St Joseph’s was built between 1869 and 1874 to the design of amateur architect E. Shepardson, who was a schoolteacher at Eganstown. Modelled on St Peter's Catholic church, Daylesford, a Gothic Revival church designed by William Wardell. The church on .81 acres was sold in 2021 for $965,000.Colour photographs of a bluestone church - St Joseph's, Blampied. .st joseph's blampied, st joseph's mount prospect, catholic church, bluestone, church, e. shepardson

St Joseph’s was built between 1869 and 1874 to the design of amateur architect E. Shepardson, who was a schoolteacher at Eganstown. Modelled on St Peter's Catholic church, Daylesford, a Gothic Revival church designed by William Wardell. The church on .81 acres was sold in 2021 for $965,000.Colour photographs of a bluestone church - St Joseph's, Blampied. .st joseph's blampied, st joseph's mount prospect, catholic church, bluestone, church

Newspaper article in Ballarat Courier on 12/10/1998 following the 1998 Annual General meeting of the Ballarat Tramway Museum. Written and photo by Marion Taffe. Has an interview with Stephen Butler and photo of Stephen on tram 40 with tram 18 at Gardens Loop alongside. Mentions museum accreditation. Gave a list of office bearers elected at the meeting.trams, tramways, btm, stephen butler, agm, museum accreditation

Two Newspaper clippings pasted onto a single sheet of paper with two Punch holes on the left hand side, with one hole through each cutting. First clipping from The Courier, Ballarat, Monday, 28/4/1971 about a plan by Mr Donald Fraser of Lindfield (NSW) to retain the tramway around Lake Wendouree and use Sturt St. as well as Ripon St. Item has map (see image) showing the proposed route and some comments about tramway museums, museums in general and static preservation. Part of the item in the first column is missing. Second cutting dated 3/5/1971 with headline about the possible revival of horse drawn trams in Ballarat. Item also looks at Council's Tourism Committee considerations for retaining trams in Ballarat, relaying lines, reconditioning overhead, looks at costs of running horse drawn trams versus electric trams. Quotes Cr. J.Chisholm, Committee chairman. 1072.2 - duplicate of second cutting added 26/2/2017 from donation of Ruth NelsonIn red ink in upper right hand corner of first cutting "28/4/71" and in upper left hand corner of second, in pencil, "3/5/71". On rear has various pencil marks from former use at perhaps Donor's employer, Ronaldson and Tippet. 1072.2 - in ink on top edge "Courier 3/5/71"trams, tramways, lake wendouree tramway, horse trams, museum establishment, tramway museums

Newspaper clipping from the Geelong Advertiser, Sat. 29/12/2001, titled "Call for trams to cut traffic chaos". written by James Miles, with a photograph of two trams in Moorabool St. Geelong. Article looks at a call by Geelong Councillor Shane Dowling to reintroduce trams to Geelong to address traffic and parking problems.geelong, tram revival

Newspaper cutting from the Courier 8/6/2002, titled "Bridge Mall traffic plan given the thumbs down" written by Andrew Molloy about the general opposition to opening Bridge St. Mall to traffic, but that there was strong support for the return of a tram service. Has a photo of the Mall taken from Grenville St. Article also has notes regarding the Geelong Mall.bridge st, mall, tram revival

Newspaper clipping from The Melbourne Sun, possibly late Jan 1975 titled "A place in the Sun", written by Keith Dunstan, in the Second item about the "great tram revival proceeding beautifully" - the re-opening of the Ballarat Tourist Tramway on Saturday. Quotes Richard Gilbert and Bill Jessup in the item, Features a photo of No. 26 outside the depot. No date on item - says that the Chairman of the SEC will officially open the tramway on Feb. 1 - written beforehand.btps, opening

Article by Michael Pollock reporting on a letter to the City of Ballarat about a proposal by Mr Jeff Moran of AWTY Transort Consultants about building a light rail system to serve Ballarat growth areas. Outlines possible routes. Was supported by Mr Bob Lever of the local PTUA. Has photos of a large crowd joining bogie trams outside the Provincial Hotel and two photos of tram accidents. along with a map of the SEC System.Yields information about a proposal to provide light rail to Ballarat.Newspaper cutting from The Courier, Ballarat, 21/1/2017 titled "Trams could be our future".trams, tramways, tram revival, light rail, ballarat, tramway proposals

Has the final SECV (1990's) "sun rays" logo and the statement "You've got a friend at the SEC". The reference gives information on the revival of the SECV as a State Government entity in 2023.Demonstrates SECV stationary and gifts.Plastic biro or pen consisting of outside holder with button to engage with the metal ink container and spring and screwed base that contains the moveable part. Coloured externally black and white. Has the logo of the State Electricity Commission (1980's, 1990s"). Brass ink container marked with a swan, Orthello Germany. Would have been made with a pocket clip, this has broken off.secv, power supply, pens, souvenirs, btm

Graham KING (23 February 1915 – 11 October 2008) Known as a master printmaker, Graham King was instrumental in the revival of Australian printmaking in the 1960s. He was the inaugural Secretary of the Print Council of Australia, and was later President. A lecturer in Printmaking at the Royal Melbourne Institute of Technology (RMIT) from 1966 to 1988, he was awarded an Order of Australia for his services to education in 1991. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed lithograph in predominantly blue and black.Signed lower edge " Proof 2/5. 'Nocturne'. Graham King '63."art, artwork, graham king, king, printmaking, edition, available

"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available