Colour photograph of several people picking apples at Narre Warren orchard. Mick Potter on the left. Box filled with apples. Mick is holding a bag, as is a man wearing a beanie/hat on his head. A woman in pink is holding up an apple. A boy in a green cardigan is on the right, holding up a half-eaten apple.

Don't Sit Under the Apple Tree (With Anyone Else but Me)" is a popular song that was made famous by Glenn Miller and by the Andrews Sisters during World War II. Its lyrics are the words of two young lovers who pledge their fidelity while one of them is away serving in the war.This item is an example of the kind of music that was popular in the first half of the 20th century.Sheet music for "Don's sit Under The Apple tree (With Anyone Else But Me). The cover is red with black print. Underneath the title are details of the composer and lyricist. Ther is a black/white photograph of the Andrews sisters who recorded the song on a background of a couple sitting under a tree in the moonlight. In the bottom right corner is the price 2/-.sheet-music don't-sit-under-the -apple-tree

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series documents the Working Horse and Garden show held in 2001.Photograph of a display of apples and pumpkins arranged in two rows resting on bales of hay. The apples are stored in wooden crates while the pumpkins are displayed loose.Catalogue number written on reverse in pencil.churchill island, harvest festival, photograph, apple, pumpkin

Lewis MILLER (1959 - ) Born Melbourne, Victoria Lewis Miller is a figurative and still life painter. He painting from life and close observation. He trained and completed post graduate studies at the Victorian College of the Arts, where he also completed his post graduate studies. Miller won the Archibald Prize in 1998 and has been a finalist seventeen times. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of half an apple. 'Untitled' by Lewis Miller was exhibited in a travelling exhibition called 'Imaging the Apple' which toured from 2004 to 2005.art, artwork, lewis miller, miller, apple, fruit, imaging the apple, still life

Colour photograph of workers at apple tree at the orchard in Narre Warren. Two men are visible posing with a crate of apples, whilst a third person is obscured by the tree's branches.

Utilised for fruit picking by Douglas Johansen , orchardist, Harcourt. An integral piece of orchard worker’s equipment. Two canvas bags with reinforced opening and leather shoulder straps used to pick apples into during the picking season. Bottom was unclipped to place apples into bins or casesFotheringham Pty Ltd, Launceston, Tasmania

Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket in apple, pink and lemonIn emblem: V/Viscount/Super Quality All Wool/Made in Australiawool, blanket, blanket fever, viscount

Colour photograph of a Kangaroo Apple at Tower Hill, Victoria.kangaroo apple, botany, tower hill

Courses available in early 2011Training available at Diamond Valley Learning Centre in early 2011.A4, apple green, black & white, 8 page pamphletdiamond valley learning centre, dvlc greensborough, lobbs kiosk, adult training 2011

Apple Corer with turned wooden handle, cylindrical metal blade.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, apple corer

Margaret Olley (24 June 1923 – 26 July 2011) Born Lismore, New South Wales In 1941 Margaret commenced classes at Brisbane Central Technical College. In 1943 Olley moved to Sydney and enrolled in an art Diploma course at East Sydney Technical College graduating in 1945 with A-class honours. She is known as a still-life and interior painters Margaret who drew inspiration from her home and studio, and the beauty of the everyday objects she gathered around her. Her paintings often feature arrangements of fruits and flowers, set amid domestic ware art and souvenirs of her travels. For her service as an artist and to the promotion of art, she was awarded the Order of Australia in 1991 and made a Companion of the Order of Australia in 1996. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of an apple on a table with red gingham cloth. art, artwork, margaret olley, olley, apple, fruit, still life

Paper label from packaging for 'TENNIS' brand apples. Colour lithograph on paper depicting a tennis racquet and two apples. Text states: 'TENNIS BRAND/SELECTED APPLES/G.F. SCHLOETELBORG & CO./SEATTLE, WASH./U.S.A'. and at lower left: 'TRAUNG LABEL CO. SEATTLE'. Materials: Paper, Ink, Cardboard, Glass, Woodtennis

Study in lightBlack and white photograph of an apple. Student work from the class exercise. photography, tafe photography, still life, apple, gourd

The ear punch is used to create a hole in the ears of domestic livestock such as cows and sheep so an identification tag can be applied. The variety of tags available these days are very important for identifying, monitoring, and managing individual animals and herds. Livestock ear tags were initially developed in England in 1799 under the supervision of Sir Joseph Banks, President of the Royal Society, for helping to manage the Merino sheep in the flock established for King George III. They have been in widespread use all over the world ever since.Steel. Two handled. Return spring missing. Apple shaped punchcattle, ear punch, farm, tool, churchill island

'The Antrim' lathe apple parer, corer and slicer, with a wooden knob on the handle.apple peelers, apple corers

Almost identical to American Goodell Patent. But this example was made in Germany.Turntable type apple parer/corer, with a wooden handle, on a wooden base."Made in Germany"apple corers, apple peelers

B&W photo showing staff packing apples at Montague Orchards, Narre Warren North. Four women and a man stand either side of a machine with rollers and a central belt. Crates of apples are in the background.

The Better Health Channel was an initiative of the Victorian State Government that VAF was involved with over a period of years. 1 white sheet with large blue and green borders and blue writingRed apple next to Better Health Channel in middle at topvision australia foundation, awards