Official opening of the Karralyka Centre - L-R A.C. Robertson (City Engineer), Harry Seidler (Architect), Lady Winneke - Ellis Fauld (uncertain), Sir Henry Winneke, Cr Pat Gotlib (Mayor), Arthur W Hall (Town Clerk). +Additional Keywords: Robertson, Alan C. (City Engineer) / Seidler, Harry / Winneke, Lady (uncertain) / Winneke, Sir Henry (Governor of the State of Victoria) / Gotlib, Pat (Cr) / Hall, Arthur W. (Town Clerk)

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis’ photograph Malcom Fraser, VFL Grand Final 1979 we see a young supporter shake hands with Liberal Prime Minister, Malcom Fraser. In the grand Australian tradition, politicians and PMs are active in the football sphere. This work was shown in the 2017 Counihan Gallery exhibition Leather Poisoning, along with many other works by Ellis capturing the nations love of the game. Donated by the Rennie Ellis Photographic Archive

A colour postcard of El kanah that was produced by Scancolor Australia as a souvenir of Marysville.A colour postcard of El kanah that was produced by Scancolor Australia as a souvenir of Marysville.Supa-vu/ cards El kanah CHRISTRIAN/ COMMUNITY MARYSVILLE, VICTORIA. Photo by: K. & H. Ellis CS 1486marysville, victoria, australia, el kanah, accommodation, postcard, souvenir, scancolor australia, christian community

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis' photo, a young police officer stands on the stadium ground with his arms sternly crossed, while the crowd waits for the game. This photo highlights the tension between passionate crowds and the police at AFL games.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis' photo, a woman streaks at an AFL game – two players stand in frame with her, a Richmond and Collingwood player respectively. Behind them the crowd and a large Richmond banner can be seen. Playful and spirited interactions such as this are a key aspect of Australian football culture.

MEDIUM: Photograph DESCRIPTION: C.type print Black outer frame with glass panel White board inner frameCertificate of authenticity on reverse of imagephotograph, ellis, angus, young, ac dc

Mavis Ellis put this collection of objects together in memory of her mother Ruby Mills nee Wilson... granddaughter of Robert Whatmough?Picture frame, glazed forming shallow box containing photograph, spectacles, purse, doyley, gloves, small hymn book and lace mounted on purple lining, being memorabilia associated with Ruby Mills.ruby mills, ruby wilson

A4 B&W booklet with plastic binding. 16 pages. Containing music scores for step dances. Compiled by Peter Ellis March 2015. Black and White illustration of a dancing man on front cover.emu creek bush band, step dance tunes, peter ellis, australian bush music

Rennie Ellis was an Australian documentary photographer and a key figure in Australian visual culture. Grand Final breakfast 1982 depicts a cluttered table during a football Grand Final day breakfast. The messily covered tablecloth, as well as the appearance of alcohol at a morning event, displays the signature larrikin attitude and passion with which football events are undertaken in Australia. This work was shown in the 2017 Counihan Gallery exhibition Leather Poisoning, along with many other works by Ellis, capturing the nation’s love of the game. Donated by the Rennie Ellis Photographic Archive

Colour photograph, mountedThis photo shows that not many people want to leave Ripponlea because look at the station, it's almost empty. You can see lots of nature so it's eco-friendly. By Annabel Ellisripponlea, businesses, ripponlea station, ripponlea state school

Black and white photograph of Geelong 38, 1948 in Moorabool St, just south of Malop St. Tram has the destination of Belmont. In the background is Solomons buildings and the Excelsior building. See Reg Item 3377 for another print and source - The Ellis Collection Item donated comprised negative 1249 and laminated A4 print. Negative scanned at 2400dpi. On the top edge of one of the prints "Sturt St Ballarat 1950"trams, tramways, geelong, moorabool st, tram 36

Cpl. Ronald Warren Ellis, EM (VX502517) was born in Brunswick in 1927. His family moved to Lara when he was young, and his schooling took place at the Lara State School. After finishing his education, Ron took up employment at Sims Coopers in Corio. Ron was enlisted in the second AIF at Melbourne, and posted to the 3rd Recruit Training Battalion at Greta west of Newcastle, NSW. After 3 months training, he was sent to the Service Corps Training Centre for driver and maintenance training in Ingleburn, south of Sydney. When this course was completed, Ron was posted to the Australian Army Service Corps as a driver motor vehicle with the 2nd AIF. Rons service with the AIF lasted 425 days, when he was then transferred to the Interim Army for a further 309 days. The duration of his service was in NSW. Ron was discharged from the Army in Melbourne on the 4th of May 1948. In 1957, Ron enlisted in the CMF and served with 22nd Construction Squadron for 17 years with the last 5 as a Corporal, and was awarded the Efficiency Medal for long service and good conduct.Brown canvas booklet that is folded into three. Licence gives details of Army number, name, rank and type of vehicle that is able to be driven. Licence has been issued to Private Ronald Warren Ellis on 24/01/1948. No. 258778 Army No. V?SOL517 Rank: Private Name in full: Ellis, Ronald Warren Unit: Transferred to (unit): Having passed the prescribed tests ... authorised to drive... types of ... vehicles within the Commonwealth of Australia and Territories. Signature of Driver: drivers licence, australian military forces, army, private, ellis, ww2, wwii, world war two, second world war

St. Just's Point. Author: George Ellis. History of Cornish and area in Bendigo called St. Just's Point, near Long Gully. Foreword by James Lerk.George Ellisbendigo, history, st. just's point, bendigo, st. just's point, history, heritage, mining, cornish

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Pack Road in Marysville in Victoria. Labeling is incorrect. View is down Murchison Street towards Barton Bridge. In the background can be seen the rectory from the Church of England. The rectory survived the 2009 Black Saturday bushfires whilst the church was destroyed. This postcard was produced by Colorscans Publishing as a souvenir of Marysville.Colorscans c PUBLISHED & PRINTED BY COLORSCANS (PUBLISHING) PTY LTD 118-120 BRIGHTON STREET, RICHMOND 3121/ Supa-vu/ cards MARYSVILLE - VICTORIA/ Pack Road, Marysville Photographed and Distributed by:/ K & H. Ellis - 35 Old Warburton Road,/ Warburton 3799marysville, victoria, pack road, murchison street, postcard, souvenir, colorscans publishing, k & h ellis, 2009 black saturday bushfires, church of england

Yields information about the appearance of the Gardens Crossing Loop and tram 19.Black and white photograph of tram 19 leaving Gardens Loop with the destination of Mt Pleasant. Note the tram stop pole behind the tram, fitted with timetable boards, stop sign and section sign. Item donated comprised negative 1144, A4 print and laminated A4 print. Negative scanned at 2400dpi. See Reg Item 3376 for another print - noted that it was from the Ellis Collection. On the top edge of one of the prints "Wendouree Parade 1950 have print"trams, tramways, gardens loop, wendouree parade, tram stops, tram 19

Soldiers paybook for 15219 Ellis John Brown cover 18 Pages.Paybook A No 17707 Ellis John Australian Military Forcespaybook

A soft covered book titled 'Two Hundred Dancing Years and how to celebrate them with a Colonial Ball.' by Shirley Andrews and Peter Ellis. Published by The Australian Bicentennial Authority Australia 1788 - 1988. Presented to the Royal Historical Society of Victoria, Bendigo Branch with kind regards from Peter Ellis 3/12/1988.Shirlely Andrews and Peter Ellisentertainment, dance, colonial ball, peter ellis, book, dance, dancing, music, colonial ball, australian history, history, australian bicentenary, dance styles, balls, entertainment, recreation, australian food, food, menus, colonial food, colonial fancy dress, costume, fashion, dance programmes

Green glass wine bottle with partial contents, silver foil around top and wire holding cork in. White paper label reads Champagne, Devonshire Cider, Grown & Bottled by Ferris Ellis.Ferris Ellisorganisation, industry, vineyard

A colour postcard of Mountain Lodge in Marysville that was published by Colorscans (Publishing) Pty. Ltd. as a souvenir of Marysville.A colour postcard of Mountain Lodge in Marysville that was published by Colorscans (Publishing) Pty. Ltd. as a souvenir of Marysville.Colorscans PUBLISHED by COLORSCANS (PUBLISHING) PTY. LTD. 118-120 BRIGHTON STREET, RICHMOND 3121 Supa-vu/ cards/ CS 1366 MOUNTAIN LODGE GUEST HOUSE/ MARYSVILLE/ Phone: STD (059) 63 3270/ Situated in the Marysville Valley, 100/ kilometres from Melbourne. Photographed and Distributed by:/ K & H. ELLIS - 35 Old Warburton Road,/ Warburton 3799marysville, victoria, australia, mountain lodge, accommodation, colorscans (publishing) pty. ltd., postcard, souvenir, k & h ellis

A colour postcard of Mountain Lodge in Marysville that was published by Colorscans (Publishing) Pty. Ltd. as a souvenir of Marysville.A colour postcard of Mountain Lodge in Marysville that was published by Colorscans (Publishing) Pty. Ltd. as a souvenir of Marysville.Colorscans PUBLISHED by COLORSCANS (PUBLISHING) PTY. LTD. 118-120 BRIGHTON STREET, RICHMOND 3121 Supa-vu/ cards/ CS 1366 MOUNTAIN LODGE GUEST HOUSE/ MARYSVILLE/ Phone: STD (059) 63 3270/ Situated in the Marysville Valley, 100/ kilometres from Melbourne. Photographed and Distributed by:/ K & H. ELLIS - 35 Old Warburton Road,/ Warburton 3799marysville, victoria, australia, mountain lodge, accommodation, colorscans (publishing) pty. ltd., postcard, souvenir, k & h ellis

Sandhurst's Early Fire Brigades Including Long Gully. Publisher George A Ellis, Bendigo. ISBN: 0-9578144-1-0. 84 pages. Photographs & illustrations. Loose A4 sheet in back with list of corrections in book.George A Ellisbendigo, fire brigade, 1855 -1899, bendigo history fire brigades

It was constructed on a former Victorian Railways NKS type underframe and powered by a single cylinder, 500 cc B.S.A. side valve motorcycle engine to drive axle by roller chains through an 'Ariel Square Four' gearbox and has traveled on all four 2'6" narrow gauge lines that operated in the state of Victoria.Historic - Narrow Gauge Railway - Track Patrol Vehicle used by Puffing Billy Preservation Society and made from parts of a Victorian Railways track patrol vehicleMotorised small rectangular trolly made of wood and wrought iron ME1 P.B.P.S Track Construction Departmentme 1, trolley, victorian railway, 2'6" gauge, puffing billy, trolly