Photos relate to James Worland MILLS No 3441 59th Battalion. .1) James MILLS is 3rd from R standing with arms crossed. .2) James MILLS is 2nd from L without a hat, 3rd row from front. .3) James MILLS is 2nd on L. Refer Cat No 169P for his service details..1) Photo, black / white, showing a large group of soldiers & nurses standing & sitting outside a large building. .2) Photo, black / white, showing a large group of soldiers & nurses standing & sitting outside a large building. .3) Photo, sepia, showing a large group of soldiers & nurses with 3 children standing outside outside a large building. .4) & .5) Photos, black / white, copies of .2) & .3). .1) “Versailles 18.6.19 YMCA” .2) “Paris 17.6.19 YMCA” .3) “Paris 20.6.19 YMCA” .4) “Paris 20.6.19 YMCA” .5) “ Paris 17.6.19 YMCA”photographs, 59th, paris, ymca

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Banner used for Open Days and Expos to advertise/promote the VIOSH Program. Product made by BannerUp. When retracted it is easily carried in a heavy cotton fabric bag, black.Retractable banner in black carry bag.Occupational Health and Safety. "BannerUp" on caseviosh, victorian institute of occupational safety and health, banner, occupational health and safety, open days, exposes, promoting course

Poster features a purple and white photograph of a group of women marching at a rally, against a white background, with a purple line border, and text in purple at the base.Additional text: "Meet: March 8th at Assembly Hall, 156 Collins Street, 7.30pm. Meet: March 10th: City Square, 10am. Women of the world unite!"women's liberation

A group of Singapore internee women and children in Camp 3 during WW2. Sepia photograph of a group of women and children standing in front of a hut.singapore internee, camp 3 internees

Date may possibly be 1927 as typing has been changed.HistoricalFramed photograph of group of women, 3 seated.at front, dressed in coats, furs and hats.,Taken at the Ventnor sports 10.4.26. Front row sitting- Mrs John McIlwraith, Mrs M. Evans, Mrs Janet Morrison. Standing- Mrs Morrison [ Fanny West ], Mrs Henderson [Minnie West], Mrs McDonald [ Alice West], Mrs J. Forrest [ Elsie Findlay ],Mrs Charlie West [ Annie Leeson ],Mrs Warren [ Janet Anderson ]ventnor phillip island, west family, forrest family

This photograph depicts two young Japanese women demonstrating traditional Japanese cultural practice whilst living at Tatura Internment and Wartime Camps during the Second World War.A black and white photograph featuring two young Japanese women in traditional costume.tatura, japanese family camp, japanese, japanese internees, internment, rushworth, goulburn valley, kimono

Salvation Army Bandsmen and Women at Mt. William bushland setting. 1900 was a period of gold rush. Photo taken at the time of the gold rush Mafeking in the Grampians. Black and white photograph of a scene depicting a group of people, some bandsmen & women. The background is a bushland setting.W. Hale Mount William. (handwritten 1900). on the back John Clark. The Stawell S.A. band at Mount William. Sept 1900 R.M. Perry.stawell religion

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising3 Alwyn St., Mitcham. This property has be listed as having sold for $325,000 in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 3 Alwyn St., Mitcham depicting a weatherboard cottage with corrugated roof and bullnose verandah, set back from a picket fence and front lawn with gumtree. To the left is a driveway leading to a detached garage There are two hole punch holes near the centre of the upper edge3 Alwyn St., Mitcham Picken © 2002 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

The war billed on the marguee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their timevietnam war, 1961-1975 - personal narratives, american

Penny CAREY WELLS (08 November 1950- ) Born Hobart, Victoria Penny Carey Wells has worked as a paper and book artist in Tasmania since the early 80s and taught at the School of Art, University of Tasmania, from 1985-1997. She is currently employed part time at the State Library of Tasmania as a technician in paper conservation and exhibition officer. (http://www.kitezh.com/haven/artists/penny.htm, accessed 1/11/2016) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Boxed paper sculpture of the torso of a woman with narrow leather chest bands and gold leaf on the left hand side. art, artwork, sculpture, penny carey wells, torso, available, penny carey-wells

Up to a thousand Australian women were in wartime Vietnam during the sixties and early seventies - as entertainers, army and civilian nurses, secretaries, consular staff and more. They were feted and pampered, patronised and harrassed, and a few were assaulted. 1961-1975 - women - australia, vietnam war, nurses, entertainers, journalists, consular staff, volunteer workers

Original water colour painted by Glunker an internee at Camp 3Hoefer Familywatecolour of camp 3. 2 half huts half obscured, 2 posts, 9 wire strand fence with an electric powerline. Tall gum tree left hand side, gardens. I. (Note : Glass windows had replaced fly wire by 1941 in the huts.) Glunker 42painting, watercolour, huts, glunkler, hoefer family, camp 3, tatura, ww2 camp 3, illustrations

.1) Basic webbing. .2) Torch. .3) Backpack, Australian issue. Sniper bag, camouflage colours. .4) Alice back pack. .5) Water bottle, khaki colour plastic with screw lid, aluminium holder inside pouch. .6) Water bottle, khaki colour plastic with screw lid. .7) Millbank filter, khaki canvas, 2 metal eyelets. .8) Multi tool. Dole K.3) Auscam NSN No. 8465-66-135-0685. Written in red circle on back lower left corner: DOL 312 . Blue and white patch painted on back lower right corner. .7) 7 Aug 1991 ↑ NSC-8465-99-873-6663. .8) Victorinox.military equipment, containers - drink consumption

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Document outlining the Vision, Mission, Aims, Goals and Principles of VIOSH Australia. The main vision is to provide the best undergraduate, graduate and industry focused OHS program in Australia and Asia - Pacific Region. Improvement in occupational health and safety within workplaces in Australia and overseas and stimulate best practice within the University of Ballarat is the mission. Detailed statements covering Aims, Goals and Principles outline how this will be achieved.Thirteen A4 pages, typed. Coloured sections.Symbols for VIOSH, CSIRO, SafetyLine, Safety Institute of Australia, Worksafe Australia,Canadian Centre for OH&S. Health and Safety Executive (United Kingdom), National Institute for OH&S (United States), Occupational Health and Safety (United States), International Occupational Safety and Health Information (Finland)viosh, victorian institute of occupational safety and health, university of ballarat, vision, mission, aims, goals, principles, research and colsultancy, courses, viosh working papers, noise control in mining, resources, australia, csiro, safetyline, safety institute of australia, worksafe australia, canada, canadian centre for occupational health and safety, united kingdom, health and safety executive, united states, national institute for occupational safety and health, occupational health and safety administration, finland, international occupational safety and health information

Warrnambool has never done justice to the women who shared their menfolk the hardships of the pioneering days. Silent Lives fills a void in the history of Warrnambool and surrounding districts, during the early decades 1840s to 1910, providing a narrative about some of the people, in particular women, missing so far in our documented history. Elizabeth O'Callaghan has meticulously researched the period, drawing on early newspapers, diaries, letters, unpublished family histories, honour board listings as well as public documents such as hotel licensing and teacher records held in the Public Record Office of Victoria and State Library of Victoria. By their unremitting labours and self-sacrifice the pioneering women of Warrnambool and district helped to lay the foundations of our communities today.This publication is of significance as it documents the lives of 19th century women in Warrnambool and district between 1840 and 1910 covering Aboriginal women, schools and teachers, specialist teachers of art, writing and cookery, sporting activities, political and charitable activities, how the law treated women, medical treatment, and the everyday lives of women and their families. It contains images of art produced by some of these women.A4 size book with photograph of 7 women and 3 children in c1890sworking clothing and long white aprons, sitting and standing in front of a hedge with washing draped over the hedge. The two girls on the right are wearing wide-brimmed hats. The title is in white print on a band of dark blue across the middle. The bottom third features an early image of Warrnambool and the author's name in dark blue.Elizabeth O'Callaghan/November 2017warrnambool, history of warrnambool, 19th century women, women pioneers, silent lives, elizabeth o'callaghan, cover design james colquhoun

Text tells the stories of the bravery of Australian women from Gallipoli to Kokoda.Book, soft cover with sepia illustration depicting 4 women. Title in cream lettering. Black & white photographic illustrations & black & white maps. 296 pages with cut edges.Handwritten in black on 1st page: “O'Brien”book, australian women

Eight cards created by Whitehorse Manningham Libraries in collaboration with artist Edwina Marion of local trailblazing women during the late nineteenth and early twentieth centuries with explanation leaflet.Eight cards created by Whitehorse Manningham Libraries in collaboration with artist Edwina Marion. marion, edwina, schwerkolt, wilhelmina, weber, ivy, goyder, constance, serpell, jane, gaff, janet, sutherland, jane, boorat, annie, burchill, elizabeth

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 3 Lynne St., Nunawading. This property is listed as having sold for $376,000 in 2003 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story rendered house with a driveway on the left leading to a gated separate garage. Right of the driveway are the steps leading up to the front porch. In the foreground on the right is a front lawn.3 Lynne St., Nunawading Margaret Picken © 2003 Realtor -whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 3 Caversham Crt., Nunawading The property has be listed as having sold for $170,000 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a brick single story house with a multi arched patio over the front door. With a driveway on the left leading toa connected garage. On the right in front of the house is a lawn and garden beds. There are two holepunch holes centred just under the upper edge.3 Caversham Crt., Nunawading Margaret Picken - 94 Woodards - B/Burnswhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a double storey, white rendered brick house with unpainted variegated brown brick features. Other features include a dormer window, tiled roof, porch with arched entrances, brick paving and an unfinished brick wall beside the drive. No.3murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, gloucester court, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, brick features, dormer windows, arches, brick fences

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 3 Coringa Close., Vermont South Although drawn for sale in 1992, this property is listed as having sold for $98,000 in 1996 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house. To the left is a driveway leading to a gated carport, connected to the house. In the foreground is a front lawn either side of the driveway, with garden beds in front of the house. There are two hole punch holes just below centre of the upper edge3 Coringa Close., Vermont South Margaret Picken - 92 Woodards - Kewwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

Given to Ester McIntosh, Paringa Vale, Tatura Rd, Rushworth by an Internee when she visited the camp for socialsCream cotton doily knitted on hair pins. Mounted on a black background and framed in a white wooden frame.doily,, internee handcrafts