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Federation University Historical Collection
Photograph - Photograph - Colour, David Caro and Fiona Caro
David Caro was the Chancellor of the University of Ballarat.David and Fiona Caro stand in front of a portrait of David Caro by Rick Amor.university of ballarat, david caro, fiona caro, caro, chancellor, rick amor -
Linton and District Historical Society Inc
Photograph, Mrs. David Clarke
Photograph of woman wearing an ornate bonnet. This photo is a copy of an original photograph of Mrs David Clarke."Mrs David Clarke of Piggoreet Station, Mother of Helen".mrs david clarke, piggoreet station -
Robin Boyd Foundation
Letter, David Saunders, David Saunders to Robin Boyd, 02.05.1970
A letter from David Saunders, concerned with the title of the book and Saunders' writing of the Foreword to the book 'Living in Australia'.Typewritten, quarto, 1 page.Handwritten phone number at the top. -
Federation University Art Collection
Painting, 'Crucifixion' by David Newbury, 1957
David NEWBURY (1925 - 2003) Born Eltham, Victoria David Newbury was the son of artist Albert Ernest (Pater) Newbury (1891-1941). He studied at RMIT and taught at Melbourne Teachers' College and Melbourne State College, This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, david newbury, newbury, oil, oil painting, albert ernest newbury, pater newberry -
Port Fairy Historical Society Museum and Archives
Painting, 1 William Street
Construction date of house depicted1845-1855 for Stonemason Benjamin Bowyer. Style Colonial Georgian. Representative of workman's cottage of the 1850'sOil painting by Jean WilsonPainting signed by Jean Wilson 1 William Street Port Fairy on reverse To the Port Fairy History Group from Phillip Ritchie, past owner of 1 William Streetdwelling, housing -
Surrey Hills Historical Society Collection
Photograph, David Miller Mair, c1909, c1909
David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. This is part of a large donation of material from the Deakin, Mair and Young families. The Deakin, Mair and Young families had many connections with Mont Albert and Surrey Hills.A black & white photocopy of a man with a moustache identified as David Miller Mair. The original is a formal portrait of him wearing a bowler hat and 3 piece suit, the jacket with flower in the buttonhole and the waistcoat with fob watch chain. He has his hands in his pockets and is looking in part profile at the camera. On rear in grey lead pencil: "David Millar Mair / 22.4.1879-16.9.1938". david miller mair, dave mair, lily vipond mair, lily vipond deakin -
Melbourne Legacy
Document, Comments on Presidential Year 1987 - BR Wilson, 1988
The President in 1987 was Bruce Wilson. He included observations based on his year as President. He felt record keeping was an cost burden. The document is dated 29 February 1988 as the presidential year ran from March to the following February. Was in a binder of documents that is passed from an outgoing President to the incoming President. It is primarily from the 1930s to 1990s. Most documents are being catalogued separately.A record of the ideas of the President in the 1980s.White foolscap paper x 2 pages with black type of the President's comments in 1987.Signed in blue pen 'Bruce Wilson 29/2/88'.presidents, bruce wilson -
Puffing Billy Railway
Double Headed Rail, circa 1872 - 1883
Double Headed Rail from Ravenswood Station Siding which was dismantled circa 1987 the two rails were stored for a time at Maldon before being donated to Puffing Billy Museum Bearing makers marks of Wilson & Cammell - Dronfield- Steel works Wilson & Cammell made Steel rails at their Dronfield Steel Works, in Dronfield, North East Derbyshire, England from 1872 - 1883 Double-headed rail In late 1830s Britain, railway lines had a vast range of different patterns. One of the earliest lines to use double-headed rail was the London and Birmingham Railway, which had offered a prize for the best design. This rail was supported by chairs and the head and foot of the rail had the same profile. The supposed advantage was that, when the head became worn, the rail could be turned over and re-used. In practice, this form of recycling was not very successful as the chair caused dents in the lower surface, and double-headed rail evolved into bullhead rail in which the head was more substantial than the foot. Info from Wikipedia - Rail Profile https://en.wikipedia.org/wiki/Rail_profile The first records of double headed rail being used In Victoria by Victorian Railways was in 1859, the rails, chairs, oak and trenails were imported from UK. After the 1870’s the Victorian Railways went over to using flat bottom rails, but they still needed replacement double headed rail for lines already laid and this continued up to at least 1883 Wilson & Cammell - Dronfield- Steel works Wilson & Cammell made Steel rails at their Dronfield Steel Works, in Dronfield England from 1872 - 1883 Mount Alexander & Murray River Railway The Melbourne, Mount Alexander & Murray River Railway Company received parliamentary assent in February 1853 to build Victoria's first inland railway from Melbourne to Williamstown, and Melbourne to Bendigo and Echuca. Construction commenced in January 1854 with work on a pier at Williamstown but lack of funds slowed progress, eventually prompting the company to sell out to the government. The 100-mile (162 km) section to Bendigo opened in October 1862. Its cost of £35,000 per mile made it the most expensive railway ever built in Australia. In 1864, the line was extended to Echuca, tapping into the booming Murray-Darling paddlesteamer trade. info from Museums Victoria - Victorian Railways https://museumsvictoria.com.au/railways/theme.aspx?lvl=3&IRN=450&gall=456 1863 Ravenswood Station open on the 1st Feb 1863 Victorian Railways - purchased and imported the Rail and Chairs from Raleigh, Dalgleish, White and Co. London Importation of railway plant : abstract of a return to an order of the Legislative Assembly dated 27th June 1860 for - Copies of the advertisements calling for tenders, the names of the tenderers and the accounts and correspondence with Mr Brunel relating thereto GP V 1859/60 no. C 15 http://www.parliament.vic.gov.au/papers/govpub/VPARL1859-60NoC15.pdf Report from the Select Committee upon the Importation of Railway Plant : together with proceedings of the Committee, minutes of evidence and appendix GP V 1859/60 no. D 38 (2.9 MB) http://www.parliament.vic.gov.au/papers/govpub/VPARL1859-60NoD38.pdf Ravenswood Siding When the Victorian Railways were established in 1856 they adopted one of the popular British permanent way standards - heavy 80lb (36.3kg) double-headed rail held up right in cast iron chairs attached to transverse timber sleepers by wooden pegs called trenails. The Ravenswood Railway siding was constructed in 1862 with 12 feet wrought iron double-head rail held in cast iron chairs with Ransom and May patent compressed keys. Trenails held the chairs to the sleepers and the joints were secured in joint chairs. Joints were subsequently joined using fish plates. It formed part of the Melbourne to Echuca rail line, initially known as the Melbourne, Mt Alexander and Murray River Railway. George Christian Derbyshire, the first Engineer-in-Chair of the Victorian Railways was responsible for the design and construction of the works. No new lines were built in Victoria using double-headed rail after 1870. The siding was disconnected from the main line in 1988. The Ravenswood Railway Siding demonstrates the original 1856 philosophy of the Victorian Railways to adopt British permanent way technology. The siding demonstrates significant aspects in the development of permanent way technology in England and Victoria over the period from the 1830's to the 1880's. The chairs in the Ravenswood siding are physical evidence of early railway technology rendered obsolete 120 years ago, namely joint chairs at rail joints and trenails to secure the chairs to the sleepers. The double-headed rail demonstrates an important stage in the evolution of British rail technology in the 1830s. The old fish plates, square headed bolts and square nuts demonstrate the success of fishing the rail joins. The Ravenswood siding demonstrates the earliest form of rail joint technology developed in England, and existing in Australia, the joint chair. In part of the siding the sequence of joint and intermediate chairs is consistent with the 1856 specifications, that sequence is rare with the joints secured in joint chairs. The survival of chairs in this sequence is rare and almost certainly demonstrates that they remained in continuous use at the same location from 1862 to 1988. This remnant of the Ravenswood siding has survived 126 years. The siding has proved to be the most significant of extant remnant double-headed sidings in Victoria, containing a rare combination of early permanent way technologies. Construction dates 1862, Info from Ravenswood Railway Siding Victorian Heritage Database Report http://vhd.heritagecouncil.vic.gov.au/places/4693/download-report The remaining section of this siding is significant at the State and National levels in that it demonstrates the use of chaired rail by the Victorian Railways Department for the Trunk Lines and, more particularly, the following stages in the evolution of this long obsolete method of permanent way construction: a) The use of joint chairs and intermediate chairs at regular intervals inferring that the original wrought iron rail lengths were 12 feet, as is known through documentary sources to have been the case. The survival of chairs in this sequence is unique and almost certainly demonstrates that they have remained in continuous use at the same location and in the same sequence from 1862 to 1988 . b) The use of joint chairs and intermediate chairs designed for use with trenails. c) The use of later intermediate chairs designed for use with steel pins and the use of fished joints with steel double head chaired rail, representing a second method of constructing the permanent way using chaired rail technology. info from Ravenswood Siding - Melbourne/Echuca Railway Line - Victorian Heritage Database Report http://vhd.heritagecouncil.vic.gov.au/places/70103/download-report Addition to Citation for Melbourne to EchucaRailway Line 1/10/1990 Double Head Rail The surviving lengths of double head rail with chairs on this railway compare with one surviving similar remnant on the Geelong to Ballarat railway and are representative of permanent way construction techniques applied exclusively to the two trunk railways of the 1860's. In this respect they are rare survivors and may be unique at the national level and of technical importance at the international level to the extent that they enhance contemporary understanding of early railway building technology. Surviving lengths of chaired double head rail survive at Kyneton, Ravenswood and Bendigo on this railway and include a number of different types of cast iron intermediate and joint chairs with hardwood keys and metal pins. The Ravenswood siding is of special significance for the diversity of chair types and for the sequence of chairs recalling rail lengths known to be associated with construction of the line in 1862. Construction of the Railway Tenders closed on 24 March 1858 with no less than 133 tenders being received. A contract was let to Cornish and Bruce for £3,356,937 to commence work on 1 June 1858 and complete the line by 31 July 1861. Cornish and Bruce made quick early progress with the Melbourne to Sunbury section being officially opened on 13 January 1859. The line was officially opened to Bendigo (Sandhurst) on 20 October 1862 by the Governor of Victoria, Sir Henry Barkly. A great banquet was held for 800 guests and this was followed by a grand ball. The extension of the line to Echuca was a relatively simple matter as that part of the line was across plain country without any significant engineering challenges. Tenders were called for the work in 1863 and the work was completed in 1864 by contractors Collier and Barry Apart from the line contractors, other firms directly involved were J Shire law and Co (sleepers), R Fulton, Langlands Brothers and Co, William Crossley (water supply), B Moreland, Langlands Brothers and Co (platelayers lorries), E Chambers (iron pins, traversers), Miller and McQuinstan (luggage vans and steam engines) and various contractors for building works. Info from Engineers Australia Engineering Heritage Victoria Nomination for Recognition under the Engineering Heritage Australia Heritage Recognition Program for the Goldfields Railways - Melbourne , Bendigo & Echuca Railway Page 25 - .2.9.2 Statement from National Trust of Australia (Victoria) Listing number B5323 for Mt Alexander/Murray Valley Rail Line: Page 69 - Theme 3 https://www.engineersaustralia.org.au/portal/system/files/engineering-heritage-australia/nomination-title/Melbourne_%20Bendigo_Echuca%20Railway%20Nomination.pdf The Melbourne, Mount Alexander and Murray River Railway Company was a railway company in Victoria, Australia. It was established on 8 February 1853 to build a railway from Melbourne to Echuca on the Victorian-NSW border and a branch railway to Williamstown. The company struggled to make any progress and on 23 May 1856, the colonial Government took over the Company and it became part of the newly established Department of Railways, part of the Board of Land and Works. The Department of Railways became Victorian Railways in 1859. Construction of the Bendigo line commenced in 1858, but this private consortium also met with financial difficulties when it was unable to raise sufficient funds, and was bought out by the Victorian colonial government. The design work was then taken over by Captain Andrew Clarke, R. E., Surveyor-General of Victoria, with bridge designs completed by Bryson and O'Hara The contract for the first stage of the line from Footscray to Sandhurst (now Bendigo), was let to Cornish and Bruce for £3,356,937.2s.2d ($6.714 million) with work commencing on 1 June 1858. Completion of the permanent way was to be by 31 July 1861 https://en.wikipedia.org/wiki/Melbourne,_Mount_Alexander_and_Murray_River_Railway_Company Victorian Railways - purchased and imported the Rail and Chairs from Raleigh, Dalgleish, White and Co. London Importation of railway plant : abstract of a return to an order of the Legislative Assembly dated 27th June 1860 for - Copies of the advertisements calling for tenders, the names of the tenderers and the accounts and correspondence with Mr Brunel relating thereto GP V 1859/60 no. C 15 http://www.parliament.vic.gov.au/papers/govpub/VPARL1859-60NoC15.pdf Report from the Select Committee upon the Importation of Railway Plant : together with proceedings of the Committee, minutes of evidence and appendix GP V 1859/60 no. D 38 (2.9 MB) http://www.parliament.vic.gov.au/papers/govpub/VPARL1859-60NoD38.pdf Victorian Railways : report of the Board of Land and Works November 1862 GP V 1862/63 no. 21 (2.8 MB) https://www.parliament.vic.gov.au/papers/govpub/VPARL1862-63No21.pdfHistoric - Victorian Railways - Double Headed rail Ravenswood Railway Station and Siding Victorian Heritage Database Reports Victorian Heritage Register VHR H1100 Victorian Heritage Register VHR H1786 National Trust VHR H1100 Mount Alexander and Murray River Rail way Line National Trust2 rail lengths of Double Headed Rail made of Iron makers marks : Wilson & Cammell - Dronfield - Steel and 20 joint chairs with metal rail pins Makers mark Wilson & Cammell - Dronfield - Steel (possible date 187? very hard to read ) puffing billy, double headed rail, wilson & cammell - dronfield - steel works, ravenswood station siding, melbourne to echuca rail line, initially known as the melbourne, mt alexander and murray river railway. -
Federation University Art Collection
Painting - Watercolour, David Alexander, 'Otway Coast' by David Alexander, 2000
David ALEXANDER This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed coastal seascapeart, artwork, david alexander, seascape, available -
Federation University Art Collection
Print - Artwork, David Frazer, The Text Message [study] by David Frazer, 2015
David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He completed an Honours Degree in Fine Art (Printmaking (at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. One of Austalia's foremost printmakers David Frazer's highly detailed woodblock and linocut prints often explore the emotional and fragile state of the human condition. His work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He has held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) David was awarded the Keith Wingrove Bookplate Design and in 2002.Framed limited edition linocut on paper.lls '2/36' lc 'The Text Message (study)' lrs 'D. Frazer 15'artist, artwork, david frazer, parallel prints, printmaking, linocut -
Federation University Art Collection
Artwork - Bookplates, Suit of wood engraved bookplates by David Frazer
David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He compled an Honours Degree in Fine Art (Printmaking( at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. David Frazer’s work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) These two wood engravings are the subject of the forthcoming Private Press book: ‘The Bookplates of David Frazer’ written by Robert C. Littlewood, The Lytlewode Press, Chateau Bosgouet, Normandie, France, 2014/2015. david frazer, bookplate, wood engraving, printmaking -
Federation University Art Collection
Painting, 'Wattamalla Scrub' by David Rankin, 1985
David RANKIN (1946- ) Born Plymouth, Devon, England Arrived Australia 1948. Leaving rural New South Wales David Rankin arrived in Sydney in 1967. A largely self taught artist he taught art between 1966 and 1974, with his first exhibition was held in 1968. During the 1970s he established Port Jackson Press publishing fine art prints. In 1983 David Rankin won the Wynne Prize for Australian landscape painting. Rankin lives and works in New York, New York., United States of America. His abstract work is distinguished by its loose, expressionistic use of line. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract paintingart, artwork, david rankin, landscape, available, oils, oil on linen -
Warrnambool and District Historical Society Inc.
Functional object - Railway Clock, Wilson Brothers, Clock Makers, Warrnambool, 1890s
This clock is believed to have come from the Warrnambool Railway Station. The Railway commenced in 1890 and the station was opened in 1897. The clock was made by Wilson Brothers, a prominent manufacturing watch and clock- making business in Timor Street, Warrnambool in the second half of the 19th Century.This item is of considerable significance as an early Railway Clock in Warrnambool. Railway Clocks were important in the 19th century as prominent time pieces for the general community to use to establish the time of day.This is a clock with a circular face behind glass enclosed in a metal frame with wood surrounds The wooden frame is attached to a wooden rectangular box with a curved bottom. The box has a metal clip for attachment to a wall or a board. The metal face is white with black painted Roman numerals, which are damaged, and black printing. Minute markers are indicated. The hands are metal. All the metal is rusted.Wilson Bros Warrnamboolwarrnambool railway station, wilson brothers warrnambool -
Federation University Art Collection
Painting - Artwork, 'Ring of the Nibellings' by David Noonan, 1989
David NOONAN (1969- ) Born Ballarat, Victoria. Lives and works Melbourne, Victoria and London, United Kingdom. Leaving secondary school as soon as he could, David Noonan enrolled in a Visual Art Course at the Ballarat School of Mines. He described this time as 'an inspiring time, with every art form covered and treated with passion and rigour.' He studied ceramics, photography, painting and knew that he had to be an artist. (https://art150.unimelb.edu.au/articles/david-noonan-making-art-in-a-dark-and-quiet-place, accessed 17 January 2020). Between 1987 and 1989 David Noonan completed a Bachelor of Fine Art at Ballarat University College, Victoria, Australia (Now Federation University Australia). He undertook Post Graduate Studies at the Victorian College of the Arts, Melbourne in 1991 and 1992. Since 2005 he has been based in London with his work featuring in a number of major international exhibitions of contemporary art, including 'Altermodern', the 2009 Tate Triennial at Tate Britain, London. Producing works in a range of media including painting, photography, film, print-making, collage and sculpture David Noonan's work often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. Animals, actors and masked figures are recurring motifs that imbue his works with a magical atmosphere that is suggestive of childhood memories or half-forgotten dreams. ( produced works in a range of media including painting, photography, film, print-making, collage and sculpture. His works often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. (https://www.ngv.vic.gov.au/essay/david-noonan-untitled/, accessed 17 January 2020) David Noonan has become known for large-scale monochromatic collages on linen comprised of fabrics which are torn, folded, cut, stitched and combined with silkscreened images. This approach was used to produce his 2018 atmospheric film 'A dark and quiet place'. Noonan is interested in combining art and traditional craft techniques. (https://artgalleryofballarat.com.au/gallery_exhibitions/david-noonan-stagecraft/, accessed 17 January 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Six stretched canvases making up the work 'Ring of the Nibellings'. art, artwork, david noonan, oil on canvas, alumni -
Heidelberg Golf Club
Booklet, Australian Golf Union, 2000 Wilson Australian Junior Amateur Championships, and Wilson Junior Interstate teams matches. Brisbane 21-28 April 2000, 2000
Official guide to the 2000 Wilson Australia Junior Amateur Championships, and Wilson Junior Interstate teams matches. Brisbane 21-28 April 2000. Played at Indooroopilly Golf Club and Nudgee Golf Club. Victorian team Manager John Scrivener, assistant manager Bruce Harding. Team Members, Anthony Brown, Mark Leishmann, Troy Little, David Walker, Heath D`Altera, Luke Bower. Former HGC President Bruce Harding was a team official for Victoria's Junior teams from 2000-2010.28 p., brown text, plus 3 loose sheets with scores. Handwritten scores for each Victorian match throughout booklet.bruce harding, australian junior amateur championships, junior golf -
Federation University Historical Collection
Photograph, Dr David Haymes
David Haymes was awarded a University of Ballarat Honorary Doctorate.Left to right: Fiona Caro, David Caro (Vice Chancellor), Dr David Haymes, Jenny Haymesfiona caro, david caro (vice chancellor), dr david haymes, jenny haymes -
Mission to Seafarers Victoria
Film - Interview, Sarah Rood (from Way Back When), In Conversation with David Conolly and Nigel Porteous, 28 January 2016
David Conolly, former lay reader in the 1950s and Nigel Porteous, Chairman in 2016, talk about their experience at the Mission. The movie uses images from the collection and images from the 1952 film.Part of the permanent exhibition "Early Origins" curated by Georgia Melville.Interviews filmed in the Mission to Seafarers for the Early Origins exhibition in 2016early origins, 2016, sarah rood, david conolly, way back when, oral history, interview, mission to seafarers, lay reader, seamen's mission, nigel porteous -
Kiewa Valley Historical Society
Book - Reference Maths, R. Wilson & A.D. Rose, Algebra A Sequel To
R. Wilson and A D Rose maths books were very popular and formed a basis of education maths classes in the 1950's in Victoria. This is what would have been used in Mt Beauty Secondary School at the time.This has historic significance as it shows what maths was taught in the early - mid 20th century. This book would have been used in the Kiewa Valley schools by a local identity Wilma Davies therefore has social significance and good interpretive capacity. This book is now out of print and is a collectible item. Black cover with strips on side of the front. Light brown centre with brown writing and squiggle pattern below.Publisher inscription - Wilson and Rossbook, school, text book, wilma davies, educational, maths -
Melbourne Royal
Painting, David Duncan, 1850s
Portrait of David Duncan, the first treasurer of the Port Phillip Farmers' Society. A five-piece silver tea service given to Duncan and held by the family for 135 years was donated to the RASV in 1987. The painting is part of a pair with a portrait of Duncan's wife, Alexina Duncan.Oil Portrait In Heavy Elaborate Gilt Timber Frame. Envelope taped to back containing a press clipping from 'Country News', September 27, 1992 about David Duncan.ON BRASS PLATE -PRESENTED FOR ALEXINA DUNCAN BUTCHER BY HER FAMILY .THE ORIGINAL AUSTRALIAN ANCESTORS. DAVID DUNCAN TREASURER OF THE PORT PHILLIP FARMERS SOCIETY, FOUNDED 1848. RASV 4L ON BACKduncan, david duncan, rasv, royal agricultural society of victoria -
Ballarat Clarendon College
Book, George Routledge and Sons, The Crofton boys
... david-wilson ...Book prize awarded to David Wilson (1885) for excellence in conduct and general proficiency. Book donated back to school after purchase in a junk shop. Handwritten inscription reveals details of family tree. Significant to the school social history because it was awarded by F J Thomas who led the school for a brief period during 1874 - 1875 and left under undignified circumstances (see Mein's history p. 19). Small calf bound novel with gold detailing on covers and spine; college crest embossed on front cover; marbled endpapers; colour frontispiece with interleave; book plate on front cover verso.Book plate inside front cover: College crest / Prize / for / Good conduct and general proficiency / awarded to / D Wilson / Second class / Chrostmas 1874 / F J Thomas BA, Principal. Handwritten inscription on back of title page: To Alexander (Lal) Wilson (my Godson) from your Uncle Alex Wilson as a keepsake from your father David Wilson, who pressed me to take a book from the first collection of books acquired from your grandfather David Wilson of the (?) Hall Hotel, Armstrong St Ballarat. But as (?) knew he had attended this school and that it was his own merited book received as a prize. I took it in preference to any other of the (?) books he offered me. This gift (/) just previous to his passing away and it was the last time I was priveledged (sic) to see him alive. It might interest you and yours to know that he died as a Christian Gentleman. I have that on the word of the Rev Frank (Menzies?), presbyterian Minister. Being sent by favour of Stewart Wilson. f-j-thomas, ballarat-college. book-prize, 1874, david-wilson -
Federation University Art Collection
Oil, 'Migratory Birds' by David Newbury, 1956 /1958
David NEWBERRY (1925-2003) Born Eltham, Victoria David Newbury's painting career started with late 1950s abstraction. He worked for four decades, until 1997, when his final works were created on his last trip to Venice. Newberry was the son artist A.E. Newbury, and painting after World War 2 at RMIT, teaching there from 1955 - 1959,. He then taught at Bendigo Teachers College 1959 - 61 and Melbourne Teachers' College/Melbourne College of Advanced Education 1962 - 83. Among his students were Robert Jacks, Peter Smales and Gareth Sansom. ‘You must capture change. One day the landscape is violet, another it’s bluer or it has pinkness, its darker or lighter. Things change in front of you.’ (David Newbury c.1985) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting.art, artwork, david newbury, birds, newbury -
Greensborough Historical Society
Document, David Amiet et al, Percival Albert Amiet and family information, by David Amiet, 1881o
Information supplied by Richard Gary Amiet to David Amiet, who compiled this document. Includes Percival Albert Amiet's war service in 1916. His son Claude by his first marriage was brought up by his sister Ethel at a dairy farm in Greensborough.5 pages, black and white print, black and white and colour photographs.amiet family, percival albert amiet -
Ballarat Tramway Museum
Newspaper, David Ellery, Eureka column by David Ellery, 31/07/2001 12:00:00 AM
Newspaper clipping from The Courier, 31 July 2001, Eureka Column, page 3, written by David Ellery about a swan who paused in the middle of the tram track and held up the Museum tram service. The swan would not move, until coaxed by a cream biscuit from a passing school boy. Reported by a conductor (thought to be Austin Brehaut) to the columnist. See Also see Sept. 2001 issue of Fares Please!btm, swans, wendouree parade -
Warrnambool and District Historical Society Inc.
Name Plate, Mrs Wilson Piano, C mid 20th Century
We have limited information on Mrs Wilson, piano teacher except that a Mrs A Wilson operated from Merri Street in 1904. Plaques such as these were hung outside premises to denote where people could access services and were often used by professional people and services. A link to one of Warrnambool's early music teachers.Small brass plate screwed to brown painted wooden board. Rectangular. Metal is stamped with name and details and filled in black.Mrs Wilson Dip Mus Piano. Rennie and Dodds 92 Little Collins St stamped on R H bottom corner . gauranteed filling stamped on lower left edge.warrnambool, mrs wilson piano teacher, mrs wilson pianoforte teacher, warrnambool pianoforte teachers 1904 -
Federation University Art Collection
Artwork, Professor David Battersby, 2015, 2015
David Battersby was the Vice-Chancellor of Federation University Australia.Digital image of Professor David Battersby.josh muir, david battersby, federation university australia, portrait, loan, available -
Bendigo Military Museum
Memorabilia - CENTENARY of EAGLEHAWK ANZACS, FRAMED, Eaglehawk Heritage Society, DAVID M DAVIES, c2014
PRIVATE DAVID MANCESL DAVIES, NO.778, 7th Battalion AIF, KIA 25 April 1915 at Gallipoli.Memorabilia - frames tory of a soldier in colour, using memorabilia of the soldier and his life, Printed on paper. Frame - black extruded plastic, glass front, cardboard backng.' DAVID M DAVIES' framed item, anzacs, eaglehawk -
Federation University Historical Collection
Image, Richards & Co, David Ham, c1895, c1895
David Ham was an early resident of Ballarat.An image of a bearded man known as David Ham.david ham, ham -
Greensborough Historical Society
Notebook - Digital Image, David Medhurst's notebook, 1930s, 1930-1932
David Medhurst (senior) ran a fruit shop in Grimshaw Street Greensborough and also reported on local events for the Hurstbridge "Advertiser" during the 1930s. This notebook, in the collection of his descendants, contains newspaper clippings of his articles and handwritten notes detailing payment for his work. The page shown is an example only; there are 54 similar pages in the collection.The importance of these clippings lies in their clarity as some copies on the Trove database are almost illegible.They also provide a snapshot of life in the 'rural' township of Greensborough in the 1930s.Scanned copy of 54 pages of handwritten notes and pasted newspaper clippings.Hand written notes throughout.david medhurst, hurstbridge advertiser -
Bendigo Military Museum
Memorabilia - CENTENARY of EAGLEHAWK ANZACS, FRAMED, Eaglehawk Heritage Society, DAVID J.V. JAMIESON, C2014
PRIVATE DAVID JAMES VICTOR JAMIESON No. 3875, 5th Infantry Battalion, killed in action 28/7/1916 in France.Memorabilia - framed story of a soldier in colour, using memorabilia of the soldier and his life, printed on paper. Frame - black extruded plastic, glass front, cardboard backing.DAVID J.V. JAMIESONframed item, anzacs, eaglehawk -
Brown Hill Progress Association Inc.
Photograph, Emilie Wilson
Emilie Wilson daughter of Francis Wilson and Martha (nee Ellis).wilson, brown hill