Showing 1683 items
matching floral.
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Sunbury Family History and Heritage Society Inc.
Photograph, Fitzroy Gardens
here children from Bulla Primary School were photographed looking at the floral display in the conservatory at Fitzroy Gardens when they were taken on an excursion to the gardens.A non-digital coloured photograph of three children looking at a floral display set out in a conservatory.fitzroy gardens, school excursions, bulla primary schooil, floral displays -
Glenelg Shire Council Cultural Collection
Souvenir - Medallion, Brim Melbourne Vic, c. 1984
Boxed medallion, silver coloured, 5cm diam. Victoria's 150th logo one side, Victoria's floral emblem - Pink Heath, on the other. Measures .3cm x 5cm diameterVictoria's 150th logo one side, Victoria's floral emblem - Pink Heath, on the other. -
Churchill Island Heritage Farm
Clothing - lace trim
This elegant lace is machine made with a spotted background above a floral pattern. It is reminiscent of a fine needlepoint lace. This type of lace remained popular into the 20th century being used mainly to decorate women’s clothing. Due to its open appearance it was used to embellish and be worn over clothing of a different colour.The Amess family owned Churchill Island from 1872 to 1929machine made lace spotted and floral pattern same as 0005.1churchill island, lace, janet amess, lace collection -
Stawell Historical Society Inc
Photograph, Hand coloured photograph of woman in Gold Frame and domed glass
Gray FamilyHand Coloured photograph in gold frame and domed glass. Woman with short curled brown hair parted to right and European complexion. Pale blue eyes. White blouse has collar with floral attachment. Blue jacket with white pattern. Collar attachment. Studio portrait background. Flower is identical to young mans collar attachment in accompanying photo. Related to Deep Lead and Cray family.Frame has gilded floral painted red and blue at top, bottom and two sides. Glass is convex. Has gilded boss between florals. -
Churchill Island Heritage Farm
Clothing - Lace Trim
This is a length of machine made lace trim (7.6 x 293cm). The body of the lace having no outline on the floral part is Valenciennes in style but with the hexagonal net and outline on the square pattern is Mechlin in nature. It is a fine example of a machine made lace which was very popular and sought after in the late 19th century as a preferred summer lace at the royal courts of Europe.The Amess family owned Churchill Island from 1872 to 1929Length of lace trim with two straight selvage edges, floral pattern interspersed with squares. Machine madechurchill island, lace, janet amess lace collection, trim, amess -
Ballarat Tramway Museum
Slide - 35mm slide/s, Wal Jack, 23/02/1963 12:00:00 AM
Photo with Ballarat tram No. 38 in background, floral clock in foreground, Ballarat Town Hall with Begonia Festival sign on Sturt Street face, Myers building and a horse drawn cart about to cross Sturt St. Tram fitted with large triangles, dash canopy lights and small white stripe. 23/2/1963'SEC Ballarat, No. 38, Floral clock and Sturt St. 23/2/63' in blue inktramways, trams, sturt st, floral clock, town hall, tram 38 -
Mont De Lancey
Functional object - Page Turner, Unknown
Page turners were used in churches and synagogues to read Holy books, to turn pages in huge manuscripts and books (and later newspapers) as well as open double pages without a sharp knife (letter openers). This was from the home of W.J. Sebire in Wandin.A highly polished cream coloured long vintage celluloid page turner used for reading. It has a curved round ended long smooth blade which is paler than the darker short round pointed handle. Both sections have small dark brown fine floral designs on one side. There is a 3mm crack all round near where the handle meets the blade. On one side only are small dark brown floral patterns on the handle and one on the blade.page turners, holy books, celluloid -
Mont De Lancey
Fire Tender, Circa 1912
Bought 15th July 1912Silver coloured fire tender, in front of fireplace.Floral engravingfirescreens -
Mont De Lancey
Glass cup
From the home of Mr. & Mrs. Francis HendersonSmall etched glass cup with handle.Floral pattern.cups -
Churchill Island Heritage Farm
Textile - Lace Trim, Section
This is a length of Leavers machine made lace trim (7.6 x 42cm). The body of the lace having no outline on the floral part is Valenciennes in style but with the hexagonal net and outline on the square pattern is Mechlin in nature. It is a fine example of a machine made lace which was very popular and sought after in the late 19th century as a preferred summer lace at the royal courts of Europe.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.Length of lace trim, with repeating floral and geometric designs. Shorter section, appears to have been cut from a longer length.lace, janet amess lace collection, trim, amess, churchill island -
Glenelg Shire Council Cultural Collection
Book, Maria Elizabeth Budden, Claudine, Or Humility the basis of All Virtues. A Swiss Tale, n.d
Red cloth binding over carboard covers, with title in gold at top edge. Black and white drawing depicting a girl and a boy seated on a part bench on the front cover, with floral decoration surrounding them. 177 pp.childrens fiction, fiction, women authors -
Kew Historical Society Inc
Clothing, Embroidered Silk & Cotton Apron, 1950s
The Matyó region of Hungary, which includes Mezökövesd is known for its rich costume traditions, specifically embroidery. Matyó embroidery is a densely-patterned style of free-hand work in rich and colorful floral motifs. Its prime era was the 1860s and 1870s when the folk arts thrived. This example characterizes the dynamic color combinations and flower varieties of the Matyó tradition.The textile is part of a large and significant collection of items donated by Rosemary Vaughan-Smith, past member and office-bearer of the Kew Historical Society. between 2005-12. The collection includes costumes, scrapbooks, autograph books, artworks and objects.Rectangular apron worked in three panels, the lower two of which are backed. The waist tie is of a floral fabric. The tape is attached to both vertical sides. There is a black fringe attached to the bottom panel over floral printed fabric. The needlework techniques employed in the embroidery include flat stitch which is used to create the effect of quilting and creating large brightly coloured flowers in the middle section. mezökövesd, aprons - hungarian, matyo embroidery, migration -
City of Ballarat
Artwork, other - Public Artwork, Angelo Bertozzi, Spring by Angelo Bertozzi, Circa 1880
Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Spring is represented by the image of a young woman who is crowned with a floral wreath and carrying a posy. Her dress is a one-shoulder toga dress in the Greco-Roman style. In ancient times the welcome return of spring was celebrated with lengthy pagan festivals this tradition was adapted into Christians cultures.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman wearing a toga dress, floral wreath headress and carrying a posy.Springspring, stoddart, botanic gardens -
Bendigo Historical Society Inc.
Clothing - TABLE CENTRE, 1914-18
Cream cotton table centre. Silk World War 1 embroidered motif in centre. (maybe added later? From old silk postcard) Silk embroidered floral motifs surrounding centre motif. Cotton machine made fringing machine stitched. Motif: British and ?flags. Forget me not. Old Box 85.2 flags - Union Jack and red flag with 'Forget me Not' Union Jack in corner., Blue floral forget-me-not embroidery.manchester, table linen, cotton and silk table runner -
The Cyril Kett Optometry Museum
Magnifier lens in bead case, unknown, mid 19th century
Single lenses were used to assist reading for many centuries before spectacles were widely available. This magnifying lens may be even older than its case. The simple, large glass lens is held in a hand-worked horn or bone rim. The leather case decorated with floral beadwork is typical of northern European styles c1850.This lens is significant for the collection as it is the earliest mounted single lens in the Kett Museum.Large, round, horn-rimmed reading glass, or magnifier lens, incorporating ring-shaped handle. Glass lens in horn or bone rim. Leather slip-in case with floral beadwork.lens, magnifier, reading lens, horn rim, beadwork -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, 1954
Set of three Black and white photographs of floats for the 1954 Royal Visit floral parade - 8 March 1954. Date from The Age 6/3/1954 - see trove references below. .1 - MMTB float featuring the title - "The Bag of Service" with MMTB name on the side. .2 - the SEC float - featuring a house and power lines .3 - RAAF float with a crown and a jet (sabre?) aircraft. Trove references found by Noelle Jones 27/6/2019 are: https://trove.nla.gov.au/newspaper/page/26680643 https://trove.nla.gov.au/newspaper/article/205702896 https://trove.nla.gov.au/newspaper/article/26595420 https://trove.nla.gov.au/newspaper/article/26595420 https://trove.nla.gov.au/newspaper/page/26680653On each photo in pencil: .1 - "MMTB floral float royal visit 1954" .2 - "SEC(?) floral float royal visit 1954" .3 - "Air force (?) - float royal visit 1954"trams, tramways, events, royal visit, parades, mmtb, secv, raaf, parades, conductors -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish Floral embossed design on the undersidepottery, ceramic, archaeology -
Melbourne Legacy
Photograph, Legacy 50th Anniversary, 12/1973
A photo a floral garden display in Alexandria Gardens. The planting is in the shape of the Legacy Torch with the word "Legacy" and numbers: 1923, 1973 and 50. It came from a Legacy envelope marked "P3 Fund Raising" in red pen, with assorted photos of fundraising events, including appeal tins in different years and a charity concert, and a marathon run (some are items 00433 to 00437).A record of celebrating Legacy's 50th Anniversary in the wider community.Black and white photo of a garden display to celebrate Legacy's 50th anniversary.Handwritten on the back "Floral Garden Display Alexandria Gardens, Jubilee Year 1973" in black pen. Stamped 8 Dec 1973 in purple ink on reverse. Stamped Copyright Herald and Weekly Times in blue ink.golden jubilee, garden, 50th anniversary, legacy promotion -
Emerald Museum & Nobelius Heritage Park
Incense Burner, Early 19th century
Nancy Hawley requested one of a pair come to the Emerald Museum . It was brought back from Japan by a friend of Noni Smith after World War 2. Noni Smith was Mr Murphy's nurse for many years Noni died at the age of 90 years . She was principal of Emerald Primary School. She was very involved with the recovery after Ash Wednesday 1983 firesJapanese Incense Burner Circa early 19th centuryFloral Bowl with Figured Legs and Topjapanese insense burner -
Stawell Historical Society Inc
Functional object - Realia, Sewing Machine Treadley
Treadle home sewing machine - pre-electric. rusted parts, faded gold leaf decorationBlack Pre-Electric Treadle Sewing Machine with 'Fly wheel' " Singergold floral on machine and "singer on machine -
Bright & District Historical Society operating the Bright Museum
Parasol
Pink and cream with black stripes. Cotton. Carved cane and wooden handleBurnt and painted floral design on handleparasol, sunshade, ladies accessories -
Royal Australasian College of Surgeons Museum and Archives
Decorative object - Coffee set
A gift given to Gordon Wheeler, first secretary of RACS. Includes six coffee cups and saucers, milk jug/lid, sugar pot/lid and coffee pot. 18 pieces in totalCoffee set belonging to Gordon Wheeler .Includes six coffee cups and saucers, milk jug/lid, sugar pot/lid and coffee pot. 18 pieces in totalorange and green floral and leaf decorationssecretary, racs, retirement -
Stawell Historical Society Inc
Functional object - Realia, New National Treadle Sewing Machine
Treadle home Sewing machine - pre-electric. Rusted partsBlack "pre-electric treadle sewing machine with "fly wheel" "New national"Gold leaf floral design on machine and flat greyhound trademark inside floral circle, fastened to wooden lid of tableclothing manufacture -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Women's Official Occasions Floral Scoop Neck Blouse, Wendy Powitt, c. 1992
About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8124.1 - The blouse is cream with an Australian floral design inspired by the work of artist Margaret Preston. The blouse has a scoop neck, cream buttons and small triangular cut outs on the sleeves. The shoulder seam runs to the points of the triangle and another across the back of the shoulders to create a rounded design. 8124.2 - Floral print fabric sample, this sample is cut in the shape of the front panel of the blouse but is unsewn. 8124.3 - Floral fabric sample. 8124.4 - Floral fabric sample. 8124.5 - Floral fabric sample.BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform -
Mont De Lancey
Functional object - Child's Silver Mug, Derby Silver Company, Unknown
In 1872 the Derby Silver Company began production in Derby, Connecticut U.S.A. The company made bathroom-related items, clocks, tableware, flatware, candlesticks and more objects made of silver, silver plate and more. In 1898 the company became a division of the International Silver Company with headquarters in Meriden.CT. It closed down in 1933.A small child's silver plated antique Derby Silver Company cup with a large embossed floral pattern on one side. At the top of the rim is a fine dotted pattern all around it. It has an ornate decorative handle. Underneath is the Makers Mark in a circle with an anchor and crown. Above this circle is stamped: Made in U.S. America.A floral pattern is embossed on one side. On the bootom us stamped : ' Made in U.S America' above a circle Makers Mark 'Derby Silver Company with an anchor and a crown. 1 1/2'silverware, silver plate, mugs, christening mugs -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Official Occasions Bow Tie, Wendy Powitt, c. 1992
About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Cream coloured, printed bow tie with Australian floral. The floral design was inspired by the work of artist Margaret Preston. The bow tie has a plastic hook clasp and the size is adjustable.1992 barcelona olympics, sport, athletes, fashion, design, uniform -
National Wool Museum
Uniform - Tie, Wendy Powitt, 1992 Barcelona Olympic Games Official Occasions Male Tie, c1992
About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Floral tie with cream, red, green native flower design.On label - Woven & manufactured in Australia by "Tee-Dee" exclusively for the Australian Wool Corporation1992 barcelona olympics, uniform, tie, australian wool corporation -
Anglesea and District Historical Society
Newspaper Holder, Uranium Glass, Unknown - Estimated date 1930's?
Pale yellow-green, uranium glass object was used as a newspaper holder. The rolled newspaper was inserted through the hole in the middle. The glass has been pressed with geometrical patterns.Green-yellow frosted glass with floral design etchings.newspapers, glass, uranium glass, depression glass, vaseline glass -
Ringwood RSL Sub-Branch
Headgear Cap Private purchase, Modern
Black cap with gold trim. Purchased as a souvenir.Nui Dat South Vietnam Floral leaves on peak -
Greensborough Historical Society
Cup, Victoria Porcelain Co. (Schmidt), Moustache cup, 1900c
Moustache cup owned and used by Osborne (Ozz) Daniel John Hawkins Abbott of Albury, N.S.W.White china moustache cup (no saucer)Floral and gilt transfer decoration. Manufacturer's stamp on basetea cup