Black and white text on these slides features terminology relevant to design such as Contrast, Intensity, Hue, Value, Visual texture, Figure-ground relationship, Form, and Composition. An accompanying group of full colour artworks and photographs, featuring male figures with clasped hands, probably aim to demonstrate the above terms. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 12 mounted 35mm black and white text slides (numbered 1 to 12). 9 full colour slides (numbered 16-28, incomplete)."DESIGN" "Lecture" and "1" handwritten on first slideuniversity of ballarat, teaching aid, graphic design, lecture slides

ORIGINAL PHOTOGRAPH OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND ST. CLUNES.1 SEPIA ORIGINAL PHOTOGRAPH MOUNTED ON BOARD (CORNER TORN OFF) .2 SEPIA COPY ON CARD - SCENE OF SEBASTOPOL GARDENS CLUNES, VIEW SHOWING GARDENERS AND FENCE IN HARRIS FAMILY FRUIT AND VEGETABLE GARDEN CIRCA 1886 .3 SEPIA COPY ON PHOTO PAPER .4-.6 BLACK AND WHITE COPIES .2 "SEBASTOPOL GARDENS" CLUNES 1886 WINNER OF PICKLES AND JAMS COMPETITION IN CALCUTTA IN INDIA 1886 (IN PEN)local history, photography, sebastopol gardens, market garden

This wrist band was issued to those attending a Night in the Gardens, an event held in 2016 to celebrate the 150th Anniversary of the Warrnambool Botanic Gardens. These Gardens were first established near the mouth of the Hopkins River in the 1850s but this site proved unsuitable and they were moved to the present location ( Cockman Street/ Botanic Road) in 1866. In 1877 William Guilfoyle was commissioned to provide a plan of the Gardens. Charles Scoborio 1872 to 1906 was a prominent curator. A piece of paper with black printing and removable ends with adhesive on the back to form a temporary wrist band. Night in the Gardens 19th march 2016- 7 pm.william guilfoyle, charles scoborio

The ‘Alexandra Gardens’ in Cotham Road were designed and laid out by George and Thomas Pockett. The Governor of Victoria officially opened them in 1908. A report of the opening stated that “…the gardens have been laid out in large sloping lawns, divided by wide graveled paths, and dotted with tastefully arranged flower beds, which are now bright with autumn bloom”. The massed beds of shrubs and flowers included beds of chrysanthemums, a specialty of George Pockett, the Garden’s first curator. A large rotunda was constructed in 1910 to mark the Jubilee of Kew. A plaque memorialising the contribution of George Pockett, was attached to the original rotunda after his death in 1922. By 1911, electric lighting was installed to allow the public to access the Gardens, and the concerts that were held within them on summer nights. The Gardens were later to include the Jubilee Fountain, moved from the front of the Kew Post Office in 1925. The Kew Council commissioned the substantial bluestone entrance gates in 1933.The Kew Historical Society is fortunate that the City Engineer, Mr Poulter, donated a number of items held by the City of Kew to the Society for safekeeping, rather than identifying them for destruction. The most significant items donated included old maps, including those issued by the Board of Works. Other items included photographs of public works undertaken by the Department. The By-laws are part of that donation and tell us lots about the social values of the period.The Mayor, Councillors and Burgesses of the Borough of Kew published By-Law No.45 in 1908 to regulate the “Conduct of Persons whilst at or Within the Gardens known as the Alexandra Gardens”. The By-Law also set a charge for “Persons Using or Entering in or upon the said Gardens”. The 17 by-laws included predictable prohibitions on expectorating, using indecent language, interfering with the floral displays, or indeed with the caretaker gardeners. Other acts prohibited included a warning that “Children under the age of ten years not being under the control of some competent person may be removed from said gardens”. The Alexandra Gardens were at one stage surrounded by a picket fence. This might explain the prohibition on climbing upon or getting through over or under any fence at or within the gardens. The financial penalty for breaching the By-Law was determined as “…not exceeding Ten pounds and not less than Five shillings”. This original copy of the By-Law was donated to the Kew Historical Society by the City of Kew.alexandra gardens (cotham road, kew), city of kew

Comic-book style promotion featuring students completing the two-year Advanced Diploma of Arts (Graphic Design) course at University of Ballarat, 2007. Inside front cover features student names and photographs, plus "character" names. Pages feature student folio pieces. 16pp saddle-stitched full colour offset throughout.Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Arts (Graphic Design). 16pp saddle-stitched booklet, full colour offset throughout.diploma of graphic design (2 years), university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. A folio of thirty three drawings and paintings undertaken by Alice Watson at the Ballarat Technical Art School. The works include including the application of Australian flora to designs, including for pottery, leather and applique. .2) is a design for a table runner to be executed in richelieu work .3) frieze including fish .4) "Design for a border to be executed in stencil". 1932 .12) "Design on the waratah for a bowl to be executed in clay". 1932 .14) "Time test" .12) .17) .15) .18) show the combination of Australian flora with Art Nouveau-inspired designs .9) is a design for a wallet to be executed in raffia showing elevation, side elevation and plan views .11) is a design for a prayer book carrier to be executed in leather work .10) is an example of pencil transfer method of design seen on .11) .18) Design for a fan, image of birds and berries on a blue ground. .25) landscape illustration .27) "development" design based on a correa .29) "Design for a tea cosy based on the Cobia-Scanden to be executed in applique. 1931 (see also .31) .30) "Design for a writing tablet to be executed in embossed leather work and based on the native fuschia" (correa). 1931 .31) a completed doily holder: applique workMost are signed A. Watson 1931 .2) Paper is embossed with stamp of 'Goodall's Bristol Boards' stamp. (Crown depicted in centre) .20 and .22) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)ballarat technical art school, alice watson, flora, design, artwork, folio, art nouveau, alumni, leather work design, richelieu work, applique, doily holder, doyley holder, general design, edith alice watson

Confirmed by Georgina Whitehead (producing book on Public Gardens.)2 copies black and white photograph. Row of large Elm trees lopped heavily or being lopped. Man seated on stump half way up tree. Long wooden laddersOn reverse of one copy, "Fitzroy Gardens early 1920's."elm trees, fitzroy gardens, georgina whitehead, ladders, tree lopper

The Ballarat School of Mines Botanical Gardens are locate at the rear of the current Administration Building. The gardens were important for the teaching of Materia Medica and Pharmacy at the Ballarat SChool of Mines. Ferdinand Von Mueller, a one time examiner in Botany at the School, is thought to have supplied or suggested plants. Black and white photograph of the path and stairs in the centre of the Ballarat School of Mines Botanical Garden. The photograph depicts mature trees in the gardenballarat school of mines botanical gardens, ballarat school of mines, botanical gardens, materia medica, pharmacy, ferdinand von mueller, noel l. harvey

Pedestrian entrance to the Botanical Gardens. The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Black and white photograph of the pedestrian entrance to the Botanical Gardens gradens, botanical, path, gates, entrance

The gardens' most notable feature is the Palm House conservatory. The foundation stone was laid by the Marquess of Donegall in 1839 and work was completed in 1840.[4] It is one of the earliest examples of a curvilinear cast iron glasshouses in the world. Designed by Charles Lanyon and built by Richard Turner, Belfast's Palm House predates the glasshouses at Kew and the Irish National Botanic Gardens at Glasnevin, both of which Turner went on to build. The Palm House consists of two wings, the cool wing and the tropical wing. Lanyon altered his original plans to increase the height of the latter wing's dome, allowing for much taller plants. The Palm House also features a 400-year-old Xanthorrhoea. (Wikipedia)A coloured postcard showing a large glasshouse standing in the middle of Belfast Botanic Garden.chatham family archive, belfast, garden, ireland, glasshouse, belfast botanic garden, palm house

This apron was designed for the Ballarat Apron Festival by local designer Clare Schreenan of Clasch Designs Ballarat. The tartan fabric was designed by Art Gallery of Ballarat for the 2014 exhibition “For Auld Lang Syne: Images of Scottish Australia, from the First Fleet to Federation”, and is officially registered with the Scottish Register of Tartans. The colours are highly significant: grey being chosen for the basalt plains on which Ballarat is built upon; Blue and white representing the Eureka Flag; and yellow for the gold that has made Ballarat so famous. Born in Ballarat, Schreenan attended Loreto College before studying fashion at Melbourne College of Textiles. She has worked extensively in Sydney, travelling to Paris, London and Los Angeles for work projects. She returned to Ballarat in 2006, launching Clash Design. Featuring the official, highly symbolic Ballarat tartan, and made by highly renowned local designer Clare Schreenan, this contemporary apron is of local significance to the Ballarat community. Grey, blue, white and yellow wool tartan fabric apron with asymmetrical design. Velco closures on back with zipper detailing. ballarat, tartan, apron

The Ballarat Botanical Gardens were established in 1858 and cover 40 hectares and are one of the most celebrated cool climate gardens in Australia. Colour photograph of a souvenir cup depicting Ballarat Botanical Gardens..ballarat botanical gardens, souvenir ware

Botanical Gardens Port Fairy Mound area 1900? The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Sepia photographThe Mound in the Gardens Port Fairy Victoria- Real Photo Series M.1994botanical, garden

foreground showing St Vincent's Gardens, c1900postcard black and white arial view of South Melbourne St Vincent Gardens and ariel view of South Melbourne circa 1900.

Central Park Gardens. Lady beside mature palm tree with hedge in background. c1920'sBlack & white photograph of Central Park gardens with woman standing on path beside garden bed with truck of palm tree in center of photo.stawell

Storybook/fairytale themed promotion of student work on completion of the two-year Advanced Diploma of Arts (Graphic Design) course at University of Ballarat, 2008. Page one features student names and photographs, plus "character" names. Pages 2-3 fairytale map. Subsequent pages include folio examples, one student per double page spread. Inside back cover notes sponsors, Sovereign Press and The Image Company. Teaching staff for duration of the two-year course listed as: James Baker, Peter Lambert, Jill Hyatt, Ben Sanders, Travis Price, Sam Harmer, Trevor Tagliabue, Alister Heighway, Sarah Lloyd. Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Arts (Graphic Design). 32-page + 4-page cover saddle-stitched booklet. Full colour offset throughout.university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus

These are most likely student works from Koorie Art and Design course, 1994. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 11 35mm mounted slides, from Koorie Art and Design classes, 1994. university of ballarat, federation university australia, graphic design, art, koorie, aboriginal art, indigenous art, first peoples, bill, rubina, kylie, abraham

An advertising brochure for Marysville Crystal Gardens and Shop in Victoria.An advertising brochure for Marysville Crystal Gardens and Shop in Victoria. Marysville House, home to Marysville Crystal Gardens and Shop was built by Arthur Dickinson as a guest house in the late 1920s, then added to in the late 1940s. It closed as a guest house in the late 1950s. The family catered for up to 40 guests at a time. It was also the family home and still is. After the 2009 Black Saturday bushfires, it is now the only surviving, original guest house left in Marysville.crystal gardens, marysville, victoria, ferguson tractors, marysville house, arthur dickinson, guest house, 2009 black saturday bushfires

An advertising brochure for Marysville Crystal Gardens and Shop in Victoria.An advertising brochure for Marysville Crystal Gardens and Shop in Victoria. Marysville House, home to Marysville Crystal Gardens and Shop was built by Arthur Dickinson as a guest house in the late 1920s, then added to in the late 1940s. It closed as a guest house in the late 1950s. The family catered for up to 40 guests at a time. It was also the family home and still is. After the 2009 Black Saturday bushfires, it is now the only surviving, original guest house left in Marysville.crystal gardens, marysville, victoria, ferguson tractors, marysville house, arthur dickinson, guest house, 2009 black saturday bushfires

Photograph made by A. P. Winzenried for consideration as a possible illustration in, "Green Grows Our Garden." 2 colour copies of a sepia photograph. . Copy of a photograph made by A. P. Winzenried. Female student pruning a tree in the Orchard. On reverse," Noelle Vaughan 1917 (graduated 1919) in the orchard at Burnley Gardens."a. p. winzenried, green grows our garden, noelle vaughan, orchard, noelle kendall, pruning

Two marble lions located just inside the entrance gates (Also known as the Morey Gates) to the Ballarat Botanical Gardens were donated by David Ham MLC in 1893.Snow in Botanical Gardens, Ballaratballarat botanical gardens, snow, pavilion, lion