenary 1951 -
Uniting Church Archives - Synod of Victoria
Photograph, Sister Bessie (Emma Elizabeth Dau), Undated c.1888
Possible dates: b. 12/10/1868, d. 14/10/1947. Husband, Alfred Coates was Home Missionary in Diamond Creek from 1910 to 1913 and in Bacchus Marsh on 18/3/191, according to the Argus, p. 19, 18/3/1916.B & W studio portrait of Sister Bessie (Emma Elizabeth Dau - married Alfred Coates in 1888) as a young woman.dau, emma elizabeth, sister bessie, methodist central mission, home missionary, alfred coates -
Uniting Church Archives - Synod of Victoria
Photograph, Dr. Jill Tabart, 1984
Dr. Jill Tabart was the first woman Moderator of the UCA in Tasmania. She has also been President of the UCA.(1) Colour photo of Tabart talking to Edna Turner and, possibly, Gordon Powell at Pilgrim Church, Launceston (?); (2)-(5) portrait photos of Tabart, head & shoulders; (6)-(7) Tabart at a lecturn.Identification of Tabart as Moderator of Tasmania 1984; C&N 21/10/84.tabart, jill -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1870
Caroline Elizabeth Newcomb (1812 - 1874) woman squatter. Born in London and emigrated to Hobart Town in 1833. She went to Port Phillip in 1836 as governess to the children of John Batman. She met Anne Drysdale in Geelong and they set up a farming partnership. Caroline Newcomb joined the Wesleyan Methodist Society in 1839 and became the first secretary of the Methodist Church at Drysdale, founded in 1849. After Anne's death in in 1853 she continued to run the Coryule property. On 27 November 1861 she married Wesleyan minister the Rev James Davy Dodgson. She died at Brunswick on 3 October 1874. She was buried beside Miss Drysdale at Coryule.Sepia toned enlarged reproduction of original full-length studio portrait of Mrs Caroline Dodgson, formerly Miss Caroline Newcomb. caroline elizabeth newcombe, anne drysdale, rev james davy dodgson, coryule, geelong, hobart town, john batman, squatter, methodist, drysdale -
Uniting Church Archives - Synod of Victoria
Photograph, c. 1883-1890
Norman in the photo is possibly the Rev. N.G. Smith in South Australia, 1914-1960.Sepia portrait photo of the interior of the second Warrnambool Methodist Church with two young men and one woman who is seated.Family of H.H. Smith, right to left: Victor, Norman and Daisywarrnambool; methodist church; h.h. smith; rev. n.g. smith; victor smith; daisy smith -
City of Ballarat
Artwork, other - Public Artwork, Julia Eileen Gillard (Prime Ministers Walk) by Peter Nicholson
Julia Eileen Gillard, Australia's 27th Prime Minister, on 24 June 2010 Julia Gillard became Prime Minister and the first woman to hold the office. She was elected unopposed by the Parliamentary Labor Party. The Prime Ministers walk at Ballarat Botanical Gardens has over time created a special and unique understanding of our Prime Ministers and the strength of belief, passion and understanding we had for these leaders. The different styles used reflect the times and the techniques used to undertake these portraits of leaders makes us consider those elements of official portraiture, including textures, sizes and features and proportions used by some of the artists. The artwork is of aesthetic and historic significance to the people of BallaratBronze bust cast on granite and concrete plinth.Julia Eileen Gillard Prime Minister 2010 - 2013prime minister, australian pm