"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon

Dr James (Jim) Villiers went to Vietnam as an anaesthetist with the Australian Surgical Team (civilian) during 1963. He used this bag for carry-on luggage. Despite assurances about the quality of resources available on arrival, he carried an essential part of the breathing circuit for an EMO vaporiser in his carry-on. The actual vaporiser was packed in his check-in luggage. In 1963 the Vietnamese government sought training in Australia in anaesthetics for several medical technicians. Australia was not able to meet the request as anaesthesia training in Australia is restricted to qualified doctors. Instead, the Dean of the Faculty of Anaesthetists at RACS suggested sending a team of anaesthetists to Vietnam to conduct training for technicians there. However, they requested a preliminary survey be undertaken in order to determine the abilities of the prospective trainees and establish contacts with medical authorities in Vietnam. James (Jim) Villiers was one of the people who undertook the survey and made a report. Training of Vietnamese medical technicians was undertaken using the Epstein MacIntosh Oxford Anaesthetic Apparatus (EMO). This equipment was robust, portable and relatively cheap, there are few moving parts for servicing, it requires only ether and air for operation.Brick-red vinyl bag with white Qantas branding including the flying kangaroo printed on both sides. The bag has a zipper opening and contains an anaesthetic apparatus mounted on a piece of wooden particle board. There are two black hoses, a white hose, a black plastic connector, a metal t-bar connect, a green resuscitation bag and black face mask.james villiers, malignant hyperthermia, vietnam, qantas, australian surgical team, long xuyen, bien hoa, anaesthesia training

Robin William Smallwood was Dean of the Faculty of Anaesthetists at the Royal Australasian College of Surgeons from 1986 - 1987. Smallwood died 6 October 1987 after a brief illness. Smallwood completed medicine at the University of Melbourne in 1958 and decided on anaesthesia as a career, attaining his FFARACS in 1964. The Orton Medal was awarded posthumously.Gold coloured oval shaped medal with the Faculty of Anaesthetists coat of arms on the obverse in relief. The owner's name has been engraved into the reverse. There is a thick, ribbed, navy blue ribbon connected to the medal by a circular ring at the top. The medal and ribbon are encased in a black velvet box with white satin lining on the inside of the lid and a red velvet cushion resting in the base.Engraved on reverse of medal: R.W. SMALLWOOD / 1986 - 1987

The Robert Orton Medal is awarded at the discretion of the Council of the College (formerly the Board of the Faculty), the sole criterion being distinguished service to anaesthesia. The award was established by the Faculty of Anaesthetists, Royal Australasian College of Surgeons, in 1967. Robin William Smallwood was Dean of the Faculty of Anaesthetists at the Royal Australasian College of Surgeons from 1986 - 1987. Smallwood died 6 October 1987 after a brief illness. Smallwood completed medicine at the University of Melbourne in 1958 and decided on anaesthesia as a career, attaining his FFARACS in 1964. The Orton Medal was awarded posthumously.Die cast medal mounted in a hard blue velour base, with a wooden gold frame. The medal is placed inside the base, with a red velvet ribbon coming out from underneath, used for removing the medal. Underneath the medal is a two cent coin, stuck to the base. Where the medal rests is covered in red velvet as well.Moulded in relief around perimeter of medal: THE ROBERT ORTON AWARD R.A.C.S. •Handwritten in black ink on reverse: THE ROBERT ORTON MEDAL OF THE FACULTY / OF ANAESTHETISTS, ROYAL AUSTRALASIAN COLLEGE / OF SURGEONS, PRESENTED POSTHUMOUSLY TO / ROBIN WILLIAM SMALLWOOD AT THE R.A.C.S. / G.S.M. MAY 7 1989 •Stamped in black ink on reverse: PORT MELBOURNE PRINTS & FRAMING / 276 BAY ST., PORT MELBOURNE 3207 / TELEPHONE No 646 4000 •Etched around the rim of the medal: ROBIN WILLIAM SMALLWOOD OCTOBER 1987orton, robert, smallwood, robin, distinguished services, faculty of anaesthetists, faculty board

Robin William Smallwood completed medicine at the University of Melbourne in 1958 and decided on anaesthesia as a career, attaining his FFARACS in 1964. Smallwood was Dean of the Faculty of Anaesthetists at the Royal Australasian College of Surgeons from 1986 - 1987. Smallwood died 6 October 1987 after a brief illness and was awarded the Orton Medal posthumously. The Orton Medal is the highest single achievement the College can bestow. Anaesthesia had its origins in October 1846 in America, by May 1847 news of ether anaesthesia had reached Australian shores and by June 1847 Australian medical practitioners had begun experimenting with and demonstrating ether anaesthesia. Anaesthesia was not really recognised as a distinct branch of medicine in Australia until the first Diploma of Anaesthesia course began in Sydney in 1944. The specialty grew quickly and by 1952 the Faculty of Anaesthesia at the Royal Australasian College of Surgeons had been established. Within 40 years the Faculty had grown to such an extent it became a College in its own right and continues to offer training and professional support to anaesthetists.Printed certificate from the Faculty of Anaesthetists of the Royal Australasian College of Surgeons (RACS) awarded to Robin William Smallwood as a Fellowship. Printed in black ink at the top of the certificate is the RACS coat of arms. The certificate is dated 25 Feburary 1965 and has been signed by President of the College, Member Executive Committee, Dean of the Faculty and the Secretary.smallwood, robin william, orton, robert, faculty of anaesthetists, royal australasian college of surgeons, ffaracs, racs, fanzca

This was gifted to Robin William Smallwood on his retirement. Smallwood graduated from medicine in the mid-1950s and decided to make a career in anaesthetics, was granted Fellowship in 1965, became a member of the Board of the Faculty in 1976 and became Dean in 1986-1987. It has been made by Arnold & Sons of London who were medical instrument manufacturers and became Mayer & Meltzer.Silver tube in two pieces, which form an innner and outer tube. The inner tube is curved with a flat plate at the top and two squared hooks (handles) coming off the plate. The outer tube has been spliced, creating two separate curved sides with an oval, bowl-like plate at the end, with an oval shaped holed punched through either side. Attached to the square hook of the inner tube is a green cotton ribbon.Stamped into the bowl shaped plate: ARNOLD & SONS / SILVERsmallwood, robin, •faculty dean, faculty of anaesthetists, royal australasian college of surgeons, ffaracs, racs, fanzca

Object was gifted to Dr Lennard Travers upon his retirement from the Royal Melbourne Hospital, 1964. It was later donated to ANZCA. Lennard Travers, born in Melbourne in 1906, completed his MBBS at the University of Melbourne in 1930. After working for a brief period at the Royal Melbourne Hospital, Travers travelled to the United Kingdom achieving his Fellowship at the Royal College of Surgeons in Edinburgh. He returned to Australia prior to the outbreak of World War II serving as the honorary anaesthetist at the Royal Melbourne Hospital. In 1950, Travers joined the Australian Society of Anaesthetists overseeing the development of the Faculty of Anaesthetists, Royal Australasian College of Surgeons. He was appointed Dean of the Faculty in 1959. Silver plate tray, presented to Dr Lennard Travers on his retirement from Royal Melbourne Hospital, 1964. Embellishments and decorations around the edge of the tray also in silver. The middle of the tray has an inscription confirming the tray was presented to Dr Travers. Around the middle inscription are the signatures of other employees at the Royal Melbourne Hospital. Manufacturer's mark on the reverse of the tray. No other distinguishing features. Inscribed in centre of plate "Lennard G Travers, Anaesthetist, The Royal Melbourne Hospital, 1946 - 1964" •Inscribed around the central inscription are 24 signatures of anaesthetists and surgeons of the Royal Melbourne Hospital •Inscribed on back of tray "Old Sheffield Reproduction, Strachan"travers, lennard, royal melbourne hospital, wilson, patricia, bell, james, cass, noel, newman, herbert, nathan, alf, spinks, betty, russell, irene, cole, russell, houseman, helen, webb, arthur, edwards, n.

The vase was made from the liquefaction that came out of the Christchurch earthquake of 22 February 2011. The vase was gifted to the College by Professor Edward Shipton (known as Ted) on his retirement as Dean of the Faculty of Pain Medicine, and from Council. Professor Shipton is from New Zealand. The gift was accompanied by a card with the following inscription: "Thank you for allowing me to be a small part of your great institution as Councillor and Faculty Dean these past two years. My gift to the College is a small vase. This vase was made from the liquefaction that came out of the 22 February 2011 Christchurch Earthquake. It pays tribute to the medical personnel, our Fellows and Trainees that gave so much during that time to preserve life and relieve suffering. Sincerely Edward (Ted) Shipton"Small cream coloured, round vase with brown glazed rings around the shoulder of the vase.shipton, edward (ted), dean, faculty of pain medicine, christchurch earthquake, liquefaction, pottery, mcelvey, joy

This is a portrait of Professor Michael Cousins in his role as Dean of the Faculty of Pain Medicine at ANZCA (1999 - 2002). The portrait was unveiled at a College ceremony/meeting on 30 July 2003. The portrait was commissioned by FPM to mark the Deanship of Prof Cousins. Gary Lee Gaston is an Australian visual artist who was born in 1938. He is a painter, teacher and sculptor. He has exhibited in Adelaide and is a fellow of the Royal South Australian Art Society.Professor Michael Cousins was instrumental in the establishment of the faculty of pain medicine and was its first Dean from 1999 - 2002.Oil on canvas painting of the Faculty of Pain Medicine Dean, Professor Michael Cousins set in a plain gold wooden frame.hand written on the reverse in black ink - 762 x 632 / VM24 OIL liNen •stamped on reverse in black ink: CENTRAL ARTISTS SUPPLIES / 45 Osmond Terrace / Norwood SA 5067 / Phone/Fax: 8364 2088 •hand written on reverse in black ink: GARY LEE-GASTON / O.A.M F.R.S.A.S.A. •hand written on reverse in balck ink: PROFESSOR COUSINS 2003 / A.M. MB BS MD (SYD.) FFPMANZCA. FANZCA. FRCA. •engraved onto brass plaque on front of frame: Professor Michael J. Cousins / Inaugural Dean / 1999 - 2002 •inscribed on lower right hand side of painting: artist's signatureprofessor michael cousins, faculty of pain medicine, gary lee gaston, royal south australian art society., commissioned portrait

Two tear shaped clear vases, one with opaque yellow colouring on the outer edge and base, one with opaque green colouring on the outer edge and base.etched underneath the base - EDDIEjones, david, briscoe, penny, fpm, dean, faculty of pain medicine

Dr Briscoe was appointed Dean of the Faculty of Pain Medicine in 2008 and gifted the vase at the end of her term in 2010. Dr Briscoe was the first woman to be appointed Dean of the Faculty. The artist Robert Wynne is an accomplished glass artist in Australia. His artworks are held in significant public and private collections nation wide and overseas. Public collections include the Tasmanian Museum and Art Gallery, Artbank and the Queensland Contemporary Art Gallery. Wynne's artworks are also part of the private collections of Bill Clinton, Sir Elton John and the Royal Family Collection of Japan.Tear shaped, emerald green, hand-blown glassEtched on base - DENIZENdr briscoe, penelope (penny), wynne, robert, dean, faculty of pain medicine, fpm

Dr. Dai Davies presented this Goblet as a gift to the Faculty as the first appointed Burnell-Jose visiting Professor, Postgraduate Committee in Medicine, S.A. May - June 1976. At the time, Dr Davies was the Consultant Anaesthetist St George's Hospital, London and during this event was elected to Honorary Fellowship of the Faculty of Anaesthestists, Royal Australasian College of Surgeons. The Burnell-Jose Visiting Professorship commenced in Adelaide in 1975 in honor of Mary Burnell, the first woman Dean of the Faculty from 1966 to 1967 and the first woman President of the Australian Society of Anaesthetists in 1955. Very few women had assumed major anesthesia roles in the world during this period. The Goblet's provenance is supported by an original booklet, which certifies its origin from Chichester Cathedral (1075), Sussex, England. In 1975, a limited edition of 600 goblets were commissioned by the Dean and Chapter of Chichester Cathedral, Reverend Walter Hussey, to commemorate the ninth century of the Foundation. This Goblet is number 46 of the edition and the booklet is signed by Walter Hussey. The Goblet is historically associated with Chichester Cathedral and Walter Hussey, who was a great patron of the arts during the 1970's.Solid silver, with pure gold overlaying the modeled stem and interior of the cup. Trefoil shaped goblet cup with tapering profile. The stem is supported by a sheaf of wheat and bird design. The goblet came in its own case with a booklet of authenticity. [central base] NUMBER / 46 / OF A LIMITED EDITION / OF 600 MADE BY ORDER OF / THE DEAN AND CHAPTER / TO COMMEMORATE / THE NINTH CENTENARY OF / THE FOUNDATION OF / CHICHESTER CATHEDRAL / IN 1075 / AURUM / DCM [and hallmarks of the Worshipful Company of Goldsmiths] •[around base] D.M. DAVIES / ADELAIDE 1976dr davies, dai, burnell, mary, chichester cathedral, burnell-jose visiting professor, murphy, desmond-clen, hussey, walter, ninth century of the foundation of chichester cathedral

The decanter was gifted to members of the Board and Fellows of the Australasian Faculty by Dr. Abu Baker Suleiman on behalf of the Academy of Medicine of Malaysia. Dr. Suleiman, Master of the Academy, presented the decanter during the silver jubilee of the Academy which was established in 1966. Bulbous shaped pewter decanter with long ribbed neck and ring shaped pewter stopper.PRESENTED TO / DEAN, FACULTY OF ANAESTHETISTS / Royal Australasian College of Surgeons / [crest of Academy] / ON THE OCCASION OF THE / SILVER JUBILEE / ACADEMY OF MEDICINE OF MALAYSIA / 1991 [hallmark] Selangor / Pewterdr abu baker suleiman, academy of medicine of malaysia, selangor pewter

This object was presented by Dr Dennis Moriarty (Dean of the Irish Faculty of the RCSI) to Professor A B Baker (Dean of the Faculty RACS) at the 6th International Conference of Reciprocating Examination Boards of Anaesthesia (CIREBA) in Wellington, New Zealand 1990. The crystal decanter, made by the manufacturer Waterford, is well known as the first glass making factory in Ireland. The hallmarks on the sterling silver plaque also verify this piece was made in Dublin.Large Waterford Ship's crystal cut decanter with ball-shaped stopper and Irish sterling silver plaque and chain around neck.[on plaque] FACULTY OF ANAESTHETISTS RACS / FROM FACULTY OF ANAESTHETISTS RCSI / MAY 1990 [hallmarks on plaque] TW / Dublin hallmarks / cursive script Dmoriaty, dennis, rcsi, baker, ab, cireba, waterford, crystal

In February 1984, Dean WM Crosby of ANZCA, admitted Dr. William Derek Wylie to the Honorary Fellowship of the Faculty of Anaesthetists of the Royal Australasian College of Surgeons. Derek Wylie is one of the best known British Anaethetists and during his career devoted much of his attention to medical negligence and its prevention. He lectured and wrote extensively and is noted as the co-author of one of the most widely read textbooks on anaesthesia, 'A Practice of Anaesthesia', which was translated into several languages.Sterling silver wine coaster with ribbed pattern on top border and turned wooden base.With gratitude DEREK WYLIE HON. FFARACS, 1984 Engraved on base: MAPPIN & WEBB LTD. Hallmarks [Makers mark/ image of lion passant/ image of lion head / cursive script L]wylie, derek, mappin & webb

Dr Bernard Johnson was elected on December the 6th December 1952 as the Faculty's first honorary Fellow. At the time, Johnson was the Dean of the Faculty of Anaesthetists, Royal College of Surgeons, England. He was invited to visit Australia to receive his award and in 1953 Johnson received his award and brought with him a notable gift being the local Dean's medal of office which was presented on behalf of the Royal College of Surgeons. Johnson had previously met with Ivan Jose and H.J. Daly by providing advice for the establishment of an Australasian Faculty. Johnson is a significant figure as a pioneer into intravenous anaesthesia into Great Britain. He then turned his attention to improving dental anaesthesia. Working with fellow colleagues R R Macintosh and W S McConnell, they established the ‘Mayfair Gas Company’, primarily for dental anaesthesia, but also provided anaesthesia for general surgery during honorary hospital sessions. Johnson participated in the development of the Faculty of Anaesthetists within the Royal College of Surgeons. A founding member of the Board of Faculty, he served as Vice-Dean and then was the second Dean (1952-5), a role which provided a seat on the council of the RCS England. A 9 carat gold [375] oval shaped Dean's Medal of the Faculty of Anaesthetists, Royal Australasian College of Surgeons secured onto a red coloured woven tape by two large gold links. Obverse depicts in coloured enamel secured onto base the RACS coat of arms and crest. Engraved around the sunken diameter are the Faculty and College names. The reverse side has the presentation details inscribed onto a plaque secured onto the main piece with three rivets with hallmarks on both the message plaque and the outer rim. The original red leather box is in poor condition. Printed on the inside silk cover are the maker's marks.[obverse] THE FACULTY OF ANAESTHETISTS / ROYAL AUSTRALASIAN COLLEGE OF SURGEONS [reverse] PRESENTED / BY THE DEAN / DR BERNARD JOHNSON / ON BEHALF OF THE BOARD OF / THE FACULTY OF ANAESTHETISTS / OF THE ROYAL COLLEGE OF / SURGEONS OF ENGLAND / AT THE INAUGURAL MEETING / 17th APRIL 1953 [hallmarks on reverse] GAS CO LTD 9 375 R Edinburgh? [black print on inside box cover] By appointment silversmiths to / THE LATE KING / GEORGE VI / THE [goldsmith's logo] / GOLDSMITHS & SILVERSMITHS / COMPANY LTD / CROWN JEWELLERS / incorporating GARRARD & CO / 112 REGENT STREET, LONDON W. I.dean medal, mayfair gas company, rcs england, johnson, bernard

At the conclusion of their term of office, former deans of the Faculty of Anaesthetists at the Royal Australasian College of Surgeons would have their portrait taken.lennard travers

At the conclusion of a term in office, the Dean of the Faculty of Anaesthetists would have their portrait taken.This photograph is one in a series which documents the history of the development of the Faculty of Anaesthetists through portraits of past deans. The tradition has continued through to the development of the Australian and New Zealand College of Anaesthetists, although that also marked a transition to oil paintings rather than photography. This portrait was photographed by renowned photographic artist, Athol Shmith. As such it holds both historic and artistic significance.Black and white image of Dr Robert Orton, wearing the robes of office of the Dean of the Faculty of Anaesthetists of the Royal Australasian College of Surgeons (predecessor to the Australian and New Zealand College of Anaesthetists).robert orton, faculty dean, dean's robes, official portrait

Copy of a black and white photograph, laminated.Back row: Pat Tinworth, Betty Dean, Margaret Short, Jewel Peppin, Elaine Tulloch, ?, Carmen Walters 3rd row: Audrey Gill, ?, Audrey Cornish, June Fraser, Betty Hall, Doreen Eddison, Betty Hodge, Shirley Milne 2nd row: Joyce Woolley, Margot Cash, Jean Inglis, Iris McGregor, Janette Jamieson, Joan White Front Row: Jean Broadway, Gwen Jones, Marion Kent, Mavis Hughes, Isabel Wright, Erica Kugler, Grace Feddersenwilliamstown high school, 1943, class photographs

MOK001.1 - MOK001.10 Methodist Order of Knights Pages yellow cotton shields with a vertical light blue ribbon and a navy blue vertical ribbon. Each shield has an officer bearer's metal symbol in the top right quadrant. The collar is of white cotton. MOK001.1 Court Leader; MOK001.2 Dean; MOK001.3 Marshall; MOK001.4 Secretary; MOK001.5 Chancellor; MOK001.6 Companion; MOK001.7 Provost Marshall; MOK001.8 Marshall; MOK001.9 Guardian; MOK001.10 Minstrel.methodist order of knights

Cream card with blue and red print. Congregational Union of Victoria Certificate of Membership for Miss Maie Evans, Malvern Congregational Church, Sept 1927. Absalom Deans Minister. congregational union of victoria

Senior Awards: Green Degree of Service bar; Red Degree of Sacrifice bar; Local Court Silver Star; 10 year service badge; Camp Cooking and Management badge; Director or Leader badge; First Aid and Ambulance badge; Gymnastics and Athletics badge; Camping badge; Life Saving badge; Minstrel badge; Teacher badge. Regalia and Uniform Symbols: Gold General Court; High Court; Bishop; Past Commander; Commander; Deputy Commander; Dean; Chief Knight; Chancellor; Companion; Provost Marshall; Marshall; Entrance; Minstrel; Herald. Members Lapel Badges - three Junior Merit Badges: Physical; Social; Devotional; Educational; 2nd Class; 3rd Class; 4th Class.Methodist Order of Knights regalia and uniform symbols framed badge display. The teal blue frame is made from an old window frame with a glass front and plywood backing. It has twine for hanging on the back of the display."REGALIA & UNIFORM SYMBOLS"methodist order of knights

Professor John Ely Burchard was the Dean of Faculty of Humanities and Social Science at MIT. He was on a 3 month visit to Australia in 1951 as a guest of the Commonwealth government to help draw up a program for the The National Library of Australia in Canberra. He was authority on architecture and libraries. Robin Boyd met Professor Burchard at that time. Boyd was appointed the Bemis Visiting Professor at MIST 1956-57. This booklet includes a blurb and photo of Robin Boyd as Bemis Visiting Professor 1956-57, p4.The booklet contains a biography and photograph of Robin Boyd. Three loose articles are included inside.Three article clippings inside: (1) The Shape of An Architecture by John Ely Burchard, from Architectural Record, May 1937. (2) "Get an Honest Bricklayer!" The Scientists Answer to Ruskin" by Albert Bush-Brown, noted as reprinted from the Journal of Aesthetic and Art Criticism, Vol 16 No 3, March 1958. "Highest regards" signed Burchard written on front cover. (3) The City on the Hill by John Ely Burchard, stamp dated March 2nd 1957 from Michigan Alumnus Quarterly with card on front "With the compliments of John E. Burchard".massachusetts institute of technology, john ely burchard, albert bush-brown, bemis, kay fisker, eduardo catalano, marvin e goody, walsh st library

A Bangerang story told by Irene Thomas.maps, photographs, illustrations, CDbangerang, murray river, shepparton, creation stories

Dr. Bodycomb was ordained in 1957 and served in Victoria and South Australia, as well as in Kensington, New Hampshire. His positions included Dean of the Theological Hall, 1977-1987, and Ecumenical Chaplain at the University of Melbourne, 1989-1997.B&W head and shoulder photograph of Rev John Bodycomb."John Bodycomb C&N 28/8/1986 page 18"bodycomb, john, theological hall, university of melbourne, minister

Bible Smuggler into South East Asia, at the launching of his book "Battle for Africa". Standing with him are Dean Keaney and John Mitchell VP of 'Open Doors'B & W photograph of Dean Keaney, Brother Andrew and John Mitchell, vice-president of "Open Doors". Brother Andrew holds a copy of his recently-published book, "Battle for Africa". andrew, brother; keaney, dean; mitchell, john; "open doors"

Dr. Geoffrey Wainwright Professor of Systematic Theology at Duke University spoke at Independent Church on "What faces the church".B&W head and shoulders photographs of Rev Dr Geoffrey Wainwright. "Dr. Geoffrey Wainwright Dean's Office Duke Divinity School Durham NC 27706"wainwright, geoffrey english, professor of systematic theology, duke university

Dr. Bodycomb was ordained in 1957 and served in Victoria and South Australia, as well as in Kensington, New Hampshire. His positions included Dean of the Theological Hall 1977-1987, and Ecumenical Chaplain at the University of Melbourne, 1989-1997. Colour photograph of John Bodycomb standing next to a noticeboard.bodycomb, john