Shire Hall 4 Colour photos. Three photos (84.10a, b, c,) showing the brick veneer addition to the Stawell Shire Hall. One photo (84.10) of the plaque bearing the councillors names. These photos were taken in 2013 and each photo shows a different view of the brick veneer addition. One view is the front of the brick addition and other 2 are of the rear view of the 1962 addition.Four colour Photographs. Three of the brick additions to the Stawell Shire Hall in 1960-1962. One photograph of the plaque bearing the councillors names.Shire of Stawell. This stone was unveiled on 8th August 1962 by Ex. Cr. C. S. Reading When this new wing was opened by the Hon. M.V. Porter M.L.A. Minster for Local Government. Councillors WEST - E. W. Giles J.P. Pres., R. McD. Perry., L. J. Campbell., EAST - G. W. N. Cox., A. G. Holden., I.F. Kilpatrick., NORTH EAST - A. E. Duxson J.P., W.B. Cameron., A.H. Ellen., NORTH - C.J. Hutchings., A. J. H. Gray., J. R. Williams J.P., Shire secretary V. C. Neilson F.I.M.A. Shire Engineer N. H. Cottman B.C.E. C.E. A.M.I.E (Aust) Originally Built 1866. Extended 1873. Remodelled 1960-62 Builders 1960-62 W.R. Willcock and J.W. Kennedy.stawell

Various colour photos of Wimmera Flour Mill at time it was being demolished. Note roof being dismantled. Rail line in foreground. Willaim Frayne founded the Wimmera Flour Mill on a site in Taylor Street (beside the railway line) Stawell 1876. When Willian Frayne dies 1899 his son George took over the mill. The mill continued to be a propriety company until early 1966, when it was sold to the Victorian Mill Owners. The sale was forced because of the lack of export markets. A factor which affected most country mills. The Victorian Oat Growers Pool took over on July 1st, 1967. Trading under the name of Wimmera Flower Mill as a subsidiary company. Later years it sold clipped and graded seed, oats, stockfeed for poultry, pigs and dairy cattle and all types of crushed grain. The original Frayne homestead still stands behind where the Mill stood facing Frayne Street. In 2007 during our "Collection Review" the four smaller colour photos, which were donated by Mr. Mick Walsh, 52 Patrick St Stawell were very similar to the bigger photo in the file 139.6e.139-6 a-d & e Coloured photographs showing various views of the Wimmera Flour Mill or Grain Handling Corporation building in progress of being demolished. There is a red brick building with a tiled roof in these coloured photos. The rail line is shown in foreground of 139-6 e. Our records on the data base show 139-6e to be a black & white photo but the same photo in the office folder is an enlarged colour photograph. Grain Handing Corporation stawell industry

30 Seaby St Former C of E Manse. built 1863Colour Photograph: white Brick house with grey iron roof, concrete dive with lawnOn Reverse: 30 Seaby Stc of e, religion

502 Class 3a Photo (1942). Back row - Jack (Wossie) Hall, Ron Maddock, ? Smart, Gilbert Smith, Knowles Roberts , Ken Hull, Ron Richards. 2nd Back row - Hilary Waring, Lois Truscott, Margaret Taylor, Joan Hayward, Alison West, Patricia Hall, Glenda Hurst, Lorraine Woodhart, ? Krause. 1st Row Seated - ? Allender, Noreen Byron, Margo Williams, Pam Knipe, Dorothy Christian, ?, ?, Judith Sweeney. Front Row - ? Johnston, E. Prydderch, ? Smart, Jim Martin, Hartley Newton, ? Oliver, (Whistle) Cooper, Selwyn (Keith) Darker, The Smart boys were twins. Judith Sweeney stayed with the Maddocks family 6-8 months - war evacuee, her father made runner shoes. Stawell Primary School, 502 Grade 3a Class photo. The class black and white photo taken in 1942 consists of 32 students. Two middle rows of female students (17) and two rows of males students (15). The background of the photo is a brick school wall with 3 windows. stawell education

Photograph shows, from left to right, Barry Deas, Ken Jasper and Henry Pleming in the school room of the Common School Museum. The three were dedicated members of the Rutherglen Historical Society for many years. The plaque on the wall reads : "The Florence E. Iggsten Room". The room was dedicated to her after her death in 1989. She had been a teacher at Rutherglen, a leader of the Girl Guides, and a staunch member and secretary of the Historical Society.Black and white photograph of 3 men in front of a plaque on a brick wall.florence iggsten, barry deas, ken jasper, henry plemming, common school museum, rutherglen primary school

Photograph shows, from left to right, Barry Deas, Ken Jasper and Henry Pleming in the school room of the Common School Museum. The three were dedicated members of the Rutherglen Historical Society for many years. The plaque on the wall reads : "The Florence E. Iggsten Room". The room was dedicated to her after her death in 1989. She had been a teacher at Rutherglen, a leader of the Girl Guides, and a staunch member and secretary of the Historical Society.Photocopy of a black and white photograph of 3 men in front of a plaque on a brick wall.florence iggsten, barry deas, ken jasper, henry plemming, common school museum, rutherglen primary school

This photograph is an enlarged section of another photo where all the workers were lined up on the railway siding to welcome home their managing director, Edgar Edwards Walker on his return from overseas. Unfortunately their good intentions backfired as there was deduction in their wages for the time spent away from their work.Black and white photograph of a group of men in front of the Australian Tesselated Tile building. Name of the company behind with name of manager/owner E. E. Walker.australian brick and tesselated tile co tile factories

The Tesselated Tile company began in 1886 under the Wiseman brothers. At the beginning only bricks and stoneware pipes were manufactured. Mr E. E. Walker was engaged as manager and good progress was made until 1893 when the banks crashed. This business was a survivor and by the end of the 1890's the manufacture of tiles had begun. When the Wiseman brothers died in about 1907, E.E. Walker became the managing director.Black and white photograph of the Australian Tesselated Tile factory as seen from above. Pairs of chimneys in the foreground, and in the distance a tall chimney showing A T Tile Co in whiteaustralian tesselated tile co pty ltd, tile factories, edwards, edgars edwards

Coloured photograph of a red brick house in a shady garden. It was the home of Mr George Walker, youngest son of E. E. Walker who ran the Australian Tesselated Tile Company.harrison street, mitcham no 14, houses, streets, walker, george

The Guymer Cottage was built in 1956. Dr Edward Albert Howes Guymer was born in 1891 and died in 1962 In 1946 Dr. E. A. H. Guymer was Vice-President of the Old Colonists' Association of Ballarat. He served as President from 1948-1950.Colour photograph of a red brick cottage at the Charles Anderson Grove Retirement Villagecharles anderson grove, ballarat, ballarat old colonists' club, old colonists' association, ballarat, guymer cottage, edward albert howes guymer, dr guymer

The Guymer Cottage was built in 1956. Dr Edward Albert Howes Guymer was born in 1891 and died in 1962 In 1946 Dr. E. A. H. Guymer was Vice-President of the Old Colonists' Association of Ballarat. He served as President from 1948-1950.Black and white photograph of a red brick cottage at the Charles Anderson Grove Retirement Villagecharles anderson grove, ballarat, ballarat old colonists' club, old colonists' association, ballarat, guymer cottage, edward albert howes guymer, dr guymer

Rae's School was opened on the 22nd April 1861, with 22 students. Mr. John Rae was the Headmaster. By 1919, it was an adjunct of the Violet Street State School.Sepia coloured postcard . Image on front shows twenty-eight male and female students and two young male teachers seated at front. Sign in front of students reads: Central School, Rae's Hill, Form E. 9th February 1919. Students are standing in front of a brick building, with verandah immediately behind them. On back 'Post Card, correspondence and address only'. Kodak printed around space for stamp. Text donated with the photo relates to Sir John Michael Higgins (1862-1937) a metallurgist, government adviser and company director who attended Rae's School, Sandhurst and then Bendigo High School. This photo is not of his era at the School. Written in black pen on back of postcard: 'Rae's Hill School 9th Feb. 1919'rae's common school, rae's school, rae's hill, john rae, barbara rae, 1919

Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens. The photograph is of additional aesthetic significance as it was photographed by J. E. Barnes. Josiah Earl Barnes is a nationally significant photographer. He was also the most important photographer to have worked in Kew. He was active as a photographer in the district from c.1906 until his death in 1921. Best known as 'the Embarkation Photographer' (see the Australian War Memorial collection), J. Earl Barnes was also the official photographer employed by the Borough (and later Town, then City) of Kew. He clearly also completed commercial jobs for local businesses, as is the case in this photograph of a house for a local real estate and financial agent.A photograph, mounted on board of a double fronted Federation-era brick villa in Kew, photographed for a local real estate agent and financier by J. E. Barnes of Kew. On the reverse of the photograph is a subdivision plan for the Normanby Estate, East Kew - 2016.0039.1. As can be seen from the image, there is a large tear on the surface of the photograph.The brown card on which the photograph is mounted includes the following handwritten description, which may aid the identification of the house: "Kew, 3 minutes from tram, 8 roomed DF Brick Villa, tile roof including two attics, sleepout, bathroom, heater, E Light, Entrance Hall, double doors, leadlights, laundry, garden, lawns, land 75 x 170, 1975 pounds". Also photographers inscription on mount, lower left: J. E. Barnes / Photo / Phone 1966 Haw. KEW.j. e. barnes, josiah earl barnes, j. earl banes - photographer, architecture - federation style, houses - kew, real estate photographs

The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending o the importance of the photographic atelier.Real estate photograph for a local agent by the Kew photographer, Josiah Earl Barnes. The photo is of a weatherboard or brick rendered bungalow with a twisted wire fence. Given Barnes' status a a Kew photographer, the house is probably locate din Kew or East Kew. Unfortunately the handwritten information on the mount bordering the photo is damaged and cannot be read. The bungalow has a gabled, tiled roof with terra cotta finials at the front of both gables. The house has a central doorway, framed by a pseudo portico supported by four wooden columns. On each side of the doorway, at the front, there are paired sash windows, which, like the half-timbered gable, are picked out in a darker colour.Handwritten, mostly illegible description by selling agent on mount surround: " .... in Diningroom, Drawing Rooms, ... Photographers details printed on mount: "J. E. Barnes / Photo / Phone 1966 Haw KEW"houses - kew, bungalows - kew, real estate photographs, j.e. barnes -- photographer

The two-storey house at 104 Peel Street, known locally as The Mousehouse, was built in 1890 of stucco-rendered handmade bricks. The ground floor façade suggests that the front door originally opened directly onto the street. Prior to 1915, the house was numbered 184, but the street number changed to 104 in that year. Early residents included Henry Martin, Mrs Henrietta Blythe and A. R. Chaffer, the two latter being shopkeepers. The eminent dentist Samuel E. Wills, who had rooms in Collins Street, moved to the house in 1897 and lived there for six years. He was reputed to have conducted a dental practice in the cellar. Wills proposed the establishment of a Dental College in Melbourne and helped to frame Victoria’s dental rules and by-laws. Enlarged photograph mounted on board, donated to the Kew Historical Society by the City of Kew on 10 April 1991. houses - kew (vic), peel street - kew (vic)

Clutha was the home of John Carson, the second mayor of Kew. Leonard Terry designed the house for him in 1856. Terry was the architect of the Melbourne Club (1858), the former London Chartered Bank (1861), Lothian Terrace in Carlton (1865), and the ES&A Bank in Hawthorn (1873). The commission for Clutha was won three years after Terry’s arrival in Victoria.An extremely rare photograph of a major residential architectural commission of Leonard Terry. The photograph of the house has statewide significance as the home of the Victorian pioneer and businessman, John Carson. A rare, nineteenth century photograph of ‘Clutha’ in Studley Park Road, Kew. The sepia-toned photograph is of the front of the house, with its bluestone foundations and its second storey balcony. A real estate advertisement in 1875 described the house as: 'First-class family mansion, and about 8½ acres of pleasure grounds and fruit garden. The house, erected under the plans and supervision of Mr. Leonard Terry, is most substantially built of brick, stuccoed, on solid bluestone pediment, forming a noble basement story, large entrance hall, and lobby, with conservatory on the left. *** A wide verandah and balcony, erected on cast-iron columns, runs round the house, the views from which are perhaps unequalled in extent and beauty in the neighbourhood of the city, commanding the bay, shipping, Mount Macedon, and Dandenong Ranges. Th e whole forming a most complete gentleman's residence, no expense having been spared in its erection and comfortable finish.'"Clutha West Side Studley Park Road Kew / Clutha West Side"clutha, john carson, leonard terry

The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria)This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). In 1905, when Plan No.1564 was printed, that part of Kew bordered by Brougham Place (now Daniell Place), Mount Street, Sackville Street and Ross Street was already the location of a number of large mansions. Here, subdivisions, at least at this stage, produced larger blocks than in Central Kew. Many of the houses on this plan are named: ‘Faybrook’, ‘Northumbria’, ‘Parkholm[e]’, ‘Dunboe’, ‘Katoomba’ and ‘Eschol’ fronting Sackville Street. Eschol was once the home of the manufacturer Robert Harrison, whose cordial factory in Spring and Argyle Streets Fitzroy are noted on the Victorian Heritage Register. ‘The Hawthorns’ on the corner of Brougham Place and Mount Street was the home of the medical practitioner Frank William Fay, who won the military cross and other honours for conspicuous gallantry and devotion to duty in World War 1.melbourne and metropolitan board of works, detail plans, mmbw 1564, cartography

At the beginning of the 20th century the toy industry was based predominantly in Germany. During the First World War, imports from Germany were banned and the British government instead encouraged toy-making in Britain, as it helped the economy and provided jobs for ex-servicemen. Around this time, English manufacturer E. A. Lott devised a new system of bricks suitable for assembling small buildings. Together with a cardboard roof and instructions, Lott started selling these bricks as Lott’s Bricks in 1918. Lott’s Bricks eventually became even more popular then Anchor blocks, which were produced on the same principles by Richter, the well-known German manufacturer of construction toys. Lott’s success was assured when Queen Mary bought a set from him at the British Industries Fair in 1918. A number of sets were later produced, each with its own series, including Modern, Lodomo and Tudor. The bricks were the last of the old-fashioned composition blocks, which were later superseded by the very different styles exemplified by Minibrix, Bayko and Lego. Lotts Brick’s Ltd ceased to exist in the 1960s. (Source: V&A Museum)Toy with model building materials in wooden box with manufacturers label on lid. Th label pictures a white brick house with two equidistant chimneys. Included in the box are blocks to be used in building the house. These are in different shapes and sizes. The roofing panels are preformed.Manufacturer information and description lott's bricks, toy blocks, construction toys

The first Baptist church in Kew was wooden and erected in St John's Parade in 1854 and was enlarged in 1859. A brick church was later erected in Cotham Road in 1882 and was later named Newnham Hall after Reverend Newnham. In 1921 land was purchased in Highbury Grove at a cost of 602.00. Messer's E & F Ratten donated 6 feet of land beside this new purchase which allowed for a frontage 79 feet. The Foundation stone of the current church was laid on 14 October 1922 by Councillor F.R. Patten J.P. The church was opened on 9 June 1923.A rare item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.Photographic positive on mounting board. interior of Baptist Church in Highbury Grove with seated congregation in foreground and serried ranks of children and adults at front. Probably the church choir at the opening of the church in 1923. The photo is encased in a grey bifold cardboard outer with a crest on the front. The photo is protected by a sheet of watermarked cellophane. washfold family, kew baptist church -- highbury grove -- kew (vic.), churches -- kew (vic.), christian-washfold collection

An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.Photographic positive. Sepia photo of red brick building occupied by business, No 179 F Lockington Coach Builder Tel 757 HAW with 4 horse and buggies and drivers posed in front, carts labelled with H Terry, Butcher, two men in butcher’s aprons. G E Finger, stationery and Fancy Goods at right, at no 180.washfold family, f lockington coach builder, christian-washfold collection

Bi-fold pamphlet on brown paper. Kew Baptist Church Monthly News Vol VII November 1932, No. 76non-fictionkew baptist church -- highbury grove, churches -- kew (vic.), baptist churches, christian-washfold collection

The dwelling is representative of the development of the Georgian Revival style in the 1920s and 30s and its popularity amongst the upper-middle classes as a result of the work of William Hardy Wilson and Professor Leslie Wilkinson. It is of importance as a fine and largely intact designer/builder example of the Georgian Revival style, with American Georgian Revival influences. The dwelling embodies the principal characteristics of the style. American Georgian Revival influences are noted in the deep eaves with modillions, central broken pediment, brick quoins and presentation of the central porch. The garden wall, with arched opening, in the side setback appears to be an early or original landscape feature, based on the comparable brick work detail construction with that of the house. Considering this, it is the only early landscape feature extant which assists in providing some understanding of the original landscape layout of the property. (Criteria D and E) (Boroondara Planning Scheme)Colour photographic positive of 264 Cotham Road, Kew. The residence was constructed in 1931 for the Howitt family. 264 Cotham Road, Kew (HO813) is an individually listed building of significance under Amendment C294 of the Boroondara Planning Scheme. 264 cotham road -- kew (vic.)

69 Corporal Eric Thewlis. The 13th Light Horse Regiment (AIF) was raised t Broadmeadows Victoria in March 1915. Following service at Gallipoli the regiment was broken up with squadrons going to France as Divisional Cavalry Squadrons of 2nd, 4th and 5ht Divisions. The regiment was reformed as firstly 1st Anzac Corps Mounted Troops and lather Australian Corps Mounted Troops.Black and white photograph of a soldier on horseback outside a brick building." E. Thewlis France 22.9.1916 "

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The card also demonstrates how postcards were used as a method of contact in contrast to the contemporary use as souvenirs. A colour image of a house (the Curators lodge) behind a fence with two children sitting on it. There are two large Cordylines, one in the forefront of the image standing in lawn and surrounded by pink flowers, and one closer to the house. The house is brown timber with two brick chimneys and has a green corrugated iron roof with gables over the windows at the front and side.Front: ‘The Lodge, / Williamstown Gardens’. Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. There is a one penny red Tasmanian stamp on the top right hand corner. The card is addressed to ‘Miss E G Holford / 60 Upton St, / Launceston, / Tasmania.’ Top left corner in pencil ‘$10’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, children, cordyline

Was No. 1 Victoria Street, in 1969 became 3 Beatty Street. According to Alan Holt register, the occupants were: 1891-1905 Leopold Augustus Carter, Collins Street dentist 1905-1909 James Johnston Hemphill, Esquire 1909-1919 G. E. Jeans, Gentleman 1919-1920 Colin Friend, medical practitioner 1920-1964 Augustin Lodewyckx 1964-1967 Mina Lodewyckx 1967- Lodewyckx family A black and white photograph of the front of a brick house taken from the side. It shows a portion of the decorative balustrading on the verandah. The garden is well established.mont albert, beatty street, karel axel lodewyckx (mr), axel lodewyckx (mr), mina lodewyckx (ms), 1891