This postcard is addressed to Tom Lloyd from Uncle Frank c/o F. Lloyd Esq, Bairnsdale.This item is a pictorial record associated with the agricultural history of Orbost. .The extensive Snowy river flood plain was swampy, but by the 1880s the river flats were being drained. The Orbost flats are very fertile and crops were planted on the rich deep soil, with maize rapidly becoming widespread.A black / white photograph of the Orbost farming flats. The sky is very cloudy. There are paddocks of crops in the foreground.on front - "Orbost Flats" on back - "How are you enjoying your holiday.......Uncle Frank"orbost-flats-farming lloyd-frank

Photographic copy of Francis (Frank) Peake. Born in Chiltern, was a school teacher, Joined the services in Melbourne on 16/1/1918 aged 23. Enlistment No 44202 and Discharged on 23/8/1919Francis Peake - World War I Photographic copy in Black and White of Francis (Frank) Peake. (Cropped down from a previous photo)chiltern shire honor roll, wwi, chiltern

Nillumbik Prize 2018 finalist. The artist lives and works in Nillumbik. A juxtaposition of the mechanical (digital camera) with the hand painted. Each turning page exposes the artist’s own experiences and responses to his environment. The book unfolds into a sequence of pages that opens up to a landscape. digital photographs and hand painted (detailed/cropped) images of trees on paper, encased in an archival box.

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Colour digital print of a dead mouse. Image is a cropped detail of the animal's hind legs and tail.aneta bozic, 69 smith street gallery, artist-run initiative, artist-run space, melbourne art galleries, photography, colour photography, animal photography, death in art, www.anetabozic.com

Mt Dandenong. Cow in paddock, looking to two houses in Falls Road. One probably belonging to a Mr. Mason.Sepia photograph of rural scene. Two cows and calf in foreground with houses, crops and trees in background.mount dandenong, falls road, cow, mason

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Cropped photo shot of Alma Figuerola at an art exhibition. The photo was in her personal photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

.1) Norman Victor Harbourd No 908. Norman had pre war service. Enlisted 16.2.1916 in C Coy 38th Bn age 21 years, embarked for England 20.6.1916, hospital with Chill at sea, hospital 24.8.1916 with Measles then Influenza, embark for France 22.11.1916, made Cpl 14.12.1916, hospital 27.1.1917 with Gastro Enteritis, rejoin unit 4.2.1917, WIA 25.2.1917 GSW Face & Right Thigh, medically downgraded, RTA with Defective Vision, discharged from the AIF 9.2.1919 Medically unfit. .2) Sitting on left is Norman, rear right is Lachlan Wells Harbourd, the others unknown at this point. Lachlan Wells Harbourd No 909. Lachlan had pre War service. Enlisted 16.2.1916 in C Coy 38th Bn age 18 years 5 months, embark for England 20.6.1916, hospital at sea with Tonsilitis, embark for France 22.11.1916, hospital 23.11.16 with Mumps, rejoin unit 4.1.1917, WIA 7/9.6.1917 GSW Chest, rejoin unit 27.10.1917, made L/Cpl 17.8.1918, WIA 2nd occasion 24.8.1918 GSW Right Thigh, RTA 2.3.1919, discharged from the AIF 3.8.1919.Photos,1 sepia, 1 B & W, soldiers in uniform in studio background. .1) Soldier standing with Cpl stripes on arm holding a crop. .2) Four soldiers, two standing 2 sitting one with Cpl stripes, both sitting have crops..2) on rear, “With best love from your loving Bro’s Norman, Lachlan”photographs, 38th bn, c coy

Tan leather riding crop, one end has folded leather flat section, the other a plated knob with a copper Rising Sun badge affixed. The badge has been curved around the shaft of the crop. Badge has Australian Commonwealth Military Forces.military equipment-army, transport-animal, trades-leatherworking, accessory, crop

A mounted b/w photograph of soldier E. Cousins, standing at ease with riding crop in his hands.Printed on front: Melba and Co. Melbourne Typewritten on white paper: E. Cousins Handwritten on back: Mrs Cunningham, Sunbury P.O. Victoria E. Cousins.melba and company, photographers, cousins, e., cunningham, - (mrs), sunbury, soldiers, george evans collection

Sepia toned photograph of Frederick Louis Falk standing in a tall crop of maize at Kalimna West Victoriahouses

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions) pencil crop marks over back.port of portland archives, portland harbour trust, dredging

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions) [crop marks drawn over back]port of portland archives

Widows are sitting around chatting in the club rooms at Legacy House next to a table of craft items. This was the one of the Annual Art and Craft Exhibitions that was run by the widows club. The items could be sold at trading tables and at the table outside Legacy House during Badge Week in September to raise funds. Names unknown.A record of the type of activities Legacy provided as a social outlet for widows. Colour photo of a craft exhibition at Legacy House.Very faint "July 88" in pencil. "Legacy House Club Rooms, 293 Swanston St" and "Crop" in black pen with lines denoting areas to crop. This paper manufactured by Kodak.widows, craft, activities

The soldier is James Pianto “MM” No 2672. Refer Cat No 1904 for his service details.Sepia tone copy of original showing a soldier standing in uniform holding a crop, there appears to be a building in the back ground.photographs, “mm”

2 copies of Black and White Photograph . VC1634-1 is the fill photo, VC1634-2 is a slightly cropped imageWritten on backing sheet of VC1634-1: "Ringwood Philatelic Society meeting in supper room Ringwood Town Hall, 7th August, 1953. L. to R. Mr. & Mrs. Wenn, J.K. McCaskill (Glasses), Stan Griffiths, K. Wellington, Paddy Miles, Phil Duerdoth, Edith McEwin".

A photo of a soldier in army uniform standing on the steps of a verandah of a house and carrying a riding crop. Believed to be P. Collett.on back in biro: Collett 67soldiers, armed forces, uniforms, clothing and dress, collett, p., george evans collection

Mounted b/w photograph of soldier Neil Magnussen at ease with a riding crop under his right arm.Printed on front: Chidley and Co. 73 Bell Street, Fitzroy Typewritten on white paper: Neil Magnussen Handwritten on back: Neil Magnussen (Una)chidley and company, photographers, magnussen, neil, soldiers, armed forces, george evans collection

Adjustable metal 8"x 8" masking board for cropping and photographic printing Imperial scale, excellent condition Adjustable frame for variable cropping of prints; maaximum printing 240mm x 190mm (8.5"x 6.5") An Elande product manufactured by Lee & Diverell, Mitcham, Victoria, AustraliaELanDE product manufactured by Lee & Diverell, Mitcham, Victoria, Australia

Glen Lynn Farm, Dad cutting crop with mowing machine, Warburton Negative Black white Scanned at 600 dpiglen lynn farm warburton dad cutting crop with mowing machine horse

Growing tobacco at Morningside Halls Gap, Lorna (Topsy) Warren, Ronald Warren, Mrs Warren, Sheil (later Leighhead). One copy is a slide held in slide box No. 244.4 people in crop of tobacco Lorna Warren (Topsy), Ronald Warren, Mrs Warren, Sheila Warren (later Leighhead)Names of people in photographpeople, warren, misc industries, tobacco growing

Constable Alexander Fitzpatrick had a questionable character even before being posted to Greta Police Station in 1878. He made an attempt to arrest Dan Kelly but did not follow correct procedure. He went by himself and had also been drinking beforehand. While Fitzpatrick stated that he was assaulted and suffered a minor gun show wound at the hands of "Ned" Kelly and other family members, his claims were disputed by them. The Kellys "went bush" after this incident and two police parties - one led by Michael Kennedy - were sent in pursuit of them.Sepia toned photograph on cardboard showing Constable Alexander Fitzpatrick holding a riding crop with left elbow resting on a pillar."J.E. Bray, Photo Beecworth" (underneath photograph). "Portrait & Landscape Photographer J.E. Bray Beecworth, Victoria. Negatives kept, copies 1/. each, may be had by forwarding name and address accompanied with remittance to the amount of the order. Photographs coloured in water colours" (on reverse of carte de visite)alexander fitzpatrick, edward kelly, ned kelly, kelly gang, arrest, greta police station, 1878, bushrangers, carte de visite, bray, beechworth

Picnic in the bush. Probably Black Ranges. Church group.Black and White Photograph of a group of people in a bushland setting. Women wearing long dresses with large hats. Photograph cropped.Dear Mert, There's nothing like keeping up appearances so you see I got as near the Parson as possible. How do you do di de do how as you do de do di do etc. is Jimmy living where hes living now or has he gone away. From yours sinc. M the other side. P.S. don't run away with the idea that it was Jack I was edging up to. Forgot your number its late to go over home. stawell