Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. The terracotta sculpture won the 1956 Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors. The National Gallery of Victoria purchased the original terracotta sculpture for the Gallery’s collection in 1956. In 1979 the NGV allowed Karl to cast the original terracotta sculpture in bronze (to a limited edition of 5). The National Gallery of Victoria holds one of these casts and one is in Duldig Studio collection. The original terracotta sculpture was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall at the University of Melbourne. Two other works by Karl were also exhibited, a sandstone titled 'Adam and Eve' and a work titled 'Fountain'. The catalogue for the Olympic exhibition, which promoted modernism across a variety of disciplines, noted that Australia’s post war immigration program had given ‘further momentum to the modernist cause’. The identification of émigré artists, such as Karl Duldig, with the acceptance of modernism in Australia became a major theme in any discussion of art and design in the post war period. Ann Carew 2016The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous sculptural interpretation of the subject. In Karl’s hands we have a modern interpretation of the theme. His simplification and abstraction of form and attention to surface modeling is masterly. The figure has an emotional intensity and despite its relatively small scale, a ‘forceful monumentality’. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the 1956 Olympic Arts Festival. The Duldig Studio’s bronze cast of the sculpture was exhibited in the exhibition '1956: Melbourne, modernity and the XVI Olympiad, Museum of Modern Art at Heide.' Apart from the formal qualities of a work like Moses, its relevance as a motif in Judaism and Christian faiths ensures its place as a work of spiritual significance. Ann Carew 2016Bronze cast from terracotta sculpture. Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground.

- Migrant ships arriving into Port Melbourne in 1956. Migrants boarding the train to Bonegilla camp and resettling in Victoria. - Section on Olympic Games in Melbourne was filmed by Father Basil Valentin OFM who was the Chaplain of the American Olympic team. -Also showed extracts of Moomba festival in 1957. - Slovenian settling on Australian farms and weddings of members of the Slovenian community This video shows the magnitude of migrants who arrived in Australia in 1956 by ships mainly from Italian ports from Genoa, Trieste and Naples. It shows the settling of migrants into camps and depicts their everyday life including education and recreation and assimilation into Australia. 120 minute video cassette in colour depicting migrant ships arriving to Port Melbourne in 1956 and short clips of the Melbourne Olympic Games. Also includes footage of train journey to Bonegilla camp and camp housing facility.0002migration, resettlement, bonegilla, slovenians, ships, olympics 1956

Purchased by the Society to extend the Olympic Games Memorabilia (1956).Brass coloured bow on a pin from which is suspended a book with clasp. Embossed 'Olympic Games - Melbourne'. When opened it folds out to miniature post cards of scenes in Melbourne.Made in Englandcostume accessories, jewellery

The brick was used in the construction of a toilet block located behind the Blackburn Library and next to the railway line. it was donated by the City of Whitehorse after the toilet block was demolished in 1999.1956 Olympic Glen Iris cream brick'Glen 1956 Iris' with Olympic ringsbuildings, materials

The Blackburn South Post Office was in 1962 housed in a building originally built as a P.O. for the 1956 Olympics games. It was located in the grounds of the M.C.C. and was transported to the Blackburn South site. Demolished c1970s. Information supplied by Stan Hander, 34Drummond Street, Blackburn South. He worked near the P.O. during the Olympics.Black and white photo of site of Blackburn Fibrous Plaster Works, Canterbury Road, Blackburn South. On left hand side can be seen the Blackburn South Post Office ( see History below).blackburn fibrous plaster works, blackburn south post office., hander, stan, olympic games

Small booklet - Official guide to XVI Olympics, Melbourne, 1956.documents, programmes

Two dark blue and white programmes for the athletics at Melbourne Olympics.Olympics Games Melbourne Australia 1956 Athletics Main Stadium Melbourne Cricket Ground Friday 30th November Official Programme One Shilling.documents, programmes

Issued by the Olympic Tyre and Rubber Company in the interests of amateur sport and as an advance souvenir of the 1956 Olympic Games in Melbournenon-fictionA souvenir booklet of the history of the Olympic Gamesolympic games, sport

non-fiction18 page booklet of Friday 30th November programme of the Melbourne Olympic Athletics 1956sport, competitions

Anne Pedretti was born at Elevated Plains, Victoria, on 15 September 1875, the daughter of Martino Pedretti and Sarah Ind. She married George Gervasoni of Yandoit Creek, and died at Dayesford on 13 August 1957. Annie Gervasoni was known for her crochet ability, and according to folklore could crochet the Lords Prayer without a pattern.Crocheted milk jug cover by Anne Gervasoni (Pedretti) of Daylesford. The words "Olympic Games 1956" has been crocheted into the design. crochet, doily, anne pedretti, anne gervasoni, ekevated plains, dry diggings, pedretti, olympic games, melbourne olympic games

Joyce Coffey (nee Hiddlestone) was the first woman to receive recognition as a designer in a major Australian manufacturing business, Kempthorne Lighting, where she was the chief designer in the post war period. These design drawings by Joyce Coffey were for the Well Glass lamp series of lights that were designed for indoor and outdoor use. Joyce Coffey worked in partnership with Selwyn Coffey on the designs. In 1956 lights from this series won a bronze award in the Industrial Design section of the Arts Festival exhibition of the Melbourne Olympic Games. Ann Carew, 2017Drawings of a Kempthorne Well Glass Wall Bracket and Ceiling Lamplighting, design, melbourne olympic games, industrial design

John and Phyllis Murphy designed this house and garden in Kew for Sir Frank and Lady Macfarlane Burnet in 1959, the year before Burnet and Peter Medaware received the Nobel Prize for discovering acquired immunological tolerance. For the most highly honoured scientist to have worked in Australia, Burnet's house is modest - single storey with two bedrooms. Typical of post-war suburban housing thought, the garden is a generous, and the planting a mix of existing shrubs and trees, old favourites such as camelias, hydrangeas, lilacs, and a unusually 'a thick copse of native trees'. John Murphy (1920-2004) and Phyllis Murphy (nee Slater) (1924-) are alumni of RMIT. John commenced his architectural studies at Swinburne Technical College prior to WW2, and subsequently studied at Melbourne Technical College (now RMIT University) from 1944 to 1946. Phyllis studied architecture at Melbourne Technical College from 1942, before transferring to Melbourne University's Architectural Atelier in 1944 They both completed their Bachelor of Architecture in 1949, with Phyllis topping the fourth year, and John coming in second. They established their architectural practice in 1950. One early project was their design with Kevin Borland and Peter McIntyre for the Olympic Swimming Pool (1956). Ann Carew 2018dye, paper, garden design, kew

Colour slide in a mount. Melbourne Olympic Swimming Pool (1956), Melbourne, Australia. (Architects: Kevin Borland, Peter McIntyre, John and Phyllis Murphy; engineer: Bill Irwin.)Encircled 60 (Handwritten)melbourne, slide

Tournament Programme: Davis Cup 1956 Challenge Round Materials: Paper, Inktennis

Tournament Programme: Davis Cup 1956 Interzone Final; India vs USA Materials: Paper, Inktennis

Tournament Programme: Davis Cup 1956 Challenge Round Materials: Paper, Inktennis

Framed Olympic Games 1956 Photomontage print with Limited Edition Certificate attached. Presented to the South Gippsland Shire Council from the Olympic Games Committee, Sydney 2000. Cream card window mount with engraved text panel set in light brown wood frame. The photomontage features images of the the Olympic Torch and Commemorative medals atop with text and signatures above a collection of ephemera, memorabilia, items of clothing and objects relating to the Olympic games.

Department of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour CollectionDepartment of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour Collection

Black and white photo of a finale of an Annual Demonstration at the Melbourne Town Hall. Part of the set design were the Olympic Rings and sign saying Olympic Games. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. A record of a Junior Legacy Demonstration.Black and white photo from the 1956 Melbourne Junior Legatees Annual Demonstration at the Melbourne Town Hall.junior legatee, annual demonstration

"Last Mail carried by tram in NSW Special Commemorative Trip Operated by the NSW Tramway Historical Assn. during last week of Trams in NSW 19 February 1961". Also has a hand stamp in purple ink "Last tram mail City Railway La Perouse Maroubra Beach Randwick 19 February 1961" The stamp is a 1/- stamp featuring a Melbourne street scene for the 1956 Olympics. Addressed to "Wally Jack 31 York St., Ballarat East Victoria". The post office cancellation stamp "Last Tram Mail Sydney NSW Aust 19FE61"Yields information about the type of materials that a local Ballarat tramway enthusiast collected and reflects the closure of the Sydney tram system in 1961. Envelope - preprinted in dark green and red ink - titled "Last Day Cover" - with a colour stamp in top left hand corner. On rear is another small hand stamp about details of the last tram mail and in the bottom right hand corner the number "1422".trams, tramways, sydney, last tram, post office, postage stamps

The September, 1956 issue of 'World Tennis' magazine. Materials: Ink, Paper, Metaltennis

Davis Cup 1956 Challenge Round Committee commemorative badge. Materials: Metal, Enameltennis

Silver prize bowl. Insc: 'SCANDIVANIAN CHAMPIONSHIPS/STOCKHOLM/1956/MENS DOUBLE'. Stamps on base include 'KA' and 'S' and D9'. Materials: Silver/Metaltennis

Two copies of September 3, 1956 issue of Sports Illustrated. Materials: Paper, Inktennis

Programme for the 1956 Pacific Southwest Tennis Championships. Materials: Ink, Paper, Metaltennis

Two programmes for Wimbledon 1956. Materials: Ink, Paper, Metaltennis

Small metal badge commemorating Davis Cup 1956 Materials: Metal compositetennis

Visitors Book of the Adult deaf and Dumb Society with no dates for early entries and a long list of names for 11 November 1956, the Olympic Games Opening. The last entry is in January 1959Brown Cover, 18cmHx23cmW