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Kew Historical Society IncPhotograph - Port Fairy Bay, c.1926
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society were able to identify a number of Henry Christian's photographs of Port Fairy of which this is one. The scene is of Port Fairy Bay, with the Red lighthouse on Griffith Island on the horizon. In the foreground, two men are rowing a boat. henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy bay, red lighthouse, griffith island -
Kew Historical Society IncPhotograph - Boarding School Beach at Port Fairy, c.1926
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society were able to identify a number of Henry Christian's photographs of Port Fairy, of which this is one. The scene is of Boarding School Beach at Port Fairy and of bathing boxes on the stone reef.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy (vic.), boarding school beach -
Kew Historical Society IncPhotograph - Mouth of the Hopkins River, Point Ritchie, Warrnambool, c.1926
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. Henry Christian took a number of walking and rail trips, individually or with friends, around regional and rural Victoria during the 1920s. This photo is from a series of twelve photographs of parts of the west coast of Victoria, including Port Fairy and Warrnambool. The location in this photograph has been identified by Kathleen Gervasoni as the mouth of the Hopkins River, Point Ritchie, Warrnambool. henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, hopkins river, point ritchie, warrnambool -
Kew Historical Society IncPhotograph - River Moyne at Port Fairy, c.1926
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tentatively identified a number of Henry Christian's photographs of Port Fairy, of which this is one. The scene is believed to be the River Moyne.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, river moyne, port fairy -
Kew Historical Society IncPhotograph - Southern Shoreline at Port Fairy, c.1926
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tried to identify a number of Henry Christian's photographs of Port Fairy, of which this is one. The scene is probably the Southern Shoreline but no obvious landmarks are observable. henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy, southern shoreline -
Kew Historical Society IncPhotograph - McKechnie's Craigs at Port Fairy, c.1926
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tentatively identified a number of Henry Christian's photographs of Port Fairy, of which this is one. The scene photographed was on occasions at that time knowns as McKechnie's Craigs, but now more commonly as the Craigs or Crags.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy, mckechnie's craigs, the crags, the craigs -
Kew Historical Society IncPhotograph - Moyne River Bridge, c.1926
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 24 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tentatively identified a number of Henry Christian's photographs of Port Fairy, of which this is one. The photo captures a man on a horse, believed to be Bill Digby, driving a herd of cattle across the Moyne River Bridge. The photo is shot into the man light source, leading to the bridge and those who cross it being shown in silhouette.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, moyne river bridge, port fairy (vic.), bill digby, cattle drovers -
Kew Historical Society IncPhotograph - Wharves and harbour on the Moyne River at Port Fairy, c.1926
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 24 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In what would appear to be one of his rare trips to coastal Victoria, Henry Christian took this photo of the wharves and harbour on the Moyne River at Port Fairy in c.1926. The photograph shows the buildings along the river and parts of the township in the distance. henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, moyne river, port fairy (vic.) -
Kew Historical Society IncPhotograph - Gipps Street, Port Fairy, c.1926
... Court House -- Port Fairy (Vic.)... Steam Navigation Company Gipps Street Court House -- Port Fairy ...Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tentatively identified a number of Henry Christian's photographs of Port Fairy, of which this is one. The street pictured is Gipps Street, At the left is the Court House while the Belfast and Koroit Steam Navigation Company offices are on the righthenry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy (vic.), belfast and koroit steam navigation company, gipps street, court house -- port fairy (vic.) -
Kew Historical Society IncPhotograph - Battery Hill Fort at Port Fairy, c.1926
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tentatively identified a number of Henry Christian's photographs of Port Fairy, of which this is one. A man is photographed (possibly Henry Christian) standing within the Battery Hill Fort at Port Fairy.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy (vic.), battery hill fort -
Kew Historical Society IncPhotograph - East Beach from Battery Hill, Port Fairy, c.1926
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tentatively identified a number of Henry Christian's photographs of Port Fairy, of which this is one. The photo is believed to be of East Beach from Battery Hill.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, east beach -- port fairy (vic.), battery point, port fairy -
Surrey Hills Historical Society CollectionPhotograph, Painting of Thomas Carlyle Lothian by artist Ernest Buckmaster
Ernest Buckmaster (1897-1968) was born in Hawthorn. He was not a strong boy and was taken by his grandparents to help on their mixed farm at Box Hill until he was fourteen. He attended the local state school. In 1913 he was apprenticed to James Beament, a signwriter and amateur artist. After he was rejected for military service, Beament encouraged him to join the Victorian Artists Society and to enrol at the National Gallery Art School. On 24 August 1945 he was appointed an official war artist, commissioned to paint the Japanese surrender in Singapore. He completed twenty-five pictures for the Australian War Memorial. Lothian published his book 'The Art of Ernest Buckmaster' in 1951. REF: ADB entry. Thomas Carlyle Lothian (1880-1974), publisher and publishers' representative, was born on 7 May 1880 at Newcastle-upon-Tyne, England, eldest child of John Inglis Lothian, bookkeeper, and his wife Lillias Charlotte, née Smith. He arrived in Melbourne in July 1888, John having come to represent the publishing firm of Walter Scott. In 1912, on his father's retirement, he formed the company of Thomas C Lothian Pty Ltd. Following the outbreak of war, he formed the Lothian Book Publishing Co. Pty Ltd (from 1924 the Lothian Publishing Co. Pty Ltd). By 1918 he had published more than half of his total of some 230 titles, including, in 1916, his two most ambitious productions, Elves and Fairies, illustrated by Ida Outhwaite, and The Art of Frederick McCubbin.A black and white photograph of a man, wearing glasses and a suit coat, shirt and tie.thomas lothian (mr), ernest buckmaster (mr), windsor crescent, surrey hills, john lothian (mr), house names, york street, greenhaze, mont albert road, barton street, 'st abbs', 'tantalton' -
Port Fairy Historical Society Museum and ArchivesPhotograph
... this building was built to house the Port Fairy Masonic... to house the Port Fairy Masonic Lodge No 67 with two seperate large ...this building was built to house the Port Fairy Masonic Lodge No 67 with two seperate large spaces a general l meeting room in the front and the formal Lodge space to the rear. it is now occupied as a book shop by ‘Blarney Books’Coloured photograph of brick fronted building housing Blarney Booksshop, commercial, port fairy masonic lodge no.67, blarney books, books -
Port Fairy Historical Society Museum and ArchivesPostcard, National Trust, Court House 1853
This photograph is part of a souvenir folder sold by the National Trust Black and white photograph/postcard of Port Fairy courthouse taken from the left hand sidesouvenir, port-fairy, courthouse, gipps street, law, national trust -
Port Fairy Historical Society Museum and ArchivesSouvenir - Postcard, Seaview 1850
The construction of Seaview commenced in 1860, after David Talbot, purchased the land from James Atkinson,It had been suggested that it was intended to be double storied but there is no evidence of how that would have been accomplished. Following Talbot’s insolvency, Michael O’Reilly leased the house in 1862 until 1876 when he left for Melbourne.William Powling (Solicitor) acquired the house for Eight hundred and twenty three pounds in 1890 and lived there the rest of his life. His son Ernest Powling continued living there before selling it to Matthew Cathcart in 1917.A black and white photograph of the house called Seaview to be used as a postcard in a series by the National Trust Front of Seaview showing bay window and verandah bluestone painted whiteSeaview 1850 - Nat.Trust. CL1souvenir, port-fairy, seaview, powling, cathcart, talbot, o’reilly, house -
Port Fairy Historical Society Museum and ArchivesPostcard, Seaview Philip Street Port Fairy
... Port Fairy Historical Society Museum and Archives 30 Gipps ...The construction of Seaview commenced in 1860, after David Talbot, purchased the land from James Atkinson,It had been suggested that it was intended to be double storied but there is no evidence of how that would have been accomplished. Following Talbot’s insolvency, Michael O’Reilly leased the house in 1862 until 1876 when he left for Melbourne.William Powling (Solicitor) acquired the house for Eight hundred and twenty three pounds in 1890 and lived there the rest of his life. His son Ernest Powling continued living there before selling it to Matthew Cathcart in 1917.Coloured photograph of Front of Seaview showing bay window and verandahsouvenir, port-fairy, seaview, philip street, house -
Port Fairy Historical Society Museum and ArchivesPostcard, The Rose Series / The Rose Stereographs, The Moyne River and Port Fairy, Victoria
River scene of the wharf and the buildings lining the street behind. Black and white photograph taken from Battery Hill looking across Moyne river at Merrijig Inn, Customs House and Courthouse The Rose Series P.1142 copyright- The Moyne River and Port Fairy Victoriastreet, town, moyne, river, couta boat, courthouse, merrijig -
Port Fairy Historical Society Museum and ArchivesDomestic object - Server, Cake
Used at the Stag Inn now Seacombe HouseBone handled silver cake slice with filigreed bladeStag Hotel (silver stamps)local history, domestic items, cutlery -
Port Fairy Historical Society Museum and ArchivesPainting - painting, Watercolour, Elsbee?, The Barque Sydney Griffiths, c.1850
This painting of the barque Sydney Griffiths and two smaller ships, ‘the brothers’ and Essington’ graced the offices of Powling solicitors for 3 generations. This painting illustrates the scene of the first export of wool from Belfast to England.Depicts a significant moment in time when the first shipment of wool from the port was being loaded for London.A watercolour painting on paper and linen in a gold and Black frame showing the Barque "Sydney Griffiths" sailing before Griffith island, also shown "Essington" and "The Brothers" John Griffiths House and other buildings on shoreThe Barque "Sydney Griffiths" Capt. Cowtan leaving Port Fairy for London, February 8th 1851. "Essington" "Brothers"local history, illustrations, powlings, watercolours, exports, essington, sydney griffiths, shipping, the brothers, wool export, capt cowtan -
Port Fairy Historical Society Museum and ArchivesPainting, 1 William Street
Construction date of house depicted1845-1855 for Stonemason Benjamin Bowyer. Style Colonial Georgian. Representative of workman's cottage of the 1850'sOil painting by Jean WilsonPainting signed by Jean Wilson 1 William Street Port Fairy on reverse To the Port Fairy History Group from Phillip Ritchie, past owner of 1 William Streetdwelling, housing -
Port Fairy Historical Society Museum and Archives
Photograph - laminated copy
The people in this photograph had holidays at Seacombe House, 1926. they are Mrs Harry Pascall and Mary (Camperdown), Miss Anne Powell, Mrs O'Leary and Kath, Mrs Bill Flynn.Black and white photograph at the Entrance gate to South Beach with a lady and two children standing in the gateway in 1926south beach, entrance gate, james street, trees, path, road -
Port Fairy Historical Society Museum and ArchivesPhotograph
Squattleseamere BessiebelleBlack and white Photograph of weatherboard house with wrap around verandahsquattleseamere, bessiebelle, station, brown, rolf boldrewood -
Port Fairy Historical Society Museum and ArchivesPhotograph
Talara C1853 Photo 1975Phototalara, house -
Port Fairy Historical Society Museum and Archives
Photograph
Talara c.1853Black and white photograph of grand house on the hill with paling fence around talara, house, howes, dylmon, cottage, mansion -
Port Fairy Historical Society Museum and ArchivesDrawing - Postcard, Talara Port Fairy
Photo of a postcard of Talara a 2 story house with bushes and ivy covering most of the lower storytalara, princes highway, house, cottage, building, rutledge, remington, powell -
Port Fairy Historical Society Museum and Archives
Photograph, Late 19th Century
"Talara" sits on the hill on the outskirts of Port Fairy. It is one of 3 beautiful homes built in this vicinity. This was taken in the front drawing room.Black and Photograph of the interior of a room with a lady seated too the right of the windowtalara, 1895, house, building, cottage, princes highway, interior -
Port Fairy Historical Society Museum and ArchivesPhotograph
Talara - photo 1986Black and white photograph of Talara a two story house talara, house, building, cottage, princes highway -
Port Fairy Historical Society Museum and Archives
Photograph
... Port Fairy Historical Society Museum and Archives 30 Gipps ...Talara one of three large homes built on the hill. On the outskirts of Port FairyBlack and white landscape of 2 story house on hill with a lattice fence and four people leaning against fencetalara, princes highway, house, home, building, lattice, fence, powell, remington, rutledge -
Port Fairy Historical Society Museum and Archives
Photograph
Talara one of three large houses built on the hill on the outskirts of Port FairyBlack and white photograph talara, princes highway, building, house, cottage -
Port Fairy Historical Society Museum and ArchivesPhotograph, Yambuk Station A Suter Esq
Photograph of a house in Yambuk with family outsideYambuk Station A.Suter Esq. written underneath photograph yambuk station, a suter esq
