Dress, blue/white denim-type weave, button-through. 7 white buttons and hooks-and -eye at the waist. belt of same fabric with 8 lines of oversewing, white button and two buttonholes. Dress has shirt collar, two patch pockets on skirt and long sleeves with buttoned cuffs and two keepers at waist.costume, sunbury asylum, george evans collection

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A tin buttonhole button from a series of 16 badges issued by Amalgamated Press. George Geary (1893-1981) was an English Cricketer who played in a number of tests against Australia including the 1928-29 tour. The button includes a tab which states ‘Bend Me’ which was a simple method of attaching the badge to a lapel."Geary"george geary, cricket, test cricket

BHS CollectionCopy of a photo of Ben Williams printed on yellow paper. He is wearing a suit and tie. He has a flower in the buttonhole and possibly a watch chain. In the bottom right corner is written Allan Stud, the rest is hidden by the corner of the paper turned back. Written on the back is: Mr Ben Williams Alan Crossley's Father In Law.bendigo, history, long gully history group, the long gully history group - ben williams, alan crossley

For Service History Refer Cat No. 7877.61. Jacket - white colour polyester viscose fabric, mess dress style - Summer. Collar and long lapels. Shoulder tapes for epaulettes. Gold colour plastic buttons with shank and metal pin. Raised emlem, crown and wings - RAAF. Lining - white colour polyester fabric. White cotton manufacturers label inside right side of jacket. 2. Shirt - white colour polyester/cotton fabric, dress shirt, collar, stiff front with buttonholes for studs and long sleeves with double cuff and buttonholes for cufflinks. White colour plastic buttons. White colour polyester manufacturers label, below collar inside. 3. Bowtie - black colour polyester/cotton fabric. Bowtie is prefolded and stitches on ribbon with black metal hook and ring closer.Manufacturers information - black ink print. 1. "ADI/ VICTORIA/ 1993^/ 8405-66-131. 8010/ SIZE 110R/ TO FIT CHEST 110/ SERVICE NO/ NAME/ 65% Poly 35% Visc/ Dry Clean Only". 2. "RA/ PHILIPPE ANTON/ MADE IN AUSTRALIA/ 44".uniform, raaf, mess dress, summer

Male wool shirt made in Bradford, U.K. The shirt is cut from first fabric woven from 100% traceable Australian wool. Bradford Mills differ to Australian mills in that the entire process of producing worsted material does not take place at the one firm/factory. Rather it is split between many firm/factories specialising in their task in the production of worsted material. For example, the wool goes from merchants to combers to produce tops, the tops to spinners to produce yarn and then the yarn is sold to manufactures who weave it into cloth. After the weaving is done the cloth has to be sent to the dryers and finishers, who scour, dye and finish the cloth. Finally, the finished cloth is purchase by a fresh set of merchants, who will later sell the cloth elsewhere in England or abroad. At each these steps a new firm is handling the wool/cloth making it hard to track lineage of wool through this process and hence hard to guarantee 100% Australian wool. This shirt was purchased and worn by the donor’s husband, George H. Gerber, an Australian Wool Buyer. The shirt was purchased on one of George’s trips to Bradford in the U.K. on company business. Gerber was a second-generation Wool Traders in his family. His father, also named George H. Gerber, worked for Kreglinger & Furneau. He worked for them in Boston, U.S.A. before he died from the Spanish Flu in 1918. The company then promised a job to his oldest son (donor’s husband) once he finished school. Thus, George came to be trained as a Fine Wool Classer by Kreglinger & Furneaux (Aust.) Pty Ltd where he was employed as a Wool Buyer all his working life. He retired in 1969 as the head of their Australian office when the company was taken over Also of note, the shirt was sold with 2 add-on collars. Having additional collars was advantageous as changing only the collar increased the number of days the shirt could be worn without washing. Cream coloured shirt with black and red single thread verticle stripes.“Grandpa” collar (with 1 of its 2 supplied add-on collars included). French cuffs. Sold with 2 add-on collars, hence both ends of the collar have buttonholes to take a stud, and a partially-opened button-hole is at the centre of the neck on the outside of the collar for a second stud.Letering label on shirt: GENT’S OUTFITTER Herbert Winfield 23 CHEAPSIDE, BRADFORDbradford, u.k, kreglinger & furneaux (aust.) pty ltd, 100% australian wool

BHS CollectionWhite cotton long sleeved ladies undershirt.. Front opening with four buttons and buttonholes. RHS of opening trimmed with double sided broderie anglaise lace. On either side of front opening is a vertical insert of broderie anglaise lace with three vertical pintucks on either side, Widens at hipline. Set in sleeves trimmed with broderie anglaise lace and pintucks at wrist.costume, female, ladies undershirt

Uniform trousers issued to S/SGT "Brian Thompson", 316 221. Years of Service 1973 - 1993.Trousers - black colour wool fabric with two side pockets, five button fly, red colour wool piping stripe down each side seam. At ankles there are fabric straps with two buttons/ buttonholes - stirrup pant style. Black colour plastic buttons. Cream Colour cotton fabric lining to waist and pockets. Buttons on inside of waistband for attachment of braces.uniform, army, mess dress trousers, brian thompson

This vest was probably used in both China and Australia during the 1940s as a procession garment. It is linked to the Young Chinese League.This vest is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.Sleeveless jacket in cream and red silk with red circular panel in centre, containing black, velvet Chinese characters that read 'brave' or 'strong'. A red border runs around the sides with a curled design running underneath the circular panel. Three buttonholes at back of garment bear the same design. There is water damage (red staining) around the sleeve and at the bottom right hand corner.The Chinese character, 勇, in the centre of the panel means 'brave' or 'strong' and is usually associated with soldiers.young chinese league, processions, melbourne, victoria, china

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Chemisette with a square neckline and three buttons down the front. It has an attached peplum. The sleeves and neckline are edged with lace. A row of ribbon insertion lace tape is attached to fabric of neckline. 30 mm in from the front of the neckline is a row of drawn thread work. Bodice is also decorated with 4 rows of triple pin tucking. The garment is short sleeved. The buttonholes are concealedlace, women's clothing, underwear, camisoles, chemisettes, undergarments

Jacket, khaki colour, wool/polyester fabric. Service dress style. No belt or buttons. Collar, shoulder epaulettes, four front pockets - top two with buttonhole and two metal press studs on flap, lower with flap. Rank Insignia on top sleeve - crown and stripes for Staff Sergeant. Lining - khaki polyester fabric with manufacturers label inside left. Label white cotton fabric.Manufacturers information on label - black ink print. "E.W. P/LTD/ SOUTH AUSTRALIA/ 1971/ ^/ SIZE 39 SHORT/ CLASS 8405/ 66-019-8482/ ARMY NO./ NAME/.DRY CLEAN ONLY/.REPRESS USING IRON AND DAMP/ CLOTH OR MEDIUM TO HOT/ STEAM IRON/. CREASE UPPER HALF OF/ LAPELS ONLY"uniform, army, service dress

black and white photo with dark brown paper mounted on balck board. Male in suit with flower in buttonhole. White tie, pocket handkerchief. Top button fastened on jacket. Goatee beard and moustache. Inscriptions surround photo memorial card. ' Died 16th Dec, 1897. Aged 51 years' 'In affectionate remembrance of Albert Henry/the dearly beloved husband of /Elizabeth Ellen Goggin.'person, individual

Evening or opera coat with princess line seams and shawl collar. Leg o' mutton sleeves, full length flared skirt of six panels and secured with one self covered button and bound buttonhole at the waist. Fully lined in cream coloured silk taffeta. Fabric is printed in gold with flowers, vines and butterflies with hand silk screened roses and forget-me-not flowers over the topNone

Gentleman's fawn suede fabric spats. Seams and edges are lined with 2 cm wide cotton tape. The opening edges have four plastic one cm buttons, and four stitched buttonholes A tapered leather strap ( 2.5 cm tapering to 1.5 cm ) fastens with a nickel -(silver) buckle. This strap passes underneath the instep. Leather lining at top of spats, gives a piping of leather effect on the outside.Mansfield and Sons Ltd. An english Manufacturer.costume, male footwear, spats

Sepia photograph of wedding group. Two men in three piece suits, white shirts, ties and buttonholes, one seated centre, one standing behind him. Two women, one wearing headdress with veil and carrying large bouquet. Other woman carries smaller bouquet and wears wide band. This woman is seated. Interior setting. Confetti on floor, decoration on R background. Mounted on fawn board.person, group, wedding, also photocopy

Bodice of a blue linen dress made by Elfriede Girschik for her daughter, Helga, in Camp 3. c1942 (early). The singer sewing machine it was made on came with her into the Camps.Blue linen bodice which has been part of a dress. The bodice has sleeves gathered at the top and slots for elastic (not there) at the lower edge. 6 handmade buttonholes down the opening at the back with 6 small buttons. Hand embroidery on the front, 2 ladybirds, sprays of yellow, blue, pink and orange flowers. The bodice has been separated from the bottom of the dress and hemmed up to make into a top.bodice, embroidery, camp 3, tatura, ww2 camp 3, internment camp handwork, helga griffin, helga girschik

Use to identify a tramway employee - Clifton Hill car house or depot. Would have allowed free travel when in uniform to and from work. Used possibly from mid 1910's when the Tramway Board was formed until it was replaced by the MMTB in 1921 or when a different identification system was implemented. Most likely made by Stokes and Sons - possible imprint covered by the leather part.Demonstrates the method of identifying cable tram employees. Round pressed brass badge with the words "Gripman" pressed into the centre of the badge around the top portion of the badge, the letters "C13H. Has a nickel-plated finish with the Tramways Board logo on the lower part of the badge. On the rear of the badge, two metal lugs have been soldered onto the badge and a two-piece leather strap with a buttonhole cut into it to enable it to be worn on a uniform. See item 7339 for a Conductor badge. badges, tramways, trams, employee pass, tramway board, clifton hill depot, gripmen

Ethel Bersey was born at Linton in 1882. She married James Wishart in 1910. George Bersey was born at Linton in 1887, and married Wilhelmina Collins in 1910.Black and white copy of original photograph which shows a woman seated slightly sideways on a chair, with her hand resting on a table, and a man standing behind her, one hand in his pocket and the other appears to be resting on the back of the chair. The woman is wearing a dress with a high collar, sleeves decorated with large buttons, and a spray of flowers on the bodice. The man is wearing a suit, with a fob and chain, and a buttonhole flower.ethel bersey, george bersey

Northern District School of Nursing nurse's base uniform 1950s - 70sTwo white caps without frill denotes first year nurse. Three white caps with frill denotes 2nd year nurse. Two white caps with blue stripe above frill denotes 3rd year nurse. One white cap with brown stripe above frill denotes third year after uniform changed in July 1974.Brown stripe cap has 'Leung BBH' on central mitre in black marking pen. One blue stripe cap has 'Kelly" ? and 'NTI along central mitre. A second blue stripe cap has 'Freeman' in black marking pen on LHS mitre. One white frill cap has 'M.S.Anderson", a second white frill cap had 'N.T.' in marking pen and a button affixed to the central mitre. A third white frill cap has an embroidered name strip with 'K. Woodman in blue and 'B.B.H.' in black marking pen on the central mitre. One plain white cap has jumbled marking pen lettering 'NT 2NT3 NT3 on bottom RHS and a buttonhole to top of each mitre. A second plain wite cap has a buttonhole to top of each mitre.nurses uniform, northern district school of nursing, cap

The photograph features many prominent members of the Ithacan Philanthropic Society during the early 1920s a number of whom were founding members of the Society, including A. J. Lucas (Lekatsas) the founding president and Angelos Lekatsas (Lucas) who was the second president. Archimandrite Irineos Kassimatis is pictured with the group. Most of the group are wearing a buttonhole pin on their jacket lapels which indicates the photo was taken at gathering to celebrate a baptism. It was traditional that following the baptismal service a small icon or cross was pinned on each of the guests to symbolise they were witnesses to the baptism. This pin is called a 'martiriki' derived from the Greek word 'martiras', which translated means a witness. A black and white photograph of eighteen men gathered together in a garden and posing in front of a weatherboard building. Three of the men are sitting on the ground in front of the group. Hand written signature - ? Varvarigos - written in Greek in the bottom left hand corner. Written on the back: STRONG MEN OF THE ITHACAN COMMUNITY

Elaine Donnellon, the donor of the photograph is the daughter of Shelia's sister Matilda. Thomas Coughlan and Shelia Whelan were married 03-09-1947. Not highly significant but typical of a mid 20th century portrait taken in a photographer's studio. The style of the wedding finery is representitive of the fashion of the period.Studio Portrait on original mount. Thomas Coughlan bridegroom, dark double-breasted suit,orange-blossom buttonhole. Shelia Whelan bride, embossed satin bridal gown with train and leg-o-mutton sleeves,a lace insert at the neckline, finished with a dainty locket. An embroidered full lengh veil and ruched head-dress with orange-blossom is complimented by a floral trailer-bouquet and horseshoes. Portrait backdrop, curtain and chair. Bottom right-hand corner, hand written, "Mendilnohy/Melb."studio portrait, 1947, thomas coughlan, shelia whelan, orange blossom, embossed satin, wedding gown, double breasted suit, veil, trailer, bouquet

Studio portrait of Ted and Mary Molloy nee Cody. They were married at the Catholic Church Ballarat East, Victoria on the 06-09-1922. They honey-mooned in Tasmania.Studio Portrait. Ted Molloy bride-groom, dark single-breasted suit, orange-blossom buttonhole, waistcoat, white bow-tie-gloves, watch-chain. Mary Cody bride, Ankle-length gown with fine-lace overlay. Muslin veil attached with orange-blossom medium-heeled satin-shoes. A large bouquet of fresh daffodils, daisies, freesias, asparagus-fern and a trailer of ribbons. Backdrop: curtain and chair. studio portrait, orange blossom, wedding gown, veil, bouquet, single breasted suit, bride, bride groom

Clothing. Cream cotton with fine black/grey pin stripe. Single breasted - three buttons, possibly tortoise shell, half glazed, half natural. Three pockets. Breast pocket angled on chest. Two rectangular pockets with rounded corners, at hemline. Pockets attached by hand stitching. Seams all enclosed, except for inside sleeves.Handmade buttonholes. Label stitches inside collar: A.M.Poole, Bendigo.Some discoloration of collar.Label inside collar - A.M.Poolecostume, male suit, men's boating suit (jacket)

Coloured photograph showing HRH Prince Charles and HRH Princess Diana signing Visitor's Book. HRH Prince Charles in grey suit, pale shirt, dark striped tie, red buttonhole. HRH Princess Diana in white and turquoise detailed suit, turquoise hat. History: Visit to Bendigo 1983. Photos at Shamrock Hotel - James Lerk 18.2.2000 'Prince Charles and Lady Diana visit to the Shamrock Hotel, Bendigo 1983'.person, family, husband and wife

TOC H was founded as a Christian organisation during the First World War in Belgium in 1915. Talbot House was a venue for respite from the war for soldiers and civilians. During the 1920s TOC H spread around the world especially to Commonwealth countries. In 1923 the Governor General of Australia wrote to The Reverend "Tubby" Clayton indicating that he and Lady Forster wished to endow a TOC H lamp, the symbol of TOC H in memory of their two sons who were killed in the war. The lamp symbol is a replica of the lamp used to provide light to early Christians who sought refuge in the catacombs of Rome. The cross of Lorraine is an indicator of its origins in the Ypres salient.The lamp is a symbol of an ongoing commitment of TOC H to spread light wherever it may be required. These badges are maintained as mementos of the Warrnambool branch of TOC H which operated from a sandstone building in Koroit Street Warrnambool. It was active during the middle decades of the 20th Century .1 Octagonal metal and enamel badge featuring a gold coloured oil lamp and cross on a green luminous background with rays emanating from the lamp. The badge has a gold edging. The reverse has a pin clip and text .2 and .3 Octagonal metal and enamel lapel badge featuring a gold coloured oil lamp and cross on a royal blue background. The badge has a gold edging. The reverse has a horseshoe shaped device to allow the badge to be secured in the buttonhole of a jacket. .1Indecipherable .2 Stokes and Sons Melbourne .3 2849toc h, tubby clayton, lord forster

This uniform was worn by student nurses at the Hillcrest Psychiatric Hospital in Adelaide in the early 1970s. In 1964, Northfield Mental Hospital was renamed Hillcrest Hospital. .1) Mid pink waisted and darted uniform with a front pocket (with H H embroidered) on left breast and side pockets on skirt. Buttoned up the front, with three buttons on top and a placket with four hidden buttons on skirt. There is a hook and eye at the waist and a separate belt with two buttons and buttonholes. There is a collar and cuffed short sleeves, a back yoke and a center inverted pleat. .2) A lined (double layer) woollen royal blue cape with collar and neck tie and a hook and eye clasp.Embroidered on top pocket - H Hnursing, hillcrest hospital, student nurse uniform, nurse cape, costume, textiles, cape, uniform, hillcrest psychiatric hospital

Gentleman's brown suede fabric spats, bound at seams and lower edge in .75 cm leather strips. Four one cm, diameter plastic buttons at outer ankle, with four stitched buttonholes. Centre front seam is lined with a leather strip, opening edges lined with cotton tape, and finely machine stitched. A two cm wide and 16.5 cm long strap passes under the instep, and fastens with a metal buckle on the outside of the foot, leather -tapered 2.5 cm to 1.5 cm.H.E.Randall Ltd (written on fine leather label, six cm long on inside of spat. Lettering in gold. ( An English Company).costume, male footwear, spats

Cremorne Co white dress shirt. Collarless. Long sleeves with 6.5 cm cuffs. Cuffs have buttonhole on either side of opening 1.5 cm band around neckline with button holes at centre back and on either side of front opening. Panels of marcella waffle patterned fabric attached on either side of front opening extending from neckline (33 cm X 11.5 cm) to above the waistline. Each side of front opening has three button holes.Label inside back ''Cremorne Co. Dress Wear. Coat Style.''.costume, male, dress shirt.

Sepia photo of wedding group. Five adults. Three men, one seated and two standing. Men are wearing three piece suits, white shirts, butterfly collard and bowties, buttonholes and carrying gloves. Bride's bouquet has long trailing asparagus fern. Dress-length veil and headdress, spectacles. Other woman wears wide-brimmed hat. Flowers in vase on small table. Palms just visible left and right. Inscriptions: on cardboard - 'Croxton 831 High St Northcote Studio'.Croxton Studio, 831 High Street, Northcoteperson, group, wedding, see also 2001.323.01

Clothing. Deep cream silk (?) satin button-up boots/shoes. Immaculate, tiny stitching. Low, Louie shaped heel. Ankle high boots. Buttoning opening on the outside edge-eight scallops each finely bound and stitched. Each fastened by a tiny 8mm domed painted button, and an immaculate, stitched buttonhole. Sadly, the satin has split, on each opening panel. Some colouring has been chipped from the buttons. Inside it would appear that the satin has a linen backing or lining.Inside is a gold stamp F.PINET. PARIS Also is a stamp, J.WATTS 23 BOURKE ST. EAST MELBOURNE. 25 1/2 3. BREVETTE F.PINET 27PARIScostume, female, satin button-up boots