Showing 479 items
matching australian sculpture
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Tennis Australia
Sculpture, Circa 1920
A bronze sculpture of female figure with tennis racquet mounted on a marble base. Figure is in action of serving ball. 'AG' imprinted in base. Bouraine's signature in bronze part of base. Materials: Bronze/Metal composite, Marbletennis -
Kew Historical Society Inc
Archive (series) - Subject File, Alexandra Gardens, Kew (Vic), 1958
Various PartiesReference, Research, InformationKHS OrderReference file containing information about the Alexandra Gardens in Cotham Road (Kew) including: collected notes including brief histories by Gwen McWilliam, John Patrick, Dorothy Benyei, and Mavis Rolley. There is also an article on the Garden’s designers, the Pockett Brothers, originally published in 2015 in Australian Garden History. The archive file also includes Council publications, posters (relating to the Mimovich sculptures), correspondence (including photocopies of a letter relating to historic plantings from Jack Higgins) and newspaper articles/clippings. In addition to general historical notes, the file includes specific notes on the Rotunda and on historic trees in the Gardens. The original by-laws of the Gardens, printed on cotton are held separately in the textiles collection.alexandra gardens - kew (vic.), parks and gardens - city of boroondara, madford, pockettalexandra gardens - kew (vic.), parks and gardens - city of boroondara, madford, pockett -
Robin Boyd Foundation
Slide, Robin Boyd, 1965
Colour slide in a mount. Miraggio (seated figure) sculpture by Pino Conte at Sidney Myer Music Bowl, MelbourneMade in Australia / 24 / JAN 65M / Encircled 62 (Handwritten) / Myer Music Bowl Sculpture (Handwritten)melbourne, slide -
Robin Boyd Foundation
Slide, Robin Boyd
... melbourne Slide Colour slide in a mount. Magazine image of sculpture ...Colour slide in a mount. Magazine image of sculpture, possiblyMade in Australia / Encircled 34 (Handwritten)slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1969
Colour slide in a mount. Sculpture, unknown locationMade in Australia / 17 / JUL 69M2slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1964
In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. VDNH, Moscow, Russia. Worker and Kolkhoz Woman sculpture, the symbol of the VDNH, designed by Vera Mukhina - first exhibited at the Paris World’s Fair in 1937Made in Australia / 9 / AUG 64M / 5 (Handwritten) / USSR (Handwritten) / 5 (Handwritten)russia, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. The garden outside the pavilion featured a sculptural pool, a coral display, animal pool, a pit for kangaroos and Eucalypts and other native plants. The indoor exhibits covered aspects of Australian art and culture, architecture, industrial design and scientific innovation, such as the Snowy Mountains Hydro-Electric Power Scheme, the Parkes radio telescope, the design of Canberra, and the Australian way of life.Colour slide in a mount. Train, Expo '67, Montreal, Canada. Alexander Calder sculpture in background.Made in Australia / 9 / MAY 67M6 / Encircled 19A (Handwritten) / 18 (Handwritten)expo 67, montreal, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1970
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Festival Plaza, space frame (Architects: Tomoo Fukuda and Koji Komiya) with sculpture ‘Tower of the Sun’ (Artist: Taro Okamoto), Expo 70, Osaka, 1970Made in Australia / 1 / MAY 70M3expo 70, osaka, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1969
Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Sculpture garden Museum of Modern Art, New York, New York, USAMade in Australia / 20 / JUL 69M2slide, robin boyd -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Australia Square, 1969
Discusses Australia Square in Sydney; its plan, structure, materials and artworks (tapestries and sculptures by Le Corbusier, Vasarely and Calder).Original manuscript of an article published as 'Australia Square: Circle in the Square' in "Architectural Forum", Vol. 130, No.3, April 1969, pp.26 - 35.Typewritten (c copy), quarto, 4 pagesaustralia square, sydney, harry seidler, plaza, pier luigi nervi, tapestry, sculpture, le corbusier, vasarely, calder, robin boyd, manuscript -
Robin Boyd Foundation
Book, Geoffrey Edwards, Clifford Last Sculpture: A Retrospective Exhibition, 1989
SoftcoverHandwritten note from the artist to Patricia and Johnaustralian art, national gallery of victoria, clifford last, geoffrey edwards, noel hutchison, walsh st library -
Federation University Art Collection
Sculpture, 'Hygea' by Clive Murray-White, 2008
Clive MURRAY-WHITE (20 February 1946 - ) Born Walton-on-Thames, Surrey, England Arrived Australia 1959 With an impressive career that has included sculpting marble for over 25 years Clive Murray-White has informed his at practice by studying at Brisbane Central Technical College, Guildford School of Art, United Kingdom, Royal Melbourne Institute of Technology and Preston Institute of Technology, Monash University. His early work used welded and cast metal objects. In the 1980s he transitioned to marble sculpture Clive Murray White was Head of Sculpture at the Monash University Churchill (now Federation University Gippsland). He established the Cowwarr Art Space with Carolyn Crossley.Marble sculpture of Hygia, the Greek goddess of health and healing. Daughter of Asciepius the God of Medicine, Hygeia symbolises the preservation of good heallth and prevention of illness. Presented to the Gippsland Medical School from the Campus. churchill, gippslands campus, clive murray white, sculpture, clive murray-white -
Federation University Art Collection
Sculpture - Artwork - Sculpture, Badger Bates, "Gitji Woman' by Badger Bates
William Brian (Badger) BATES (1947- ) Born Wilcannia Barkantji Badger Bates is a Barkantji Elder, political activist and contemporary artist. Known primarily for printmaking, wood and stone carving, his work is intrinsically linked to his lifelong fight for the safety and health of the Barka (the Darling River).'Gitji Woman' is carved from a very old piece of log found at Wittabrinna Creek near Tibooburra, Western New South Wales. The tree was dead for 60-80 years, and was hollow inside. "I could see a figure in the wood so I folowed the shapes already three. The woman has a drawn out figure with long fingers and is coming out of the log, she is an ancestral spirit. I put the pink cockatoo and emu feathers in the leg in the way people used to decorate themselves for corroborees."badger bates, paakantyi, wilcannia, timber, aboriginal, barkantji -
Federation University Art Collection
Sculpture, Judith Neuwiller, 'Flame Tree' by Judith Neuwiller, 1996
Judith NEUWILLER (later Judith AMBrOSE) Judith Neuwiller graduated with a Bachelor of Art (Visual Art), and Graduate Diploma of Visual Arts at the Gippsland Centre of Art and Design in 1987, and a Post Graduate Diploma of Fine Art. Victorian College of the Arts in 1988. Painted timber sculpture.gippsland campus, churchill, judith neuwiller, alumni, sculpture, gcad, gippsland centre of art and design -
Vision Australia
Sculpture - Object, Louis Braille bust, 1929
A bust of Louis Braille was gifted to the Victorian Association of Braille Writers in 1929 by the sculptor Guilliame Daniel Duprat. The bronze bust sits upon a blackwood plinth, with an inscribed nameplate below the chest, and a revolving medallion at the base of the stand.Sculpture of man on wooden plinth with inscribed medallion on axis and base plateOne side of medallion: Offert par le Ministere des Affaires Etrangeres (curved edge) Louis Braille Centenary Presented by French Government to The Victorian Association of Braille Writers Melbourne 1929 Reverse side: Republique Francaise Baseplate: Presented by Mrs George Swinburne to commemorate the Centenary of Louis Braille. Copied from the plaster cast. Made & Donated by G.D. Delprat Esq. 1929 victorian association of braille writers, guilliame daniel duprat -
Federation University Art Collection
Sculpture - Bust, Greenhalgh, Victor, Dick Richards by Victor Greenhalgh
Victor GREENHALGH (1900-1983) Born Australia Victor Greenhalgh studied at at the Ballarat School of Mines, and was appointed to the staff in 1938. He was the commissioned sculptor for the King George V statue located in Ballarat's Sturt Street Gardens, as well as eight of the portrait busts of Australian Prime Ministers which line the "Avenue of Prime Ministers" in the Ballarat Botanical Gardens. From 1938 he taught at the Royal Melbourne Institute of Technology (RMIT). The bust of Dick Richards was Victor Greenhalgh's last work, and was cast after the sculptors death. It was donated to the Ballarat School of Mines by Victor Greenhalgh's wife Violet Greenhalgh (Hambly). Dick Richards and Victor Greenhalgh were brothers-in-law. Dick Richards was a member of Shackleton's ill-fated Trans-Antarctic Expedition, and was awarded the Albert Medal for his heroic contribution as a member of the Ross Sea Shore party. In 1972 the Albert Medal was exchanged for the more widely recognised George Cross. Speaking at the unveiling of the sculpture in Dick Richards said that on his return fro the expedition in 1917 he had little inclination for a sedentary or a teaching career. By the time he retired in 1958 he was not at all sorry that he had spent his life as a teacher. Victor Greenhalgh died in Queensland in 1983. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Bronze bust of Antarctic Explorer and former Principal of the Ballarat School of Mines, Richard W. Richards.art, artwork, dick richards, r.w. richards, richard w. richards, victor greenhalgh, antarctic explorer, alumni, violet greenhalgh, violet hambly, sculpture, staffmember, ballarat technical art school, school of mines ballarat -
Federation University Art Collection
Sculpture - Artwork, [Untitled] by Chris White, c1986
Chris WHITE Chris White is a sculptor and installation artist This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Welded metal sculture.art, artwork, sculpture -
Federation University Art Collection
Sculpture - Artwork, 'Urban' by Neale McSwain, 1986
Neale McSWAIN Neale McSwain was a student at the Ballarat College of Advanced Education (now Federation University) in 1986. The art acquisition prize for student work was awarded to Neale McSwain in 1986. This is the first time that the award was made for a sculpture. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tall, red, steel sculpture. art, artwork, neale mcswain, mcswain, sculpture, ballarat college of advanced education, alumni -
Federation University Art Collection
Sculpture - Sculpture - Metal, 'Untitled' by Neale McSwain, 1986
Neale McSWAIN Neale McSwain studied at Ballarat College of Advanced Education (now Federation University) in 1986. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Red painted steel sculpture.art, artwork, neale mcswain, sculpture, ballarat college of advanced education -
Federation University Art Collection
Sculpture, Cue, c1990
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, chris pendlebury, pendlebury -
Federation University Art Collection
Painting - Artwork, 'Ring of the Nibellings' by David Noonan, 1989
David NOONAN (1969- ) Born Ballarat, Victoria. Lives and works Melbourne, Victoria and London, United Kingdom. Leaving secondary school as soon as he could, David Noonan enrolled in a Visual Art Course at the Ballarat School of Mines. He described this time as 'an inspiring time, with every art form covered and treated with passion and rigour.' He studied ceramics, photography, painting and knew that he had to be an artist. (https://art150.unimelb.edu.au/articles/david-noonan-making-art-in-a-dark-and-quiet-place, accessed 17 January 2020). Between 1987 and 1989 David Noonan completed a Bachelor of Fine Art at Ballarat University College, Victoria, Australia (Now Federation University Australia). He undertook Post Graduate Studies at the Victorian College of the Arts, Melbourne in 1991 and 1992. Since 2005 he has been based in London with his work featuring in a number of major international exhibitions of contemporary art, including 'Altermodern', the 2009 Tate Triennial at Tate Britain, London. Producing works in a range of media including painting, photography, film, print-making, collage and sculpture David Noonan's work often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. Animals, actors and masked figures are recurring motifs that imbue his works with a magical atmosphere that is suggestive of childhood memories or half-forgotten dreams. ( produced works in a range of media including painting, photography, film, print-making, collage and sculpture. His works often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. (https://www.ngv.vic.gov.au/essay/david-noonan-untitled/, accessed 17 January 2020) David Noonan has become known for large-scale monochromatic collages on linen comprised of fabrics which are torn, folded, cut, stitched and combined with silkscreened images. This approach was used to produce his 2018 atmospheric film 'A dark and quiet place'. Noonan is interested in combining art and traditional craft techniques. (https://artgalleryofballarat.com.au/gallery_exhibitions/david-noonan-stagecraft/, accessed 17 January 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Six stretched canvases making up the work 'Ring of the Nibellings'. art, artwork, david noonan, oil on canvas, alumni -
Federation University Art Collection
Sculpture, 'Mujer Araukana' by Rod Ramos, 1992
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, ramos, rod ramos, sculpture -
Federation University Art Collection
Sculpture - Metal, 'Sculpture No. 9' by Cinnamon Francis
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Metal sculpture, made from found items, including musical instruments.art, artwork, cinnamon francis, sculpture, metalwork -
Federation University Art Collection
Painting - Watercolour and Ink, 'The Firebird' by Neville Bunning
Neville BUNNING (1902-1990) Born Rockhampton Neville Bunning taught Sculpture and Ceramics at the Ballarat Technical Art School between 1945 and 1964. During that time he started the Ballarat Artists's Society, a group tat sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly rt column in 'The Courier' where his insightful comments made readers aware of significant trends in Art. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a bird in flight.art, artwork, neville bunning, watercolour, ballarat artists society, ballarat school of mines, available, rooster, bird, animal -
Federation University Art Collection
Painting - Natural pigment on bark, Mawurndjul, John, 'Female Wayarra Spirit' by John Mawurndjul, 1995
Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan -
Federation University Art Collection
Sculpture, Thomas, Kylie, 'Cultural Dedication' by Kylie Thomas, 1993
Kylie THOMAS (14 May 1973 - ) Born Creswick, Victoria A graduate of the Bachelor of Arts (Visual Arts) (1993) and Diploma of Visual Arts (1995) from Federation University (then University of Ballarat) Kylie Thomas continued her art practice after studying under distinguished sculptors Peter Blizzard and Adrian Mauriks. This work was acquired from her graduate folio. Soon after completing her studies Kylie Thomas became an artist in residence at Ballarat Grammar School building a public sculpture for the grounds conceived by one of her selected students as part of the program. She became the youngest exhibiting applicant to be awarded the City of Port Phillip, Rupert Bunny Foundation artist in residence program. After moving to Mallacoota she was absorbed into the community as a visual artist, actor, playwright and assistant publicist. Her commissioned public artwork and sculptures as part of residences collections were all lost in the 2019 bushfires that decimated Mallacoota. Moving back to her hometown of Creswick Kylie Thomas completed a Diploma in Education qualifying as a secondary teacher, always continuing her art practice while teaching. Needing to work again, but with no desire to teach, Kylie Thomas studied Building Design and Architectural Drafting, homing in on other areas which could link back to her artistic practice. Working in this field for a short time she moved to Melbourne where she exhibited paintings and sculpture installations as part of The Melbourne Fringe Festival. She also worked in set design, and as a stage manager and theatre actor. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is a spiritual totem created in the tradition of the bricoleur, dedicated to bygone cultures, lost technology and mystery referencing nature, humanity and technology. Humanity to use technology with and for nature. The materials are symbolic, the use of bone, Perspex, computer parts, found and crafted objects constructed in a resulting harmony creating a symbiotic relationship. Tapping the 4th dimension that could lift off into space and come back again, with a feeling of weightlessness, awe and suspension captured. A sculpture which stands on a white pedestal with perspex cover. 'Cultural Dedication' is the final work in a series of sculptures influenced by the ancient cultures of Egypt. art, artwork, kylie thomas, sculpture, alumni -
Federation University Art Collection
Sculpture - Mace, 'University Mace' by Trefor Prest, 1995
The University's mace was carried in procession for the first time during the Graduation ceremonies in May 1996. The mace was presented to the University by former Chief Commissioner of the Ballarat City Council, Vern Robson, at a ceremony on 02 February, following a national competition for its design, sponsored by the Council. (The Flag, Issue 2, July 1996) Nineteen artists responded to the competition which called for a design that would embody a distinctive Australian image reflecting the heritage of the city and in relationship with gold, an Aboriginal element and the history of the University. The winning entry, dominated by a poppet head, was submitted by Central Victorian artist/sculptor Trefor Prest, a sessional lecturer in sculpture at the University.(The Flag, Issue 2, July 1996) The Herald Sun of 03 February 1996 reported 'the new mace shows importance elements of Ballarat's heritage as well as the university's focus on the future. The artist emphasises the egalitarian nature of Australia as embodied in Ballarat's famous slice of history - the Eureka uprising. ... The mace has a poppet head at the top of the shaft - an unusual element for a mace - but it represents Ballarat's mining history and the University's evolution from the Ballarat School of Mines. An opening egg at the top stands for the nurturing of development and learning. The mace's straight shaft is depicted as the tree of knowledge and, incorporating a bark canoe scar, Ballarat's Aboriginal heritage. At the end of the shaft is a surveying device, which represents precision and accuracy ads embodied in the university's academic pursuits.' Bob Morrell of the University organised the national competition to design the mace and said 'It is in keeping with the university's logo, 'proudly flying the flag', which incorporates the Southern Cross.' This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Trefor Prest lectured in Sculpture at the University of Ballarat from 1995-1996.The mace symbolises the office of the Chancellor. The design of the mace is the outcome of a national competition and represents the cultural diversity of Australia. The poppet head on the top of the mace refers to gold mining, which underpinned the development of Ballarat. The protruding spikes recall the Eureka Stockade. The 'egg' shape enfolds and nurtures the development of knowledge and learning. The shaft with the three 'branches' represents the Tree of Knowledge, and includes a bark canoe scar which recognises the integration of black and white Australian traditions. The lower part of the shaft culminates in a device suggestive of scientific or surveying and measuring technology. This represents precision and accuracy embodied in the academic pursuits of Federation University Australia.art, artwork, trefor prest, prest, mace, federation university, university, eureka stockade, aborigines, scarred tree, mining, university mace, ballarat -
Federation University Art Collection
Sculpture, Penny Carey Wells, 'Women are Lavicious #3' by Penny Carey-Wells, 1997
Penny CAREY WELLS (08 November 1950- ) Born Hobart, Victoria Penny Carey Wells has worked as a paper and book artist in Tasmania since the early 80s and taught at the School of Art, University of Tasmania, from 1985-1997. She is currently employed part time at the State Library of Tasmania as a technician in paper conservation and exhibition officer. (http://www.kitezh.com/haven/artists/penny.htm, accessed 1/11/2016) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Boxed paper sculpture of the torso of a woman with narrow leather chest bands and gold leaf on the left hand side. art, artwork, sculpture, penny carey wells, torso, available, penny carey-wells -
Federation University Art Collection
Drawing - Artwork, Heng, Euan, Head I (Male) by Euan Heng, 1997
Euan HENG (1945- ) Born Oban, Argleshire, Scotland Arrived Australia 1977 Euan Heng undertook a Diploma of Art at Duncan of Jordanstone College of Art, Dundee, Scotland in 1974, with a Post Diploma of Art the following year. In 1995 he completed a Master of Arts (research) at RMIT. He is proficient in many artforms, especially painting, printmaking, drawing and sculpture. As Head of Printmaking at Monash University Churchill Campus (now Federation University Gippsland) for 14 years Euan Heng was influential in the development of many Gippsland artists. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of a male head.art, artwork, euan heng, portrait, drawing, available -
Federation University Art Collection
Sculpture, 'Desire' by Trefor Prest, c1997
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Metal sculptureart, artwork, trefor prest, sculpture