Showing 260 items
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Merri-bek City CouncilMixed media, Thomas de Kessler, The Valley of Ancestral Spirits, 2001
Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler -
Merri-bek City CouncilMixed media, Thomas de Kessler, Give Us Work, Not Promises, 1998
Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler -
Merri-bek City CouncilPen, ink and white acrylic, Thomas de Kessler, Untitled (five people in a field), 1998
Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler -
Merri-bek City CouncilCharcoal and ink on coloured paper, Thomas de Kessler, Portrait of Mr. T de Kessler, 1971
Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler -
Merri-bek City CouncilLinocut, Thomas de Kessler, Untitled (Man with clasped hands), 1961
Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler -
Merri-bek City CouncilPen and ink and white acrylic, Thomas de Kessler, The Blind, 2001
Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler -
Merri-bek City CouncilPen and ink and white acrylic, Thomas de Kessler, Street of Shame, Redfern, Sydney, 1997
Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler -
Merri-bek City CouncilPen and pencil, Thomas de Kessler, Environmental Disaster in Europe, 2000
Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler -
Merri-bek City CouncilMixed media, Thomas de Kessler, Afghan and Child, 2001
Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler -
Merri-bek City CouncilPen and ink and white acrylic, Thomas de Kessler, Ghosts of the Past, 2001
Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler -
Merri-bek City CouncilConté, acrylic and pen, Thomas de Kessler, Just foul: Clogged with rubbish Merri Creek near Fitzroy North resembles an open sewer…, 2004
Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler -
Merri-bek City CouncilMixed media, Thomas de Kessler, Moslem Women, 2001
Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler -
Merri-bek City CouncilPainting - Oil on linen, Kirrily Hammond, Lygon Street South, Brunswick East, 2012
Framed oil paintingSigned on verso -
Merri-bek City CouncilArchival inkjet print on Hahnemuhle, Melanie Jayne Taylor, The Gesture in Geometry (The Bamboo Forests), 2012
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Merri-bek City CouncilInkjet print, Phuong Ngo, Ngo Minh Hoang, 2012
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Merri-bek City CouncilInkjet print, Phuong Ngo, Pulau Bidong 2012/1981 #2, 2012
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Merri-bek City CouncilLinocut, Noel Counihan, Albert Namatjira, 1959
From the estate of Jack Svendsen, a long time Moreland resident, dedicated volunteer and social activist. Donated by his family in keeping with his generous spirit. Administered through the Australian Government's Cultural Gifts Program. -
Merri-bek City CouncilLinocut, Noel Counihan, Boy, 1967
From the estate of Jack Svendsen, a long time Moreland resident, dedicated volunteer and social activist. Donated by his family in keeping with his generous spirit. Administered through the Australian Government's Cultural Gifts Program. -
Merri-bek City CouncilLinocut, Noel Counihan, Mexican Girl, 1970
From the estate of Jack Svendsen, a long time Moreland resident, dedicated volunteer and social activist. Donated by his family in keeping with his generous spirit. Administered through the Australian Government's Cultural Gifts Program. -
Merri-bek City CouncilInk and pen on paper, Noel Counihan, Demonstrators III, 1976
Purchased from the Estate -
Merri-bek City CouncilLinocut, Noel Counihan, Demonstrator, 1978
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Merri-bek City CouncilPencil on paper, Noel Counihan, Using hand drill in wet bord - West area, Undated
Donated by Dr Colin Holden through the Australian Government's Cultural Gifts Program -
Merri-bek City CouncilLithograph, Noel Counihan, A Girl's Head, 1968
Donated by Natasha Svendsen through the Australian Government's Cultural Gifts Program -
Merri-bek City CouncilHand printed vintage black and white silver print, Stephen Wickham, Untitled 2, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City CouncilHand printed vintage black and white silver print, Stephen Wickham, Untitled 3, c. 1980
Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City CouncilHand printed vintage black and white silver print, Stephen Wickham, Untitled 4, c. 1980
Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City CouncilHand printed vintage black and white silver print, Stephen Wickham, Untitled 5, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City CouncilHand printed vintage black and white silver print, Stephen Wickham, Untitled 6, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City CouncilHand printed vintage black and white silver print, Stephen Wickham, Untitled 7, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City CouncilHand printed vintage black and white silver print, Stephen Wickham, Untitled 8, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter
