The Fanning Family home, 'Sunnyside', was built in Loemans Road after William Patrick Fanning migrated from Thurles, Co Tipperary, Ireland. He was one of the early farmers in Bulla. He and his wife, Catherine had five children. Since he and his wife died their descendants continued to live at 'Sunnyside' in Bulla. The Fanning family were one of the early settlers in Bulla during European settlement.A photocopied black and white non-digital photograph of a man, lady and young girl standing behind a picket fence outside a weatherboard Victorian cottage with a galvanised iron roof. The family are smartly dressed in clothes fashionable in the 1890s.A label with 'The Fanning Family' printed on it has been stuck on the side of the photograph.'sunnyside', bulla bulla, fanning family, loemans road

Heywood & Wakefield Furniture Co: The Heywood-Wakefield Company is an American furniture manufacturer established in 1897 that went on to become a major presence in the US. Its older products are considered collectibles and have been featured on television antique programs. The Heywood brothers established themselves in 1826, as furniture makers and the Wakefield Company began in 1855 as a separate company. Both firms produced wicker and rattan furniture, and as these products became increasingly popular towards the end of the century, they became serious rivals. In 1897 the companies merged as Heywood Brothers & Wakefield Company (this name was changed to Heywood-Wakefield Company in 1921), purchasing Washburn-Heywood Chair Company in 1916, Oregon Chair Company in 1920, and Lloyd Manufacturing Company in 1921. While its wooden furniture plant in Gardner, Massachusetts closed in 1979, a branch in Menominee, Michigan continued to manufacture metal outdoor seats, auditorium seats, and school furniture. The Heywood-Wakefield Company Complex in Gardner was added to the National Historic Register in 1983. The South Beach Furniture Company acquired the rights to the name in 1994 and reproduces its wooden furniture. Both founding companies produced wicker and rattan furniture in the late 19th century.  The wicker styles drew on the Aesthetic Movement and Japanese influences simpler designs arose in the wake of the Arts and Crafts Movement. The merged entity stayed abreast of wicker furniture trends by hiring designers such as Paul Frankl and Donald Deskey during the 1920s. Its furniture was exhibited at the 1933 Century of Progress exhibition and the 1964 New York World's Fair. During the 1930s and 1940s, Heywood-Wakefield began producing furniture using sleek designs based on French Art Deco.The chair has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the village and Museum was established. The wicker nursing chair is a fine example of late 19th century light weight domestic furniture that today are very collectible items and quite rare and valuable.Nurse wicker chair, wood, cane and rattan with round rushed seat. The one left arm being that to support the infant during feeding. 1870s-1890s. Believed to have been made by Heywood Brothers & Wakefield Company, USA. flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, great ocean road, 19th century furniture, rolled serpentine wicker work, cane armchair, classic wicker furniture, victorian style furniture, domestic furniture late 19th century, heywood-wakefield company, feeding chair, nursing chair, mother's chair, nursery furniture

Quote is from the Bible John 6:20, these cards were often sent as gifts or used in bible studies at Sunday schools around the 1890s to teach religion. They were produced by various companies at this time and known as "Heidelberg cards" from the Heidelberger Druckmaschinen company in Germany that produces catalogues, calendars, posters, and labels to this day.Item is significant as it shows an early example of religious teaching aid from the late Victorian era and gives a snapshot into social life of the time.Card with Bible quotation 'It Is I' Be Not Afraid' with a picture of a roseflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, card, bible verse

A book with printed perforated pages to send one half to owner of property demanding outstanding payment of rates prior to Council taking possession of land.A mottled blue and brown hard cover book with black spine. Printed and handwritten pages. Printed pattern very worn on front and back covers."Shire of Bulla/Notice of Intention..."1890s, shire of bulla, george evans collection

This is a works diary used in 1899 for jobs to be carried out by the Shire of Bulla.Blue cloth bound book with gold lettering on cover and black printing on the pages."Works Diary 1899"1890s, shire of bulla, george evans collection

This is a works diary used in 1898 for jobs to be carried out by the Shire of Bulla.Black cloth bound book with gold lettering and 365 plus pages."Work Diary/1898"1890s, shire of bulla, george evans collection

Two piece ivory satin evening dress. Bodice (.1) is decorated with central panel of finely pleated chiffon and embellished with ready-made strips of beading and artificial pearls. Short puffed sleeves. Russet coloured velvet band applied to waist of bodice and finished with a metal rosette. Plain gored satin skirt (.2) with cream velvet binding around hem. Label, printed grey on cream cotton, centre back bodice waist: Bussell, Robson & Bussell / MELBOURNE.evening dress, bussell robson & bussell, 1890s

Scrapbook album of 22 pages - coloured stickers of various themes on the pages. Some have come loose. No identity of owner except a card inside which reads in part ''To Jessie from Anne''. Handwritten verses on two of the pages. Ca. 1890s??ephemera, mementoes, scrapbook

This book contains information on the building of suspension bridges and dates from the 1890s. It belonged to John William Crawley Junior, an engineer, surveyor and architect in private practice in Warrnambool and also the engineer for the Shire of Warrnambool from 1895 to 1935. The information in the book comes in the form of lectures on suspension bridge making and these were sent to John Crawley by his tutor or coach, Arnold Lilley (Lilly). Arnold Lilley was an Oxford mathematician working in Victoria and it is said that he coached or trained 95% of the municipal surveyors in Victoria in the 1890s. John Crawley has obviously had this material bound into a book and it was passed on to his son, Rolf, who was the engineer for the Shire of Warrnambool from 1935 to 1968. It then came into the possession of Michael Hand who took over the private surveying business of Rolf Crawley in Warrnambool. The Warrnambool and District Historical Society acquired the book, along with several Crawley ledgers and letter books, from the estate of Michael Hand. This book is of interest as it contains lectures and other material on the building of suspension bridges and belonged to John William Crawley Junior, an engineer for the Shire of Warrnambool for 40 years. It also is a memento of the work of Arnold Lilley who produced the material on suspension bridges and coached John Crawley in his surveying studies.This is a hard cover book with a purple cover. The cover is slightly faded. The book contains handwritten material regarding the building of suspension bridges and includes sketches, lectures on suspension bridges and pages with postage stamps on them. There are three loose pages. ‘’Letters on Suspension Bridges Arnold Lilly Esq. Coach J Wm. Crawley Pupil’john william crawley junior, warrnambool, rolf crawley, warrnambool, shire of warrnambool, arnold lilley, teacher of surveying.

BHS CollectionBendigo Labor - The Maintanance of Traditions in a Regional City by Colin Cleary. From the 1890s the labor Party has found a receptive audience in the City of Bendigo, in this history Colin Cleary tells the proud story of the Labor Party in Bendigo. Signed by the author on front page.

Bendigo Advertiser "The way we were" from 1999. Kecks' nursery, Spring Gully, circa 1890s. Herbert and James Keck started the small palm plantation in 1888. Little did they know they had laid the foundation for one of Bendigo's best known nurseries.newspaper, bendigo advertiser, the way we were

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased these 1890s shoes around 1990 and recalled wearing them to approximately three events before she donated them to BHS in 2019. Di enjoyed the novelty and conversation they would inspire due to their unusual appearance by modern standards. The shoes are indicative of Di's playful approach to clothing and life. The decorative preserved mink pelt with head featured on the vamps of these shoes is typical of Victorian era interest in and prevalent use of preserved animals for decorative purposes in clothing, millinery and household adornment. This fashion reflected social positioning of oneself as being affluent, educated and worldly. Following the death of Queen Victoria's husband Prince Albert in 1861, the Queen's approach to mourning his death influenced social conventions for the public, with the wearing of black becoming a significant aspect of Victorian fashions. The shoes were made by Kendal Milne & Co, a large department store on Deansgate, Manchester. It has traded under various names and owners since it opened in 1832; it traded as Kendal Milne & Co from 1862-1919, and continued to be known by this name for many years after. The store is currently owned by the House of Fraser department store chain and is known as House of Fraser Manchester.Black silk linear quilted uppers of single piece construction with feature centre front vamp seam. Horsehair wadding can be seen along the side of the forefoot where the upper is coming away from the leather soles. Approx 4.5 cm plain black silk covered heel with leather top piece missing from right shoe. Both shoes feature the head of a small preserved mink with glass eyes. The toppling of the vamp features a decorative strip of mink fur. Inside of both shoes is a gold printed manufacturers label on the black silk insole.Manufacturers label - Made expressly for Kendall Milne and Co, Manchester.victoriana, mink pelt, taxidermy, 1890s, fur, di reidie, vintage clothing

This book is hand written in ink a list of occupiers and addresses of properties in Sunbury requiring cleaning of water closets between the years 1895 and 1908. Water closets were used before sewerage was connected to the town.Cloth covered hard cover book with tan colour corners and spine which have small embossed pattern on edges. Gold writing on red background on front cover. Green, black and red colour mottled pages inside front and back covers."Cleansing/Register/..."1890s, shire of bulla, sunbury, george evans collection

Owned by Charles Mc Gregor in 1866, Pyramid Rock Road. Donated by G W GliddonNeedlework. Cross stitch bookmark on perforated board. Black stitches-possibly human hair- with red border. Enclosed in carboard and plasticForget me not "words on the bookmark are made with human hair according to Jessie's story, which is doubtless correct. The writer remembers similar things being done with hair inthe 1890s" JWG [ J W Gliddon] 1970charles mcgregor, needlework, j w gliddon

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In this view of Studley Park Road, looking northeast to the Junction, the photographer invites the viewer to participate in a point-of-view that emphasises the elevated, tranquil vantage point of the hill in contrast to the bustling commercial area in the distance. The view emphasises the exclusiveness of Studley Park, with its high fences behind which a number of significant Kew mansions were concealed. Contemporary advertisements for the sale of mansions in Studley Park Road often included fulsome descriptions of their elaborate formal gardens, as well as paddocks for grazing, stabling and dairies. None can be seen here. The use of high, protective wooden pickets to surround the newly planted avenue of elms on the south side of the road appears to be typical of the period. Similar examples can be seen in early photographs of Wellington and Princess Streets.The horse and carriage, selected as a central focus of the view, reinforces the residential, exclusive nature of this part of Kew in the early 1890s. Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett

Owned by Miss M. Howell (Nurse), 1890s of Barrakee.Pink coloured glass (embossed) & silver scent atomiser.barrakee, howell, atomiser

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Single storey, block-fronted Victorian villa. Built c.1890s. Pen and ink architectural drawing on drafting film by Margaret Picken in 1997. By 2020 the house had acquired a large rear and two storey extension. The single garage in the illustration was subsequently removed and a double garage created at the rear of the property68 MARY ST., KEW / MARGARET PICKEN ~97 / WOODARDS ~ HAWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 68 mary street - kew (vic)

This Bible belonged to Thomas Wong Ch(e)ong who was the catechist at the Warrnambool Chinese Church in Ryot Street, Warrnambool. In 1892 Thomas Wong Cheong was appointed by the Foreign Missions Committee of the General Assembly of the Presbyterian Church of Victoria as the catechist to the Chinese community in Warrnambool and district. The Chinese Church in Ryot Street was established in the early 1890s and continued until the late 1920s when the numbers of the local Chinese community had declined. Thomas Wong Cheong and his wife worked tirelessly in the Warrnambool district until his death in 1923. No information has been found on James Yee Keet. This is a book of high significance because it belonged to Thomas Wong Cheong who holds an important place in Warrnambool’s history because of his work with the Warrnambool Chinese community over a period of 30 years. This is a leather-covered book with four gold Chinese characters on the spine and the back cover (the front cover for Chinese readers). The leather on the cover extends over the pages and folds inwards to almost enclose the pages. The pages are gilt-edged. The inscription is handwritten in blue ink. The book contains a fold-out map of the Mediterranean Sea area and all the text is in printed Chinese characters. The cover is somewhat scuffed and there is some silverfish damage on the inside cover. ‘Presented to Christian friend Mr Thos. Wong Chong Missionary at Warnambool (sic) by his sincere friend James Yee Keet Great Western Augt.1st 1895’ chinese in warrnambool, thomas wong cheong, chinese church, ryot street, warrnambool

During the 1890s the Ballarat School of Mines started teaching photography.Handwritten invoice on printed letterhead. The invoice was for chemicals and apparatus for the Ballarat School of Mines, including items for the Chemical Laboratory, Photography Laboratory, Electrical Laboratory and Cyanide.walter cornell, ballarat school of mines, laboratory, chemist, pharmacy, photography electricity, photographic equipment

This plan shows a proposed deviation in the road near Glenmore. This is likely to have been the Bacchus Marsh to Ballan road. The precise date of the plan has not been established. Proposed deviations to the road near Glenmore appear in reports in the Bacchus Marsh Express newspaper through many decades, especially in the 1870s and 1880s. Glenmore is located 19 kilometers west of Bacchus Marsh.A single page paper map showing a plan for a road deviation near Glenmore Station. Scale 5 chains to 1 inch. Date of production unknown. Circa 1860s-1890s. The map is pasted into a bound volume containing 76 maps or plans in total. High resolution digital image stored on BMDHS computer network. Old road colored Yellow, New road colored Pinkroad plans, road construction, glenmore victoria maps

This bottle has been produced in the Epsom factory of the Bendigo Pottery works and used by Alfred Darby for bottling his ginger beer in the late 1890s. In 1897 Alfred Darby leased the cordial factory in Henna Street,Warrnambool, formerly the McSweeney Cordial Factory (and today the Alderdice Brass Foundry). He used the Maltese Cross as his logo on his bottles. He also had a cordial factory in Rochester, Victoria about the same time. In 1899 Alfred Darby advertised that he had re-located his cordial business to the old ‘Echo’ newspaper building in Koroit Street but it is not known whether the business opened there or if it did, for how long. This ceramic bottle is of interest as one of the late 19th century bottles used by Alfred Darby, a soft drinks manufacturer in Warrnambool. Cordial manufacturing was an important industry in Warrnambool for over 100 years.This is a ceramic brown and buff-coloured ginger beer bottle. It has a black logo in the shape of a Maltese Cross stamped on one side and the maker’s name etched into the clay near the base. It has no stopper and the main body of the bottle is somewhat stained. ‘A. Darby Henna Street Warrnambool’ ‘The Bendigo Pottery Coy. Pty. Ltd. Epsom Bendigo’ cordial manufacturers in warrnambool, history of warrnambool

Bendigo Advertiser ''The way we were'' from 2000. City brewery: located at 745 High Street, Golden Square, the City Brewery marketed beers and stouts over a 1000 mile radius. It won an award for its ales and many other medals for draught and bottled beer at horticultural shows during the 1890s. The clip is in a folder.newspaper, bendigo advertiser, the way we were

B&W photograph of large community group, mixed age group, circa 1890sSepia photograph of a family group at a picnic, circa 1910. four men, nine women, two girls and a baby Photographer's sepia photograph - R. Dormer Smith, Bull Street, Bendigo (gold impressed into mount).Photograph - R. Dormer Smith, Bull Street, Bendigocirca 1890s mixed ages community group photo

This dress was worn by Matilda Kinross McDonald, nee Herd (1871-1943) for her wedding to George William Mitchell McDonald in Geelong in 1892. Two-piece wedding dress comprising separate bodice (.1) and skirt (.2) made of figured coffee-coloured silk woven with large sprays of foliage and berries. The front of the bodice is decorated with a cream-coloured hand-made lace. The bodice is cut asymmetrically, with the front panel wrapping over to the left proper side seam. The fitted sleeves are cut with fullness in the head and narrowing at the elbow and wrist in a leg-of-mutton style. The bodice is backed with a dark brown glazed cotton and has 13 bones. The skirt is backed with a coffee-coloured cotton. wedding dress, geelong, matilda kinross herd, george william mitchell mcdonald, 1890s