Roll of 35mm colour negative film, 6 of 7 stripsKodak Gold 100-2 5095infrastructure, roadworks - gutters, shire of eltham, streets, elsa court, eltham festival, main road

Twenty-three pages booklet Bendigo easter festival 6-8 April 2012. Red cover with yellow/gold dragon.event, easter fair, bendigo easter fair

Pinkish ticket fading to white in the centre with a gold multi scalloped edge. On card: ' Bendigo Centenary Festival, January 1st to December 31st, 1951. Grand Dancing Carnival competitive and general dancing, Town Hall Bendigo, Thursday, February 15th 1951. Tickets 7/6 single His worship the Mayor, Cr NJ. Oliver President, Miss K Goetze, Secretary' City of Bendigo emblem in the top left corner. Allan Grant of Melbourne, the judge. His worship the Mayor Cr. N. J. Oliver, President and Miss E. Goetze, Secretary. Ticket No 56.entertainment, dance, dance festival, document, grand dancing carnival ticket, cr n j oliver, miss e goetze

Round wooden slab, bark on, polished on 1/2 slab base. Nine small gold shields 2003 - 2008 (6) inscribed with Churchill Island Working Horse Festivals Sheep to Shawl competition team winners. Rectangular gold with black lettering: "CHURCHILL ISLAND SHEEP TO SHAWL CHALLENGE" at base.CHURCHILL ISLAND/SHEEP TO SHAWL/CHALLENGE [Bottom plaque] 2003/?/?/CAROL FARR/BERYL FARR [top shield] 2007/CAROL FARR/BERYL FARR/ANN DAVIES [middle shield] 2004/?/? CAROL FARR/BERYL FARR [top right shield] 2005/CAROL FARR/BERYL FARR/ANN DAVIES [shield at right] 2006/CAROL FARR/BERYL FARR/ANN DAVIES [bottom right shield] 2008/CAROL FARR/BERYL FARR/ANN DAVIES [bottom shield] churchill island, working horse festival, sheep to shawl challenge, shearing, spinning, knitting

This object was made to commemorate Sunbury 150 years.A bell-shaped wine glass with a fluted stem that tapers to a round base. Made of clear glass with gold transfer of "SUNBURY 150" on the front.Abstract motto Gold Transfer. / SUNBURY 150 / Living Today 1836 - 1986shire of bulla, sunbury 150, souvenirs, commemoration, festivals and celebrations, george evans collection

This item was produced to commemorate the Australian Bicentennial 1788 - 1988An 'Anjou' style traditional red wine glass with a long stem and inturned bowl and flat base. There is a gold 'Shire of Bulla' transfer on the front.Front: 'Shire of Bulla' emblem Back: "Australian Bicentennial / 1788 - 1988"wine glasses, shire of bulla, australian bicentenary, festivals and celebrations, glasses, municipal offices, sunbury, george evans collection

Used at Sunbury Pop Festival staged on George Duncan's property in 1975.Aluminium 370ml. can for beer. Green and gold background with red and white writing also sketch of quitar playing singer on can. Opening on top for pouring or drinking."COURAGE/CREST/LAGER/370ml..."sunbury pop festival, duncan, george, george evans collection

Concerts were held at ten venues in Collins street grand music promenade venues:Baptist Church, St Michaels, ANZ Cathedral Room, 101 Collins Street, Kay Craddock bookshop, Georges Dining Room, Scot's Church, 161 Collins Street, the gold vaults of the Old Treasury Building. Note: It was recorded in the secretary's diary that concerts associated with the Collins Street Grand Music Promenade were held at the Melbourne Athenaeum Theatre all day on Sunday the 6th of November. This festival was organised by Greg Hocking and Peter Marks.Black and white postcard flyer Folder also contains a newspaper article, a venue program, folded poster and various letters of correspondence. One day on a magnificent street with: Roger Woodward, Geoffrey Tozer, Joan Carden, Melbourne String Quartet, Rita Reichman, Australian String Quartet, Elizabeth Campbell, Micheal Kieran Harvey,Rebecca Chambers, Merlyn Quaife, Helen Noonan, Jeannie Marsh, Margaret Haggart, Melbourne Chamber Orchestra, Douglas Lawrence, Spiros Rantos, Academy of Melbourne, Geofrey Paine, Brett Kelly, Haydn Chamber Orchestra, The Victorian Chorale, Faye Dumont Singers, David Berlin, Elizabeth Anderson and more ...the collins street grand music promenade, melbourne athenaem theatre

Photos of the Lantern Festival workshop held to pull the community together during the battle to save Big Hill from the mining Companies application to have an "Open Pit Mine" in 1998-1999. Master lantern maker Graeme Dunstan coordinated the work shops, with financial support from the "Big Hill Action Group". when the decision from Victoria State Government was given, the group celebrated by carrying lanterns from Gold Reef Hall - near the Post Office up to Big Hill.Seven colour photographs of the Lantern festive workshop at Big Hill in c 2000. Taken by Jim Melbourne stawell

Rectangular shaped tin, gold edges with Military Tatto Photo on lid. Used to hold biscuitsGold markings around edge, Edinburgh Festival Tattoo, photo of Military Tattoo on lid.

Gold Medal to a Slovenian girl in 1962 at the Miss Moomba International Quest in 1962Medal received by Danila Bole (now Štolfa) for participation at Moomba parade in 1962, representing Slovenian Association Melbourne in Slovenian national costume, together with Helena Van de Laak and Miss Moomba International Quest, Moomba Festival Melbourne, 1962 with Moomba logomedal, moomba parade

Gold medal in a velvet box presented to Danila Bole (Štolfa) for participation at the Miss Moomba International Quest in 1962.Miss Moomba International Quest, Moomba Festival Melbourne, 19626.5 x medal, moomba parade

Important Victorian Labour Day annual event in Melbourne and many floats form a lengthy parade - celebration in the streets of Melbourne, concluding at the Alexandra Gardens along River Yarra; it is a presentation of various communities, arts and cultural performances in the State of Victoria.Getting together, celebrating multicultural community and many facets of social lifeGold plated trophy presented to Slovenian Association Melbourne in 1980 for the entry of a float at the Moomba parade.Melbourne Moomba Festival Chairmans Trophy 1980 Best Float by First Time Entrantslovenian association melbourne, moomba parade, moomba festival melbourne, moomba float

This program is for events held during the 2007 Emerging Writers' Festival. The program provides information about the events and programs involved in the festival, which was Directed by Steve Grimwade in 2007.More information about the programming of the 2007 Emerging Writers' Festival can be found at: https://web.archive.org/web/20070516153025/http://emergingwritersfestival.org.au/A black and gold printed booklet of the 2007 Emerging Writes' Festival Programemerging writers' festival, 2007, literary programming, the wheeler centre, steve grimwade, zine fair

The 2007 Emerging Writers' Festival was programmed by festival Director Steve Grimwade. The festival ran from My 25 until May 27, 2007 at the Melbourne Town Hall, Federation Square and the State Library of Victoria.A black flyer with gold printing advertising the 2007 Emerging Writers' Festival, including details of sponsors, an overview of the program and dates and contact details.emerging writers' festival, 2007, literary programming, the wheeler centre, steve grimwade, zine fair

The Emerging Writers' Festival sells golden tickets each year. A golden ticket entitles the holder access to all Industry Insider events, Emerging Q&A, The Pitch, The Writers' Conference and additional events and benefits including VIP seating.An A4 letter with a gold badge attached to the top right corner. The Emerging Writers' Festival logo is the centre top and the letter contains dot points detailing the benefits of a 'golden ticket'.10th emerging writers' festival, sam twyford-moore, 2013, program, the wheeler centre, emerging writers', literary, anniversary, festival

Rich Text was a partnership between the Emerging Writers' Festival in 2007 and RMIT Gallery. It consisted of an exhibition of text, from which this book was produced.A gold and black book with Rich Text in cursive script on the frontemerging writers' festival, literary programming, the wheeler centre, rmit gallery, 2007

Jackie Kerin's (donor's) story. In 1973, I was in my late teens and while I’d moved to Sydney from Melbourne, to begin my first year of drama studies at the National Institute of Dramatic Art. My parents had moved to Lake Bunga, a few kilometers north of Lakes Entrance (Victoria). On my first holiday visit to Bunga, I called into the Jolly Jumbuck Country Craft Centre in Bairnsdale http://jumbukwool.com.au/history. I was entranced by the place and spent the following weeks learning to spin lumpy wool on an Ashford Wheel. By the end of the holidays, I had my own Ashford and it travelled with me back to Sydney. After graduation, I returned to Melbourne and the hippy “back to nature” movement was in full swing; there were many shops and galleries selling handmade woollen items and pottery etc. So I found an outlet for my pieces. Sometime in 1976-77, I met a spinner and weaver of Swiss origin (I think) – her name was Ingeborg Guber (not sure of the spelling). She had a small gallery/shop at Brighton Beach where she worked, with her pet duck for company. Ingeborg had an upright Philip Elford wheel; an Australian wheel crafted from Acacia melanoxylon (blackwood). I was smitten and ordered one. I have a memory of Philip driving to Hampton from Ballarat to make the delivery. I used this wheel for years but as time and enthusiasm for spinning waned, the wheel became a decorative item in the house. Then in the 90s, and with my drama training, I set myself up travelling to schools and festivals, museums and galleries as a storyteller. The spinning wheel had a new life accompanying me on my adventures. For many children, familiar with references to spinning in fairy tales, seeing the little Philip Elford upright was magical. The wheel was donated to the National Wool Museum in 2021.Vertical tripod leg spinning wheel. 6 spoke wheel with three bobbins. Inscription “Philip Elford Ballart” can be read in gold text stamped to the base of the wheel. Wording, stamped, gold. Philip / Elford / Ballartspinning wheel, textile production, hobby textiles, aciacia melanoxylon (blackwood)

Framed colour photograph featuring "Karmai the Giant Worm" at the Great Southern Festival. Includes people in costume on the side of a low hills with the Karmai float supported by children. Tents in the background. Brown wood frame with gold edging.

Colour print of Ballarat Gold Tram, No. 14, Bendigo 18, in Wendouree Parade on 2/3/2001. Tram destination showing Special. On Kodak paper. Same photograph used on the front cover of March 2001Fares Please! and in the Topmill 2002 calendar. Begonia festival and APEX Art show signs in the background at the Ferry stop. In worksheet folder is letter from Topmill and cover page of Fares Please!On rear in blue ink "AVG" and arrow, showing printing marks.gold tram, fares please!, wendouree parade, topmill, tram 45

Colour photocopy of article from Bendigo Advertiser. Dated Saturday, May 23, 2015. FAREWELL, MA.. When Peter received his Order of Australia Medal it was one of his proudest moments. He couldn’t resist wearing it on every occasion. FROM - PREVIOUS PAGE The Emu Creek Bush Band has performed at National Folk Festivals in four states and numerous times at the National Folk Festival in Canberra. They have also been mainstays of the Maldon Folk Festival for most of its history as well as doing dance programs for the Port Fairy Folk Festival on two occasions. Peter wrote and published many books related to traditional music and dance. These include: Three volumes of 'Collector's Choice' which is musical notations for bush dances coupled with much dance history which would have been lost without Peter's efforts, are 'Two Hundred Dancing Years- How to run a Colonial Ball' (Co-authored with Shirley Andrews (AM), 'Music Makes Me Smile- The Music of the Nariel Valley' (Co-authored with Harry Gardner), and his last completed book is titled 'The Merry Country Dance' with over 300 pages.. .. .. Grant. The first edition sold out in only a few weeks. Peter taught old time musicianship, accomplished as he was on the concertina and button accordion, tin whistle, and harmonica, as well as the Swanee whistle, piano and ukulele. In demand for workshops in music and dance at National Folk Festivals in Perth, Alice Springs, Maleny, Melbourne, Adelaide, Kuranda and more recently at several Canberra National Folk Festivals, he was a hit at festivals across the country. As a trained ballroom dancer, with many gold medals to his name, Peter passed on his knowledge every time he trained debutante sets in the Bendigo region. As an early environmentalist, he was a life member of the Bendigo Field Naturalists Club, secretary in the 1970's and actively involved in campaigns to save Lake Pedder and establish the Whipstick and Kamarooka State Parks (now part of the Bendigo National Park). He has discovered and named new plant species in the Whipstick Forest and propagated many Australian plants. Peter took regular guided tours through the Whipstick each spring, on wildflower educational tours. He was a keen and gifted photographer of local plant species. When Peter received his Order of Australia Medal it was one of his proudest moments. He couldn’t resist wearing it on every occasion. Funeral details. Family, friends and his supporters will farewell Peter.. .. .. ..person, individual, peter ellis oam

2 A4 sheets. Handwritten pencil note at top of first page reads: Eulogy published in Trad & Now Magazine. Vale Peter Ellis OAM. By John Williams. The folk community lost a giant on May 18th when Peter Ellis passed away after a short illness. Peter had been a collector, author and musician for nearly forty years and his work has been prodigious to say the least. Peter has the largest collection of dance related material in the National Library and had travelled Australia on his collection trips. He produced twenty CDs of dance music and historical music with his Bendigo based band the Celebrated Emu Creek Bush Band which he founded and led for thirty four years. His final project was the double CD 'Cooee, Songs of the ANZACS' which he organised in conjunction with the Bendigo Historical Society. It was launched on 24th April and was Peter's last performance. Peter has also been a member of the Wedderburn Old Timers for over thirty years and has assisted with many of their recordings including their latest Bush Concert CD which Peter Organised. Peter has contributed to many other CDs over the years and has been thanked on many a CD cover by many folk artists. Peter has also written several books, the three volume 'Collectors' Choice,' 'Two Hundred Dancing Years' co-written with Shirley Andrews OAM, and 'Music Makes Me Smile' the history of the Nariel Valley musicians co-written with Harry Gardner. Peter's recent major work The Merry Country Dance will become the bible for people wishing to learn about our bush music heritage with its matching six CD collection. Peter has also contributed to 'Verandah Music' edited by Rob Willis and Graham Seal and 'The Oxford Companion to Australian Folklore' edited by Graham Seal and is a regular contributor to Trad & Now. He completed his last Trad & Now article the week before he died. Peter was also a life member of the Field Naturalists and was extremely active in campaigns to preserve Lake Pedder, the Whipstick Forest and Kamarooka Forest (now part of Bendigo National Park and preserved forever) One Tree Hill, Jackass Flat Flora Reserve and Saloman's Gully bushlands. Peter has discovered and named plants in the whipstick and enjoyed propagating native plants. He loved his amazing bush block in suburban Bendigo. Peter was also a keen photographer and had photos published in the book 'Wildflowers of Bendigo'. Peter taught dancing and music classes with Continuing Education for many years and encouraged many young musicians over the years. Peter was an accomplished ballroom dancer and had achieved gold medal status in that field. He was one of Australia's finest exponents of the button accordion, concertina, harmonica and tin whistle. Peter also played piano, organ and ukulele as well as the Swanee whistle and bones. Peter was the founder of the Annual Dinki Di Ball held each September in Eaglehawk as a tribute to the old MC's. Peter was happy playing for fund-raisers for any organisation who asked and also enjoyed plying the big gigs such as for the opening of the Melbourne Museum or for State Parliament. He played in the National Folk Festivals in four states and was a regular at the National in Canberra where he gave regular classes, performed with his bands and was a stalwart of the Aussie section of the session bar. He performed at nearly every Maldon Folk Festival and was MC at Nariel Folk Festival dances for many years. Peter was very proud of his OAM and wore the little medal at all of his performances. That honour was rightly given to one who did so much to preserve Australia's dance history. Peter lived a full life and was a friend to hundreds of people. He was taken far too young and in typical fashion was planning new projects right till the end. His passing is a huge loss for us all but one thing is certain. He will never be forgotten.person, individual, peter ellis oam

Souvenir glass commemorating the Eaglehawk Dahlia and Arts Festival, stemmed with gold rim and gold lettering with a depiction of the Eaglehawk Town Hall.event, official, eaglehawk dahlia and arts festival

Golden Square High School in the city of Bendigo, was established in temporary accommodation at Camp Hill Primary School in central Bendigo in 1960. With the completion of the new school's buildings, it moved to Golden Square in 1962, providing for Forms 1 to 6, now known as years 7 to 12. In 1978 it became a 7–10 school and was one of the original feeder schools to Bendigo Senior High School. In 1986, a Hearing Impaired Unit was established and in 1990 it underwent a name change to become Golden Square Secondary College. The Golden Square Secondary College campus closed on 28 November 2008. It merged with Kangaroo Flat and Flora Hill secondary colleges as part of the implementation of the Bendigo Education Plan. Its buildings were demolished. (Wikipedia https://en.wikipedia.org/wiki/Golden_Square_Secondary_College)Two wooden shields awarded to Golden Square Secondary College at the Melbourne School Bands Festival. Dark wood in the shape of a shield. a. Gold Shield awarded to the Junior Concert Band in 2001. TATMUSE AWARD for Outstanding Performance. Presented by Mr Richard Floyd. Sponsors represented by logos - Music Junction, Billy Hyde, RATMUSE (Music Publishers). Education Trust Vic. b. Yamaha Gold Award won by Golden Square Secondary College Intermediate Concert band 2003 at the Melbourne School Bands Festival. Presented to Symphonic Winds by Mr. K Waterworth. Award sponsored by Yamaha Music Australia, Billy Hyde Music. Blue border around a gold coloured shield.a. Sticker on the back of the Shield. "WINNING EDGE PRESENTATIONS Wholesale Trophy Framing and Giftware level 9 230 Collins Street Melbourne phone 9654 4911 Fax 9650 7106"gssc, sports top, music awards

The Kew Festival in the modern era was initiated in 1974. Souvenir badges were issued during a number of festivals.Black and silver badge produced for the 25th anniversary of the Kew Festival in 1999"Kew Festival, 25th Kew Festival, Silver to Gold"kew festival, badges, souvenirs