Showing 94 items
matching 16th century
-
Tarnagulla History Archive
Registration of Death form, 1872
A large lot of papers, including this and many other birth and death registration forms, were apparently found in the ceiling cavity of the Sandy Creek/Tarnagulla Post and Telegraph Office in the later 20th Century, during building works. Donald Clark Collection. Registration of Death form Name of deceased: Alex Williiamson Rank or Occupation: Farmer Age: 72 years Cause of Death: not stated Date of Death: 16th April 1872 Place of Death: Newbridge Place of burial: Newbridge Date of burial: 18th April 1872 Father's name: Donald Williamson (Farmer) Mother's name: Margaret Williamson -
Tarnagulla History Archive
Registration of Death form, 1872
A large lot of papers, including this and many other birth and death registration forms, were apparently found in the ceiling cavity of the Sandy Creek/Tarnagulla Post and Telegraph Office in the later 20th Century, during building works. Donald Clark Collection. Registration of Death form Name of deceased: Elenor (?) Haughton Age: 53 years Cause of Death: Apoplexy Duration of illness: 4 hours Date of Death: 16th June 1872 Place of Death: Tarnagulla Place of burial: Tarnagulla Father's name: not known Mother's name: not known Spouse: not known Issue: three children listed Deceased place of birth: Hobart Town, Tasmania -
Tarnagulla History Archive
Death Certificate, 1872
A large lot of papers, including this and many other birth, death and burial records, were apparently found in the ceiling cavity of the Sandy Creek/Tarnagulla Post and Telegraph Office in the later 20th Century, during building works. Donald Clark Collection. Transcript of document (partly printed, partly handwritten): TO THE REGISTRAR OF THE DISTRICT IN WHICH THE UNDERMENTIONED DEATH TOOK PLACE I hereby certify that I attended Alexander Williams aged 72 last Birthday; that I last saw h__ on [not completed] that he died on April 16th at Newbridge and that the cause of his death was Senile Decay. Signed: Edward Green Proff. Title: [indecipherable] Address: Tarnagulla Date: April 17th 1872 -
The Mrs Aeneas Gunn Memorial Library
Book, JM Dent and sons, Goethe's Faust : Parts I and II, 1908
... in the 16th century, often reducing Faust and Mephistopheles ...Faust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifep.424.non-fictionFaust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifegerman literature, german drama