Coloured photo of president of Nunawading and District Historical Society, Valda Arrowsmith, receiving Accreditation Certificate from Minister for the Arts, Mary Delahunty on behalf of Museum Accredit ion Program (MAP) of Museums Australia Victoria at the Capitol Theatre melbourne.museums australia (vic) museum accreditation program, nunawading and district historical society, schwerkolt cottage and museum complex, arrowsmith, valda, delahunty, mary, victoria. ministry of the arts

This was used at Dr Kerr's tennis court. Dr James Kerr visited Orbost on Govt vaccinating job and settled in Orbost the next year. He served in Orbost for 40 years travelling everywhere on horseback.Dr James Kerr was Orbost's first doctor.Cup and saucer set. White cup with delicate floral pattern. Large saucer with extra section for biscuit in same floral pattern has cut-out section on saucer/plate.Bottom - Victoria, Australiakerr-james crockery china cup saucer

Exercise book belonging to Aggie Miles - Kamarooka Central State School, No. 3182. Contents in neat writing in ink include grammar, arithmetic, geography and hand-drawn maps of Australia, Victoria and Africa. Dated on cover, 1894. See research in Agnes.person, individual, kamarooka state school, kamarooka central state school no. 3182

Constitution of the Arts Council of Australia (Victoria Division), Bendigo Branch (Amended 27/4/73). This is a five-page printed document with the following handwritten additions. Page 1: (Base Copy); Page 3; alterations/additions to Sec 14 (The Executive).

National Trust of Australia (Victoria) Central Victorian Branch Annual Report 1994-95, National Trust 40 Years Conserving Our Heritage. Fourteen pages booklet included are: President's Report, Treasure's Report and an Obituary for Fr. J.P. Stockdale.national trust, properties, annual report

Page layout for Costume of Australia book, by Marion Fletcher.Page layout features sketch of twe 1870s , including bodice detail of the second dress: 1. Day Dress c.1873, from the National Gallery of Victoria; 2. Afternoon or Dinner Gown, 1877, from the National Trust of Australia (Victoria).Inscribed in blue pencil, bottom left: '64% in grey ink, bottom left: 'P2' in blue ink, bottom left: '<-----------------------164mm--------------------------->/ OUP 102[cricled]'; bottom left [running horizontally]: <---------------------187.5mm----------ink, paper

The National trust of Australia (Victoria) and the City of Bendigo request the pleasure of your company at the Official Opening of the Bendigo Joss House by the honourable R. J. Hamer deputy Premier and Chief Secretary of Victoria on Sunday, April 2nd, 1972 at 5.15pm. Mr. Randall.bendigo, chinese, joss house

Magazine. Harry Biggs Collection. Trust Newsletter published. By National Trust of Australia Victoria Branch. December 1970 Vol 1 No 6 covers historical items of interest including 3 pages listing classified buildings in danger of demolition. On this list is the Old Police Barracks, Bendigo.National Trustmagazine, organization, bendigo trust newsletter, harry biggs collection, trust newsletter, old police barracks, bendigo

Soft covered book Postwar Portrait, photographs by Allan Doney 1900-1987 contains 148 pages of black and white photographs of Bendigo and district compiled by Mike Butcher and Yolande MJ Collins, published by Holland House for the National Trust of Australia (Victoria) Bendigo and District Branch.Mike Butcher & Yolande MJ Collinsbook, bendigo, photographs, bendigo & district-photographs-doney

Colour slide in a mount. Streetscape Melbourne, Victoria, AustraliaMade in Australia / 31 / JUN 67M6 / Encircled 18 (Handwritten)slide, robin boyd

Colour slide in a mount. (Possibly) Yarrawonga, Victoria, AustraliaMade in Australiaslide, robin boyd

Robin Boyd received a letter from the Dennis family, the owners of Tarndwarncoort Homestead in July 1956 (see item D306).Colour slide in a mount. Tarndwarncoort, Warncoort, Victoria, AustraliaMount Made in Englandslide, robin boyd, tarndwarncoort, tardnie

Medallions became redundant when City of Nunawading became City of Whitehorse2 Silver plated medallions donated by City of WhitehorseCity of Nunawading Victoria Australianumismatics, medals - civic

Tanswells Commercial Hotel, Ford Street Beechworth.Black and white square photograph printed on gloss photographic paper.Obverse: National Trust of Australia, Victoria Reverse: 8/ BMM 8717.8/ Sir Rowan Delacombe -Tanswells 'The Butchers Arms'/ about 1900/ opposite Benevolent asylum. hotels album, beechworth, burke museum, tanswells, commercial hotel, sir rowan delacombe, national trust

This photograph was captured at an undisclosed location and at an unidentified time but likely dates to approximately 1870. The photographer's details are not recorded and the identities of the men in the image are also not known. This image depicts a group of 10 men in typical miners fashion. Four of them are sat on a large log with one holding a small dog. Six miners stand behind those sitting. All these men are wearing a white button-up shirt and tan coloured work trousers. They wear heavy boots and seven have included a dark vest over their shirt. The man holding the dog has a pipe in his mouth. Two of these men are clean shaven with the remainder sporting a moustache and two with a beard. The ages of these men vary from late 20s to middle age. This group of men are located in a mining location with what appears to be an open cut mine in the background of the image. The ground is muddy and has elements which can help identify it as a mining location based on the condition of the landscape. The bottom of the men's trousers are muddy which provides the assurance that these men were working in this location when their photograph was captured. In the background there is one structure, possibly a dwelling, and bush which identifies the location as Australia. Open cut sluicing is a method used to extract gold and other precious metals from beneath the surface of the earth. This technique involved the use of high-powered hoses which broke down the soil enabling miners to come along and search this soil for gold. After the gold rush of the early 1850s, diggers had to enlist the assistance of heavy machinery and techniques like hydraulic sluicing in order to reach gold because the surface alluvial gold had already been discovered and removed. This heavy machinery was not used until after 1853. The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in the late 1800s and early 1900s. It also shows a location where sluicing was undertook which provides insight into the impact of sluicing on the environment at a time when it was done. Images, like this one, of Australian gold rush history can reveal important information about the social and environmental impact of this period. This image depicts diggers standing in a mining location and therefore, this image has the capacity to reveal or support significant information for researchers studying the fashion and social status of diggers in Australia in approximately 1870. It can also provide information on the landscape of Australia in this period and the impact of mining for gold on both society and the Australian landscape. The Burke Museum is home to a substantial collection of Australian mining photographs which can be used to gain a deeper understanding into life on the gold fields, technology used in mining, the miners themselves and the impact of the gold digging on the environment.Sepia toned rectangular photograph printed on matte photographic paper mounted on board.Reverse: 1997.2518mining, goldfields, beechworth, 1870, australia, australian goldfields, diggers, victoria, sluicing, gold mining, miners, diggers victoria

Taken in 1960, depicted is an aerial view of Lake Sambell and the surrounding township. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents what Lake Sambell looked like in 1960.Black and white reproduced rectangular photograph print on paper.lake sambell, #beechworth, beechworth 1960s, lake, victoria, australian landscape, mining, rocky mountain mining company

Aerial view of Lake Sambell, Beechworth with town views. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents Lake Sambell with town views.Black and white reproduced rectangular photograph print on paper.Reverse: Stampbeechworth lake, lake sambell, aerial photo, construction, australian landscape, #beechworth, victoria

Bob Davis (1945) was a member of the 1951-1952 Geelong's premiership teams, captain from 1955-1958 and the club's best and fairest in 1957. Bob played 189 games for Geelong from 1948-1958 and was also inducted into to the AFL Hall of Fame. He boarded at the school from 1939. Sydney : ABC Books for the Australian Broadcasting Corporation, 1996. 165 p. : ill., facsims., ports. ; 24 cm. bob davis, footbal, ballarat college, geelong football club., australian football coaches -- victoria -- geelong -- biography

This print was an 1885 Christmas gift from the publishers of the Australian Town and Country Journal to their subscribers. At that time Queen Victoria was 65 years old although she may not have been that age when the portrait was painted. The print shows Queen Victoria’s signature in the bottom right corner. It cost sixpence per copy and operated from 1870-1919. The Australian Town and Country Journal was printed weekly, on Saturdays, in Sydney. The edition on December 26, 1885, contained 51 pages. The Journal claimed “Circulation Ten Thousand Copies, Greater than any other Weekly in Australia.” The frame of the print has a solid back of thick timber panels and is crudely made. The edges of the frame appear to have an underlying plaster base that has been covered with a layer of wood. The corners are reinforced with metal protectors. The subject of the print is Queen Victoria, Queen of the United Kingdom of Britain and Ireland. She was born as Princess Alexandrina Victoria of Kent on May 24, 1819. She became Queen on June 24, 1837 when King William IV died. She married Prince Albert of Saxe-Coburg and Gotha on February 10, 1840. Queen Victoria lived and reigned until her death on January 22, 1901, at age 82 years, after reigning for sixty-three years and seven months. This portrait is significant historically for its origin as an inclusion the Australian Town and Country Journal, a late 19th century Australian weekly newspaper, in circulation for almost fifty years. The portrait gifted to the newspaper’s subscribers is historically significant as an example of the connection between the people in the British Colony of Australia, with the value and respect held for the Queen of the Colony. The frame of the portrait, of solid and protective construction, shows the value that the owners placed on this portrait.Print behind glass in a brown wooden frame; coloured print of a portrait of Queen Victoria, made in watercolours. The Queen is wearing a blue sash, crown, and white ribbon pinned to the sash along with a cameo brooch and Royal Emblem. The portrait has an oval floral border of roses in pastel colours. Text is printed outside the border, as a title above and a signature below, in the lower right corner. The back of the frame is made of heavy timber panels with holes for attaching wire. The timber frame is over a white layer of soft substance, perhaps plaster. "Presented to the Subscribers of the Australian Town and Country Journal, December 25th 1885" “Victoria R”flagstaff hill, warrnambool, flagstaff hill maritime village, flagstaff hill maritime museum, maritime museum, shipwreck coast, great ocean road, queen victoria, princess alexandrina victoria of kent, portrait of queen victoria, australian town and country journal, presented to subscribers, 1885

A letter written to Maurice Keppel by John William Lindt in 1903.A letter written to Maurice Keppel by John William Lindt in 1903. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913. Maurice Keppel, from Ireland, was one of the first landholders in the newly surveyed town of Marysville in 1864. He and his wife ran the successful Keppel’s Australian Hotel. Two of their sons, John and Jerry, established a farm and opened up the surrounding high country. The Keppel lease was one of the longest held in the high country and the Keppel Family were amongst Marysville's pioneering families.maurice keppel, keppel family, keppel's australian hotel, marysville, victoria, john william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

certificate, philip chatham, merit certificate, proficiency certificate, ballarat high school, education department of victoria, australian gallery of sport, foundation member, sir henry bolte, foundation chairman, chatham-holmes collection

Issue no 206 of The School Paper December 1916. This School Paper was owned by, Roy Marriott, a child of one of the pioneer families of City of Moorabbin.Issued by the Education Department of Victoria, printed Albert J Mullett, Government Printer, MelbourneA 16 page magazineEDUCATION DEPARTMENT VICTORIA / SCHOOL PAPER / For Grades VII and VIII (1916); Issue no 206 Ed. Dept of Victoria education, victoria, australian history, victorian education department, marriott, moorabbin, bentleigh, school

Issue no 233 - 229 of The School Paper Jan - Nov 1918, 11 Editions. This binder with copies of The School Paper was owned by Roy and Wilfred Marriott, children of one of the pioneer families of City of Moorabbin.Issued by the Education Department of Victoria, printed Albert J Mullett, Government Printer, Melbourne 1918 Issue No 223-229 of The School Paper January – November 1918 This School Paper was owned by one of the pioneer families of City of Moorabbin, EDUCATION DEPARTMENT VICTORIA / SCHOOL PAPER / For Grades V and VI (1918); Issue no 233-229 Ed. Dept of Victoria / Poetry Number Signed W Marriott education, victoria, australian history, victorian education department, marriott, moorabbin, bentleigh