Digital imagesvictoria, 150, anniversary, botanic, gardens, wombat hill, botanic gardens, heritage, celebration, garden party, daylesford, people, crowd, community, governor, governor of victoria, alex chernov, vice regal

One of the large cannons located in Port Fairy in reply to the threat from foreign invaders. Originally located in the fort on Battery Hill they migrated to various destinations around the town. One of the two originally located at King George Square found its way to the gardens where it occupied several locations before resting at the car entrance to the Gardens - possibly when the Avenue of Honour was planted in Bourne Avenue. A great favororite with the kids of the town, both have now been returned to their original location where they are currently having their carriages refurbished.PhotographGardens Port Fairygardens, cannon, botanical, port fairy

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, 2025)An avenue of trees in the Wombat Hill Gardens. wombat botanical gardens, daylesford botanical gardens, daylesford, trees

This photographs shows a group of people at the band stand at Ezbekia Gardens, Cairo.Digital copy of black and white photograph. "The band stand Ezbekia Gardens Cairo"charles marshall, world war 1

This sticker was issued to celebrate the 150th anniversary of the Warrnambool Botanic Gardens. These Gardens were first established in the early 1850s on a site near the mouth of the Hopkins River but this site proved unsuitable and the Gardens were moved to the present location (Cockman Street/ Botanic Road) in 1866. In 1877 William Guilfoyle was commissioned to provide a plan for the Botanic Gardens . A prominent curator was Charles Scoborio 1872 to 1906. This sticker is a minor interest as a memento of the 150th anniversary in 2016 of the Warrnambool Botanic Gardens A white sheet of paper containing a circular shaped sticker with blue print and a logo in green and purple. The printing is in black and purple.Warrnambool Botanic Gardens 150 years A GROWING LEGACYwarrnambool botanic gardens, william guilfoyle

Black and white text on these slides features terminology relevant to design such as Contrast, Intensity, Hue, Value, Visual texture, Figure-ground relationship, Form, and Composition. An accompanying group of full colour artworks and photographs, featuring male figures with clasped hands, probably aim to demonstrate the above terms. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 12 mounted 35mm black and white text slides (numbered 1 to 12). 9 full colour slides (numbered 16-28, incomplete)."DESIGN" "Lecture" and "1" handwritten on first slideuniversity of ballarat, teaching aid, graphic design, lecture slides

This wrist band was issued to those attending a Night in the Gardens, an event held in 2016 to celebrate the 150th Anniversary of the Warrnambool Botanic Gardens. These Gardens were first established near the mouth of the Hopkins River in the 1850s but this site proved unsuitable and they were moved to the present location ( Cockman Street/ Botanic Road) in 1866. In 1877 William Guilfoyle was commissioned to provide a plan of the Gardens. Charles Scoborio 1872 to 1906 was a prominent curator. A piece of paper with black printing and removable ends with adhesive on the back to form a temporary wrist band. Night in the Gardens 19th march 2016- 7 pm.william guilfoyle, charles scoborio

This glossy colour photograph from 1998 captures the basketball court at Banksia Gardens in Broadmeadows. The image is a valuable piece of the social history of Banksia Gardens Estate, illustrating the recreational facilities available to residents at the time. The basketball court served as a vital community space, promoting physical activity, social interaction, and community cohesion. It reflects the broader efforts to create a supportive and engaging environment for the residents of Banksia Gardens, contributing to the overall development and well-being of the community. This glossy colour photograph of the basketball court at Banksia Gardens in Broadmeadows, taken in 1998, holds significant historical value. The basketball court is emblematic of the recreational facilities provided within the Banksia Gardens Estate, reflecting the social priorities of the time. It served as a crucial community space where residents could engage in physical activity, foster social interactions, and build community cohesion. The presence of such facilities highlights the efforts made to create a supportive and engaging environment for the residents, contributing to the overall development and well-being of the community. This image stands as a testament to the importance of recreational spaces in enhancing the quality of life within public housing estates.Glossy Colour Photograph of a basketball court.Basketball Court at/Banksia Gardens Broadmeadows 1998banksia gardens estate, broadmeadows, 1998, basketball court

The ‘Alexandra Gardens’ in Cotham Road were designed and laid out by George and Thomas Pockett. The Governor of Victoria officially opened them in 1908. A report of the opening stated that “…the gardens have been laid out in large sloping lawns, divided by wide graveled paths, and dotted with tastefully arranged flower beds, which are now bright with autumn bloom”. The massed beds of shrubs and flowers included beds of chrysanthemums, a specialty of George Pockett, the Garden’s first curator. A large rotunda was constructed in 1910 to mark the Jubilee of Kew. A plaque memorialising the contribution of George Pockett, was attached to the original rotunda after his death in 1922. By 1911, electric lighting was installed to allow the public to access the Gardens, and the concerts that were held within them on summer nights. The Gardens were later to include the Jubilee Fountain, moved from the front of the Kew Post Office in 1925. The Kew Council commissioned the substantial bluestone entrance gates in 1933.The Kew Historical Society is fortunate that the City Engineer, Mr Poulter, donated a number of items held by the City of Kew to the Society for safekeeping, rather than identifying them for destruction. The most significant items donated included old maps, including those issued by the Board of Works. Other items included photographs of public works undertaken by the Department. The By-laws are part of that donation and tell us lots about the social values of the period.The Mayor, Councillors and Burgesses of the Borough of Kew published By-Law No.45 in 1908 to regulate the “Conduct of Persons whilst at or Within the Gardens known as the Alexandra Gardens”. The By-Law also set a charge for “Persons Using or Entering in or upon the said Gardens”. The 17 by-laws included predictable prohibitions on expectorating, using indecent language, interfering with the floral displays, or indeed with the caretaker gardeners. Other acts prohibited included a warning that “Children under the age of ten years not being under the control of some competent person may be removed from said gardens”. The Alexandra Gardens were at one stage surrounded by a picket fence. This might explain the prohibition on climbing upon or getting through over or under any fence at or within the gardens. The financial penalty for breaching the By-Law was determined as “…not exceeding Ten pounds and not less than Five shillings”. This original copy of the By-Law was donated to the Kew Historical Society by the City of Kew.alexandra gardens (cotham road, kew), city of kew

Comic-book style promotion featuring students completing the two-year Advanced Diploma of Arts (Graphic Design) course at University of Ballarat, 2007. Inside front cover features student names and photographs, plus "character" names. Pages feature student folio pieces. 16pp saddle-stitched full colour offset throughout.Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Arts (Graphic Design). 16pp saddle-stitched booklet, full colour offset throughout.diploma of graphic design (2 years), university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. A folio of thirty three drawings and paintings undertaken by Alice Watson at the Ballarat Technical Art School. The works include including the application of Australian flora to designs, including for pottery, leather and applique. .2) is a design for a table runner to be executed in richelieu work .3) frieze including fish .4) "Design for a border to be executed in stencil". 1932 .12) "Design on the waratah for a bowl to be executed in clay". 1932 .14) "Time test" .12) .17) .15) .18) show the combination of Australian flora with Art Nouveau-inspired designs .9) is a design for a wallet to be executed in raffia showing elevation, side elevation and plan views .11) is a design for a prayer book carrier to be executed in leather work .10) is an example of pencil transfer method of design seen on .11) .18) Design for a fan, image of birds and berries on a blue ground. .25) landscape illustration .27) "development" design based on a correa .29) "Design for a tea cosy based on the Cobia-Scanden to be executed in applique. 1931 (see also .31) .30) "Design for a writing tablet to be executed in embossed leather work and based on the native fuschia" (correa). 1931 .31) a completed doily holder: applique workMost are signed A. Watson 1931 .2) Paper is embossed with stamp of 'Goodall's Bristol Boards' stamp. (Crown depicted in centre) .20 and .22) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)ballarat technical art school, alice watson, flora, design, artwork, folio, art nouveau, alumni, leather work design, richelieu work, applique, doily holder, doyley holder, general design, edith alice watson

The Daylesford Botanic Gardens are of historic, scientific (botanic), and aesthetic significance to the State of Victoria. The Daylesford Botanic Gardens are historically significant as a fine example of a regional botanic garden demonstrating the typical characteristics of a carriage drive, informal park layout, decorative structures and works such as the memorial tower, conservatory, rotunda, cascade and fernery, which contrasts with the open lawns planted with specimen trees, areas of intensive horticultural interest and close proximity to a township developed during the mid to late nineteenth century. The Daylesford Botanic Gardens are historically significant for the design input by noted landscape designer William Sangster, and for the survival of his 1884 plan, which is a rare example of a plan from this prolific garden designer. The Daylesford Botanic Gardens are of scientific (botanic) significance for the extensive conifer collection and cool climate plants. The Gardens contain an outstanding collection of conifers and other mature trees, many of which were donated by renowned botanist Ferdinand von Mueller. Significant trees include Pinus ponderosa (Western Yellow Pine), Pinus coulteri (Big Cone Pine), twoAbies nordmanniana (Caucasian Fir), Abies pinsapo, (Spanish Fir) and a Cedrus atlantica f. glauca(Blue Atlas Cedar), Pinus wallichiana (Bhutan Pine), Pinus pinaster (Maritime Pine), Sequoiadendron giganteum (Giant Redwood), (Monkey Puzzle) and Aesculus hippocastanum (Horse Chestnut), many the largest or finest examples in Victoria. Other outstanding trees include a Tilia cordata (Small-leaved European Linden), a row of Cupressus lusitanica (Mexican cypress), a Quercus robur (English Oak) planted in 1863, avenues of Dutch Elms and a rare Quercus leucotrichophora (Himalayan Oak). The Daylesford Botanic Gardens are of aesthetic significance as a rare example of a botanic garden spectacularly sited on an extinct volcanic cone which allows a panoramic view, aided by the 1938 Pioneers’ Memorial Tower, as well as vistas within and out of the gardens and from the township to the gardens. As the most prominent local landmark, the Garden’s vertical dominance in the landscape provides a dark contrast to the elms avenues, oaks and other deciduous species. (Heritage Victoria Register, )Black and white postcard of Wombat Hill Botanical Gardens, Daylesford.wombat hill botanical gardens, daylesford, gardener, wombat hill botanic gardens

This photograph from 1998 captures the Banksia Gardens Estate in Broadmeadows, a significant public housing development of the time. The image provides valuable insight into the architectural design and living conditions within the estate during the late 1990s. Banksia Gardens was established to offer affordable and accessible housing, reflecting the social and economic priorities of the era. The estate served as a crucial community hub, fostering social connections and providing essential support to its residents. This photograph stands as a historical record of the efforts made to create stable and inclusive communities through public housing initiatives.This photograph of the Banksia Gardens Estate in Broadmeadows, taken in 1998, holds significant historical value. As a public housing estate, Banksia Gardens played a crucial role in providing affordable and accessible housing to the community. The image captures the essence of the estate's development during that period, reflecting the social and economic priorities of the late 1990s. Banksia Gardens served as a vital community hub, fostering social connections, providing essential support, and enhancing the quality of life for its residents. This photograph stands as a testament to the importance of public housing in creating stable and inclusive communities.Black and white photograph on glossy paper.Public Housing Estate/Banksia Gardens 1998/(Upside down bottom left corner) 28banksia gardens estate, broadmeadows, 1998

Refurbishment of the Luffmann Ponds joint venture between the Friends of Burnley Gardens and The University of Melbourneluffmann ponds, refurbishment, ceremony, friends of burnley gardens, melbourne school of land and environment, alex cherney, barry jones, john fordham, plaque

Contributor: Friends of Burnley Gardens IncTwo colour photographs of the planting of Camellia japonica 'A.W. Jessep.' (1) Tom Kneen and Andrew Smith. (2) Andrew Smith, Julie-Ann Webster, Tom Kneen, Kay Hirst and Dr Bob Withers (Camellias Victoria doners). (3) Report from the President of the Friends of Burnley Gardens re the ceremony by Kay Hirst. Not originals.planting, camellia, a.w. jessep, t.h. kneen, andrew smith, julie-ann webster, kay hirst, bob withers, friends of burnley gardens, fobg, camellia japonica 'a.w. jessep'

Confirmed by Georgina Whitehead (producing book on Public Gardens.)2 copies black and white photograph. Row of large Elm trees lopped heavily or being lopped. Man seated on stump half way up tree. Long wooden laddersOn reverse of one copy, "Fitzroy Gardens early 1920's."elm trees, fitzroy gardens, georgina whitehead, ladders, tree lopper

"Meeting Under the Pergola to Chat" is part of the Banksia Gardens collection from 1998. It captures a moment of social interaction within a public space designed for residents of social housing to meet and engage with their neighbours. This image highlights the significance of communal areas in fostering a sense of community and belonging among residents. The pergola serves as a focal point for social gatherings, reflecting the thoughtful urban planning aimed at enhancing social cohesion and quality of life in the housing development during that period.The photograph titled "Meeting Under the Pergola to Chat" is part of the Banksia Gardens collection from 1998. It depicts social housing with public spaces designed for neighbours to meet and interact. This image captures the essence of community life and the importance of shared spaces in fostering social connections within the housing development. The photograph not only documents the architectural and social planning of the era but also highlights the value placed on communal areas for enhancing the quality of life for residents.Colour photograph on glossy photographic paper."Pergola where neighbours meet to chat, Public Housing"/"Banksia Gardens 1998"social housing, banksia gardens, pergola, meeting place, 1998

The Ballarat School of Mines Botanical Gardens are locate at the rear of the current Administration Building. The gardens were important for the teaching of Materia Medica and Pharmacy at the Ballarat SChool of Mines. Ferdinand Von Mueller, a one time examiner in Botany at the School, is thought to have supplied or suggested plants. Black and white photograph of the path and stairs in the centre of the Ballarat School of Mines Botanical Garden. The photograph depicts mature trees in the gardenballarat school of mines botanical gardens, ballarat school of mines, botanical gardens, materia medica, pharmacy, ferdinand von mueller, noel l. harvey

Botanical Gardens Port Fairy Mound area 1900? The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Sepia photographThe Mound in the Gardens Port Fairy Victoria- Real Photo Series M.1994botanical, garden

foreground showing St Vincent's Gardens, c1900postcard black and white arial view of South Melbourne St Vincent Gardens and ariel view of South Melbourne circa 1900.

Pedestrian entrance to the Botanical Gardens. The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Black and white photograph of the pedestrian entrance to the Botanical Gardens gradens, botanical, path, gates, entrance

The Ballarat Botanical Gardens were established in 1858 and cover 40 hectares and are one of the most celebrated cool climate gardens in Australia. Colour photograph of a souvenir cup depicting Ballarat Botanical Gardens..ballarat botanical gardens, souvenir ware

The gardens' most notable feature is the Palm House conservatory. The foundation stone was laid by the Marquess of Donegall in 1839 and work was completed in 1840.[4] It is one of the earliest examples of a curvilinear cast iron glasshouses in the world. Designed by Charles Lanyon and built by Richard Turner, Belfast's Palm House predates the glasshouses at Kew and the Irish National Botanic Gardens at Glasnevin, both of which Turner went on to build. The Palm House consists of two wings, the cool wing and the tropical wing. Lanyon altered his original plans to increase the height of the latter wing's dome, allowing for much taller plants. The Palm House also features a 400-year-old Xanthorrhoea. (Wikipedia)A coloured postcard showing a large glasshouse standing in the middle of Belfast Botanic Garden.chatham family archive, belfast, garden, ireland, glasshouse, belfast botanic garden, palm house