Showing 321 items
matching acrylic
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Footscray Community Arts
Menace at Sea, Roger Moloney, 2005
MEDIUM: Acrylic on linen DESCRIPTION: -
Footscray Community Arts
The Run, Monika Zechetmayr, (exact); 2009
MEDIUM: Acrylic on canvas DESCRIPTION: -
Footscray Community Arts
Tranquility/Cat Shark Bay, Monika Zechetmayr, (exact); 2009
MEDIUM: Acrylic on canvas DESCRIPTION: -
Footscray Community Arts
A Sense of Unity, Rosemary Mangiamele, (exact); 2009
MEDIUM: Acrylic on paper DESCRIPTION: -
Footscray Community Arts
Nine Views: 79 Toyota Corolla, Vin Ryan, 1997
MEDIUM: Acrylic on paper DESCRIPTION: -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Print, River scene
acrylic painting on river sceneillustration, reproductions -
Nillumbik Shire Council
Painting: John SERLE (b.1928), Untitled (Bush), 1966
acrylic and enamel on composition boardLower right, rose paint 'SERLE SEPT 66' -
Gippsland Art Gallery
Painting, Young, William, Moon in the Water, 2011
Donated by the artist, 2013Paint, Acrylic, Oil, Canvasgippsland, artwork, permanent collection -
Federation University Art Collection
Painting - Artwork - Painting, 'Bushfood' by Anne Ferguson, 09/2006
Ann FERGUSON (1939- ) Country: Wingetllina Area: Alice Spring, Kalka/Pipalyatjara Language group: Pitjantjarara Ann Ferguson (Ann Cleary Nyankulya Bnaka) is a member of the Stolen Generation, she was removed from her family and take to Kalgoorlie Mission, South Australia. She started painting in 1973 when her care givers noticed her artistic talent. Ann Ferguson is also a basket weaver, carver and lino block printmaker at Indulkana Community, South Australia, Acrylic painting on stretched canvasaboriginal, bushfood, anne ferguson, bush food, bush foods, ann cleary, ann ferguson, indulkana -
Footscray Community Arts
Nexus, Rosemary Mangiamele, 2006
MEDIUM: Acrylic and ink on canvas DESCRIPTION: -
Gippsland Art Gallery
Painting, Seidel, Brian, Early Morning - Summer, 1967
Donated from the estate of Patricia Marie White, 2013Acrylic Paint, Oil Paint, Canvasgippsland, artwork, permanent collection -
Gippsland Art Gallery
Photograph, Settemsdal, Solveig, Bust, 2013
Purchased, 2018Digital print on acrylic with wood bracketgippsland, artwork, permanent collection -
Gippsland Art Gallery
Photograph, Settemsdal, Solveig, Formation: Superior View, 2014
Donated by the artist, 2018Digital print on acrylic with wood bracketgippsland, artwork, permanent collection -
Gippsland Art Gallery
Photograph, Settemsdal, Solveig, Roam, 2014
Donated by the artist, 2018Digital print on acrylic with wood bracketgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Jackson, Hayden, Untitled, 2019
Donated by the artist, 2019Paper, Painting, Acrylic, Charcoal, Canvasgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Nudelman, Adam, The Darkness Only Lasts a Night Time, 2015
Donated by Mrs Elisa Nudelman through the Australian Government Cultural Gifts Program, 2019Textile, Linen, Paint, Acrylic, Oilgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Watson, Douglas, The Wrestlers, c.1958-59
Donated by Alexander Thurston Watson through the Australian Government Cultural Gifts Program, 1979Gesso, acrylic and aluminium foil on boardgippsland, artwork, permanent collection -
Federation University Art Collection
Watercolour, Neville Bunning, 'Magpies' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Acrylic and ink painting of two magpiesSigned lower left "Neville M. Bunning".art, artwork, neville bunning, magpie, unframed -
Charlton RSL Sub Branch
Memorabilia - Diggers Commemorative Scarf, Souvenier scarf to commemerate the 100th anniversary of Gallipoli Landings 2015
Black and gold coloured acrylic scarfGallipoli Giggers Centnury 1915-2015. They shall not grow old. Lest we forget. -
Footscray Community Arts
Oh Matise, Jo Darvall, (exact); 2006
MEDIUM: Acrylic on canvas. DESCRIPTION: Blue and black, no external frame. A figurative nude, the close up takes most of the canvas. It sits on a dark background in undefined surroundings. The blue woman sits flat as many of Matisse’s works do, favouring this style over the illusionistic depth to achieve his aim, here we see this replicated. Matisse is also noted for his use of colour as a means of expression rather than description. Here we have a woman painted all in blue, with this knowledge we could say the artist has painted his subject as someone who has been captured in a very relaxed, very calm version of herself, an ocean onto herself, mysterious and captivating in this moment. Her arm slung confidently above and around her head, her view directly facing the viewer provocatively. The only other colour on her other than the thick black lines which outline and shadow her contours, is the circular red of her earring -mirroring the generous sweeping curves of the work. The presence of visible brushstrokes produces a sense of movement and energy as well as providing a decorative quality to the painting.Signed and dated on bottom proper left of center of image (on reverse of canvas).acrylic, darvall, matisse -
Footscray Community Arts
Red Bird, Mick Turner, 2003
MEDIUM: Acrylic on paper, painted frame DESCRIPTION: -
Federation University Art Collection
Drawing - Artwork, Wes Walters, Life Drawing by Wes Walters, 1980, 1980
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large charcoal drawing framed behind acrylic.Signed lower right side 'Walters '80'wes walters, artist, artwork, drawing, available -
Federation University Art Collection
Painting, 'Gymnasts' by Milivoj Micich, 1971
This work is one of a number of artworks by Ballarat School of Mines Students produced for the opening of the new Mount Helen Campus. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Oil and acrylic painting showing a scene in a gymnasium. art, artwork, domenico micich, milivoj micich, micich, gym, gymnasium, oil and acrylic on canvas, available, alumni, sport -
Gippsland Art Gallery
Mixed Media, Sims, Jason, From Where I Stand… I, 2015
Donated by the artist and MARS Gallery, Melbourne, 2016Steel, acrylic, mirror, plywood, MDF and LED lightinggippsland, artwork, permanent collection -
Gippsland Art Gallery
Mixed Media, Sims, Jason, From Where I Stand… III, 2015
Donated by the artist and MARS Gallery, Melbourne, 2016Steel, acrylic, mirror, plywood, MDF and LED lightinggippsland, artwork, permanent collection -
Federation University Art Collection
Oil on masonite, Neville Bunning, 'Trip in Space No. 2' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed acrylic painting. Gift of Pauline Diggins, 2008art, artwork, available, horse, neville bunning, surrealism -
University of Melbourne, Burnley Campus Archives
Headwear - Hats
Found in former bookshop when it closed in 2009.9 polyester hats with, "Burnley Student Association" and logo embroidered on. Various shades of black and textures. 1 acrylic knitted hat, black. 1 acrylic knitted hat, blue. Burnley Student Association -
Vision Australia
Photograph - Image, Association for the Blind New Beginnings sign, 1994-1998
Blue perspex sign, rectangular in shape, with white adhesive printing. The Association's symbol of the stylised Guiding Light is in the top left hand side. Marked: Front of sign : "ASSOCIATION / FOR THE BLIND / NEW BEGINNINGS." The New Beginnings trademark was used from 1994 until 1999, to signify the changes that the organisation was going through. In 1999/2000, the organisation was renamed Vision Australia Foundation.Acrylic blue rectangular sign with white writing and AFB logoAssociation for the Blind New Beginningsassociation for the blind, signs and signboards -
Port Melbourne Historical & Preservation Society
Print - Wilbraham Liardet by Pamela Horsley, Pamela Horsley
Framed print of original painting by Pamela Horsley of Wilbraham Liardet. Dark Grey frame with beige "mask". Original on exhibition at Gasworks Park, 2014Pamela Horsley Label of authenticity . Title "Wilbraham". from original 2013 acrylic on canvascelebrations fetes and exhibitions, liardet family, wilbraham frederick evelyn liardet, wfe liardet, pamela horsley, liardet anniversary -
Port Melbourne Historical & Preservation Society
Certificate - Certificate of Authenticity, Wilbraham Liardet print, Pamela Horsley
Certifiacte of authenticity from Pamela Horsley regarding the framed print of original painting by Pamela Horsley of Wilbraham Liardet. Currently hanging in hallway outside PMHPS rooms. Certificate attached to rear of print.Pamela Horsley Label of authenticity . Title "Wilbraham". from original 2013 acrylic on canvascelebrations fetes and exhibitions, liardet family, wilbraham frederick evelyn liardet, wfe liardet, pamela horsley, liardet anniversary