historic buildingColour photograph, Clarendon State School, last day 10 December 1993. Boy in photo is Head Boy Julian Sunter.school, classroom, clarendon

Colour photograph. Younger band members. Boy on wooden recorder, young woman playing tin whistle, younger boy on lute and older boy with guitar. Back of photo reads: Emu Creek Junior Band. 13 13.photo, group, musicians

Application for enrolment to the Boy Scouts Association .organization, club/society, scouts

Plaster sculpture of the head of a baby boy. Nonematcham skipper, sculpture, plaster, baby, boy

A young man plays the organ on the stage of Ormond Hall at RVIB in St Kilda Road. Behind him sits an 'R. Lipp & Sohn' piano and against the wall, some chairs.Lantern slide of boy playing organroyal victorian institute for the blind, blind musicians

A young blond haired child in overalls moves carefully down a staircase and at the top/base of the stairs.Digital image of a young boy in overallsrvib burwood school, occupational therapy

A brochure explaining Legacy's work and providing information on how to donate. Headings included: Whom does Legacy help? What kind of help does Legacy provide? How many dependants is Legacy actively helping in Victoria? What does Legacy spend in this State in its work? How are these funds provided? Why it necessary to provide this degree of help, when there is a generous Repatriation Act? What is Legacy's aim? Address given is Swanston st Melbourne so it is for Melbourne Legacy.(There is another at 00408 for Legacy Albury). Reprint July 1960. Also a leaflet using the same boy's photo, format changed to fit a single page without folding.A record of how Legacy portrayed itself to the wider community in 1960.Brochure x 4 pages made to promote Legacy in 1960. Black and white photograph of a young boy and printed text. Also a single page white leaflet with the same black and white photograph and printed text.legacy promotion, fundraising

A valuation and general rate notice that was issued in 1948 by the City of St Kilda for property held by the 2nd St Kilda Boy Scouts Troop.Pink coloured paper printed in black on both sides and inscribed with typed details in blueTyped details of addressee: Trustees 2nd. St. K. Boy Scouts Troop, 61b Pakington Street, St Kilda S.2. Typed details of assessment: no. 7702/4; location 59a/61a Pakington Street; net annual valuation 60 pounds; general rate 6 pounds 15 shillings. Valuations same as last year. Stamped notation that the general rate was twenty seven pence in the pound as made by the City of St Kilda on 10th November 1947boy scouts, city of st kilda, st kilda rates

ON BACK OF PHOTOGRAPH "CLARA" MRS CROSS & CHILD HUSBAND A..... OLIVER.OVAL PHOTOGRAPH OF LADY WITH A YOUNG BOY LEANING ON HER LEFT SHOULDER. SHE IS WEARING A HIGH NECKED DARK CAPE. THE BOY A WHITE SUIT.THE COMPLIMENTS OF THE SEASON . IN GOLD WRITING.local history, photography, photographs, early citizens

A young boys watch with nylon strap c1950A typical watch worn by young boys in City of Moorabbin c 1950A boy's Swiss watch with nylon wrist bandwatches, clocks, moorabbin, cheltenham, bentleigh, market gardeners, pioneers, early settlers, nylon,

With small boy standing on bank at edge of roadWritten on back of smaller photograph, "Wonga Rd. 1909".

A sepia photograph of a young boy with a flock of sheep.Handwritten on back in red crayon: Eric Boardman and: A YOUNG SUNBURY SHEPHERD Handwritten on front: Horace Ford Handwritten on back: Horace Ford, Sunbury (and crossed out)ford, horace, sunbury, boardman, eric, farming, sheep farming, shepherd, george evans collection

A post card sent to Master J. Brenner of "Chippenham" Railway Parade, Williamstown by his cousin Ethel for his collection. The connection to Legacy is not known. This postcard is the Country life. Series V registered postcard number 9180. Was named "OILETTE" and was produced and printed by Raphael Tuck & Sons, the date is unknown. This item represents a serie of artistic postcards created in England and even though its year of making is unknown possess an aesthetic significance about the kind of postcards produced by Raphael Tuck & Sons.Postcard with of a country scene with a boy holding a donkey. Handwritten: Dear Cousin, Mother says she promised she would send you some postcards. I am sending these & hope you will like them for your collection. Your Cousin. Ethel. / Master J. Brenner "Chippenham" Railway P. Williamstown. Front side: Printed in photo, "CHUMS" / Handwriten photo sign, [?]lette. Back side: Printed on paper, printed symbols / Raphael Tuck & Sons' "OILETTE" [Regd.]Postcard 9180. / COUNTRY LIFE. Series V. / ART PUBLISHERS TO THEIR MAJESTIES THE KING & QUEEN / Printed in England / If sent Abroad, this space may only be used for Name and Address of Sender. / CARTE POSTALE. / TUCK'S POST CARD. / POSTKARTE. / (For Address Only.) / [Stamp] VICTORIA, POSTAGE, ONE PENNY, 1d. souvenir, world war one

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Paintimh of a small boy with hands in his pockets.art, artwork, phil matthews, stencil

1855 Stephen Charman donated land to the Methodist Church so that a School could be established to educate the children of the early settler market gardeners and farmers in the Cheltenham area . Education was valued by the general community and as well as schools they established mechanics Institutes and Libraries in Moorabbin Shire. Cheltenham State School No. 84 was among the first schools in Melbourne. Stephen Charman, 1821-1906 a market gardener, donated land for the first Methodist Chapel, Cemetery and School in Charman Rd Cheltenham 1855. The enrolment was 36 pupils with Mr Frederick Meeres as Teacher. 1863 the school is called Beaumaris Common School No 84 with 70 pupils and Walter Meeres as Teacher. 1869 another 2 acres in Charman Road were granted by the Education Board and brick building built . 1872 State School 84 Beaumaris was increasing enrollments and 1878 a new brick school was built to accommodate 174 pupils and the name changed to Cheltenham State School No.84 1894 Mentone State School No.2950 amalgamated with Cheltenham SS No.84. 1910 the buildings were in disrepair, overcrowding was increasing and renovations were made 1912 with further additions in 1925 and 1937. Post WW11 extra prefabricated Classrooms were added as enrollment increased to 1038 in 1955.. Cheltenham East State School 4754 was opened as housing development spread over the City of Moorabbin . (J.Larson Sandringham HS) Probably due to the Scottish heritage of many early settlers the Fife & Drum Band was established at the West Beaumaris (Cheltenham) State School . The Fife is similar to the piccolo, and usually made of wood, consisting of a tube with 6 finger holes and an embouchure hole that produces sound when blown across.The fife was used in folk music traditions to accompany dancing by all social classes. Also in the Military where drums accompanied the fife and originally these 'boy soldier ' bands were used to signal manouevres in the field for the infantry. Later Fife & Drum bands were used for marching bands in schools and community groups, 1855 Stephen Charman donated land to the Methodist Church so that a School could be established to educate the children of the early settler market gardeners and farmers in the Cheltenham area . Education was valued by the general community and as well as schools they established mechanics Institutes and Libraries in Moorabbin Shire. Cheltenham State School No. 84 was among the first schools in Melbourne.Black & White photograph of pupils at West Beaumaris (Cheltenham) State School No.84 in the boy's Fife and Drum Band c 1908Back Handwritten Mrs Whelan / Beaumariswhelan r, marriott geoff, meeres frederick, cheltenham state school no.84, education, keys robert, holloway josiah, king brothers, smith j l; smith mary ann, stanley helen, chaff cutter, horse drawn carts, toll gates brighton, motor cars 1900, steam engines, early settlers, bentleigh, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards

Black and white photograph - Boy's 2nd Marching Squad"Attached to photograph" List of student names (Incomplete) Front Row L-R : Roger Vass, ?, ?, ?, Michael Bond, Roy Carrington, ?, ?. Middle Row L-R : ?, Graeme Sinclair, Gary O'Flaherty, David Chamberlain, Cliff Goodwin, Ron Butler, Don ?, Back Row L-R : ?, ?, ?, Graeme Bruce, ?, ?, Robert McCall, Wayne Little. Teacher : Mr McCord.

Black and white photograph - Boy's 2nd Marching Squad"Attached to photograph" No names

Guiliano and Carla Hreglich were internee children in Camp 3 during WW2.Black and white photograph of a boy and girl with huts in the background.guiliano hreglich, carla hreglich, internee children camp 3

Original photograph of Pat Beckwith on pony beside Beckwith's House, Alexandra Avenue, Tatura. c 1930'sOriginal black and white photograph of a boy and girl on a pony. on back: Pat Beckwith (front) Alexandra Avenue Taturapat beckwith, beckwith family

Huttley - MartinB/W. Oval Portrait Young Boy in suit.Wm B Latimer 145 Smith Street Fitzroy On Reverse: ? Specialite Instantaneous Portraiture of young children. Enlargements Miniatures (on diagonal reading Upwards) Wm B Latimer Photo Art Studio 145 Smith Street Victoria.martin, huttley

Sepia Studio Portrait of young boy on chaise lounge Percy

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Pure wool, cuddly and warm (boy asleep with lamb)Pure Wool cuddly and warm/Buy Well…Buy Wool/Onkaparinga new pastel multi-check blanketsblanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Pure wool, cuddly and warm (boy asleep with lamb) New fashion colours…Old fashioned values…./Pure Wool quality for a lifetime of healthy warmth/Onkaparinga 100% Pure Wool Blankets/Best in Australia, Best in the World!blanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly

Part of a collection relating to the Parkin family.Black and white portrait photograph of a young boy and girlOn back of photo: "Ron & Margaret Mitchell"parkin family, mitchell family, ron mitchell, margaret mitchell

Black & white photograph of boy operating lathe in workshopbendigo, institutions, sandhurst boys centre, sandhurst boys centre; occupations; workshops; lathe operation

Black and white photograph showing a young child, approximately six years old, using a Perkins Brailler. Possibly taken at the RVIB's Burwood School, where the Perkins Brailler was introduced in 1963.1 black and white photograph of boy using a Perkinsrvib burwood school, braille equipment