Showing 239 items
matching female head
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Tennis Australia
Sculpture, Circa 1915
A pewter sculpture of female figure with tennis racquet mounted on a square base. Figure has long skirt and hair pulled up onto head, and is in action of backhand stroke. 'KAYSER' imprinted in base. Materials: Pewter/Metal compositetennis -
Wangaratta RSL Sub Branch
Framed Print, Her Majesty Queen Elizabeth II
The Queen's relationship with the Armed Forces began when, as Princess Elizabeth, she joined the Auxiliary Territorial Service (ATS) in 1945, becoming the first female member of the Royal Family to join the Armed Services as a full-time active member. During her time in the ATS, the Princess learnt to drive and to maintain vehicles The Queen has a long and close relationship with the Armed Forces, both in the United Kingdom and in the Commonwealth. As Sovereign, The Queen is Head of the Armed Forces, and is also the wife, mother and grandmother of individuals having served in the Forces.Light brown timber and gold gilt inner edge frame containing print of lady wearing evening dress with diamond and ruby tiaraHer Majesty Queen Elizabeth II Plaque - Present to Wangaratta RSL by Ken S Jasper MLA 31-8-79queen elizabeth ii, auxiliary territorial service, ww2 -
Vision Australia
Slide - Image, Classroom at RVIB, circa 1900
In this shared classroom at the RVIB, three teachers are busy instructing their pupils in various subjects. At the front a female teacher is seated as she reads Braille from a book at the head of the junior class. In the middle, a mustached man also reads Braille with older children, whilst furthest from camera, a bearded man stands during a lesson with older children.Lantern slide of three teachers and their pupils at RVIBeducation, royal victorian institute for the blind -
Vision Australia
Text, RVIB Maffra Auxiliary, 1931 - 2007
The Maffra RVIB Auxiliary formed on May 1, 1931. This small collection contains index cards which were maintained by RVIB and contain the amount of donations made by the Auxiliary between 1976-1995, as well as the presentations delivered by RVIB employees to Auxiliary meetings between 1978-1985. Correspondence to and from RVIB head office ranging between 1989-2007. A questionnaire conducted by RVIB Head Office in 1999 showed that the Maffra Auxiliary had 15 female and 3 male members between the ages of 60 to 80 years old. Newspaper clippings -- letters -- index cards and various loose papers royal victorian institute for the blind -
Vision Australia
Text, RVIB Mansfield Auxiliary, 1932 - 2001
The Mansfield RVIB Auxiliary formed on May 5, 1932. This small collection contains index cards which were maintained by RVIB and contain the amount of donations made by the Auxiliary between 1976-1995, as well as the presentations delivered by RVIB employees to Auxiliary meetings between 1978-1983. Correspondence to and from RVIB head office ranging between 1995-2001. A questionnaire conducted by RVIB Head Office in 1999 showed that the Maffra Auxiliary had 5 female members aged 80+. Index cards-- letters and various loose papers royal victorian institute for the blind -
Vision Australia
Text, RVIB Quambatook Auxiliary, 1958 - 2006
The Quambatook RVIB Auxiliary formed June 1958. This small collection contains index cards which were maintained by RVIB and contain the amount of donations made by the Auxiliary between 1976-1995, as well as the presentations delivered by RVIB employees to Auxiliary meetings between 1973-1985. Correspondence to and from RVIB head office ranging between 1991-2002. A questionnaire conducted by RVIB Head Office in 1999 showed that the Quambatook Auxiliary had 4 female committee members between the ages of 70 to 80 years old and 80+. Letters -- index cards and various loose papers royal victorian institute for the blind -
Vision Australia
Text, RVIB Rochester Auxiliary, 1958 - 2006
The Rochester RVIB Auxiliary formed December 12, 1931. This small collection contains index cards which were maintained by RVIB and contain the amount of donations made by the Auxiliary between 1976-1995, as well as the presentations delivered by RVIB employees to Auxiliary meetings between 1973-1985. Correspondence to and from RVIB head office ranging between 1990-2001. A questionnaire conducted by RVIB Head Office in 1999 showed that the Rochester Auxiliary had 4 female committee members between the ages of 70 to 80 years old. It is noted that mementos of the Auxiliary have be stored at the Rochester Historical Society. Newspaper articles --letters -- index cards and various loose papers royal victorian institute for the blind -
Vision Australia
Text, RVIB Tallangatta Auxiliary, 1938 -1999
The Tallangatta RVIB Auxiliary formed in 1938. This small collection contains index cards which were maintained by RVIB and contain the amount of donations made by the Auxiliary between 1976 - 1995 as well as the presentations delivered by RVIB employees to Auxiliary meetings between 1978. Correspondence to and from RVIB head office ranging between 1990 - 2005. A questionnaire conducted by RVIB Head Office in 1999 showed that the Tallangatta Auxiliary had 10 female and 1 male members between the ages of 60 - 70 and 70 - 80 year old. Letters -- index cards and various loose papers royal victorian institute for the blind -
Vision Australia
Text, RVIB Warburton Auxiliary, 1930 - 2004
The Warburton RVIB Auxiliary formed on December 6, 1930. This small collection contains index cards which were maintained by RVIB and contain the amount of donations made by the Auxiliary between 1976 - 1995 as well as the presentations delivered by RVIB employees to Auxiliary meetings between 1978 - 1985. Correspondence to and from RVIB head office ranging between 1990 - 2004. A questionnaire conducted by RVIB Head Office in 1999 showed that the Warburton Auxiliary had 15 female members between the ages of 70 - 80 years old. Includes a brief background of the Warburton Auxiliary and Auxiliaries in general. Newspaper articles -- photos -- letters -- index cards and various loose papers royal victorian institute for the blind -
The Dunmoochin Foundation
Oil Painting, Assassination Series No 3, 1974
... with blue pants and white shirt and the disembodied head of a female. ... and white shirt and the disembodied head of a female. Signed ...Painting depicting an abstract composition of a prone male with blue pants and white shirt and the disembodied head of a female. Signed and dated lower right 'Clifton April 1974'. clifton pugh, painting, abstract, assassination -
Tennis Australia
Racquet, Circa 1961
A Spalding, "Doris Hart" Signature Model tennis racquet, featuring whipping around shoulders and shaft, leather handle grip, and a burgundy leather butt cloth. Manufacturer's name across base of head; model name across throat and along shaft. Line drawing of female tennis player on symbol on throat. Wreathed 'S' trademark features on lower shaft and butt cloth. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1961
A Spalding, "Doris Hart" Signature Model tennis racquet, featuring whipping around shoulders and shaft, leather perforated handle grip, and a burgundy plastic butt cloth. Manufacturer's name across base of head; model name across throat and along shaft. Silhouette of female tennis player as graphic symbol on throat. Wreathed 'S' trademark features on lower shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1961
A Spalding, "Doris Hart" Signature Model tennis racquet, featuring whipping around shoulders and shaft, leather perforated handle grip, and a white plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Silhouette of female tennis player as graphic symbol on throat. Wreathed 'S' trademark features on lower shaft. 'S' trademark printed on butt cap. intials 'J.H.' painted onto edge of shaft in nail varnish. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1961
A Spalding, "Doris Hart" Signature Model tennis racquet, featuring whipping around shoulders and shaft, leather perforated handle grip, and a white plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Silhouette of female tennis player as graphic symbol on throat. Wreathed 'S' trademark features on lower shaft. 'S' trademark printed on butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis -
Stawell Historical Society Inc
Photograph, 1 Male & 19 Females (named) Mr S Trend was head teacher at Stawell State School Number 502 1895-1899
Portrait of a Group of People. 1 Male & 19 Females (named) Mr S Trend was head teacher at SS 502 1895-1899stawell -
Montsalvat
Photograph, Untitled (Indigenous Woman with Basket), Circa 1960
Black and white photograph of an indigenous woman walking with a basket on to her head. Signed in pencil (Ll) '1/10" (Lc) 'Matcham Skipper' and dated (Lr) 'circa 1960' on matt board. matcham skipper, photograph, indigenous, female, basket -
Montsalvat
Resin Relief, School of Matcham Skipper, Untitled (Head of a Man)
Round resin relief depicting a female profile.Nonematcham skipper, school of matcham skipper, relief, female -
Montsalvat
Terracotta Sculpture, Untitled (Female Nude)
Terracotta Sculpture of a seated female nude holding a billowing shawl over her head. Nonematcham skipper, sculpture, terracotta, woman, nude -
Nillumbik Shire Council
Sculpture: Liz Williams, Liz Williams, In Love, c.1996
Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog -
Tatura Irrigation & Wartime Camps Museum
Plaque, 1940,s
Made by internee in Camp 1 TaturaHand carved wall plaque of local stone. Pinkish in colour head and shoulders of a female, with curly hair, a necklace and ornate collar. A scroll along the bottom has Lucrezia - Borgia written in cursive scriptTatura, Lucrezia Borgia engraved on the front in cursive scripttatura, ornaments, stone, plaque -
University of Melbourne, Burnley Campus Archives
Document, Inspections - Admin. Procedures by Head Office, 1978
Notes re staff payment and need for more female staff in staff selection staff, inspections -
Port Fairy Historical Society Museum and Archives
Book - Notebook, unknown
Held in significance because of the design and owners. Owners being the Powling FamilySmall notebook with embossed metal cover with metal pencil attached.Decoration: Front cover five cherubs in raised frame. Back cover: stylised poppy seed heads and leaves. Ring attached possibly for chatelaine Some childish drawings on paper insidenotebook, card games, female, powling -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Vegetable and Flower Plots, c. 1950
Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 82.Ray Harding, Instructor in Horticulture, and student, margot George, looking at flower heads of a lilium. There is a large planting of liliums and some delphiniums. Also a patch of hydrangeas and some vegetables, possibly beetroot. Note the Boxthorn hedge behind.On reverse, "Ray Harding 1945-58, Student Margot George," (1951.)instructor, students, vegetables, flowers, boxthorn hedge, ray harding, margot george, green grows our garden, a.p. winzenried, female students -
National Wool Museum
Quilt, Dressage Quilt, 1985
‘Dressage Quilt’ was made by Jan Ross-Manley for the Running Stitch exhibition Wool Quilts Old and New in 1985. The quilt is made from the sashes of winning female participates of Equestrian Sports in Victoria. The central diamond is divided into quarters, one for each woman who won the ribbons. The piece is about dedication, strength, exertion and achievement. The artist's statement reads: "I have been collecting pennants and sashes for some time now, intending to collate a series of pieces on Australian country life and people. This is a woman's quilt, made entirely from 'horse' sashes won at competition. The central diamond is divided into quarters, one for each lady who won the ribbons. 'Hurdles' are set into the inner borders. The piece is about dedication, strength, exertion and achievement. The all pervading yellow letters cast a tawdriness over the otherwise clean colour scheme." This quilt was later part of an identically titled exhibition held at the National Wool Museum in 1989.Large quilt consisting of numerous winning horse sashes sewn together to create a patchwork quilt separated into quarters, bordered by a royal blue trim. The centre of the quilt is a diamond shape made from various pink cotton strips and bordered by multi coloured horses heads. The quilt is backed with blue cotton and has a polyester fill.quilting history, patchwork history, running stitch group, running stitch collection, highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), ross-manley, ms jan, quilting - history, patchwork - history -
National Wool Museum
Taxidermy Sheep, Blossom, c1980
The success of any flock is through the strength of its females and Blossom, a Border Leicester/Merino Cross ewe is an excellent example. Border Leicester rams are mated with Merino ewes to produce fat lamb mothers. These first cross ewes are mated with meat sheep, such as Dorsets to produce hybrids that pass on quality wool characteristics to their offspring. The Border Leicester/Merino crosses produce good quantities of wool which, despite being of stronger micron than most Merino fleece wool (34 to 38 microns), is still in demand in the marketplace. The Border Leicester sheep takes its name from the border country between England and Scotland, the area in which the breed was first developed in the late 18th century.Border Leicester/Merino Cross ewe. Long body with white fleece. The nose is black and she has large ears, upright and alert. The head and legs are free of wool.drysdale, sheep, new zealand -
Wangaratta RSL Sub Branch
Framed Print, Her Majesty Queen Elizabeth II
The Queen's relationship with the Armed Forces began when, as Princess Elizabeth, she joined the Auxiliary Territorial Service (ATS) in 1945, becoming the first female member of the Royal Family to join the Armed Services as a full-time active member. During her time in the ATS, the Princess learnt to drive and to maintain vehicles The Queen has a long and close relationship with the Armed Forces, both in the United Kingdom and in the Commonwealth. As Sovereign, The Queen is Head of the Armed Forces, and is also the wife, mother and grandmother of individuals having served in the Forces.Brown ridged timber frame containing print of lady wearing evening dress and a tiara standing beside floral display on pedestal table.Her Majesty Queen Elizabeth II queen elizabeth ii, armed forces -
Hume City Civic Collection
Ticket, Sunbury 73, 1/01/1973
... silhouetted figures - 2 male and 2 female. One male is riding a bike... head. The two females are walking. There is a 'smiley' stamp ...The blue and black printed ticket was issued and used for the 2nd & 3rd days of the 1973 Sunbury Pop Festival. The Festival as held on the property of George Duncan at Diggers Rest on the banks of Jacksons Creek. It was held over the 3 days of the Australia Day Weekend in January. The 'smiley' stamp on the back of the ticket was used as a "passout" check. The tickets were collected by Nicholas Hall who worked as a Security Officer at one of the gates.A blue and black cardboard ticket printed for the 1973 Sunbury Pop Festival. The words Sunbury 73 are in large block letters across the bottom of the ticket and there are four silhouetted figures - 2 male and 2 female. One male is riding a bike and other male is carrying a double bass on his head. The two females are walking. There is a 'smiley' stamp on the back of the ticket."ADMIT 2nd & 3rd DAYS ONLY..."1970s, sunbury pop festival, duncan, george, george evans collection -
Surrey Hills Historical Society Collection
Photograph, Patrick James & Ivy Burns' wedding photograph, 1940
Taken to mark the wedding of Patrick James Burns and Ivy Lillian Ellen Bolton at Holy Trinity Surrey Hills in 1940. Ivy's sister Beryl Torey is at right and Beryl's daughters were flower girls. Patrick's brothers Eddie and Emet are at either end and his cousin Win Ramage is on the left. Patrick and Ivy's home was at 244 Union Road, Surrey Hills. Ivy was born in 1908 in Seymour, the daughter of Samuel Henry Bolton and Elizabeth Beatrice Maher. She died in 2004 in Mansfield and is buried at Fawkner Cemetery. Patrick was a mechanic. He was born in 1906 at Longwood and died in 1964 at Surrey Hills.A black and white photograph of a wedding group showing bride and groom, two bridesmaids, two flower girls and 3 other men. The men are dressed in dark suits and have a buttonhole flower in their lapel, the bride dressed in a floor length dress of lace with a long train supported on her head by a headband, the bridesmaids are wearing floor length dresses, with short sleeves and a hat styled like a small beret, and the flowergirls are also wearing floor length dresses and short sleeves, and also hats styled like the berets. All the females are carrying bouquets.(mr) patrick burns, (mrs) ivy burns, (miss) ivy bolton, (mrs) beryl torey, (mr) eddie burns, (mr) emet burns, (ms) win ramage, union road, surrey hills, holy trinity church, churches -
Flagstaff Hill Maritime Museum and Village
Print - Vessel - Steamship, A.V. Gregory, SS Casino off Point Lonsdale, ca. 1899-1932
Print of a picture of the S.S. Casino, This print is from an original painting by the Australian marine artist A V Gregory (1867-1957), also known as Arthur Victor Gregory. Gregory lived and worked in South Melbourne. He took over the Gregory Studio owned by his father, George Frederick Gregory, painting actively between 1899 and 1932. He usually signed his works as ‘A V Gregory’. Some of his original works have been sold for thousands of dollars. The S.S. Casino was a passenger and freight steamer built in Dundee, Scotland, in 1882 for the Newcastle and Hunter River Steam Navigation Company of N.S.W. She weighed 425 tons gross with a length of 160.4 feet, beam of 24.1 feet and a depth of 10.2 feet. She had saloon accommodation for 35 people, a fore cabin for 25 more people, and she carried 300 tons of cargo. While on her delivery journey on May 30th 1882 the S.S. Casino called in at the Port of Warrnambool for coal ., narrowly escaping going ashore in gale force winds due to the quick action of the pilot. At that time, still at anchor, she impressed the directors of the Belfast and Koroit Steam Navigation Company so much that they bought her immediately; she was ideal for trade along the West Coast of Victoria. (The Belfast and Koroit Steam Navigation Company was first managed by Messers. Saltau and Osburne and after the passing of Mr. Osburne, by produce merchants Messers H. Sautau and Sons, who had a hay and corn store and shipping agency on the corner of Liebig and Koroit Streets in Warrnambool. ) The S.S. Casino became “the most famous steamer to operate in Victorian waters along the West Coast” by author Jack Loney. Captain Boyd was her first Master, followed by Captain Chapman, who stayed with her from 1890 until 1924. Captain W. Robertson followed for a short term, and then Captain Middleton then took command from 1925 - 1932. The S.S. Casino had several mishaps during her life. One was on 3rd January 1898 when she collided with the S.S. Flinders in Apollo Bay with minor damage. Another was on 24th October 1924 when she grounded on a reef at Point Hawdon near Grey River and most of her cargo (of Christmas goods) had to be dumped into the sea. Then in February 1929 she was ‘holed’ when she struck a submerged object as she entered Lady Bay, Warrnambool. On the morning of 10th July 1932, after attempting to berth at Apollo Bay jetty in heavy seas, Captain Middleton decided to take her out into the bay and wait until the seas abated. It was not realised that the anchor used to steady her as she manoeuvred to her berth had pierced her hull. She put about and headed for the beach but sank. Captain Middleton and nine others lost their lives; nine people were rescued including the two female passengers. Captain Middleton had been in charge of the S.S. Casino for seven years. He was the first ship’s Master to lose his life in a shipwreck in the West Coast trade. In the years following the turn of the century, the S.S. Casino remained the only regular trader with normal passenger accommodation along the West Coast. From 1882 she had made at least 2,500 voyages on the one run. Flagstaff Hill’s collection has a photograph of a portrait of Captain Chapman, , a ship model of the S.S. Casino that shows both forms of power under which she sailed, steam and sail. The ship is painted green and flies three flags. The inscription across the case of the ship model, incorrectly dated, tells the sad story of the wreck of the ship and the loss of lives on July 10th 1932 at Apollo Bay. A print in the Collection shows S.S. Casino underway in the heavy sea off Point Lonsdale, another two photographs show her at the Port of Warrnambool, leaving from the Breakwater in Lady Bay and another identifies the S.S. Casino as a ship from the Belfast and Koroit Steam Navigation Company. (Belfast is the original name for the township of Port Fairy).This print of the S.S. Casino is of significance for its association with the coastal trader S.S. Casino. The wreck of the S.S. Casino is considered an important part of Victorian and Australian cultural heritage and as such has been declared and protected as an Historic Shipwreck under State and Commonwealth Law in the Commonwealth Historic Shipwrecks Act (1976). The detailed image of the vessel depicted in this print shows one of the many sail and steam vessels painted by the renowned Victorian marine artist A V Gregory, whose original works are highly valued today by marine collectors.Print with hand-painted watercolour highlights depicting the port side steamship SS Casinounderway in a heavy sea, merchant flag flying at the stern. Mounted in a decorative wooden frame behind glass. The original painting was by A V Gregory. The title of the picture is repeated in handwritten words on the matte below the artist's signature on the print.Signed "A V Gregory" Hand painted title "SS Casino off Point Lonsdale"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, newcastle and hunter river steam navigation company, belfast and koroit steam navigation company, h. sautau and sons, s.s. casino, west coast trader s.s. casino, victorian coastal trader, captain boyd, captain w. robertson, captain chapman, captain middleton, apollo bay shipwreck, s.s. casino at lady bay warrnambool, saltau and osburne, a v gregory, arthur victor gregory, melbourne artist -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, S.S. Casino
Ship model of coastal trader SS Casino in glass fronted case with stained wood frame. Ship has both steam and sail. Background of lighthouse on cliff, sea and sky. Ship painted green, 3 flags flying. Details (incorrect) of ship painted in white across top frame of case. The S.S. Casino was a passenger and freight steamer built in Dundee, Scotland, in 1882 for the Newcastle and Hunter River Steam Navigation Company of N.S.W. She weighed 425 tons gross with a length of 160.4 feet, beam of 24.1 feet and depth of 10.2 feet. She had saloon accommodation for 35 people, forecabin for 25 more people, and she carried 300 tons of cargo. While on her delivery journey on May 30th 1882 the S.S. Casino called in at the Port of Warrnambool for coal ., narrowly escaping going ashore in gale force winds due to the quick action of the pilot. At that time, still at anchor, she impressed the directors of the Belfast and Koroit Steam Navigation Company so much that they bought her immediately; she was ideal for trade in along the West Coast of Victoria. (Belfast is the original name for Port Fairy, South West Victoria. The Belfast and Koroit Steam Navigation Company was first managed by Messers. Saltau and Osburne and after the passing of Mr. Osburne, by produce merchants Messers H. Sautau and Sons, whose had a hay and corn store and shipping agency was on the corner of Liebig and Koroit Streets in Warrnambool. ) The S.S. Casino became “the most famous steamer to operate in Victorian waters along the West Coast” by author Jack Loney. Captain Boyd was her first Master, followed by Captain Chapman, who stayed with her 1890 until 1924. Captain W. Robertson followed for a short term, then Captain Middleton then took command 1925 - 1932. The S.S. Casino had several mishaps during her life. One was on 3rd January 1898 when she collided with the S.S. Flinders in Apollo Bay with minor damage. Another was on 24th October 1924 when she grounded on a reef at Point Hawdon near Grey River and most of her cargo (of Christmas goods) had to be dumped into the sea. Then in February 1929 she was ‘holed’ when she struck a submerged object as she entered Lady Bay, Warrnambool. On the morning of 10th July 1932, after attempting to berth at Apollo Bay jetty in heavy seas, Captain Middleton decided to take her out into the bay and wait until the seas abated. It was not realised that the anchor used to steady her as she manoeuvred to her berth had pierced her hull. She put about and headed for the beach but sank. Captain Middleton and nine others lost their lives; nine people were rescued including the two female passengers . Captain Middleton had been in charge of the S.S. Casino for seven years. He was the first ship’s Master to lose his life through shipwreck in the West Coast trade. In the years following the turn of the century the S.S. Casino remained the only regular trader with normal passenger accommodation along the West Coast. From 1882 she had made at least 2,500 voyages on the one run. Flagstaff Hill’s collection has a photograph of a portrait of Captain Chapman, , a ship model of the S.S. Casino that shows both forms of power under which she sailed, steam and sail. The ship is painted green and flies three flags. The inscription across the case of the ship model, incorrectly dated, tells the sad story of the wreck of the ship and the loss of lives on July 10th 1932 at Apollo Bay. A print in the Collection show S.S. Casino underway in heavy sea off Point Lonsdale, another two photographs show her at the Port of Warrnambool, leaving from the Breakwater in Lady Bay and another identifies the S.S. Casino as a ship from the Belfast and Koroit Steam Navigation Company. (Belfast is the original name for the township of Port Fairy). This ship model is significant because of its association with the coastal trader S.S. Casino 1882-1932 and its significance to trade along Victoria's West Coast in the late 19th and early 20th century. The wreck of the S.S. Casino is considered an important part of Victorian and Australian cultural heritage and as such has been declared and protected as an Historic Shipwreck under State and Commonwealth Law in the Commonwealth Historic Shipwrecks Act (1976). Ship model SS Casino in glass fronted case with stained wood frame. Ship has both steam and sail. Background of lighthouse on cliff, sea and sky. Ship painted green, 3 flags flying. Details of ship painted in white across top frame of case. NOTE: Correct details for shipwreck is 10 July 1932, at Apollo BayPainted in white on wood across top of case "SS CASINO WRECKED AT APOLL BAY JUNE 10 10 LIVES LOST".flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, newcastle and hunter river steam navigation company, belfast and koroit steam navigation company, h. sautau and sons, s.s. casino, west coast trader s.s. casino, victorian coastal trader, captain boyd, captain w. robertson, captain chapman, captain middleton, apollo bay shipwreck, s.s. casino at lady bay warrnambool, ship model s.s. casino, saltau and osburne