The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography

The Dead Man’s Penny is a commemorative medallion which was presented to the next-of-kin of the men and women from England and the Empire who died during World War One. The Dead Man’s Penny was accompanied by a letter from King George V, stating ‘I join with my grateful people in sending you this memorial of a brave life given for others in the Great War’.[http://nma.gov.au/blogs/education/2010/11/14/dead-mans-penny/] Popularly known as the "Dead Man’s Penny", because of the similarity in appearance to the somewhat smaller penny coin. 1,355,000 plaques were issued, which used a total of 450 tonnes of bronze, and continued to be issued into the 1930s to commemorate people who died as a consequence of the war. [http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] It was decided that the design of the plaque was to be picked from submissions made in a public competition. Over 800 designs were submitted and the competition was won by the sculptor and medallist Edward Carter Preston with his design called Pyramus, receiving a first place prize of £250.[http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] They were initially made at the Memorial Plaque Factory, 54/56 Church Road, Acton, W3, London from 1919. Early plaques did not have a number stamped on them but later ones have a number stamped behind the lion's back leg. [http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] Ted Cannon's plaquette does not have a stamped number. Ted Cannon was a gifted artist and cartoonist who studied at the Ballarat School of Mines Technical Art School. During the Battle of Pozieres on the Western Front Ted Cannon worked with the Scout Platoon sketching the enemy's gun emplacements. Ted proved invaluable to the Brigade and brought he came under the attention of the Australian High Command. On 13 September 1916 Ted was given a special assignment for General C.B.B. White. Ted was sent out forward of the Old Mill at Verbrandenmolen (in the Ypres Salient) to draw a panorama of the German lines in the area from Hill 60 to The Bluff. It was a hazardous task and Ted was warned to be careful. Tragically he was sniped by an enemy machine-gunner and sustained severe abdominal wounds. Stretcher-bearers rushed him to the 17th Casualty Clearing Station where he was operated on by the doctors at 8.30 that night. With little chance of success, but ever resilient, Ted remained conscious almost to the end. He died early in the morning of the 14 September 1916. His body was buried in the large Military Cemetery at Lijssenthoek. The effects of the late Ted Cannon were returned to his parents. These were an autograph book, three brushes, prayer book, housewife, whistle, book, hymn book, curios. Another listing gives his effects as "identity disc, letters, photos, wallet, 2 books, Mexican Dollar, 1 cent (Ceylon), 3 German Straps, Fountain Pen, Cigarette-holder, Franc Note, 50 centimes Note, devotional book, mirror, rosary, scapula, metal ring, two combs, book of views, nail clippers, badges, tie clip, Egyptian stamp.[http://recordsearch.naa.gov.au/scripts/Imagine.asp?B=3202589] Ted Cannon was an only child. It is not known how the 'Dead Man's Penny' came into the ownership of the donor, but it is thought that it may have been left in a house owned by the donor's mother. Further information on Ted Cannon can be found at http://bih.ballarat.edu.au/index.php/Edwin_J._Cannon and http://www.ballarat.edu.au/about-ub/history/art-and-historical-collection/ub-honour-roll/c/edwin-joseph-ted-cannon-1895-1916Large bronze medallion or plaquette featuring an image of Lady Britannia surrounded by two dolphins (representing Britain’s sea power) and a lion (representing Britain) standing over a defeated eagle (symbolising Germany). Around the outer edge of the medallion are the words ‘He died for freedom and honour’. Next to Lady Britannia is the deceased solider’s name, with no rank provided to show equality in their sacrifice. (http://nma.gov.au/blogs/education/2010/11/14/dead-mans-penny) The plaque was distributed throughout the British Empire, and the first plaques were distributed in Australia in 1922 "Returned home" by W. & O. Mayne, 2013. ted cannon, edwin joseph cannon, cannon, world war 1, world war

Author Te Manuwir was also known as Albert Edward Davidson. This book is also associated with Edwin J. Cannon whose inscriptions and drawings appear on some pages.Hard cloth covered book of 194 pages. The book tells stories from the 19th century by a man, who, as young migrant in the 1840s, was educated with Maori schoolfellows. Of particular interest in this book are the inscriptions and drawings by former Ballarat School of Mines Student Edwin (Ted) Cannon who was killed during World War One. .2) A New Year card inside the books is from Eileen Doolan of Invermay, Launceston, Tasmania, Christmas 1936.Inside front: 'January 2nd 1908. To Edwin Joseph Cannon 610 Acot St Ballarat Victoria Australia from his dear father.' 'E.J. Cannon Ascot St Ballarat south' E. Cannon (with sketch) 'S.E. Doolan' Stamped 'F. Cannon' Inside back cover: '2nd January 1908 Presented to:- Master Edwin Joseph Cannon by his father.new zealand, maori, te manuwir, albert edward davidson, ted cannon, e.j. cannon, edwin j. cannon

Frank Tate was the first Director of Education for Victoria, 1902-1928. During this time World War I occurred and he enlisted. Due to his support for the French during this time he was awarded "Chevalier of the Legion of Honor". Certificate printed on beige paper. Name and signature added Signature of Director of Education: Frank Tate Certificate made out to Ed M Roberts Certificate number: 4 "Credit" hand written after statement of pass Red school stamp - Ballarat School of Mines

These books were added to the library of the School of Mines Ballaarat in 1889. The author was Joseph Prestwich, who was a Professor of Geology at the University of Oxford.Two brown hard cloth covered books, Vol 1 & vol 2 with gold printing on the front cover and on the spine. .1) has a coloured fold out map of the World opposite the title page .20 has a coloured fold out map of Europe..1) A label is attached to the inside front cover with The School of Mines Ballaarat and the no. 955 and date purchased 14/3/89 (1889) as well as the institutions stamp in several places throughout the book. .2) As above but with no. 956 and on the inside fly is written in pencil 'Stamped in Error' with a Ballarat School of Mines Student Library stamp crossed out.geology, bookplate, library plate, ballarat school of mines library, joseph prestwich, geological map of the world, geological map of europe, hieropolis thermal springs, rockss, ice, volvanoes, earthquakes, metallurgy, shakespeare's cliff dover, wapley, gloucestershire, redruth mining district, fossils, reptilian footprints, chalk, london clay

Book in a box with matching green covers. The book contains DVDs and stamps on several pages. china three gorges university, book, dvds, charming university, going into the world, fusing into the three gorges

Bendigo Advertiser ''The way we were'' from 2000. John Goyne: Bendigo stamper-grating factory, circa 1900. John Goyne experimented with 36 hole per square inch sieves (for panning gold) until he had increased this to 290 per square inch thus trapping much more gold. Eventually his business was sending sieves Australia wide. By the mid 1880s he was exporting world wide and was able to employ seven men during 1902. the clip is in a folder.newspaper, bendigo advertiser, the way we were

A faded white programme with the following on the front cover, ' Commonwealth of Australia. Peace Celebrations Order of Thanksgiving to almighty God for the blessing of Peace after the War of 1914-18. To be used at Civic or other United Services throughout the Commonwealth of Australia, on Sunday, the first day of Peace Celebrations, 1919, commencing at 3 p.m. By Authority: Albert J. Mullett, Government Printer, Melbourne.' The next seven pages are devoted to the order of service.Royal Historical Society of Victoria stamp, also white label D1711 in blackevent, official, war, lydia chancellor, collection, world war 1, peace, programme, program, event, war

(a) Clothing ration card No. V.A. 504811, June 1944 issued to Marion Jones, 135 Myrtle street Bendigo. (b) Two sections of clothing ration stamps for 1945 - 6, clothing ration stamps for 1947, Meat Ration stamps for 1948.Commonwealth of Australiatopic, rationing, rationing , world war two

Leather foldover wallet, crocodile skin pattern. Personal wartime memorabilia, 1942-1948, of Lillian Doble. The Lillian Doble Collection. Four Stamps, 1945 peace stamp 31/2d, 21915-1935 Anzac commemoration Stamps 2d., Australian halfpenny Stamp.personal effects, world war 2, lillian doble

A series of cuttings and photos on ornamental collections of cats. Sources are New Zealand publications, 'The Australian Women's Weekly' and some correspondence from the Globe Sewing Machine Co sent to 'Chance' of Bendigo's 3BO . Are all in a folder with a picture of a cat on the front. Dated 1950 - 1968. In a brown paper envelope there are four black and white photos with a Hill Thomas Auckland advert stamp on the back .One is a lady with 5 ceramic cats and the words 'Love Kenney ( Bushby ) ..The other three are of a variety of ceramic cats in and above a display cabinet .A sign states that the cats were gathered over 40 years by Mrs kenny -some are antiques over 100 years old all are gifts from customers - friends of the Globe Sewing Machine Co , from all over the world …in 1954 the famous cats were incorporated in the Trademark of the company . There is a related article clipping ( among others ) dated May 1955 -'She collects cats - the business appears to be a retail outlet for sewing machines - at Short's Building , 154 Queen St Aucklandornaments, ceramic, cats, lydia chancellor, collection, pottery, ceramics, cats, ornaments, photo, recreation

An assortment of ephemera in a plastic bag. (I) A handwritten list of concert items relating to W.W.I. (II) A Christmas gift card sent to the Pethard family. (III) Pte. W.H. Pethard A.I.F. Name tag. (IV) Lucerne post card with an unknown family message. (V) 2 empty envelopes. One has been sent from the front to Miss Lydia Pethard and has a censor stamp on it. (VI) A small cream sports meeting programme for the 2nd Aust. Inf. Brigade dated 11-6-17. (VII) A small map of Bendigo for attendees of the Independent Order of Rackabites Annual Conference held in Bendigo on March 13th to 16th, 1916. (VIII) An airgraph letter sent to Mrs. L. Chancellor from Wilf. Leech, RAAF Base, London 1944 thanking her for a hamper she sent him - through the ACF -the Australian Comforts Fund . (IX) An empty book titled 'Golden Square Methodist Girls Guild.' (X) A small brown 'Cole's Pocket Spelling Guide.'lydia chancellor, collection, ephemera, world war 1, entertainment, concert, music, australian infantry force, lucurne, post card, correspondence, communication, australian infantry brigade sports programme, independent order of rackebites, map, bendigo, airgraph, hamper, world war ii, australian comforts fund, spelling guide, education

Motor Spirit Consumer's License (Victoria) issued to G. A.. Jones, 135 Myrtle Street Bendigo. The vehicle it was issued for was an 'Overland 'Tourer, Registered Number 153772 and the amount allowed was 10 Gallons per month. On the reverse is gummed an attachment that has additional monthly stamps. All of the fuel used was issued at Bendigo.Commonwealth of Australiaorganization, government, motor spirit license, world war 2, rationing, motor spirit consumers license, g.a. jones

Letter dated 16/9/1944 from M C Langslow Secretary, Department of Air, Commonwealth of Australia to Mr H H Wilkinson advising of citation received from the Air Ministry in respect of award of the Distinguished Flying Cross to his son Pilot Officer J H WILKINSON and future announcement in the Commonwealth of Australia Gazette. Citation attached signed by H R Winneke, Group Captain. From collection of photographs and cuttings dedicated to the memory of WILKINSON JOHN HUDSON : Service Number - 400444 : Date of birth - 18 Feb 1914 : Place of birth - RUTHERGLEN VIC : Place of enlistment - MELBOURNE : Next of Kin - WILKINSON HUDSON. Wilkinson was awarded the distinguished flying cross in March 1944 and tragically killed in action over Germany also in 1944. See also 237 and 240. Original letter in black type. Two page with embossed crest letterhead. Stamped envelope.Letter - Commonwealth of Australia - Department of Air Envelope addressed to - Mr HH Wilkinson, Mount Ophir, Rutherglen.pilot, kia, killed in action, dfc, distinguished flying cross, wwii, world war two, air force

Frederick August Schleibs a 44 year old farmer of Wodonga enlisted in AIF 30 March 1916 and was allocated to 2nd Pioneer Battalion with regimental number 2972. En route to England he was hospitalised at Cape Town with injured knee. He was returned to Australia and discharged 27 October 1916. He reenlisted 21 February 1917 and sailed with 28th Reinforcements 8th Light Horse to Egypt. He returned to Australia following the war. Unusual to see a foreign coin used as an identity disc.Soldiers identify disc set connected by string; one aluminium and one a Portuguese 20 Reis coin. Both are stamped with information relating to 3383 Frederick Augustus Schleibs who served with 8th Australian Light Horse in World War One.On aluminium disc "A F Schleibs / 3383 / 8LH / CE", and on reverse "Wife / Wadonga / Vic / Aust". On coin "FAS / 3383 / CE"schleibs, light horse, 8th, world war one, wwi, aif, pioneer, wodonga

Part of a collection of objects relating to the service of Lieutenant Russell Jones, 13th Battalion. The collection gives an interesting insight into the social life of a young officer during and immediately following the end of the war. Regimental No 3350 later Lieutenant Russel Norman Jones was a 20 year old linotype operator when he enlisted in the 13th Battalion AIF 6 August 1915. He had 4 years cadet service and two years CMF prior to enlistment. He was wounded in action on two occasions and returned to Australia in September 1919 on SS Suevic. Example of community support for men serving overseas in World War 1 (1914-1918). Letter from Neutral Bay Parents' & Citizens' Association dated October 1917 to 3350 Corporal R N Jones D Company 13th Battalion AIF advising him that a parcel has been forwarded to London to be delivered to him for Xmas. The parcel was one of 100 sent by the Association following a successful fund raising "Entertainment & Gift Evening". Attached to the letter is an envelope addressed to Corporal Jones with a one penny postage stamp affixed.jones russell n, neutral bay parents' & citizens' association

Colour patch identifies the hat as belonging to a member of the 26th Light Horse (Machine Gun) Regiment, a CMF (militia) regiment raised around Geelong and western Victoria c.1939. First tasked with coastal defence in south-western Victoria and later Western Australia.rare example of headgear of a CMF regiment from Victoria mobilised for defence of mainland Australia during World War Two.Khaki slouch hat with colour patch on puggaree and rising Sun badge on turned up brim.Stamped inside band: V553 / 6 7/8 / 1942military, slouch hat, light horse, machine gun, world, world war two, wwii, cmf

Colonel Leslie Coleman was the Honorary Colonel of 8/13 VMR. Colonel Coleman graduated to the RAAC from the Royal Military College in 1939 and transferred to the 2nd AIF in 1941. He was adjutant of the 2/10 Armoured Regiment when the unit was raised in 1941. Later in the war he was attached to British 7 Armoured Division in Western Europe during and shortly after the invasion of Normandy. Lieutenant Colonel John Neale served in the Royal Australian Navy in World War Two. Following the war he returned to Albury and joined the 8/13 VMR in 1948. He rose through the ranks and became the Commanding Officer in 1974. He too was the Honorary Colonel 1990-92. Major Norman Whitehead MC served with the 21 Light Horse prior to World War Two. He joined the AIF and served with 2/6th Armoured Regiment. He was wounded during the capture of Buna New Guinea 1942 and awarded the Military Cross. Following the war he was one of the original officers of the 8/13 VMR when it was raised in 1948. He was squadron Commander of 'A' Squadron. He maintained close contact with the regiment after his retirement and frequently visited annual camp.Black and white photograph of Colonel Coleman, Lieutenant Colonel John Neale and Major Norman Whitehead taken during 8/13 Victorian Mounted Rifles Annual Camp at Puckapunyal 1974.Ink stamp on reverse "Mikainis Photo Studio / 23 Jun 1974 / 61 Goulburn St., Seymour / Telephone 92-2141 Vic"military, world war two, vmr, camp, coleman, neal, whitehead

This is an official group portrait of the 2/1st Field Butchery Platoon who are identified as: Left to right, back row: VX33117 Corporal (Cpl) F M Hogan; NX85618 Private (Pte) A J Nicol; VX127710 Pte E C J Kemp; VX143647 Lance Corporal (LCpl) L G Lobb; QX44905 Pte C L Adams; SX25540 Lance Sergeant R J Gray; NX193508 Pte K A Burgess; VX5112 Pte J T Roberts; NX153073 Pte D J Evans; WX9743 Pte M F Lynch. Middle row: QX49356 Pte L V Symes; QZ31697 Pte N R Underhill; QX16156 Staff Sergeant H L Cairns; VX19172 Lieutenant W H Thomas; VX55658 Sgt D W Craig; QX47082 Sgt E S Wilbraham; SX19778 Pte D Weatherald. Front row: NX155215 Pte E Corrigan; QX56335 Pte E Corrigan; NX57204 LCpl W H Jackson; VX59081 Pte B Moszkowicz; SX31901 Pte J Lambre; NX94941 Cpl R A Hanson; QX40009 Pte T G O’Neill; VX84971 Pte S J Welsh. The photo was taken under the command of 1 Aust Base Sub Area and Lt R B Irving. According to the Australian War Memorial website, the photographer was David Tennant Gaery Eastman and the photo was taken on 9 March 1945. In the AWM collection there is also a photo of members of the platoon at the unit slaughter yards in Milne Bay, New Guinea (REF: AWM 0703790). An overview of the history of the unit can be found at https://birtwistlewiki.com.au/wiki/2/1st_Field_Butchery_Company Leslie George Lobb, the father of the donor, was the platoon sergeant. He had multiple copies of this photo, which may have been obtained with the aim of distributing them to other platoon members. Leslie George Lobb - born 15 July 1920 in Box Hill; married Elizabeth Annie Stephenson in 1954; died 14 Nov. 1997. Leslie became a service station / garage proprietor at 352 Mont Albert Road, Mont Albert a business he took over from his father. An associated mechanical business operated under the name of Leo Green Motors, at the same address. The family lived next door at 354 Mont Albert Road, Mont Albert. Leslie's father Harry Lobb had operated at an adjoining property (350 Mont Albert Road, Mont Albert) as a fuel and ice merchant, before installing a petrol bowser to service the expanding motor car industry. The house at 354 Mont Albert Road, Mont Albert was removed and relocated by the family in 2000 to Mirboo North, Gippsland, Victoria, where it still stands.The photo is a touchstone to local servicemen who served in World War 2.A B&W / sepia photo with a narrow white border of 25 men in uniform. They are standing / sitting in 3 distinct rows with the rear row standing and the other 2 sitting on a 'sandy' area with sapling eucalypts and a (?) corrugated iron shed in the background.REAR: Purple photographer's stamp approximately in the centre: "Photograph No. MH [in lead pencil 87544] / Supplied by Military History / Section (S.D.9) / General Staff L H Q. / For personal enjoyment ONLY / and on condition that it will / not be reproduced in any form." f m hogan, a j nicol, c j kemp, l g lobb, c l adams, r j gray, k a burgess, j t roberts, d j evans, m f lynch, l v symes, n r underhill, h l cairns, w h thomas, d w craig, e s wilbraham, d weatherald, e corrigan, w h jackson, b moszkowicz, j lambre, r a hanson, t g o’neill, s j welsh, 2/1st field butchery platoon, petrie, world war, 1939-1945, mont albert

A chance viewing of a headstone just south of Anzac Cove in a well-kept lawned cemetery of Australian digger's headstones prompted the research into Stephen James Sweetland of Box Hill and other local diggers and resulted in this book.A chance viewing of a headstone just south of Anzac Cove in a well-kept lawned cemetery of Australian digger's headstones prompted the research into Stephen James Sweetland of Box Hill and other local diggers and resulted in this book.Front page: stamped: DONATION FROM/ BLACKBURN RSL SUB BRANCH/ 2 DIGGERS WAY/ BLACKBURN VIC 3130(mr) stephen james sweetland, world war, 1914-1918, gallipoli, anzac cove, military history, army

Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby.Stoneware bowl with flange. Glazed in white matt crackle with a faint copper red tint. Dry black glazed rim. Gift of the artist.Robin Welch stamped on baseceramics, robin welch, gippsland, gppsland campus, jan feder memorial ceramics collection

Victor GREENAWAY (1947 - ) Born Sale, Victoria Victor Greenaway studied Ceramics at RMIT. He established his first workshop in Hawthorn in 1968, before moving to Ian Sprague's Mungeriba Pottery, Upper Beaconsfield in 1969. He studied under Tatsuzo Shimoaka in Mashiko, Japan under a Churchill Fellowship awarded in 1974. Upon his return he established Broomhill Pottery in Upper Beaconsfield in 1975, and in 1976 started employing trainees. He was a visiting lecturer at the Gippsland Centre for Art and Design (GCAD) c1980. Hand-decorated wheel thrown porcelaneous stoneware glazed with semi-matt, silky white and dry black glaze and magnesium carbonate. The brushwork and banding is cobalt and iron with bronzelustre on-glaze bands. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Artist's stamp on base.gippsland campus, victor greenaway, ceramics, artists, artwork, jan feder memorial ceramics collectrion

Ian SPRAGUE (1920 - 18 April 1994) Born Geelong, Victoria Ian Broun Sprague's initial training was in Architecture, completing a degree at the University of Melbourne in 1950. After a serious car accident in England, Sprague was encouraged to take up a craft to restore the strength in his arms. He studied at the Central School of Arts and Crafts, London for three years, and spent two months at the David Leach Pottery in Devon, before returning to Australia in 1962. In 1964 Ian Sprague established the Craft Centre in Toorak Road, South Yarra, and the Mungeribar Pottery in Upper Beaconsfield, with Robin Welch, Mungeribar being an Aboriginal word meaning 'red clay'. In 1981, he moved to Mooney-Mooney, NSW (Mungeribar was gutted by bushfires shortly after he left), and to Noosa in 1992. The Mungeribar Pottery mark is an impressed 'm', and Sprague's own mark is an impressed 'IS' with the S rendered in Morse code. Ian Sprague's Mungeribar apprentices were Grattan Burley, Victor Greenaway (1969–73), Christopher Sanders (1976-78}, Trevor Hanby (1978–80). In 1981, he moved to Mooney-Mooney, NSW , and Noosa in 1992. Greenaway's mark in his Mungeribar years was an impressed capital G. Grattan Burley (for six months), The Craft Centre in South Yarra was owned and stocked entirely by Ian Sprague, and he travelled all over Australia in search of the best possible textiles, glassware, woodwork and jewellery, not just pottery. The opening exhibition showed the pottery of Robin Welch. Sprague sold the Centre in 1967, but soon started a campaign for a government funded centre, eventually established as the Meat Market Craft Centre in North Melbourne. In 1971 Sprague became president of the recently created Craft Association of Victoria. Dismayed by the quality of teaching in art schools and technical colleges, he ran many workshops around the country on the textural treatment of clay. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Contemporary ArtTexture fire clay slab and partly glazed wall panel. Ian Sprague produced his hand modeleed wall panels by cutting them from fireclay blocks, heating and scraping them, and applying bold simplified motifs. A strong solution of salted wated was poured onto the rugged clay surfaceswhich produced a warm toasted surface effect. The panels show a clear understanding of the modulation of two dimensional relief sculpture. Artists stamp on lower RH cornerceramics, ian sprague, gippsland campus, jan feder memorial ceramics collection, mungeribar, meat markery craft centre, craft centre south yarra

Robin WELCH (1936- ) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. Initially studying at Penzance School of Art and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Stoneware bowl with single flange. White glaze with copper tint. Dry black glaze underneath and airbrushed lustre banding. Robin Welch stamped on base.ceramics, robin welch, jan feder memorial ceramics collection, jan feder, gippsland campus, stadbroke pottery, mungeribar pottery

Robin WELCH (1936- ) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. Initially studying at Penzance School of Art and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Raku Fired stoneware bowl with White Crackle Glaze by Robin Welch Robin Welch stamped on baserobin welch, ceramics, jan feder memorial ceramics collection, gippsland campus

Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby. Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965.Stoneware bowl with split flange, glazed with matt white, black and a touch of copper red Tobin Welch stamped on basejan feder memorial ceramics collection, ceramics, robin welch, gippsland campus, jan feder